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Call Me Joker
Songs like
Call Me Joker
by
Hildur Guðnadóttir
Based on a tempo of (+/- 10%) and a similar genre
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Steven Price
Shenzou
121 bpm • C# min • 06:11 • -12.01db
39% Popularity • 30% Danceability • 50% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Nick Arundel
All Who Follow You
121 bpm • F min • 02:29 • -20.34db
34% Popularity • 35% Danceability • 29% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
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Hildur Guðnadóttir
Call Me Joker
121 bpm • D Maj • 04:48 • -14.43db
46% Popularity • 20% Danceability • 32% Energy • 14% Liveness
89% Instrumentalness • 5% Positiveness
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Rupert Gregson-Williams
Arthur
121 bpm • C# Maj • 04:40 • -12.5db
32% Popularity • 19% Danceability • 58% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
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Jed Kurzel
The Covenant
121 bpm • C# Maj • 03:25 • -21.33db
31% Popularity • 21% Danceability • 14% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
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Cho Young-Wuk
Dressed To Kill
120 bpm • A min • 02:00 • -23.62db
19% Popularity • 37% Danceability • 7% Energy • 17% Liveness
85% Instrumentalness • 19% Positiveness
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Steven Price
Norman
120 bpm • A# Maj • 02:50 • -16.45db
53% Popularity • 29% Danceability • 47% Energy • 14% Liveness
88% Instrumentalness • 8% Positiveness
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Carlos Rafael Rivera
The Final Game
120 bpm • A min • 07:23 • -19db
37% Popularity • 38% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Lovett
The Ritual
120 bpm • C# min • 02:08 • -16.5db
22% Popularity • 41% Danceability • 31% Energy • 12% Liveness
68% Instrumentalness • 13% Positiveness
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Rupert Gregson-Williams
Streets of New York
120 bpm • D Maj • 04:15 • -19.26db
18% Popularity • 64% Danceability • 14% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
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Daniel Pemberton
OSR II - I
120 bpm • D min • 03:54 • -17db
16% Popularity • 33% Danceability • 34% Energy • 8% Liveness
90% Instrumentalness • 5% Positiveness
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Ludwig Göransson
INVERSION
120 bpm • C# Maj • 03:32 • -16.76db
38% Popularity • 51% Danceability • 45% Energy • 11% Liveness
80% Instrumentalness • 6% Positiveness
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Thomas Newman
Sixteen Hundred Men
122 bpm • C min • 06:32 • -19.85db
42% Popularity • 39% Danceability • 23% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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James Newton Howard
Wands into the Earth
120 bpm • F min • 04:04 • -13db
33% Popularity • 18% Danceability • 34% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Steven Price
Emma
120 bpm • D min • 02:35 • -15db
50% Popularity • 41% Danceability • 43% Energy • 7% Liveness
94% Instrumentalness • 8% Positiveness
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Rupert Gregson-Williams
What Does That Even Mean?
120 bpm • G# Maj • 03:23 • -16.23db
21% Popularity • 20% Danceability • 47% Energy • 40% Liveness
84% Instrumentalness • 4% Positiveness
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Mark Mothersbaugh
What Heroes Do
120 bpm • G min • 01:37 • -10db
35% Popularity • 52% Danceability • 72% Energy • 11% Liveness
70% Instrumentalness • 8% Positiveness
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Dario Marianelli
The Dominoes Fall
120 bpm • A min • 05:28 • -20.06db
22% Popularity • 41% Danceability • 37% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
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Johan Söderqvist
Tirailleur
120 bpm • D min • 02:38 • -16.18db
35% Popularity • 29% Danceability • 26% Energy • 9% Liveness
82% Instrumentalness • 14% Positiveness
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John Ottman
The Future - Main Titles
122 bpm • D Maj • 02:44 • -17db
32% Popularity • 17% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Michael Price
The Game is On
120 bpm • C Maj • 03:40 • -19.28db
45% Popularity • 32% Danceability • 29% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
Rescue Continues
122 bpm • E min • 03:46 • -15db
40% Popularity • 32% Danceability • 39% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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John Murphy
Kanada's Death Pt.2 (Adagio in D Minor)
120 bpm • G Maj • 02:58 • -10db
41% Popularity • 33% Danceability • 62% Energy • 10% Liveness
72% Instrumentalness • 3% Positiveness
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Hauschka
#283
120 bpm • A# Maj • 05:34 • -17.72db
11% Popularity • 45% Danceability • 19% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
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James Newton Howard
Visions - Original Motion Picture Soundt...
119 bpm • E min • 05:57 • -26.04db
27% Popularity • 23% Danceability • 12% Energy • 10% Liveness
77% Instrumentalness • 3% Positiveness
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Dario Marianelli
Remember Remember
119 bpm • D Maj • 06:42 • -21.83db
20% Popularity • 38% Danceability • 32% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
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Nick Arundel
Inner Demon
119 bpm • C# Maj • 02:01 • -23.93db
40% Popularity • 50% Danceability • 8% Energy • 14% Liveness
89% Instrumentalness • 32% Positiveness
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Rupert Gregson-Williams
Duck Shoot
120 bpm • D min • 04:07 • -18.79db
50% Popularity • 23% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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John Murphy
Sunshine (Adagio in D Minor)
119 bpm • G Maj • 04:44 • -9.46db
50% Popularity • 17% Danceability • 41% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Jeff Beal
I've Known Everything
123 bpm • C min • 04:39 • -16.49db
29% Popularity • 40% Danceability • 22% Energy • 12% Liveness
86% Instrumentalness • 3% Positiveness
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James Newton Howard
Those We Don't Speak Of - Score
123 bpm • G min • 03:59 • -20.12db
25% Popularity • 19% Danceability • 13% Energy • 30% Liveness
96% Instrumentalness • 4% Positiveness
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Dean Valentine
Sharks Don't Sleep
118 bpm • E min • 04:05 • -15db
36% Popularity • 24% Danceability • 40% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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John Paesano
The Defenders
124 bpm • F# min • 05:05 • -19.9db
12% Popularity • 19% Danceability • 13% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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JNUARY
Replica
118 bpm • C# Maj • 02:01 • -16.11db
22% Popularity • 47% Danceability • 38% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
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Jed Kurzel
Alien Covenant Theme
118 bpm • C Maj • 01:42 • -18db
30% Popularity • 25% Danceability • 12% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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Chris Benstead
Gala Dinner
118 bpm • D Maj • 02:13 • -33.21db
17% Popularity • 57% Danceability • 3% Energy • 8% Liveness
78% Instrumentalness • 8% Positiveness
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Robert Lydecker
The Dragon Within
124 bpm • G# Maj • 03:20 • -14db
11% Popularity • 26% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Jerry Goldsmith
Main Title
118 bpm • F Maj • 04:12 • -21.7db
37% Popularity • 17% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Howard Shore
Wrath
124 bpm • G# Maj • 05:16 • -19.72db
17% Popularity • 18% Danceability • 6% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
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Jeff Beal
Forward March
117 bpm • C Maj • 02:02 • -17.37db
34% Popularity • 65% Danceability • 30% Energy • 11% Liveness
81% Instrumentalness • 40% Positiveness
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David Arnold
Lazarus
117 bpm • B min • 03:36 • -16.84db
3% Popularity • 34% Danceability • 36% Energy • 11% Liveness
84% Instrumentalness • 9% Positiveness
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Dirk Dresselhaus
Aufbruch - O.S.T. Version
125 bpm • C Maj • 02:41 • -8.88db
4% Popularity • 74% Danceability • 60% Energy • 12% Liveness
91% Instrumentalness • 44% Positiveness
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Hildur Guðnadóttir
Subway
125 bpm • B Maj • 03:33 • -15.44db
33% Popularity • 18% Danceability • 34% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Zack Hemsey
Growing A Giant
125 bpm • B Maj • 01:56 • -21.36db
22% Popularity • 79% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 12% Positiveness
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Rupert Gregson-Williams
Catherine Theme Suite
125 bpm • D min • 05:32 • -17.05db
12% Popularity • 19% Danceability • 22% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Natalie Holt
Frigga
126 bpm • C min • 02:21 • -19.96db
36% Popularity • 17% Danceability • 28% Energy • 7% Liveness
87% Instrumentalness • 3% Positiveness
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Joris de Man
Aloy's Theme - Part 1 - Motherland
117 bpm • A min • 02:31 • -19db
48% Popularity • 17% Danceability • 26% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Dirk Dresselhaus
Einzug
125 bpm • F Maj • 01:06 • -8.99db
4% Popularity • 73% Danceability • 52% Energy • 14% Liveness
8% Instrumentalness • 80% Positiveness
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Marco Beltrami
A Quiet Life
117 bpm • E Maj • 02:58 • -22db
38% Popularity • 18% Danceability • 23% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
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Howard Shore
Prologue: One Ring to Rule Them All
126 bpm • F Maj • 07:16 • -21.81db
49% Popularity • 17% Danceability • 10% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Jesper Kyd
Venice Rooftops
126 bpm • A min • 03:18 • -9.92db
45% Popularity • 57% Danceability • 78% Energy • 9% Liveness
91% Instrumentalness • 14% Positiveness
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Natalie Holt
Loki Green Theme
126 bpm • F Maj • 02:24 • -12.58db
52% Popularity • 46% Danceability • 48% Energy • 12% Liveness
84% Instrumentalness • 13% Positiveness
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Alexandre Desplat
Flight to Compound
116 bpm • A# min • 05:07 • -22.9db
24% Popularity • 30% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
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Steven Price
April, 1945
116 bpm • A# Maj • 04:14 • -13db
34% Popularity • 43% Danceability • 42% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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John Paesano
Finale
116 bpm • A Maj • 04:17 • -16.3db
43% Popularity • 22% Danceability • 18% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Harry Gregson-Williams
Making Water
116 bpm • A# Maj • 02:38 • -18.85db
48% Popularity • 50% Danceability • 34% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Jesper Kyd
Ezio's Family
126 bpm • D min • 03:57 • -12.56db
63% Popularity • 38% Danceability • 34% Energy • 7% Liveness
78% Instrumentalness • 11% Positiveness
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Rupert Gregson-Williams
One Man At A Time
116 bpm • D Maj • 02:30 • -13db
50% Popularity • 21% Danceability • 50% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
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Skúli Sverrisson
Morgum
127 bpm • A Maj • 08:40 • -15.42db
7% Popularity • 21% Danceability • 18% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Vince Pope
Who Are You
127 bpm • A min • 02:43 • -24.35db
16% Popularity • 29% Danceability • 4% Energy • 6% Liveness
96% Instrumentalness • 7% Positiveness
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Johan Söderqvist
Norway
115 bpm • D Maj • 03:55 • -20db
31% Popularity • 17% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Ludwig Göransson
WINDMILLS
115 bpm • D# min • 05:16 • -21.8db
43% Popularity • 39% Danceability • 14% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
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Jesper Kyd
Home in Florence
116 bpm • A min • 04:30 • -20.31db
42% Popularity • 24% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 6% Positiveness
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The Flight
Legend of the Eagle Bearer (Main Theme)
115 bpm • G Maj • 03:53 • -12.09db
48% Popularity • 54% Danceability • 57% Energy • 7% Liveness
69% Instrumentalness • 9% Positiveness
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Jason Hill
The Man From The Alarm Company
127 bpm • C Maj • 02:49 • -22.07db
15% Popularity • 33% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Christopher Drake
See You...In Hell
115 bpm • D min • 07:47 • -13.28db
26% Popularity • 27% Danceability • 31% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Michael Giacchino
Go for Baroque
127 bpm • G min • 02:55 • -20.2db
34% Popularity • 58% Danceability • 18% Energy • 14% Liveness
83% Instrumentalness • 29% Positiveness
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Nicholas Hooper
Dumbledore's Farewell
115 bpm • A min • 02:22 • -22.18db
66% Popularity • 24% Danceability • 6% Energy • 18% Liveness
89% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
The Way of the Ghost
114 bpm • G min • 04:14 • -15db
46% Popularity • 17% Danceability • 16% Energy • 15% Liveness
92% Instrumentalness • 4% Positiveness
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The Flight
Assassin's Creed
115 bpm • D min • 02:54 • -13.29db
46% Popularity • 46% Danceability • 30% Energy • 13% Liveness
78% Instrumentalness • 14% Positiveness
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Inon Zur
Fallout 4 Main Theme
128 bpm • C# Maj • 03:02 • -19.09db
53% Popularity • 37% Danceability • 22% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Sam Slater
Subway Lion - Live
128 bpm • F# Maj • 05:59 • -11db
0% Popularity • 26% Danceability • 59% Energy • 25% Liveness
87% Instrumentalness • 10% Positiveness
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Zack Hemsey
Methods Of Madness
128 bpm • A min • 02:34 • -25.69db
12% Popularity • 76% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 28% Positiveness
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Trent Reznor and Atticus Ross
Hand Covers Bruise
114 bpm • D Maj • 04:18 • -25.38db
50% Popularity • 20% Danceability • 15% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Abel Korzeniowski
God Ends Here
114 bpm • C# Maj • 01:42 • -17.68db
19% Popularity • 17% Danceability • 36% Energy • 11% Liveness
97% Instrumentalness • 21% Positiveness
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Jesper Kyd
Earth
114 bpm • A# Maj • 03:58 • -10.89db
49% Popularity • 54% Danceability • 59% Energy • 8% Liveness
83% Instrumentalness • 14% Positiveness
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Gustavo Santaolalla
It Can't Last (Home)
114 bpm • D min • 04:29 • -17.04db
42% Popularity • 32% Danceability • 14% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Alexandre Desplat
Statues
129 bpm • C# Maj • 02:24 • -20.5db
56% Popularity • 32% Danceability • 24% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
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Hauschka
Cool Gray 1
113 bpm • A# Maj • 07:29 • -11.3db
7% Popularity • 37% Danceability • 37% Energy • 9% Liveness
88% Instrumentalness • 21% Positiveness
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Daft Punk
Outlands, Part II
113 bpm • C Maj • 02:54 • -17.85db
44% Popularity • 44% Danceability • 31% Energy • 30% Liveness
74% Instrumentalness • 7% Positiveness
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Thomas Newman
The Starship Avalon (Main Title)
129 bpm • C min • 04:15 • -28.47db
34% Popularity • 37% Danceability • 3% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
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David Arnold
Who You Really Are
129 bpm • A min • 02:35 • -15.59db
19% Popularity • 22% Danceability • 27% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
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Gustavo Santaolalla
The Last of Us Part II
129 bpm • D min • 02:52 • -18.03db
52% Popularity • 45% Danceability • 5% Energy • 10% Liveness
78% Instrumentalness • 13% Positiveness
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The Newton Brothers
Beginning of the End Movement II (Tea Pa...
113 bpm • C Maj • 02:44 • -23.7db
22% Popularity • 18% Danceability • 12% Energy • 16% Liveness
96% Instrumentalness • 5% Positiveness
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Steven Price
Still In This Fight
130 bpm • F min • 03:39 • -15.24db
28% Popularity • 32% Danceability • 53% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Daft Punk
Outlands
113 bpm • C Maj • 02:42 • -16db
42% Popularity • 57% Danceability • 45% Energy • 28% Liveness
69% Instrumentalness • 17% Positiveness
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Jed Kurzel
The Animus
130 bpm • A Maj • 04:41 • -16.27db
26% Popularity • 34% Danceability • 36% Energy • 9% Liveness
80% Instrumentalness • 6% Positiveness
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Hildur Guðnadóttir
Escape from the Train
130 bpm • C Maj • 02:31 • -14.85db
33% Popularity • 66% Danceability • 37% Energy • 5% Liveness
75% Instrumentalness • 9% Positiveness
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Ludwig Göransson
RAINY NIGHT IN TALLINN
130 bpm • C# Maj • 08:00 • -12.33db
47% Popularity • 34% Danceability • 63% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Jason Hill
Silk Drape
130 bpm • C# Maj • 03:36 • -21db
28% Popularity • 22% Danceability • 3% Energy • 10% Liveness
80% Instrumentalness • 3% Positiveness
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Steven Price
The Blue Whale
112 bpm • F# min • 05:12 • -16db
39% Popularity • 17% Danceability • 28% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Sarah Schachner
Ezio's Family - Origins Version
112 bpm • D min • 02:23 • -12.39db
46% Popularity • 27% Danceability • 34% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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David Buckley
The Kingdom of Dreams (Main Title Theme)
131 bpm • G# Maj • 02:14 • -16.24db
41% Popularity • 36% Danceability • 37% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Hildur Guðnadóttir
Money in the Mattress
130 bpm • A min • 04:19 • -26.1db
14% Popularity • 16% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Max Richter
To the Stars
131 bpm • E min • 03:30 • -25.28db
50% Popularity • 16% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Ryuichi Sakamoto
The Revenant Main Theme
132 bpm • E min • 02:41 • -26.3db
54% Popularity • 16% Danceability • 12% Energy • 10% Liveness
76% Instrumentalness • 5% Positiveness
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Steven Price
Wardaddy
131 bpm • A min • 02:39 • -33.8db
29% Popularity • 18% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
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Christophe Beck
Wanda's Theme (End Credits from "WandaVi...
111 bpm • G# Maj • 01:47 • -12db
31% Popularity • 33% Danceability • 55% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
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Sarah Schachner
Assassin's Creed Origins Main Theme
131 bpm • G# Maj • 03:15 • -12.38db
47% Popularity • 16% Danceability • 53% Energy • 9% Liveness
87% Instrumentalness • 9% Positiveness
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David Buckley
Arkham Knight (Main Theme)
111 bpm • C min • 02:22 • -18.1db
39% Popularity • 39% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Call Me Joker