Songs like California Stars by Billy Bragg
Based on a tempo of (+/- 10%) and a similar genre
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Nick Drake
Time Has Told Me
110 bpm • C Maj • 04:24 • -14.64db
48% Popularity • 60% Danceability • 30% Energy • 10% Liveness
75% Instrumentalness • 47% Positiveness
48% Popularity • 60% Danceability • 30% Energy • 10% Liveness
75% Instrumentalness • 47% Positiveness
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Okkervil River
Lost Coastlines
110 bpm • A Maj • 05:31 • -5db
44% Popularity • 54% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
44% Popularity • 54% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Billy Bragg
A Lover Sings
111 bpm • G Maj • 03:54 • -7.38db
19% Popularity • 48% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
19% Popularity • 48% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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Gram Parsons
She - 2002 Remaster
109 bpm • A# Maj • 05:01 • -12.42db
40% Popularity • 44% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 44% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Chris Bell
You And Your Sister - Single Version
109 bpm • G min • 03:10 • -13.62db
28% Popularity • 38% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 38% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Wilco
Jesus, Etc. - 2022 Remaster
109 bpm • F Maj • 03:51 • -13db
59% Popularity • 75% Danceability • 31% Energy • 25% Liveness
1% Instrumentalness • 66% Positiveness
59% Popularity • 75% Danceability • 31% Energy • 25% Liveness
1% Instrumentalness • 66% Positiveness
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Uncle Tupelo
Screen Door
109 bpm • C Maj • 02:42 • -14.24db
29% Popularity • 50% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 50% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Dan Bern
Chelsea Hotel
109 bpm • G Maj • 04:56 • -6.23db
12% Popularity • 54% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 54% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Billy Bragg
The Saturday Boy
111 bpm • E Maj • 03:30 • -8.81db
26% Popularity • 61% Danceability • 32% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
26% Popularity • 61% Danceability • 32% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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Evan Dando
Rudy with a Flashlight
111 bpm • A Maj • 02:37 • -15db
29% Popularity • 67% Danceability • 30% Energy • 12% Liveness
60% Instrumentalness • 43% Positiveness
29% Popularity • 67% Danceability • 30% Energy • 12% Liveness
60% Instrumentalness • 43% Positiveness
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Ron Sexsmith
Summer Blowin' Town
109 bpm • C Maj • 02:18 • -8.12db
17% Popularity • 60% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
17% Popularity • 60% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
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The Waterboys
This Is the Sea - 2004 Remaster
109 bpm • E Maj • 06:29 • -7.28db
46% Popularity • 29% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
46% Popularity • 29% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Uncle Tupelo
Still Be Around
111 bpm • E Maj • 02:44 • -9.72db
32% Popularity • 36% Danceability • 41% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 36% Danceability • 41% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
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Shane MacGowan & The Popes
Haunted
109 bpm • E Maj • 04:11 • -12.57db
45% Popularity • 48% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
45% Popularity • 48% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Billy Bragg
Little Time Bomb
111 bpm • G Maj • 02:17 • -6.88db
26% Popularity • 56% Danceability • 45% Energy • 8% Liveness
2% Instrumentalness • 60% Positiveness
26% Popularity • 56% Danceability • 45% Energy • 8% Liveness
2% Instrumentalness • 60% Positiveness
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The Felice Brothers
Jack at the Asylum
111 bpm • G Maj • 03:39 • -9db
31% Popularity • 54% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 54% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Karl Blau
That's How I Got to Memphis
111 bpm • E Maj • 04:03 • -9.43db
27% Popularity • 50% Danceability • 63% Energy • 25% Liveness
87% Instrumentalness • 48% Positiveness
27% Popularity • 50% Danceability • 63% Energy • 25% Liveness
87% Instrumentalness • 48% Positiveness
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Hem
When I Was Drinking
112 bpm • E Maj • 03:44 • -13.72db
30% Popularity • 31% Danceability • 27% Energy • 10% Liveness
2% Instrumentalness • 26% Positiveness
30% Popularity • 31% Danceability • 27% Energy • 10% Liveness
2% Instrumentalness • 26% Positiveness
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The Cactus Blossoms
Mississippi
112 bpm • C Maj • 04:01 • -10db
42% Popularity • 65% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
42% Popularity • 65% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Chuck Prophet
Jesus Was a Social Drinker
112 bpm • D Maj • 04:54 • -3.85db
28% Popularity • 56% Danceability • 71% Energy • 8% Liveness
19% Instrumentalness • 72% Positiveness
28% Popularity • 56% Danceability • 71% Energy • 8% Liveness
19% Instrumentalness • 72% Positiveness
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Billy Bragg
The Price I Pay
109 bpm • G Maj • 03:34 • -8.3db
27% Popularity • 72% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 41% Positiveness
27% Popularity • 72% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 41% Positiveness
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Richard & Linda Thompson
Wall of Death
112 bpm • A Maj • 03:42 • -15db
26% Popularity • 61% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
26% Popularity • 61% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Dave Van Ronk
Tell Old Bill
108 bpm • C# Maj • 04:24 • -13.73db
37% Popularity • 53% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 53% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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RocKwiz
Sunday Morning
112 bpm • C Maj • 02:53 • -4.29db
29% Popularity • 53% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
29% Popularity • 53% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Nick Lowe
What's So Funny 'Bout Peace, Love and Un...
108 bpm • G Maj • 04:03 • -15.32db
38% Popularity • 63% Danceability • 26% Energy • 73% Liveness
0% Instrumentalness • 36% Positiveness
38% Popularity • 63% Danceability • 26% Energy • 73% Liveness
0% Instrumentalness • 36% Positiveness
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RodrÃguez
Like Janis
108 bpm • D# Maj • 02:36 • -3.85db
54% Popularity • 54% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
54% Popularity • 54% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
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Billy Bragg
The World Turned Upside Down
109 bpm • E Maj • 02:35 • -7.16db
26% Popularity • 56% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
26% Popularity • 56% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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M. Ward
Poison Cup
112 bpm • C Maj • 02:40 • -9db
48% Popularity • 45% Danceability • 56% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
48% Popularity • 45% Danceability • 56% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Jay Farrar
Hoping Machine
108 bpm • C Maj • 04:52 • -8.51db
15% Popularity • 31% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
15% Popularity • 31% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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The New Pornographers
Myriad Harbour
108 bpm • G Maj • 04:00 • -6db
41% Popularity • 68% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
41% Popularity • 68% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Tom Petty
Time To Move On
113 bpm • D Maj • 03:15 • -9db
56% Popularity • 61% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
56% Popularity • 61% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Neko Case
Deep Red Bells
113 bpm • B min • 04:03 • -7.43db
38% Popularity • 38% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 38% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Billy Bragg
January Song
112 bpm • F Maj • 02:19 • -16.2db
17% Popularity • 66% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
17% Popularity • 66% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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M. Ward
Chinese Translation
108 bpm • D Maj • 03:58 • -9db
57% Popularity • 55% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
57% Popularity • 55% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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John Cale
Paris 1919
107 bpm • C Maj • 04:06 • -13.73db
45% Popularity • 74% Danceability • 32% Energy • 11% Liveness
4% Instrumentalness • 61% Positiveness
45% Popularity • 74% Danceability • 32% Energy • 11% Liveness
4% Instrumentalness • 61% Positiveness
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Elvis Costello
Less Than Zero
113 bpm • F Maj • 03:18 • -10.31db
41% Popularity • 79% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
41% Popularity • 79% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Pavement
Range Life
113 bpm • A Maj • 04:54 • -9.43db
49% Popularity • 56% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
49% Popularity • 56% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Bill Callahan
Too Many Birds
113 bpm • F min • 05:27 • -11.3db
43% Popularity • 53% Danceability • 57% Energy • 11% Liveness
12% Instrumentalness • 48% Positiveness
43% Popularity • 53% Danceability • 57% Energy • 11% Liveness
12% Instrumentalness • 48% Positiveness
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Billy Bragg
The Tracks of My Tears
108 bpm • C# Maj • 02:56 • -9.11db
18% Popularity • 48% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
18% Popularity • 48% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Richard Hawley
Just Like the Rain
113 bpm • G Maj • 03:17 • -10db
37% Popularity • 56% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
37% Popularity • 56% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Ry Cooder
Drive Like I Never Been Hurt
107 bpm • C Maj • 04:07 • -7.48db
18% Popularity • 44% Danceability • 59% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 44% Danceability • 59% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Willard Grant Conspiracy
Soft Hand
107 bpm • D Maj • 05:43 • -6.72db
17% Popularity • 74% Danceability • 59% Energy • 7% Liveness
15% Instrumentalness • 95% Positiveness
17% Popularity • 74% Danceability • 59% Energy • 7% Liveness
15% Instrumentalness • 95% Positiveness
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The War On Drugs
Arms Like Boulders
113 bpm • D Maj • 05:20 • -8db
38% Popularity • 50% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
38% Popularity • 50% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Ryan Adams & The Cardinals
Sweet Illusions
107 bpm • B min • 05:01 • -5db
32% Popularity • 49% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
32% Popularity • 49% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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Beth Orton
Stolen Car
107 bpm • A Maj • 05:25 • -8.28db
44% Popularity • 56% Danceability • 71% Energy • 59% Liveness
0% Instrumentalness • 44% Positiveness
44% Popularity • 56% Danceability • 71% Energy • 59% Liveness
0% Instrumentalness • 44% Positiveness
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Calexico
Prison On Route 41
113 bpm • A Maj • 04:10 • -15.08db
33% Popularity • 57% Danceability • 29% Energy • 28% Liveness
20% Instrumentalness • 50% Positiveness
33% Popularity • 57% Danceability • 29% Energy • 28% Liveness
20% Instrumentalness • 50% Positiveness
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The Felice Brothers
Jazz on the Autobahn
113 bpm • D Maj • 04:32 • -7.68db
40% Popularity • 60% Danceability • 68% Energy • 19% Liveness
1% Instrumentalness • 82% Positiveness
40% Popularity • 60% Danceability • 68% Energy • 19% Liveness
1% Instrumentalness • 82% Positiveness
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The Replacements
If Only You Were Lonely - Twin Tone Sing...
113 bpm • G Maj • 02:37 • -12db
34% Popularity • 54% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
34% Popularity • 54% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Billy Bragg
Must I Paint You a Picture
107 bpm • C Maj • 05:32 • -8.15db
29% Popularity • 63% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 63% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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Uncle Tupelo
Satan, Your Kingdom Must Come Down
114 bpm • E min • 01:53 • -14db
25% Popularity • 57% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
25% Popularity • 57% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Deer Tick
Twenty Miles
114 bpm • C Maj • 03:43 • -7.1db
47% Popularity • 51% Danceability • 78% Energy • 12% Liveness
6% Instrumentalness • 33% Positiveness
47% Popularity • 51% Danceability • 78% Energy • 12% Liveness
6% Instrumentalness • 33% Positiveness
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Kurt Vile
I'm an Outlaw
114 bpm • F min • 04:21 • -7db
44% Popularity • 77% Danceability • 88% Energy • 8% Liveness
75% Instrumentalness • 96% Positiveness
44% Popularity • 77% Danceability • 88% Energy • 8% Liveness
75% Instrumentalness • 96% Positiveness
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John Doe
The Golden State
114 bpm • D Maj • 02:58 • -6db
27% Popularity • 54% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 54% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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The Replacements
Androgynous
106 bpm • B Maj • 03:10 • -9db
46% Popularity • 48% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
46% Popularity • 48% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Billy Bragg
The Only One
114 bpm • E Maj • 03:26 • -9.83db
20% Popularity • 64% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 64% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Uncle Tupelo
No Depression
114 bpm • C Maj • 02:20 • -16db
36% Popularity • 43% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
36% Popularity • 43% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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A.A. Bondy
I Can See the Pines are Dancing
114 bpm • C# Maj • 03:42 • -9.26db
12% Popularity • 68% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
12% Popularity • 68% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Johnny Flynn
Detectorists
106 bpm • E Maj • 02:05 • -11.19db
53% Popularity • 42% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
53% Popularity • 42% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Deer Tick
Dirty Dishes
106 bpm • F Maj • 03:17 • -5.19db
36% Popularity • 68% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
36% Popularity • 68% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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The Replacements
Sadly Beautiful - 2008 Remaster
107 bpm • D Maj • 03:17 • -20.6db
20% Popularity • 53% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
20% Popularity • 53% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Nick Drake
Fly
114 bpm • G# Maj • 02:58 • -18.56db
51% Popularity • 52% Danceability • 23% Energy • 12% Liveness
68% Instrumentalness • 64% Positiveness
51% Popularity • 52% Danceability • 23% Energy • 12% Liveness
68% Instrumentalness • 64% Positiveness
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Uncle Tupelo
Black Eye
114 bpm • C Maj • 02:19 • -17.56db
26% Popularity • 47% Danceability • 34% Energy • 14% Liveness
3% Instrumentalness • 62% Positiveness
26% Popularity • 47% Danceability • 34% Energy • 14% Liveness
3% Instrumentalness • 62% Positiveness
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Calexico
History of Lovers
106 bpm • D Maj • 03:09 • -8.28db
41% Popularity • 65% Danceability • 57% Energy • 8% Liveness
1% Instrumentalness • 90% Positiveness
41% Popularity • 65% Danceability • 57% Energy • 8% Liveness
1% Instrumentalness • 90% Positiveness
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The Shins
Gone for Good - 2023 Remaster
114 bpm • C Maj • 03:12 • -4.47db
51% Popularity • 61% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
51% Popularity • 61% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Ryan Adams & The Cardinals
Easy Plateau
114 bpm • D Maj • 05:11 • -5.07db
32% Popularity • 48% Danceability • 78% Energy • 10% Liveness
9% Instrumentalness • 72% Positiveness
32% Popularity • 48% Danceability • 78% Energy • 10% Liveness
9% Instrumentalness • 72% Positiveness
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Golden Smog
Lost Love
114 bpm • F Maj • 03:00 • -5.99db
27% Popularity • 62% Danceability • 76% Energy • 11% Liveness
4% Instrumentalness • 72% Positiveness
27% Popularity • 62% Danceability • 76% Energy • 11% Liveness
4% Instrumentalness • 72% Positiveness
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Billy Bragg
You Woke up My Neighbourhood
106 bpm • G Maj • 03:11 • -6db
24% Popularity • 52% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 77% Positiveness
24% Popularity • 52% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 77% Positiveness
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The Pogues
A Rainy Night in Soho
106 bpm • C Maj • 04:43 • -12db
52% Popularity • 38% Danceability • 45% Energy • 17% Liveness
24% Instrumentalness • 49% Positiveness
52% Popularity • 38% Danceability • 45% Energy • 17% Liveness
24% Instrumentalness • 49% Positiveness
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The Be Good Tanyas
Lakes of Pontchartrain
106 bpm • G Maj • 04:39 • -9.76db
29% Popularity • 42% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
29% Popularity • 42% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
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Jonathan Richman
Parties In The U.S.A.
115 bpm • D Maj • 04:43 • -17.15db
37% Popularity • 82% Danceability • 27% Energy • 12% Liveness
8% Instrumentalness • 93% Positiveness
37% Popularity • 82% Danceability • 27% Energy • 12% Liveness
8% Instrumentalness • 93% Positiveness
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Crosby, Stills, Nash & Young
Helpless
115 bpm • D Maj • 03:37 • -13.61db
48% Popularity • 54% Danceability • 26% Energy • 13% Liveness
1% Instrumentalness • 37% Positiveness
48% Popularity • 54% Danceability • 26% Energy • 13% Liveness
1% Instrumentalness • 37% Positiveness
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Silver Jews
Random Rules
105 bpm • C Maj • 03:58 • -10.52db
50% Popularity • 57% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
50% Popularity • 57% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Uncle Tupelo
Life Worth Livin'
115 bpm • G Maj • 03:32 • -13db
24% Popularity • 41% Danceability • 41% Energy • 10% Liveness
12% Instrumentalness • 37% Positiveness
24% Popularity • 41% Danceability • 41% Energy • 10% Liveness
12% Instrumentalness • 37% Positiveness
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The Magnetic Fields
All My Little Words
105 bpm • G# Maj • 02:46 • -8db
54% Popularity • 48% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
54% Popularity • 48% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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The Velvet Underground
Sweet Jane - Full Length Version; 2015 R...
105 bpm • D Maj • 04:06 • -7.37db
55% Popularity • 62% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 94% Positiveness
55% Popularity • 62% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 94% Positiveness
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The Monkees
Me & Magdalena
115 bpm • G Maj • 03:33 • -9.75db
54% Popularity • 74% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
54% Popularity • 74% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Billy Bragg
There Will Be a Reckoning
115 bpm • G Maj • 03:30 • -9.74db
11% Popularity • 66% Danceability • 54% Energy • 10% Liveness
2% Instrumentalness • 70% Positiveness
11% Popularity • 66% Danceability • 54% Energy • 10% Liveness
2% Instrumentalness • 70% Positiveness
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Elvis Costello & The Attractions
Watch Your Step
115 bpm • C Maj • 02:58 • -10db
36% Popularity • 70% Danceability • 52% Energy • 13% Liveness
5% Instrumentalness • 82% Positiveness
36% Popularity • 70% Danceability • 52% Energy • 13% Liveness
5% Instrumentalness • 82% Positiveness
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Joe Henry
Our Song
105 bpm • G Maj • 06:19 • -10.12db
22% Popularity • 57% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 57% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Grant Lee Buffalo
Honey Don't Think
105 bpm • B Maj • 02:43 • -8.98db
39% Popularity • 56% Danceability • 45% Energy • 33% Liveness
0% Instrumentalness • 21% Positiveness
39% Popularity • 56% Danceability • 45% Energy • 33% Liveness
0% Instrumentalness • 21% Positiveness
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The Velvet Underground
Sweet Jane
105 bpm • D Maj • 03:17 • -10.63db
49% Popularity • 63% Danceability • 51% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
49% Popularity • 63% Danceability • 51% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
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Clem Snide
Let's Explode
105 bpm • C Maj • 04:10 • -7.45db
8% Popularity • 38% Danceability • 49% Energy • 35% Liveness
59% Instrumentalness • 22% Positiveness
8% Popularity • 38% Danceability • 49% Energy • 35% Liveness
59% Instrumentalness • 22% Positiveness
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Uncle Tupelo
Give Back the Key to My Heart
116 bpm • A Maj • 03:26 • -9.08db
31% Popularity • 63% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
31% Popularity • 63% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Ron Sexsmith
All In Good Time
116 bpm • C# Maj • 03:35 • -6.3db
14% Popularity • 66% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 66% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Joe Henry
Grave Angels
104 bpm • C Maj • 05:31 • -9.33db
23% Popularity • 63% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 63% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Iris DeMent
Our Town
116 bpm • B Maj • 05:00 • -8db
47% Popularity • 71% Danceability • 27% Energy • 25% Liveness
0% Instrumentalness • 32% Positiveness
47% Popularity • 71% Danceability • 27% Energy • 25% Liveness
0% Instrumentalness • 32% Positiveness
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Laura Cantrell
Two Seconds
116 bpm • C Maj • 03:58 • -10.69db
21% Popularity • 79% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
21% Popularity • 79% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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George Harrison
If Not for You (2014 Remaster)
116 bpm • G Maj • 03:30 • -7.01db
61% Popularity • 61% Danceability • 75% Energy • 10% Liveness
1% Instrumentalness • 85% Positiveness
61% Popularity • 61% Danceability • 75% Energy • 10% Liveness
1% Instrumentalness • 85% Positiveness
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Uncle Tupelo
Whiskey Bottle
104 bpm • A Maj • 04:46 • -12.86db
25% Popularity • 37% Danceability • 25% Energy • 13% Liveness
2% Instrumentalness • 17% Positiveness
25% Popularity • 37% Danceability • 25% Energy • 13% Liveness
2% Instrumentalness • 17% Positiveness
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The Jesus and Mary Chain
Sometimes Always
116 bpm • F# Maj • 02:31 • -9.91db
51% Popularity • 44% Danceability • 72% Energy • 10% Liveness
1% Instrumentalness • 59% Positiveness
51% Popularity • 44% Danceability • 72% Energy • 10% Liveness
1% Instrumentalness • 59% Positiveness
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The Waterboys
Sweet Thing - 2006 Remaster
104 bpm • A Maj • 07:12 • -6db
41% Popularity • 37% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
41% Popularity • 37% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Sinéad O'Connor
Black Boys on Mopeds
104 bpm • E Maj • 03:52 • -15db
49% Popularity • 54% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
49% Popularity • 54% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
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Great Lake Swimmers
Pulling On A Line
117 bpm • D Maj • 03:19 • -7db
49% Popularity • 66% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
49% Popularity • 66% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Billy Bragg
The Marriage
117 bpm • C Maj • 02:31 • -3.73db
24% Popularity • 67% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
24% Popularity • 67% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Big Star
Thirteen
117 bpm • C min • 02:34 • -14.37db
57% Popularity • 46% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
57% Popularity • 46% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Crooked Fingers
Sleep All Summer
103 bpm • A Maj • 04:42 • -11.08db
29% Popularity • 41% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 50% Positiveness
29% Popularity • 41% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 50% Positiveness
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Graham Parker & The Rumour
Watch The Moon Come Down
117 bpm • G Maj • 04:49 • -12.64db
27% Popularity • 71% Danceability • 38% Energy • 7% Liveness
1% Instrumentalness • 32% Positiveness
27% Popularity • 71% Danceability • 38% Energy • 7% Liveness
1% Instrumentalness • 32% Positiveness
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Camera Obscura
Tougher Than the Rest
103 bpm • C# Maj • 03:44 • -6.89db
31% Popularity • 50% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
31% Popularity • 50% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
