Songs like C U Win - MALARKEY Remix by Pritt
Based on a tempo of (+/- 10%) and a similar genre
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Pritt
C U Win - MALARKEY Remix
122 bpm • C# Maj • 02:11 • -7.85db
7% Popularity • 55% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
7% Popularity • 55% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Vijay Yesudas
Kettille Kettille
122 bpm • F min • 03:24 • -5.66db
37% Popularity • 80% Danceability • 94% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
37% Popularity • 80% Danceability • 94% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
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Suzzane D'Mello
Mahiya
122 bpm • C min • 04:24 • -4db
59% Popularity • 77% Danceability • 77% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
59% Popularity • 77% Danceability • 77% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
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Armaan Malik
Konjam -1
122 bpm • D# min • 02:53 • -8db
55% Popularity • 48% Danceability • 42% Energy • 10% Liveness
4% Instrumentalness • 31% Positiveness
55% Popularity • 48% Danceability • 42% Energy • 10% Liveness
4% Instrumentalness • 31% Positiveness
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Harris Jayaraj
Anbe En Anbe
122 bpm • B min • 05:04 • -8.76db
63% Popularity • 77% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
63% Popularity • 77% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
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Shaan Rahman
Uyire
121 bpm • F Maj • 05:27 • -12.32db
58% Popularity • 40% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
58% Popularity • 40% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Dhvani Bhanushali
Naina Milayke
123 bpm • E min • 03:35 • -8.23db
50% Popularity • 67% Danceability • 77% Energy • 12% Liveness
8% Instrumentalness • 65% Positiveness
50% Popularity • 67% Danceability • 77% Energy • 12% Liveness
8% Instrumentalness • 65% Positiveness
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Anand Bhaskar
Oru Dinam
123 bpm • G min • 04:19 • -9.31db
51% Popularity • 73% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
51% Popularity • 73% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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A.R. Rahman
Raawadi
123 bpm • G Maj • 03:11 • -4.65db
55% Popularity • 81% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
55% Popularity • 81% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
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Ilaiyaraaja
Kanmani Anbodu Kadhalan
121 bpm • C# Maj • 05:35 • -11.02db
58% Popularity • 60% Danceability • 36% Energy • 75% Liveness
0% Instrumentalness • 60% Positiveness
58% Popularity • 60% Danceability • 36% Energy • 75% Liveness
0% Instrumentalness • 60% Positiveness
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Pritt
Identity
124 bpm • C# Maj • 03:30 • -7.64db
13% Popularity • 66% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
13% Popularity • 66% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Sushin Shyam
Cherathukal
124 bpm • A Maj • 03:44 • -13.19db
47% Popularity • 54% Danceability • 23% Energy • 36% Liveness
2% Instrumentalness • 20% Positiveness
47% Popularity • 54% Danceability • 23% Energy • 36% Liveness
2% Instrumentalness • 20% Positiveness
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Ravi Basrur
The Monster Song
120 bpm • C# Maj • 02:46 • -6.74db
57% Popularity • 44% Danceability • 79% Energy • 39% Liveness
2% Instrumentalness • 20% Positiveness
57% Popularity • 44% Danceability • 79% Energy • 39% Liveness
2% Instrumentalness • 20% Positiveness
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Joshua Aaron
Munbe Vaa
120 bpm • C# Maj • 02:29 • -9.67db
54% Popularity • 51% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
54% Popularity • 51% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Santhosh Narayanan
Thenmozhi
124 bpm • A min • 02:53 • -6db
67% Popularity • 76% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
67% Popularity • 76% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
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Devi Sri Prasad
Bang Bang Bangkok
124 bpm • G# min • 03:30 • -5.3db
54% Popularity • 94% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
54% Popularity • 94% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Pritt
voicemail
120 bpm • F# min • 03:49 • -10.97db
6% Popularity • 58% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
6% Popularity • 58% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
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Arun Kaundinya
Salaam Rocky Bhai
124 bpm • A# min • 04:05 • -7db
52% Popularity • 74% Danceability • 95% Energy • 7% Liveness
1% Instrumentalness • 52% Positiveness
52% Popularity • 74% Danceability • 95% Energy • 7% Liveness
1% Instrumentalness • 52% Positiveness
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SHIV PAUL
Inji Iduppazhagi - (Remix)
120 bpm • A min • 02:03 • -9.23db
36% Popularity • 74% Danceability • 53% Energy • 40% Liveness
62% Instrumentalness • 68% Positiveness
36% Popularity • 74% Danceability • 53% Energy • 40% Liveness
62% Instrumentalness • 68% Positiveness
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Tamilslvn
Unnai Thedi
120 bpm • C Maj • 04:28 • -12.23db
17% Popularity • 36% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 31% Positiveness
17% Popularity • 36% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 31% Positiveness
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Santhosh Narayanan
Naan Naan
120 bpm • A# Maj • 04:08 • -5.13db
58% Popularity • 79% Danceability • 65% Energy • 1% Liveness
0% Instrumentalness • 84% Positiveness
58% Popularity • 79% Danceability • 65% Energy • 1% Liveness
0% Instrumentalness • 84% Positiveness
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Yuvan Shankar Raja
Oru Devathai
120 bpm • C min • 04:56 • -10db
61% Popularity • 64% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
61% Popularity • 64% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Vishal Chandrashekhar
Shoot the Kuruvi
120 bpm • E min • 04:22 • -5.67db
57% Popularity • 70% Danceability • 57% Energy • 43% Liveness
0% Instrumentalness • 49% Positiveness
57% Popularity • 70% Danceability • 57% Energy • 43% Liveness
0% Instrumentalness • 49% Positiveness
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Pritt
Deja Vu
120 bpm • D min • 03:20 • -5db
5% Popularity • 71% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
5% Popularity • 71% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Inder Arya
Gulabi Sharara
120 bpm • C# Maj • 03:26 • -4db
61% Popularity • 83% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 84% Positiveness
61% Popularity • 83% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 84% Positiveness
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Deva
Karu Karu Karupayi
124 bpm • F min • 05:13 • -8.53db
37% Popularity • 94% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
37% Popularity • 94% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Dhanush
Mayakkama Kalakkama
124 bpm • A min • 02:22 • -5db
68% Popularity • 79% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
68% Popularity • 79% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Govind Vasantha
Thozhi
120 bpm • D# Maj • 04:57 • -12db
53% Popularity • 53% Danceability • 38% Energy • 39% Liveness
0% Instrumentalness • 39% Positiveness
53% Popularity • 53% Danceability • 38% Energy • 39% Liveness
0% Instrumentalness • 39% Positiveness
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Yuvan Shankar Raja
Adada Mazhaida
120 bpm • F# min • 04:27 • -9.42db
54% Popularity • 89% Danceability • 69% Energy • 6% Liveness
1% Instrumentalness • 67% Positiveness
54% Popularity • 89% Danceability • 69% Energy • 6% Liveness
1% Instrumentalness • 67% Positiveness
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Yash Narvekar
Muqabla
120 bpm • C Maj • 02:56 • -3.14db
66% Popularity • 80% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 54% Positiveness
66% Popularity • 80% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 54% Positiveness
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Jaru Muralee
Vanthaley
120 bpm • E min • 03:04 • -7.09db
41% Popularity • 85% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
41% Popularity • 85% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Harris Jayaraj
Manjal Veyil
120 bpm • C Maj • 05:53 • -8.23db
59% Popularity • 90% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
59% Popularity • 90% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
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Pritt
C U Win
120 bpm • D# min • 03:06 • -11.35db
14% Popularity • 76% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
14% Popularity • 76% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Sushin Shyam
Theerame
120 bpm • E min • 04:23 • -12.83db
63% Popularity • 66% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
63% Popularity • 66% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Yuvan Shankar Raja
Enkeyoo Partha
120 bpm • G min • 05:20 • -8.9db
68% Popularity • 82% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
68% Popularity • 82% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Saindhavi
Pirai Thedum
120 bpm • E min • 05:32 • -6.99db
69% Popularity • 64% Danceability • 63% Energy • 7% Liveness
1% Instrumentalness • 46% Positiveness
69% Popularity • 64% Danceability • 63% Energy • 7% Liveness
1% Instrumentalness • 46% Positiveness
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Sadhana Sargam
Akkam Pakkam
120 bpm • B min • 05:16 • -6.74db
61% Popularity • 77% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 59% Positiveness
61% Popularity • 77% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 59% Positiveness
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Harris Jayaraj
Enadhuyirae
120 bpm • A# min • 04:44 • -7.06db
39% Popularity • 66% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
39% Popularity • 66% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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G. V. Prakash
Pookkal Pookkum
120 bpm • E min • 06:36 • -12.01db
67% Popularity • 59% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
67% Popularity • 59% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
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Pritt
Am I Ok?
124 bpm • E min • 03:04 • -6.72db
6% Popularity • 46% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
6% Popularity • 46% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Vijay Aurs
Dheera Dheera
125 bpm • E min • 03:42 • -7db
54% Popularity • 58% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
54% Popularity • 58% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Sajeev
Kaatrukulle (Reprise)
119 bpm • F min • 01:01 • -13db
42% Popularity • 47% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
42% Popularity • 47% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Thalapathy Vijay
Ranjithame
125 bpm • A Maj • 04:47 • -6.46db
68% Popularity • 55% Danceability • 98% Energy • 8% Liveness
1% Instrumentalness • 66% Positiveness
68% Popularity • 55% Danceability • 98% Energy • 8% Liveness
1% Instrumentalness • 66% Positiveness
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Prashan Sean
Anbe Aaruyirae
119 bpm • B Maj • 04:51 • -8.81db
54% Popularity • 80% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
54% Popularity • 80% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
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Teejay
Snapchat
125 bpm • C# min • 04:09 • -6.99db
18% Popularity • 64% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 64% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Girishh G
Elay Makka | Coke Studio Tamil
125 bpm • D Maj • 04:01 • -10db
36% Popularity • 79% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
36% Popularity • 79% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Harris Jayaraj
Adiyae Kolluthey
119 bpm • D Maj • 05:15 • -7.02db
63% Popularity • 72% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
63% Popularity • 72% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Paal Dabba
170CM from Think Indie
125 bpm • C# Maj • 02:12 • -7.56db
50% Popularity • 85% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
50% Popularity • 85% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Vijay Yesudas
Omane
126 bpm • C min • 05:58 • -12.25db
62% Popularity • 58% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
62% Popularity • 58% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Sooraj S. Kurup
Neeyilla Neram
126 bpm • F# min • 03:36 • -12.39db
57% Popularity • 60% Danceability • 46% Energy • 6% Liveness
9% Instrumentalness • 31% Positiveness
57% Popularity • 60% Danceability • 46% Energy • 6% Liveness
9% Instrumentalness • 31% Positiveness
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Bappi Lahiri
Ooh La La
126 bpm • F# Maj • 04:16 • -2.6db
57% Popularity • 74% Danceability • 97% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
57% Popularity • 74% Danceability • 97% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Sahi Siva
Unnaale
118 bpm • C min • 03:15 • -9.37db
38% Popularity • 75% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 75% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Pritt
separated
118 bpm • C# min • 04:08 • -10.65db
6% Popularity • 50% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
6% Popularity • 50% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Marthyan
Thee Minnal
127 bpm • C Maj • 02:12 • -8.53db
51% Popularity • 90% Danceability • 71% Energy • 31% Liveness
2% Instrumentalness • 90% Positiveness
51% Popularity • 90% Danceability • 71% Energy • 31% Liveness
2% Instrumentalness • 90% Positiveness
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Maharani
Under the Influence Tamix
117 bpm • D# Maj • 02:38 • -8.34db
23% Popularity • 78% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
23% Popularity • 78% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Morish
Walls
117 bpm • A# min • 03:30 • -8.3db
1% Popularity • 81% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
1% Popularity • 81% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Sanju Rathod
Gulabi Sadi
128 bpm • C Maj • 03:43 • -6.97db
74% Popularity • 57% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
74% Popularity • 57% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Jen Martin
Namma Thamizh Folku
128 bpm • G min • 04:33 • -7db
51% Popularity • 70% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
51% Popularity • 70% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Pritt
Home
128 bpm • C# min • 02:01 • -11.69db
18% Popularity • 66% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 66% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Sam C.S.
Kannamma
128 bpm • C# Maj • 04:16 • -8.52db
67% Popularity • 73% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
67% Popularity • 73% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Sahi Siva
Ammamma
128 bpm • A# min • 04:28 • -7.68db
36% Popularity • 84% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
36% Popularity • 84% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Andrea Jeremiah
Oo Solriya Oo Oo Solriya
128 bpm • F min • 03:43 • -6.72db
62% Popularity • 90% Danceability • 71% Energy • 20% Liveness
9% Instrumentalness • 49% Positiveness
62% Popularity • 90% Danceability • 71% Energy • 20% Liveness
9% Instrumentalness • 49% Positiveness
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Arivu
Namma Stories
128 bpm • G Maj • 03:48 • -7db
45% Popularity • 89% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
45% Popularity • 89% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Vivek - Mervin
Guleba
128 bpm • F min • 04:36 • -5.19db
52% Popularity • 77% Danceability • 86% Energy • 91% Liveness
0% Instrumentalness • 36% Positiveness
52% Popularity • 77% Danceability • 86% Energy • 91% Liveness
0% Instrumentalness • 36% Positiveness
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Hiphop Tamizha
Kadhale Kadhale
128 bpm • C min • 03:27 • -6.32db
65% Popularity • 53% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
65% Popularity • 53% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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G. V. Prakash
Yaar Indha Saalai Oram
116 bpm • E min • 05:15 • -8.35db
56% Popularity • 47% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
56% Popularity • 47% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
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Harris Jayaraj
Annul Maelae
116 bpm • E min • 05:22 • -10.97db
66% Popularity • 77% Danceability • 44% Energy • 20% Liveness
1% Instrumentalness • 53% Positiveness
66% Popularity • 77% Danceability • 44% Energy • 20% Liveness
1% Instrumentalness • 53% Positiveness
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Govind Vasantha
Railin Oligal
116 bpm • C# min • 02:37 • -9.4db
70% Popularity • 40% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
70% Popularity • 40% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Jenushan
Megham Karukatha
129 bpm • E min • 01:22 • -10.97db
38% Popularity • 60% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
38% Popularity • 60% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Pritt
Top Boy
115 bpm • C# min • 03:20 • -6.68db
11% Popularity • 57% Danceability • 54% Energy • 3% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 57% Danceability • 54% Energy • 3% Liveness
0% Instrumentalness • 42% Positiveness
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Hiphop Tamizha
Azhage
128 bpm • G min • 03:38 • -6db
61% Popularity • 72% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
61% Popularity • 72% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Nilani
Thenmozhi x Kannazhaga
115 bpm • G Maj • 02:01 • -5.65db
35% Popularity • 70% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
35% Popularity • 70% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Harris Jayaraj
Nenjukkul Peidhidum
115 bpm • A Maj • 06:09 • -10.31db
67% Popularity • 69% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
67% Popularity • 69% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Yuvan Shankar Raja
Iragai Poley
115 bpm • D# min • 05:17 • -8.36db
63% Popularity • 88% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
63% Popularity • 88% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Shaan Rahman
Akale
115 bpm • G Maj • 04:07 • -8db
60% Popularity • 61% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
60% Popularity • 61% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Krakn
All I Want
115 bpm • C min • 04:10 • -7.27db
3% Popularity • 51% Danceability • 63% Energy • 65% Liveness
0% Instrumentalness • 64% Positiveness
3% Popularity • 51% Danceability • 63% Energy • 65% Liveness
0% Instrumentalness • 64% Positiveness
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Maharani
Seasons
115 bpm • C# min • 04:48 • -5.06db
24% Popularity • 71% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
24% Popularity • 71% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Gowry Lekshmi
Aaro Nenjil
130 bpm • F Maj • 04:27 • -9.95db
61% Popularity • 55% Danceability • 46% Energy • 9% Liveness
8% Instrumentalness • 51% Positiveness
61% Popularity • 55% Danceability • 46% Energy • 9% Liveness
8% Instrumentalness • 51% Positiveness
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A.R. Rahman
Moongil Thottam
130 bpm • G Maj • 04:35 • -11.09db
62% Popularity • 50% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
62% Popularity • 50% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Yuvan Shankar Raja
Venmegam
115 bpm • D# Maj • 04:34 • -11.54db
67% Popularity • 80% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
67% Popularity • 80% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Renuka Arun
Sita Kalyanam
130 bpm • G min • 04:32 • -13db
56% Popularity • 51% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
56% Popularity • 51% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Yazin Nizar
Neeye
130 bpm • A min • 05:07 • -6.7db
54% Popularity • 50% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
54% Popularity • 50% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Sriram Parthasarathy
Kaarkuzhal Kadavaiye
130 bpm • E min • 05:12 • -11.24db
50% Popularity • 70% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
50% Popularity • 70% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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NewFace
Azhaipaya
130 bpm • C# min • 02:46 • -6.19db
24% Popularity • 74% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
24% Popularity • 74% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Dhibu Ninan Thomas
Nee Kavithaigala
130 bpm • E min • 04:36 • -5.65db
69% Popularity • 58% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
69% Popularity • 58% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Santhosh Narayanan
Anbarey
130 bpm • C min • 03:44 • -7db
55% Popularity • 70% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
55% Popularity • 70% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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Fejo
Hey Nima
130 bpm • D# min • 02:44 • -14.16db
57% Popularity • 79% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
57% Popularity • 79% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Sean Roldan
Jingrudha Dhanga
130 bpm • D Maj • 03:17 • -6.38db
59% Popularity • 87% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
59% Popularity • 87% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
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Silambarasan TR
Thee Thalapathy
130 bpm • A# min • 04:18 • -5.08db
68% Popularity • 67% Danceability • 91% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
68% Popularity • 67% Danceability • 91% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
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Jonita Gandhi
Hey Enna Paarva - 1 Min Music
130 bpm • A# min • 01:00 • -3.42db
29% Popularity • 82% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 82% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Dabzee
Mada Trance
130 bpm • F# Maj • 03:48 • -6.17db
67% Popularity • 42% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
67% Popularity • 42% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Jakes Bejoy
Kotha Raja
130 bpm • C# min • 04:33 • -7.43db
66% Popularity • 56% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
66% Popularity • 56% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Fejo
Mahanubhavulu
130 bpm • A Maj • 03:12 • -6.46db
65% Popularity • 71% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
65% Popularity • 71% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Prasanna.R
Mudhal Mazhai
114 bpm • A# min • 05:43 • -7.83db
55% Popularity • 80% Danceability • 51% Energy • 7% Liveness
1% Instrumentalness • 58% Positiveness
55% Popularity • 80% Danceability • 51% Energy • 7% Liveness
1% Instrumentalness • 58% Positiveness
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Asha Bhosle
Rangeela Re
113 bpm • C# Maj • 05:34 • -6.56db
53% Popularity • 92% Danceability • 72% Energy • 20% Liveness
52% Instrumentalness • 72% Positiveness
53% Popularity • 92% Danceability • 72% Energy • 20% Liveness
52% Instrumentalness • 72% Positiveness
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Harris Jayaraj
Andangakka
113 bpm • G min • 05:36 • -5.62db
55% Popularity • 79% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
55% Popularity • 79% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Devi Sri Prasad
Daddy Mummy
132 bpm • C# Maj • 04:20 • -5.2db
62% Popularity • 88% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 76% Positiveness
62% Popularity • 88% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 76% Positiveness
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Shankar Mahadevan
Koi Kahe Kehta Rahe
132 bpm • C# Maj • 05:46 • -7.06db
62% Popularity • 75% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
62% Popularity • 75% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
