Songs like Caldara: Santa ferma: "Ferma, ascolta e festeggia" (Angelo) by Antonio Caldara
Based on a tempo of (+/- 10%) and a similar genre
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Giovanni Benedetto Platti
Concerto grosso No. 10 in F Major: I. Pr...
174 bpm • E Maj • 02:24 • -22db
15% Popularity • 8% Danceability • 8% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
15% Popularity • 8% Danceability • 8% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Juditha Triumphans, RV 644, pars prior: ...
174 bpm • A Maj • 04:32 • -17.62db
9% Popularity • 25% Danceability • 29% Energy • 41% Liveness
0% Instrumentalness • 50% Positiveness
9% Popularity • 25% Danceability • 29% Energy • 41% Liveness
0% Instrumentalness • 50% Positiveness
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Carl Friedrich Abel
Sonata for violoncello and basso continu...
174 bpm • F# Maj • 01:37 • -20db
22% Popularity • 18% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 25% Positiveness
22% Popularity • 18% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 25% Positiveness
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Antonio Caldara
Caldara: Magnificat in C Major: II. Aria...
174 bpm • F# Maj • 01:17 • -30db
2% Popularity • 25% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
2% Popularity • 25% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Jean-Marie Leclair
Violin Concerto in D Minor, Op. 7 No. 1:...
173 bpm • C# min • 04:12 • -17.62db
21% Popularity • 29% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
21% Popularity • 29% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Henry Purcell
Abdelazer, Z.570: Air - Jig - Hornpipe -...
172 bpm • F# min • 04:06 • -17.74db
7% Popularity • 34% Danceability • 21% Energy • 52% Liveness
1% Instrumentalness • 50% Positiveness
7% Popularity • 34% Danceability • 21% Energy • 52% Liveness
1% Instrumentalness • 50% Positiveness
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Michel Richard Delalande
Miserere: I. Miserere mei Deus - Et secu...
172 bpm • B min • 01:52 • -14db
8% Popularity • 15% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 15% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Juditha Triumphans, RV 644, Pt. 1: O qua...
173 bpm • G min • 01:38 • -16db
40% Popularity • 22% Danceability • 16% Energy • 16% Liveness
58% Instrumentalness • 23% Positiveness
40% Popularity • 22% Danceability • 16% Energy • 16% Liveness
58% Instrumentalness • 23% Positiveness
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Johann Adolf Hasse
Hasse: Orfeo: "Sempre a si vaghi rai" (O...
176 bpm • E Maj • 07:14 • -13.4db
11% Popularity • 22% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 22% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Antonio Caldara
Maddalena ai piedi di Cristo: No. 26 Ari...
175 bpm • E Maj • 03:08 • -18.24db
6% Popularity • 24% Danceability • 8% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
6% Popularity • 24% Danceability • 8% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
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Giovanni Paisiello
Mandolin Concerto in E-Flat Major: I. Al...
176 bpm • D# Maj • 05:10 • -17.62db
18% Popularity • 37% Danceability • 19% Energy • 8% Liveness
13% Instrumentalness • 48% Positiveness
18% Popularity • 37% Danceability • 19% Energy • 8% Liveness
13% Instrumentalness • 48% Positiveness
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Giovanni Battista Pergolesi
Salve Regina in F minor: 5. O clemens
171 bpm • E min • 01:33 • -25.33db
23% Popularity • 9% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 9% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Lamento d'Arianna, SV 22: 1a parte - Las...
171 bpm • C# Maj • 03:49 • -26.56db
15% Popularity • 12% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 12% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Francesco Maria Veracini
Overture No. 6 in B-Flat Major: I. Alleg...
178 bpm • F# min • 03:33 • -14.05db
25% Popularity • 29% Danceability • 29% Energy • 21% Liveness
92% Instrumentalness • 47% Positiveness
25% Popularity • 29% Danceability • 29% Energy • 21% Liveness
92% Instrumentalness • 47% Positiveness
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John Blow
Venus & Adonis: Overture
178 bpm • B Maj • 02:40 • -23db
9% Popularity • 16% Danceability • 14% Energy • 67% Liveness
16% Instrumentalness • 32% Positiveness
9% Popularity • 16% Danceability • 14% Energy • 67% Liveness
16% Instrumentalness • 32% Positiveness
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Antonio Caldara
La morte d'Abel: Quel buon pastor son io
173 bpm • D# min • 09:25 • -18.22db
1% Popularity • 17% Danceability • 12% Energy • 8% Liveness
7% Instrumentalness • 9% Positiveness
1% Popularity • 17% Danceability • 12% Energy • 8% Liveness
7% Instrumentalness • 9% Positiveness
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Francesco Cavalli
La Calisto, Act I Scene 2: Piante ombros...
178 bpm • C Maj • 02:27 • -20.08db
9% Popularity • 18% Danceability • 5% Energy • 57% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 18% Danceability • 5% Energy • 57% Liveness
0% Instrumentalness • 8% Positiveness
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Giulio Caccini
Caccini: Le nuove musiche: VIII. Amarill...
170 bpm • F# Maj • 03:27 • -16db
11% Popularity • 27% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 27% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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The Scholars Baroque Ensemble
The Masque Of Hymen: The Last Act - Solo...
169 bpm • F# min • 02:42 • -25db
27% Popularity • 21% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
27% Popularity • 21% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Jean-Philippe Rameau
Les Indes galantes, RCT 44, Prologue Sc�...
169 bpm • D# min • 02:25 • -28.95db
16% Popularity • 18% Danceability • 1% Energy • 34% Liveness
2% Instrumentalness • 14% Positiveness
16% Popularity • 18% Danceability • 1% Energy • 34% Liveness
2% Instrumentalness • 14% Positiveness
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Matthew Locke
The Tempest: Gavot
169 bpm • F# min • 01:12 • -15.07db
20% Popularity • 33% Danceability • 20% Energy • 18% Liveness
95% Instrumentalness • 61% Positiveness
20% Popularity • 33% Danceability • 20% Energy • 18% Liveness
95% Instrumentalness • 61% Positiveness
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Antonio Caldara
Sonata da camera, Op. 2 No. 11: III. Sar...
177 bpm • D# Maj • 02:47 • -20.75db
2% Popularity • 19% Danceability • 6% Energy • 19% Liveness
41% Instrumentalness • 15% Positiveness
2% Popularity • 19% Danceability • 6% Energy • 19% Liveness
41% Instrumentalness • 15% Positiveness
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Georg Philipp Telemann
Overture in C Minor, TWV TWV 55:c4
179 bpm • B min • 06:28 • -17.1db
16% Popularity • 28% Danceability • 13% Energy • 11% Liveness
87% Instrumentalness • 40% Positiveness
16% Popularity • 28% Danceability • 13% Energy • 11% Liveness
87% Instrumentalness • 40% Positiveness
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Johann Friedrich Fasch
Trumpet Concerto in D Major, FWV L:D1: I...
180 bpm • C# Maj • 01:25 • -22db
29% Popularity • 14% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 24% Positiveness
29% Popularity • 14% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 24% Positiveness
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Alessandro Marcello
La Lontananza: Aria: Lontananza Crudel
180 bpm • B min • 09:05 • -21.01db
8% Popularity • 13% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 13% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Francesco Geminiani
Concerto grosso in C Minor, Op. 2, No. 1...
180 bpm • C min • 01:55 • -17db
32% Popularity • 38% Danceability • 13% Energy • 27% Liveness
47% Instrumentalness • 77% Positiveness
32% Popularity • 38% Danceability • 13% Energy • 27% Liveness
47% Instrumentalness • 77% Positiveness
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Tarquinio Merula
Canzoni overo sonate concertate per chie...
168 bpm • B Maj • 02:42 • -17.04db
17% Popularity • 27% Danceability • 27% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
17% Popularity • 27% Danceability • 27% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
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Antonio Caldara
Sinfonia à Violoncello Solo D Major: Ad...
170 bpm • C# Maj • 02:40 • -19.49db
5% Popularity • 8% Danceability • 13% Energy • 27% Liveness
92% Instrumentalness • 16% Positiveness
5% Popularity • 8% Danceability • 13% Energy • 27% Liveness
92% Instrumentalness • 16% Positiveness
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Jean-Baptiste Lully
Alcidiane: Ritournelle et Recit chante p...
168 bpm • F# min • 06:04 • -35.26db
19% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
19% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Matthew Locke
Psyche, Act I Scene 1: Dance for Ambitio...
182 bpm • C# min • 01:05 • -12.59db
23% Popularity • 33% Danceability • 35% Energy • 6% Liveness
90% Instrumentalness • 38% Positiveness
23% Popularity • 33% Danceability • 35% Energy • 6% Liveness
90% Instrumentalness • 38% Positiveness
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Alessandro Scarlatti
Concerto Grosso No. 3 in F Major: IV. La...
167 bpm • D min • 01:21 • -19db
43% Popularity • 17% Danceability • 8% Energy • 8% Liveness
3% Instrumentalness • 10% Positiveness
43% Popularity • 17% Danceability • 8% Energy • 8% Liveness
3% Instrumentalness • 10% Positiveness
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Francesco Mancini
Concerto VIII in C Minor from 24 Concert...
183 bpm • B min • 01:16 • -20db
20% Popularity • 39% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
20% Popularity • 39% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Antonio Vivaldi
Dixit Dominus, RV 595: IV. Duet "Tecum p...
160 bpm • G# min • 02:05 • -24.24db
13% Popularity • 27% Danceability • 4% Energy • 11% Liveness
2% Instrumentalness • 31% Positiveness
13% Popularity • 27% Danceability • 4% Energy • 11% Liveness
2% Instrumentalness • 31% Positiveness
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Antonio Caldara
Sonata da camera in G Minor, Op. 2 No. 4...
178 bpm • F# min • 03:28 • -17.75db
2% Popularity • 16% Danceability • 11% Energy • 27% Liveness
0% Instrumentalness • 12% Positiveness
2% Popularity • 16% Danceability • 11% Energy • 27% Liveness
0% Instrumentalness • 12% Positiveness
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Jean-Marie Leclair
Concerto 2 in D Major, Op. 7: I. Adagio
191 bpm • G# Maj • 01:10 • -19db
20% Popularity • 7% Danceability • 11% Energy • 12% Liveness
48% Instrumentalness • 3% Positiveness
20% Popularity • 7% Danceability • 11% Energy • 12% Liveness
48% Instrumentalness • 3% Positiveness
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Henry Purcell
The Fairy Queen, Z. 629, Act I: Rondeau
154 bpm • A Maj • 01:03 • -17.01db
16% Popularity • 32% Danceability • 14% Energy • 19% Liveness
74% Instrumentalness • 81% Positiveness
16% Popularity • 32% Danceability • 14% Energy • 19% Liveness
74% Instrumentalness • 81% Positiveness
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Giovanni Legrenzi
La morte del cor penitente, Pt. 1: Sinfo...
192 bpm • C min • 01:54 • -19db
18% Popularity • 7% Danceability • 11% Energy • 19% Liveness
50% Instrumentalness • 7% Positiveness
18% Popularity • 7% Danceability • 11% Energy • 19% Liveness
50% Instrumentalness • 7% Positiveness
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Jean-Baptiste Lully
Alcidiane: Petite Chaconne
150 bpm • B Maj • 01:32 • -31db
39% Popularity • 27% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 29% Positiveness
39% Popularity • 27% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 29% Positiveness
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George Frideric Handel
Serse, HWV 40: Overture
150 bpm • A Maj • 03:24 • -14.79db
9% Popularity • 29% Danceability • 33% Energy • 17% Liveness
74% Instrumentalness • 48% Positiveness
9% Popularity • 29% Danceability • 33% Energy • 17% Liveness
74% Instrumentalness • 48% Positiveness
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Antonio Caldara
Maddalena ai piedi di Cristo: No. 1 Sinf...
170 bpm • G# Maj • 02:05 • -20.77db
19% Popularity • 22% Danceability • 21% Energy • 16% Liveness
1% Instrumentalness • 47% Positiveness
19% Popularity • 22% Danceability • 21% Energy • 16% Liveness
1% Instrumentalness • 47% Positiveness
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Girolamo Frescobaldi
Il primo libro delle canzoni: Toccata (2...
149 bpm • G min • 02:01 • -32.84db
22% Popularity • 20% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
22% Popularity • 20% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
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Johann David Heinichen
Concerto in F Major, Seibel 234: IV. All...
148 bpm • E Maj • 02:52 • -21db
12% Popularity • 46% Danceability • 13% Energy • 12% Liveness
59% Instrumentalness • 56% Positiveness
12% Popularity • 46% Danceability • 13% Energy • 12% Liveness
59% Instrumentalness • 56% Positiveness
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Dietrich Buxtehude
Gott hilf mir, denn das Wasser geht mir ...
148 bpm • C min • 01:46 • -28db
37% Popularity • 13% Danceability • 3% Energy • 18% Liveness
88% Instrumentalness • 4% Positiveness
37% Popularity • 13% Danceability • 3% Energy • 18% Liveness
88% Instrumentalness • 4% Positiveness
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Antonio Caldara
Caldara : Selve amiche
168 bpm • A min • 02:43 • -25.56db
4% Popularity • 23% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
4% Popularity • 23% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Antonio Caldara
Missa Dolorosa: IV. Sanctus
168 bpm • D# min • 01:06 • -18.49db
32% Popularity • 17% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
32% Popularity • 17% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Antonio Caldara
Sonata for Violoncello and Basso continu...
182 bpm • C# min • 02:23 • -18.77db
4% Popularity • 21% Danceability • 19% Energy • 9% Liveness
92% Instrumentalness • 35% Positiveness
4% Popularity • 21% Danceability • 19% Energy • 9% Liveness
92% Instrumentalness • 35% Positiveness
