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Call Me A Fool [Carla Thomas]
Songs like
Call Me A Fool [Feat. Carla Thomas]
by
Valerie June
Based on a tempo of (+/- 10%) and a similar genre
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The Be Good Tanyas
Junkie Song
132 bpm • G Maj • 03:49 • -13db
40% Popularity • 47% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Valerie June
You And I
132 bpm • G Maj • 03:39 • -6.84db
32% Popularity • 50% Danceability • 56% Energy • 32% Liveness
18% Instrumentalness • 43% Positiveness
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Mountain Man
You and I
132 bpm • C# Maj • 02:37 • -9db
27% Popularity • 69% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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The Barr Brothers
Come in the Water
131 bpm • D Maj • 06:48 • -10.79db
33% Popularity • 54% Danceability • 33% Energy • 11% Liveness
13% Instrumentalness • 43% Positiveness
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Lula Wiles
Oh My God
132 bpm • A min • 04:38 • -7.07db
14% Popularity • 59% Danceability • 50% Energy • 9% Liveness
1% Instrumentalness • 69% Positiveness
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Jenn Grant
Keep a Light On
131 bpm • F# Maj • 03:06 • -8.59db
37% Popularity • 59% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Joan Shelley
Like The Thunder
131 bpm • A Maj • 03:49 • -9.45db
21% Popularity • 61% Danceability • 56% Energy • 13% Liveness
2% Instrumentalness • 30% Positiveness
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Valerie June
Call Me A Fool [Carla Thomas]
132 bpm • C min • 03:43 • -4.96db
39% Popularity • 50% Danceability • 54% Energy • 63% Liveness
1% Instrumentalness • 17% Positiveness
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Mountain Man
Animal Tracks
131 bpm • E min • 02:10 • -14.15db
25% Popularity • 36% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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Aoife O'Donovan
Passengers
133 bpm • D Maj • 03:32 • -16db
45% Popularity • 62% Danceability • 35% Energy • 12% Liveness
16% Instrumentalness • 43% Positiveness
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The Wild Reeds
Be The Change
131 bpm • D Maj • 03:08 • -10db
31% Popularity • 47% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Erin Rae
Modern Woman
131 bpm • C Maj • 03:24 • -7.56db
24% Popularity • 68% Danceability • 67% Energy • 26% Liveness
1% Instrumentalness • 65% Positiveness
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Bedouine
Nice and Quiet
131 bpm • C Maj • 03:51 • -15db
43% Popularity • 51% Danceability • 29% Energy • 10% Liveness
38% Instrumentalness • 44% Positiveness
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Valerie June
Little Wing
133 bpm • G min • 02:55 • -8.93db
33% Popularity • 35% Danceability • 42% Energy • 13% Liveness
83% Instrumentalness • 21% Positiveness
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Sunny War
Kiss a Loser
131 bpm • C# Maj • 04:04 • -16.88db
14% Popularity • 77% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Bahamas
Half Your Love
133 bpm • A Maj • 02:23 • -7.03db
37% Popularity • 65% Danceability • 35% Energy • 13% Liveness
2% Instrumentalness • 60% Positiveness
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Flock of Dimes
Everything Is Free
130 bpm • C Maj • 04:17 • -13db
40% Popularity • 65% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Great Lake Swimmers
Everything Is Moving So Fast
134 bpm • E Maj • 04:19 • -14db
42% Popularity • 66% Danceability • 51% Energy • 13% Liveness
1% Instrumentalness • 64% Positiveness
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Amythyst Kiah
Love Will Tear Us Apart
134 bpm • D Maj • 02:48 • -7db
29% Popularity • 58% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
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Valerie June
Long Lonely Road
130 bpm • G Maj • 03:56 • -10db
34% Popularity • 54% Danceability • 24% Energy • 15% Liveness
1% Instrumentalness • 10% Positiveness
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Leyla McCalla
Little sparrow
130 bpm • E min • 03:16 • -14db
33% Popularity • 41% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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The Be Good Tanyas
In My Time Of Dying
134 bpm • C min • 03:46 • -10db
45% Popularity • 66% Danceability • 40% Energy • 10% Liveness
2% Instrumentalness • 74% Positiveness
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Mavis Staples
We Get By
135 bpm • G Maj • 03:35 • -8.61db
46% Popularity • 51% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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The Secret Sisters
Hand Over My Heart
134 bpm • D# Maj • 04:17 • -7.76db
27% Popularity • 60% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
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Hiss Golden Messenger
Everybody Needs Somebody
129 bpm • B Maj • 03:30 • -7db
36% Popularity • 62% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Valerie June
Fallin'
130 bpm • C Maj • 03:18 • -12db
23% Popularity • 44% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Joshua Burnside
Far Away the Hills Are Green
135 bpm • G Maj • 04:00 • -14db
24% Popularity • 47% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 24% Positiveness
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Dan Zanes
Take This Hammer
135 bpm • F Maj • 03:16 • -6.84db
7% Popularity • 76% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
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Joan Shelley
Sweet Dark-Haired Man
129 bpm • F# Maj • 03:08 • -13.21db
42% Popularity • 74% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Langhorne Slim
Life Is Confusing
129 bpm • C# Maj • 02:51 • -11.41db
41% Popularity • 37% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Charlie Parr
817 Oakland Avenue
129 bpm • A Maj • 04:19 • -8db
28% Popularity • 45% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
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Valerie June
Love You Once Made
130 bpm • A Maj • 03:37 • -7.74db
26% Popularity • 40% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 38% Positiveness
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The Be Good Tanyas
When Doves Cry
129 bpm • B min • 04:02 • -12db
45% Popularity • 84% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Pieta Brown
Before Gas and TV
129 bpm • C Maj • 03:22 • -13.52db
28% Popularity • 64% Danceability • 24% Energy • 12% Liveness
3% Instrumentalness • 32% Positiveness
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Rachel Baiman
I Could've Been Your Lover Too
136 bpm • B min • 03:09 • -10.78db
29% Popularity • 78% Danceability • 21% Energy • 39% Liveness
0% Instrumentalness • 36% Positiveness
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Jennah Barry
The Real Moon
136 bpm • D min • 02:58 • -11.01db
25% Popularity • 51% Danceability • 43% Energy • 11% Liveness
6% Instrumentalness • 88% Positiveness
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S.G. Goodman
Old Time Feeling
128 bpm • B min • 03:51 • -6db
26% Popularity • 58% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
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Valerie June
With You
129 bpm • D Maj • 02:42 • -10.96db
28% Popularity • 49% Danceability • 35% Energy • 9% Liveness
51% Instrumentalness • 16% Positiveness
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Bonny Light Horseman
Summer Dream
136 bpm • D Maj • 05:20 • -8.12db
34% Popularity • 61% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Aoife O'Donovan
Red & White & Blue & Gold
128 bpm • B Maj • 03:20 • -10db
48% Popularity • 61% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 40% Positiveness
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Becca Mancari
Golden
136 bpm • D# Maj • 05:13 • -11.53db
34% Popularity • 35% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Emma Swift
The Man In Me
136 bpm • B Maj • 03:26 • -9.19db
14% Popularity • 51% Danceability • 55% Energy • 8% Liveness
5% Instrumentalness • 68% Positiveness
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Delaney Davidson
The Ballad Of Minnie Dean
128 bpm • G Maj • 02:48 • -6.45db
34% Popularity • 59% Danceability • 37% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
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Valerie June
Godspeed
129 bpm • F# Maj • 02:49 • -16.17db
21% Popularity • 43% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Sara Watkins
Without A Word
136 bpm • B Maj • 03:58 • -14.5db
37% Popularity • 58% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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The Be Good Tanyas
It's Not Happening
136 bpm • C Maj • 02:41 • -13.5db
48% Popularity • 73% Danceability • 46% Energy • 10% Liveness
5% Instrumentalness • 78% Positiveness
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Mavis Staples
You Are Not Alone
127 bpm • F Maj • 03:57 • -12.31db
47% Popularity • 68% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Allison Russell
Montreal
137 bpm • C min • 03:45 • -14.33db
30% Popularity • 49% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Aoife O'Donovan
B61
137 bpm • C# Maj • 03:41 • -16.45db
51% Popularity • 47% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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The Wild Reeds
Where I'm Going
127 bpm • A Maj • 04:11 • -7db
40% Popularity • 49% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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The Barr Brothers
Little Lover
127 bpm • A# Maj • 04:50 • -10db
39% Popularity • 58% Danceability • 52% Energy • 10% Liveness
21% Instrumentalness • 36% Positiveness
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Chris Smither
Lonely Time
127 bpm • E Maj • 03:22 • -10.38db
34% Popularity • 61% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Langhorne Slim
Mighty Soul
127 bpm • D# Maj • 01:57 • -9.58db
36% Popularity • 48% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Valerie June
Look At Miss Ohio
138 bpm • C Maj • 03:25 • -9.32db
27% Popularity • 56% Danceability • 50% Energy • 14% Liveness
5% Instrumentalness • 36% Positiveness
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Jenny Lewis
Puppy and a Truck
127 bpm • A Maj • 03:11 • -7.49db
46% Popularity • 81% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Adia Victoria
In The Pines
138 bpm • A Maj • 03:37 • -12.01db
18% Popularity • 51% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Bonny Light Horseman
The Roving
138 bpm • F Maj • 04:20 • -7.34db
40% Popularity • 54% Danceability • 45% Energy • 11% Liveness
2% Instrumentalness • 57% Positiveness
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Ondara
Good Question
127 bpm • F# Maj • 03:38 • -11.39db
27% Popularity • 55% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Chris Staples
Times Square
138 bpm • F# Maj • 02:33 • -11.38db
32% Popularity • 75% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Maya De Vitry
How Bad I Wanna Live
138 bpm • G Maj • 02:53 • -11.88db
34% Popularity • 65% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Andrew Combs
Like A Feather
138 bpm • C Maj • 03:48 • -8.34db
21% Popularity • 57% Danceability • 48% Energy • 16% Liveness
7% Instrumentalness • 54% Positiveness
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Birds of Chicago
Love in Wartime
138 bpm • E Maj • 05:49 • -11.14db
16% Popularity • 47% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Rhiannon Giddens
At the Purchaser's Option
138 bpm • C# Maj • 04:16 • -11.68db
39% Popularity • 89% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Ondara
Milk And Honey
126 bpm • B Maj • 02:54 • -7.64db
36% Popularity • 54% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Great Lake Swimmers
Swimming Away
126 bpm • A Maj • 03:08 • -8.97db
42% Popularity • 59% Danceability • 60% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
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Joan Shelley
The Push and Pull
126 bpm • F# Maj • 02:33 • -13db
33% Popularity • 67% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Mountain Man
Slow Burn
139 bpm • B min • 03:37 • -15.68db
24% Popularity • 57% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Valerie June
With You - A Sweet Little Love Song Demo
125 bpm • G Maj • 02:34 • -14db
42% Popularity • 60% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Sarah Harmer
St. Peter's Bay
125 bpm • B min • 03:14 • -9db
30% Popularity • 63% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Allison Russell
Persephone
125 bpm • D Maj • 04:22 • -8db
44% Popularity • 58% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Sunny War
Love Became Pain
139 bpm • D# min • 02:52 • -11.3db
15% Popularity • 71% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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The Be Good Tanyas
In Spite Of All The Damage
125 bpm • D Maj • 03:59 • -15.67db
42% Popularity • 67% Danceability • 19% Energy • 23% Liveness
1% Instrumentalness • 53% Positiveness
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Blake Mills
Don't Tell Our Friends About Me
125 bpm • A# Maj • 05:19 • -8.06db
40% Popularity • 74% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Birds of Chicago
Lodestar
139 bpm • D Maj • 04:37 • -13.67db
16% Popularity • 52% Danceability • 39% Energy • 11% Liveness
31% Instrumentalness • 26% Positiveness
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S.G. Goodman
Tender Kind
140 bpm • A# Maj • 03:30 • -10db
25% Popularity • 60% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Allison Russell
The Runner
125 bpm • A# Maj • 04:09 • -9db
29% Popularity • 62% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Caroline Rose
Shepherd
140 bpm • E Maj • 05:18 • -11db
14% Popularity • 48% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
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Nathaniel Rateliff
All Or Nothing
140 bpm • A Maj • 05:01 • -9.44db
37% Popularity • 45% Danceability • 44% Energy • 12% Liveness
1% Instrumentalness • 53% Positiveness
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Neko Case
Atomic Number
140 bpm • F min • 02:57 • -9.27db
40% Popularity • 48% Danceability • 63% Energy • 11% Liveness
7% Instrumentalness • 24% Positiveness
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Adia Victoria
South For The Winter
124 bpm • A# Maj • 03:15 • -12.45db
24% Popularity • 59% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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S.G. Goodman
Teeth Marks
140 bpm • A# Maj • 03:37 • -9.5db
30% Popularity • 44% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Valerie June
Smile - Moon And Stars / Acoustic
124 bpm • B min • 03:44 • -9.06db
11% Popularity • 69% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Sara Watkins
Young In All The Wrong Ways
141 bpm • A Maj • 04:18 • -8.85db
23% Popularity • 47% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Sunny War
If It Wasn’t Broken
124 bpm • D# Maj • 03:49 • -12.77db
28% Popularity • 66% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Kacy & Clayton
The Light Of Day
124 bpm • E min • 02:52 • -7.13db
33% Popularity • 57% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Shannon Lay
Clay Pigeons
141 bpm • F Maj • 05:04 • -18.2db
23% Popularity • 50% Danceability • 15% Energy • 11% Liveness
45% Instrumentalness • 27% Positiveness
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Birds of Chicago
Now / Sunlight
141 bpm • A# Maj • 01:03 • -19.19db
34% Popularity • 59% Danceability • 3% Energy • 9% Liveness
26% Instrumentalness • 38% Positiveness
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The Be Good Tanyas
The Littlest Birds
141 bpm • C Maj • 04:09 • -12db
46% Popularity • 57% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Erin Rae
Can't See Stars
142 bpm • A# Maj • 03:36 • -6.61db
29% Popularity • 66% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Sunny War
Whole
123 bpm • B Maj • 03:19 • -7.95db
29% Popularity • 60% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Sylvan Esso
Farmhouse
142 bpm • F Maj • 03:02 • -9.4db
31% Popularity • 67% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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The Felice Brothers
Days of the Years
142 bpm • A Maj • 03:58 • -10db
33% Popularity • 45% Danceability • 42% Energy • 11% Liveness
6% Instrumentalness • 39% Positiveness
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Birds of Chicago
Color of Love
123 bpm • C Maj • 03:24 • -10.91db
20% Popularity • 69% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Valerie June
Why The Bright Stars Glow - Moon And Sta...
123 bpm • C Maj • 03:43 • -11.17db
12% Popularity • 52% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Bob Corritore
Crawdad Hole
142 bpm • A Maj • 02:45 • -2.68db
4% Popularity • 48% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Sunny War
Lucid Lucy
142 bpm • D Maj • 03:37 • -17.54db
48% Popularity • 46% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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The Deslondes
Beautiful Friend
142 bpm • D Maj • 02:58 • -13.91db
32% Popularity • 60% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Allison Russell
Joyful Motherfuckers
142 bpm • G# min • 03:11 • -11.42db
33% Popularity • 68% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Beth Orton
Call Me the Breeze
122 bpm • B min • 03:52 • -11db
33% Popularity • 58% Danceability • 56% Energy • 10% Liveness
36% Instrumentalness • 26% Positiveness
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Cat Power
I Think Of Angels
122 bpm • G Maj • 03:32 • -18.61db
45% Popularity • 64% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
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Call Me A Fool [Carla Thomas]