Songs like Byrd One Brere by Traditional
Based on a tempo of (+/- 10%) and a similar genre
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Desmond Earley
The Gartan Mother’s Lullaby
72 bpm • D# Maj • 04:57 • -24.38db
19% Popularity • 29% Danceability • 3% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
19% Popularity • 29% Danceability • 3% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Claudin de Sermisy
Tant que vivray
72 bpm • E Maj • 02:19 • -18.77db
14% Popularity • 34% Danceability • 14% Energy • 34% Liveness
0% Instrumentalness • 26% Positiveness
14% Popularity • 34% Danceability • 14% Energy • 34% Liveness
0% Instrumentalness • 26% Positiveness
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The Russian State Symphony Cappella
Great Ektenia
72 bpm • A# Maj • 03:48 • -18.52db
27% Popularity • 12% Danceability • 20% Energy • 14% Liveness
90% Instrumentalness • 3% Positiveness
27% Popularity • 12% Danceability • 20% Energy • 14% Liveness
90% Instrumentalness • 3% Positiveness
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Valentin Silvestrov
Alleluia: III. Night
72 bpm • E min • 03:30 • -35db
23% Popularity • 14% Danceability • 1% Energy • 11% Liveness
74% Instrumentalness • 3% Positiveness
23% Popularity • 14% Danceability • 1% Energy • 11% Liveness
74% Instrumentalness • 3% Positiveness
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Origen
Of Thy Mystical Supper
72 bpm • C min • 02:48 • -12.24db
26% Popularity • 8% Danceability • 26% Energy • 10% Liveness
40% Instrumentalness • 4% Positiveness
26% Popularity • 8% Danceability • 26% Energy • 10% Liveness
40% Instrumentalness • 4% Positiveness
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Monks Of The Abbey Of Notre Dame
Exaudit Te Dominus
73 bpm • B Maj • 01:28 • -24db
43% Popularity • 30% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
43% Popularity • 30% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Allegri: Miserere - 04. Ecce Enim Verita...
71 bpm • G min • 01:07 • -33.77db
41% Popularity • 24% Danceability • 2% Energy • 12% Liveness
17% Instrumentalness • 4% Positiveness
41% Popularity • 24% Danceability • 2% Energy • 12% Liveness
17% Instrumentalness • 4% Positiveness
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Antonio Lotti
Vere languores nostros, IAL 32
71 bpm • G# Maj • 02:33 • -30db
31% Popularity • 22% Danceability • 1% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
31% Popularity • 22% Danceability • 1% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
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Laestadian Lutheran Church
The Benediction
71 bpm • C Maj • 01:49 • -21.59db
18% Popularity • 23% Danceability • 18% Energy • 16% Liveness
87% Instrumentalness • 10% Positiveness
18% Popularity • 23% Danceability • 18% Energy • 16% Liveness
87% Instrumentalness • 10% Positiveness
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John Taverner
Missa Gloria tibi Trinitas: Sanctus
71 bpm • D min • 05:46 • -18.29db
16% Popularity • 8% Danceability • 18% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
16% Popularity • 8% Danceability • 18% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
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Anonymous
Sub Tuum Præsidium
71 bpm • G# Maj • 01:03 • -18.89db
35% Popularity • 24% Danceability • 24% Energy • 10% Liveness
26% Instrumentalness • 8% Positiveness
35% Popularity • 24% Danceability • 24% Energy • 10% Liveness
26% Instrumentalness • 8% Positiveness
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Monks Of The Abbey Of Notre Dame
Justorum Animae
71 bpm • C Maj • 02:37 • -24.57db
43% Popularity • 23% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
43% Popularity • 23% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Lee Holdridge
Come Thou Almighty King
71 bpm • B Maj • 00:42 • -17.05db
18% Popularity • 16% Danceability • 23% Energy • 40% Liveness
4% Instrumentalness • 20% Positiveness
18% Popularity • 16% Danceability • 23% Energy • 40% Liveness
4% Instrumentalness • 20% Positiveness
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Monks And Choirboys Of Downside Abbey
Cantique De Jean Racine
73 bpm • C# Maj • 05:13 • -21.9db
16% Popularity • 6% Danceability • 12% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
16% Popularity • 6% Danceability • 12% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Marc-Antoine Charpentier
Te Deum
71 bpm • D Maj • 02:58 • -9.87db
22% Popularity • 16% Danceability • 32% Energy • 27% Liveness
90% Instrumentalness • 20% Positiveness
22% Popularity • 16% Danceability • 32% Energy • 27% Liveness
90% Instrumentalness • 20% Positiveness
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Traditional
Ma navu
73 bpm • F Maj • 05:41 • -24.11db
11% Popularity • 8% Danceability • 4% Energy • 11% Liveness
17% Instrumentalness • 3% Positiveness
11% Popularity • 8% Danceability • 4% Energy • 11% Liveness
17% Instrumentalness • 3% Positiveness
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Guillaume Dufay
Nuper rosarum flores
71 bpm • D min • 06:27 • -26db
18% Popularity • 17% Danceability • 7% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 7% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
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Kim André Arnesen
Child of Song
73 bpm • C min • 04:51 • -32.13db
18% Popularity • 7% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
18% Popularity • 7% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Eleanor Daley
Upon Your Heart
71 bpm • E Maj • 03:53 • -22db
35% Popularity • 12% Danceability • 12% Energy • 17% Liveness
63% Instrumentalness • 4% Positiveness
35% Popularity • 12% Danceability • 12% Energy • 17% Liveness
63% Instrumentalness • 4% Positiveness
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Eric Whitacre
Whitacre: Five Hebrew Love Songs: Temun�...
73 bpm • G Maj • 01:45 • -29.53db
34% Popularity • 14% Danceability • 5% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 14% Danceability • 5% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
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Codex Calixtinus
Compostela "Ad vesperas Sancti Iacobi": ...
73 bpm • E min • 06:55 • -16db
31% Popularity • 11% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
31% Popularity • 11% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Traditional
Ordinarium Missae: Gloria
71 bpm • F Maj • 03:23 • -22.81db
25% Popularity • 23% Danceability • 5% Energy • 17% Liveness
0% Instrumentalness • 8% Positiveness
25% Popularity • 23% Danceability • 5% Energy • 17% Liveness
0% Instrumentalness • 8% Positiveness
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Saint Ambrose
Aeterna Christi munera et martyrum victo...
70 bpm • C Maj • 01:32 • -31db
36% Popularity • 18% Danceability • 1% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
36% Popularity • 18% Danceability • 1% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Monks And Choirboys Of Downside Abbey
Attende Domine
70 bpm • C# Maj • 03:06 • -27.4db
27% Popularity • 27% Danceability • 8% Energy • 25% Liveness
0% Instrumentalness • 15% Positiveness
27% Popularity • 27% Danceability • 8% Energy • 25% Liveness
0% Instrumentalness • 15% Positiveness
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Ennio Morricone
Angele Dei
74 bpm • G# Maj • 02:24 • -13.03db
32% Popularity • 11% Danceability • 31% Energy • 10% Liveness
10% Instrumentalness • 6% Positiveness
32% Popularity • 11% Danceability • 31% Energy • 10% Liveness
10% Instrumentalness • 6% Positiveness
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St. Petersburg Optina Pustyn Male Choir
The Legend of the 12 Robbers
70 bpm • A# Maj • 04:24 • -17.08db
12% Popularity • 17% Danceability • 20% Energy • 11% Liveness
22% Instrumentalness • 11% Positiveness
12% Popularity • 17% Danceability • 20% Energy • 11% Liveness
22% Instrumentalness • 11% Positiveness
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James Whitbourn
Son of God Mass: Agnus Dei
70 bpm • C min • 02:20 • -31.76db
33% Popularity • 21% Danceability • 6% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
33% Popularity • 21% Danceability • 6% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
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Blake R. Henson
My Flight for Heaven
70 bpm • C# Maj • 04:48 • -24.87db
18% Popularity • 7% Danceability • 3% Energy • 14% Liveness
1% Instrumentalness • 3% Positiveness
18% Popularity • 7% Danceability • 3% Energy • 14% Liveness
1% Instrumentalness • 3% Positiveness
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Ensemble des chants et choeurs russes orthodoxes
Chant Lithurgique (Paix Avec Nous)
74 bpm • C# min • 02:09 • -25db
21% Popularity • 13% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
21% Popularity • 13% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Daniel Elder
3 Nocturnes: No. 3. Lullaby
70 bpm • E Maj • 04:20 • -26.92db
28% Popularity • 22% Danceability • 7% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
28% Popularity • 22% Danceability • 7% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
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Eric William Barnum
The Sweetheart of the Sun
74 bpm • D Maj • 04:59 • -24.06db
27% Popularity • 7% Danceability • 5% Energy • 23% Liveness
96% Instrumentalness • 4% Positiveness
27% Popularity • 7% Danceability • 5% Energy • 23% Liveness
96% Instrumentalness • 4% Positiveness
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Traditional
Ave Maris stella
75 bpm • A# min • 02:31 • -22.32db
40% Popularity • 23% Danceability • 19% Energy • 14% Liveness
86% Instrumentalness • 13% Positiveness
40% Popularity • 23% Danceability • 19% Energy • 14% Liveness
86% Instrumentalness • 13% Positiveness
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"The Orthodox Singers" Male Choir
Before Thy Cross
75 bpm • G min • 05:06 • -31.18db
25% Popularity • 7% Danceability • 2% Energy • 13% Liveness
97% Instrumentalness • 3% Positiveness
25% Popularity • 7% Danceability • 2% Energy • 13% Liveness
97% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Allegri: Miserere - 02. Amplius Lava Me
69 bpm • G# Maj • 01:10 • -35.6db
48% Popularity • 23% Danceability • 3% Energy • 25% Liveness
64% Instrumentalness • 3% Positiveness
48% Popularity • 23% Danceability • 3% Energy • 25% Liveness
64% Instrumentalness • 3% Positiveness
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Dimitri Tchesnokov
Hymn to the Cherubim
75 bpm • G min • 05:26 • -20.42db
22% Popularity • 8% Danceability • 16% Energy • 11% Liveness
32% Instrumentalness • 4% Positiveness
22% Popularity • 8% Danceability • 16% Energy • 11% Liveness
32% Instrumentalness • 4% Positiveness
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William Croft
Burial Sentences: I. I Am The Resurrecti...
75 bpm • D min • 01:04 • -21.24db
27% Popularity • 26% Danceability • 9% Energy • 19% Liveness
2% Instrumentalness • 4% Positiveness
27% Popularity • 26% Danceability • 9% Energy • 19% Liveness
2% Instrumentalness • 4% Positiveness
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Heinrich Isaac
La mi la Sol
75 bpm • D# min • 02:10 • -21db
31% Popularity • 40% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 53% Positiveness
31% Popularity • 40% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 53% Positiveness
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Guillaume Dufay
Je me complains piteusement
75 bpm • A Maj • 02:06 • -30db
27% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
27% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Louis-Nicolas Clérambault
Asperges me: Messe à la ville "Repons"
75 bpm • G Maj • 03:04 • -23.83db
15% Popularity • 13% Danceability • 4% Energy • 30% Liveness
11% Instrumentalness • 6% Positiveness
15% Popularity • 13% Danceability • 4% Energy • 30% Liveness
11% Instrumentalness • 6% Positiveness
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Eric Whitacre
Eric Whitacre: Lux aurumque
69 bpm • C# min • 03:48 • -26db
9% Popularity • 23% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
9% Popularity • 23% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Gottfried Heinrich Stölzel
Diomedes: Anna Magdalena Notenbuch (Clav...
69 bpm • C# Maj • 03:49 • -19.08db
21% Popularity • 23% Danceability • 16% Energy • 13% Liveness
44% Instrumentalness • 8% Positiveness
21% Popularity • 23% Danceability • 16% Energy • 13% Liveness
44% Instrumentalness • 8% Positiveness
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Veljo Tormis
La Kanteletar: I. Herkä neito
69 bpm • F# Maj • 02:11 • -35.53db
33% Popularity • 20% Danceability • 2% Energy • 10% Liveness
41% Instrumentalness • 7% Positiveness
33% Popularity • 20% Danceability • 2% Energy • 10% Liveness
41% Instrumentalness • 7% Positiveness
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The Singers - Minnesota Choral Artists
Les Chansons Des Roses: V. Dirait-On (Mo...
75 bpm • C# Maj • 05:01 • -28.06db
20% Popularity • 18% Danceability • 4% Energy • 13% Liveness
80% Instrumentalness • 8% Positiveness
20% Popularity • 18% Danceability • 4% Energy • 13% Liveness
80% Instrumentalness • 8% Positiveness
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Cyrillus Kreek
Whilst Great Is Our Poverty
76 bpm • C# Maj • 05:17 • -25.36db
30% Popularity • 8% Danceability • 7% Energy • 9% Liveness
48% Instrumentalness • 4% Positiveness
30% Popularity • 8% Danceability • 7% Energy • 9% Liveness
48% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
76 bpm • C Maj • 04:10 • -23.73db
15% Popularity • 18% Danceability • 8% Energy • 8% Liveness
51% Instrumentalness • 3% Positiveness
15% Popularity • 18% Danceability • 8% Energy • 8% Liveness
51% Instrumentalness • 3% Positiveness
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James MacMillan
St Anne’s Mass: III. Sanctus
76 bpm • D Maj • 01:43 • -25.98db
39% Popularity • 17% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
39% Popularity • 17% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
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James Whitbourn
Son of God Mass: Introit
69 bpm • E min • 01:16 • -24.74db
20% Popularity • 25% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 19% Positiveness
20% Popularity • 25% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 19% Positiveness
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Alfred Schnittke
Choir Concerto: IV. Sej trud, shto natch...
76 bpm • G Maj • 05:20 • -26db
9% Popularity • 12% Danceability • 2% Energy • 7% Liveness
54% Instrumentalness • 3% Positiveness
9% Popularity • 12% Danceability • 2% Energy • 7% Liveness
54% Instrumentalness • 3% Positiveness
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Philip Wilby
Marianne (arr. P. Wilby)
76 bpm • E Maj • 03:47 • -32db
24% Popularity • 7% Danceability • 3% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
24% Popularity • 7% Danceability • 3% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Probandi Benedittini Di San Giovanni In Parma
Agnus Dei
76 bpm • F Maj • 01:30 • -22.05db
46% Popularity • 17% Danceability • 13% Energy • 14% Liveness
96% Instrumentalness • 9% Positiveness
46% Popularity • 17% Danceability • 13% Energy • 14% Liveness
96% Instrumentalness • 9% Positiveness
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Cantus
Finlandia-Hymni
76 bpm • A Maj • 02:08 • -23.12db
19% Popularity • 11% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 5% Positiveness
19% Popularity • 11% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 5% Positiveness
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Anthony Holborne
Image of Melancholy
76 bpm • D Maj • 05:33 • -15.87db
33% Popularity • 13% Danceability • 8% Energy • 10% Liveness
78% Instrumentalness • 11% Positiveness
33% Popularity • 13% Danceability • 8% Energy • 10% Liveness
78% Instrumentalness • 11% Positiveness
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Charles Wood
Oculi omnium
76 bpm • E Maj • 01:13 • -24db
21% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
21% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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The Songs of Taize Session Singers
Confitemini Domino
76 bpm • E min • 02:26 • -24.41db
26% Popularity • 11% Danceability • 5% Energy • 12% Liveness
1% Instrumentalness • 10% Positiveness
26% Popularity • 11% Danceability • 5% Energy • 12% Liveness
1% Instrumentalness • 10% Positiveness
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Ensemble des chants et choeurs russes orthodoxes
Canon De Babylone, Pt. 1
68 bpm • G# Maj • 01:40 • -24db
20% Popularity • 18% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
20% Popularity • 18% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Jacob Obrecht
Missa O lumen ecclesie: Kyrie
76 bpm • F Maj • 01:15 • -23db
37% Popularity • 18% Danceability • 14% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
37% Popularity • 18% Danceability • 14% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
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Gregorian Chants
Miss De Angelis: III. Credo III
76 bpm • F# min • 03:56 • -20.2db
22% Popularity • 29% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
22% Popularity • 29% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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T. Tertius Noble
Evening Service in B Minor, Op. 6: I. Ma...
76 bpm • E min • 04:53 • -22db
14% Popularity • 10% Danceability • 20% Energy • 18% Liveness
9% Instrumentalness • 4% Positiveness
14% Popularity • 10% Danceability • 20% Energy • 18% Liveness
9% Instrumentalness • 4% Positiveness
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Monks Of The Abbey Of Notre Dame
Final Angelus Bells
76 bpm • D min • 05:29 • -15.98db
38% Popularity • 17% Danceability • 15% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
38% Popularity • 17% Danceability • 15% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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Ars Veritas
Gloria, laus et honor
76 bpm • F# min • 04:23 • -12db
27% Popularity • 17% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
27% Popularity • 17% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Bob Chilcott
A Little Jazz Mass (version for mixed ch...
76 bpm • G# Maj • 01:31 • -23.32db
32% Popularity • 17% Danceability • 10% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
32% Popularity • 17% Danceability • 10% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
► Preview
James Whitbourn
Requiem canticorum: Lux aeterna
76 bpm • C Maj • 01:39 • -41db
34% Popularity • 7% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
34% Popularity • 7% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
76 bpm • C Maj • 04:15 • -18.87db
16% Popularity • 11% Danceability • 14% Energy • 14% Liveness
12% Instrumentalness • 4% Positiveness
16% Popularity • 11% Danceability • 14% Energy • 14% Liveness
12% Instrumentalness • 4% Positiveness
► Preview
Choirs Of Annunciation Byzantine Catholic Church
Jesus Prayer
77 bpm • G# Maj • 02:30 • -27db
34% Popularity • 10% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
34% Popularity • 10% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
St. Petersburg Optina Pustyn Male Choir
The Little Bell
77 bpm • D# Maj • 03:43 • -21.75db
15% Popularity • 10% Danceability • 9% Energy • 11% Liveness
52% Instrumentalness • 3% Positiveness
15% Popularity • 10% Danceability • 9% Energy • 11% Liveness
52% Instrumentalness • 3% Positiveness
► Preview
Traditional
Ordinarium Missae: Sanctus
77 bpm • E Maj • 01:36 • -21.89db
24% Popularity • 25% Danceability • 8% Energy • 14% Liveness
6% Instrumentalness • 5% Positiveness
24% Popularity • 25% Danceability • 8% Energy • 14% Liveness
6% Instrumentalness • 5% Positiveness
► Preview
Virgil Thomson
My Shepherd Will Supply My Need (arr. V....
77 bpm • D Maj • 04:17 • -28.49db
28% Popularity • 14% Danceability • 10% Energy • 12% Liveness
35% Instrumentalness • 4% Positiveness
28% Popularity • 14% Danceability • 10% Energy • 12% Liveness
35% Instrumentalness • 4% Positiveness
► Preview
Heinrich Isaac
Innsbruck, ich muß dich lassen
77 bpm • F Maj • 02:45 • -18db
16% Popularity • 30% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
16% Popularity • 30% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Ensemble des chants et choeurs russes orthodoxes
Chant Lithurgique De La Paix, Pt. 1
68 bpm • G# min • 01:15 • -26.43db
23% Popularity • 16% Danceability • 3% Energy • 11% Liveness
72% Instrumentalness • 7% Positiveness
23% Popularity • 16% Danceability • 3% Energy • 11% Liveness
72% Instrumentalness • 7% Positiveness
► Preview
State Symphony Cappella
Amen, Allelulia
77 bpm • F Maj • 01:04 • -24.87db
23% Popularity • 12% Danceability • 18% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
23% Popularity • 12% Danceability • 18% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
► Preview
Juan de Anchieta
Ave sanctissima Maria: Ave Sanctissima M...
77 bpm • A min • 03:28 • -25db
15% Popularity • 16% Danceability • 7% Energy • 10% Liveness
58% Instrumentalness • 6% Positiveness
15% Popularity • 16% Danceability • 7% Energy • 10% Liveness
58% Instrumentalness • 6% Positiveness
► Preview
Beatus Choral Ensemble
Salve Regina - Solemn Tone
77 bpm • D Maj • 02:45 • -29.26db
32% Popularity • 18% Danceability • 3% Energy • 16% Liveness
79% Instrumentalness • 3% Positiveness
32% Popularity • 18% Danceability • 3% Energy • 16% Liveness
79% Instrumentalness • 3% Positiveness
► Preview
St. Peter St. Paul Cathedral Choir of Minsk
Cheruvimskaja Piesn
77 bpm • G# min • 05:23 • -21.63db
23% Popularity • 11% Danceability • 6% Energy • 12% Liveness
88% Instrumentalness • 5% Positiveness
23% Popularity • 11% Danceability • 6% Energy • 12% Liveness
88% Instrumentalness • 5% Positiveness
► Preview
Kim André Arnesen
MAGNIFICAT: II. Ecce enim
77 bpm • A min • 06:01 • -20.05db
23% Popularity • 8% Danceability • 12% Energy • 9% Liveness
38% Instrumentalness • 3% Positiveness
23% Popularity • 8% Danceability • 12% Energy • 9% Liveness
38% Instrumentalness • 3% Positiveness
► Preview
Bob Chilcott
The lily and the rose (version for mixed...
77 bpm • A min • 04:08 • -29.26db
15% Popularity • 15% Danceability • 6% Energy • 6% Liveness
83% Instrumentalness • 6% Positiveness
15% Popularity • 15% Danceability • 6% Energy • 6% Liveness
83% Instrumentalness • 6% Positiveness
► Preview
Bernat Vivancos
L'amour, le temps
77 bpm • A min • 03:43 • -31db
13% Popularity • 16% Danceability • 5% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 5% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Father Sergei Glagolev
Let All Mortal Flesh
67 bpm • E min • 03:18 • -24.51db
18% Popularity • 8% Danceability • 5% Energy • 15% Liveness
84% Instrumentalness • 5% Positiveness
18% Popularity • 8% Danceability • 5% Energy • 15% Liveness
84% Instrumentalness • 5% Positiveness
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The Tallis Scholars
Allegri: Miserere - 03. Tibi Soli Peccav...
77 bpm • A# Maj • 01:04 • -23db
37% Popularity • 24% Danceability • 10% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
37% Popularity • 24% Danceability • 10% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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James Whitbourn
Luminosity: V. Castle of Diamonds
67 bpm • A min • 01:21 • -28.74db
35% Popularity • 32% Danceability • 6% Energy • 25% Liveness
95% Instrumentalness • 4% Positiveness
35% Popularity • 32% Danceability • 6% Energy • 25% Liveness
95% Instrumentalness • 4% Positiveness
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Traditional
Ordinarium Missae: Agnus Dei
67 bpm • C# min • 01:36 • -23.89db
30% Popularity • 23% Danceability • 3% Energy • 21% Liveness
10% Instrumentalness • 9% Positiveness
30% Popularity • 23% Danceability • 3% Energy • 21% Liveness
10% Instrumentalness • 9% Positiveness
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St. Petersburg Optina Pustyn Male Choir
A Winter Road, Op. 42, No. 2
78 bpm • C min • 02:09 • -27db
19% Popularity • 25% Danceability • 4% Energy • 11% Liveness
2% Instrumentalness • 10% Positiveness
19% Popularity • 25% Danceability • 4% Energy • 11% Liveness
2% Instrumentalness • 10% Positiveness
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Andrew Lawrence-King
Folias (Imperfectas)
78 bpm • A min • 01:44 • -36.5db
28% Popularity • 34% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
28% Popularity • 34% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
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Archangel Voices
Exaposteilarion: "The Wise Thief" (chora...
66 bpm • F min • 02:09 • -23.56db
30% Popularity • 19% Danceability • 7% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
30% Popularity • 19% Danceability • 7% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Allegri: Miserere - 06. Cor Mundum Crea ...
77 bpm • G Maj • 01:14 • -38db
34% Popularity • 16% Danceability • 2% Energy • 12% Liveness
22% Instrumentalness • 3% Positiveness
34% Popularity • 16% Danceability • 2% Energy • 12% Liveness
22% Instrumentalness • 3% Positiveness
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St. Peter St. Paul Cathedral Choir of Minsk
Покаяния отверзи ми д�...
66 bpm • G Maj • 05:40 • -21.94db
22% Popularity • 10% Danceability • 20% Energy • 12% Liveness
72% Instrumentalness • 6% Positiveness
22% Popularity • 10% Danceability • 20% Energy • 12% Liveness
72% Instrumentalness • 6% Positiveness
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Traditional
The Water of Tyne (arr. Elizabeth Poston...
78 bpm • C# Maj • 02:38 • -27.34db
12% Popularity • 17% Danceability • 4% Energy • 9% Liveness
36% Instrumentalness • 8% Positiveness
12% Popularity • 17% Danceability • 4% Energy • 9% Liveness
36% Instrumentalness • 8% Positiveness
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The Monteverdi Choir
Love Is Come Again
78 bpm • F Maj • 02:00 • -19.51db
20% Popularity • 29% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 29% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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Giuseppe Verdi
Laudi alla Vergine Maria
78 bpm • G Maj • 05:19 • -28db
14% Popularity • 16% Danceability • 3% Energy • 7% Liveness
49% Instrumentalness • 3% Positiveness
14% Popularity • 16% Danceability • 3% Energy • 7% Liveness
49% Instrumentalness • 3% Positiveness
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Eric Whitacre
Whitacre: The Seal Lullaby
66 bpm • C# Maj • 04:13 • -30db
46% Popularity • 23% Danceability • 2% Energy • 8% Liveness
82% Instrumentalness • 7% Positiveness
46% Popularity • 23% Danceability • 2% Energy • 8% Liveness
82% Instrumentalness • 7% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 2. in Tribulatio...
78 bpm • B min • 02:24 • -18.01db
25% Popularity • 17% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
25% Popularity • 17% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
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Pyotr Ilyich Tchaikovsky
All-Night Vigil, Op. 52, TH 77 (Excerpts...
78 bpm • G Maj • 06:48 • -25.56db
9% Popularity • 9% Danceability • 10% Energy • 14% Liveness
1% Instrumentalness • 11% Positiveness
9% Popularity • 9% Danceability • 10% Energy • 14% Liveness
1% Instrumentalness • 11% Positiveness
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Traditional
Proprium Missae in Dominica: Halleluia -...
66 bpm • C Maj • 02:52 • -20.51db
22% Popularity • 13% Danceability • 6% Energy • 29% Liveness
12% Instrumentalness • 20% Positiveness
22% Popularity • 13% Danceability • 6% Energy • 29% Liveness
12% Instrumentalness • 20% Positiveness
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The Russian State Symphony Cappella
To Thee We Sing
78 bpm • D# min • 04:13 • -18.27db
27% Popularity • 15% Danceability • 18% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
27% Popularity • 15% Danceability • 18% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
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Francis Poulenc
Francis Poulenc: Salve Regina
66 bpm • G min • 04:23 • -24.53db
13% Popularity • 18% Danceability • 9% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 9% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
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Nova Schola Gregoriana
Missa orbis factor - Sanctus
66 bpm • G min • 01:44 • -21.18db
40% Popularity • 14% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 6% Positiveness
40% Popularity • 14% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 6% Positiveness
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Henry Purcell
Miserere mei, Z. 109
66 bpm • A min • 01:22 • -25.22db
37% Popularity • 7% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
37% Popularity • 7% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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John Playford
The English Dance Master, Vol. 1: The Be...
78 bpm • F Maj • 01:53 • -22.87db
23% Popularity • 37% Danceability • 5% Energy • 43% Liveness
13% Instrumentalness • 53% Positiveness
23% Popularity • 37% Danceability • 5% Energy • 43% Liveness
13% Instrumentalness • 53% Positiveness
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Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
66 bpm • D# Maj • 03:56 • -24db
22% Popularity • 11% Danceability • 10% Energy • 12% Liveness
62% Instrumentalness • 4% Positiveness
22% Popularity • 11% Danceability • 10% Energy • 12% Liveness
62% Instrumentalness • 4% Positiveness
