Songs like Caldara: Magnificat in C Major: II. Aria. "Deposuit potentes" by Antonio Caldara

174 bpm • E Maj • 02:24 • -22db

14% Popularity • 8% Danceability • 8% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness

174 bpm • B min • 03:35 • -29db

11% Popularity • 8% Danceability • 3% Energy • 12% Liveness
3% Instrumentalness • 7% Positiveness

174 bpm • D# min • 01:09 • -12.71db

1% Popularity • 30% Danceability • 29% Energy • 19% Liveness
88% Instrumentalness • 46% Positiveness

173 bpm • D Maj • 02:20 • -16db

30% Popularity • 12% Danceability • 23% Energy • 7% Liveness
78% Instrumentalness • 19% Positiveness

173 bpm • A# min • 01:42 • -19db

24% Popularity • 13% Danceability • 6% Energy • 11% Liveness
24% Instrumentalness • 8% Positiveness

172 bpm • G Maj • 05:11 • -22db

18% Popularity • 26% Danceability • 7% Energy • 24% Liveness
0% Instrumentalness • 16% Positiveness

176 bpm • G min • 03:41 • -18db

19% Popularity • 34% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness

172 bpm • F# Maj • 05:18 • -20.87db

34% Popularity • 19% Danceability • 10% Energy • 18% Liveness
4% Instrumentalness • 27% Positiveness

174 bpm • F# Maj • 01:17 • -30db

2% Popularity • 25% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness

172 bpm • F# min • 04:06 • -17.74db

8% Popularity • 34% Danceability • 21% Energy • 52% Liveness
1% Instrumentalness • 50% Positiveness

171 bpm • A min • 07:59 • -25db

14% Popularity • 24% Danceability • 15% Energy • 6% Liveness
1% Instrumentalness • 31% Positiveness

171 bpm • C# Maj • 03:49 • -26.56db

15% Popularity • 12% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness

178 bpm • F# min • 03:33 • -14.05db

26% Popularity • 29% Danceability • 29% Energy • 21% Liveness
92% Instrumentalness • 47% Positiveness

171 bpm • A# min • 03:27 • -21.7db

20% Popularity • 12% Danceability • 3% Energy • 21% Liveness
79% Instrumentalness • 11% Positiveness

175 bpm • E Maj • 03:08 • -18.24db

7% Popularity • 24% Danceability • 8% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness

178 bpm • B Maj • 02:40 • -23db

9% Popularity • 16% Danceability • 14% Energy • 67% Liveness
16% Instrumentalness • 32% Positiveness

169 bpm • F# min • 02:16 • -21.39db

16% Popularity • 16% Danceability • 7% Energy • 10% Liveness
12% Instrumentalness • 6% Positiveness

169 bpm • F# min • 02:42 • -25db

27% Popularity • 21% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness

169 bpm • F min • 08:31 • -13.7db

8% Popularity • 16% Danceability • 28% Energy • 12% Liveness
9% Instrumentalness • 10% Positiveness

167 bpm • D min • 01:21 • -19db

43% Popularity • 17% Danceability • 8% Energy • 8% Liveness
3% Instrumentalness • 10% Positiveness

175 bpm • G# Maj • 01:21 • -16.42db

1% Popularity • 22% Danceability • 1% Energy • 12% Liveness
35% Instrumentalness • 3% Positiveness

181 bpm • G# Maj • 01:31 • -23db

45% Popularity • 30% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 44% Positiveness

180 bpm • G min • 01:35 • -22.51db

26% Popularity • 28% Danceability • 11% Energy • 21% Liveness
23% Instrumentalness • 60% Positiveness

167 bpm • D# min • 07:14 • -32.36db

10% Popularity • 12% Danceability • 1% Energy • 11% Liveness
63% Instrumentalness • 7% Positiveness

165 bpm • B Maj • 04:45 • -28.81db

21% Popularity • 19% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness

183 bpm • B min • 01:16 • -20db

23% Popularity • 39% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness

177 bpm • D min • 01:36 • -19.07db

0% Popularity • 34% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness

191 bpm • G# Maj • 01:10 • -19db

25% Popularity • 7% Danceability • 11% Energy • 12% Liveness
48% Instrumentalness • 3% Positiveness

164 bpm • E min • 03:49 • -23.29db

10% Popularity • 24% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness

154 bpm • E Maj • 02:02 • -19.54db

11% Popularity • 37% Danceability • 24% Energy • 60% Liveness
3% Instrumentalness • 65% Positiveness

150 bpm • B Maj • 01:32 • -31db

39% Popularity • 27% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 29% Positiveness

151 bpm • A Maj • 02:11 • -18db

10% Popularity • 42% Danceability • 24% Energy • 9% Liveness
91% Instrumentalness • 32% Positiveness

170 bpm • C# Maj • 02:40 • -19.49db

5% Popularity • 8% Danceability • 13% Energy • 27% Liveness
92% Instrumentalness • 16% Positiveness

148 bpm • C min • 01:46 • -28db

35% Popularity • 13% Danceability • 3% Energy • 18% Liveness
88% Instrumentalness • 4% Positiveness

178 bpm • F# min • 03:28 • -17.75db

2% Popularity • 16% Danceability • 11% Energy • 27% Liveness
0% Instrumentalness • 12% Positiveness

170 bpm • G# Maj • 02:05 • -20.77db

20% Popularity • 22% Danceability • 21% Energy • 16% Liveness
1% Instrumentalness • 47% Positiveness

179 bpm • D Maj • 02:09 • -18.73db

0% Popularity • 35% Danceability • 21% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness

168 bpm • D# min • 01:06 • -18.49db

31% Popularity • 17% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness

181 bpm • G# min • 01:37 • -14.28db

1% Popularity • 38% Danceability • 16% Energy • 11% Liveness
65% Instrumentalness • 30% Positiveness

166 bpm • A Maj • 01:54 • -24.75db

0% Popularity • 21% Danceability • 4% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness

182 bpm • C# min • 02:23 • -18.77db

5% Popularity • 21% Danceability • 19% Energy • 9% Liveness
92% Instrumentalness • 35% Positiveness

151 bpm • G# min • 00:42 • -18.82db

1% Popularity • 22% Danceability • 6% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness