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Call Me the Breeze
Songs like
Call Me the Breeze
by
Beth Orton
Based on a tempo of (+/- 10%) and a similar genre
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Eliza Gilkyson
Is It Like Today
122 bpm • G Maj • 05:49 • -9.57db
29% Popularity • 60% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Amy LaVere
Rabbit
122 bpm • C Maj • 05:00 • -13.57db
7% Popularity • 35% Danceability • 30% Energy • 11% Liveness
19% Instrumentalness • 30% Positiveness
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Rufus Wainwright
One Man Guy
122 bpm • E Maj • 03:30 • -10.67db
26% Popularity • 60% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Andrew Bird
tenuousness
122 bpm • C Maj • 03:51 • -11db
27% Popularity • 66% Danceability • 42% Energy • 12% Liveness
10% Instrumentalness • 44% Positiveness
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Joan Armatrading
Willow
122 bpm • C Maj • 04:55 • -22db
42% Popularity • 56% Danceability • 10% Energy • 8% Liveness
1% Instrumentalness • 20% Positiveness
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Beth Orton
Call Me the Breeze
122 bpm • B min • 03:52 • -11db
33% Popularity • 58% Danceability • 56% Energy • 10% Liveness
36% Instrumentalness • 26% Positiveness
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Seamus Fogarty
Van Gogh's Ear
121 bpm • F Maj • 04:03 • -10.08db
23% Popularity • 54% Danceability • 48% Energy • 12% Liveness
3% Instrumentalness • 48% Positiveness
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Hem
Half Acre
123 bpm • F Maj • 03:23 • -10.66db
39% Popularity • 33% Danceability • 26% Energy • 18% Liveness
14% Instrumentalness • 16% Positiveness
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This Is The Kit
Bullet Proof
121 bpm • C# Maj • 04:10 • -11db
34% Popularity • 43% Danceability • 38% Energy • 12% Liveness
5% Instrumentalness • 51% Positiveness
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Great Lake Swimmers
The Great Exhale
123 bpm • G Maj • 04:38 • -7.75db
7% Popularity • 58% Danceability • 67% Energy • 16% Liveness
1% Instrumentalness • 57% Positiveness
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Joan Armatrading
Willow - Uk Single Edited Version
121 bpm • C Maj • 04:03 • -20db
36% Popularity • 58% Danceability • 13% Energy • 8% Liveness
5% Instrumentalness • 22% Positiveness
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Beck
Heart Is A Drum
123 bpm • C Maj • 04:31 • -10.4db
46% Popularity • 62% Danceability • 60% Energy • 11% Liveness
58% Instrumentalness • 37% Positiveness
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King Creosote
Something To Believe In
121 bpm • D Maj • 03:14 • -10db
35% Popularity • 24% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
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The Be Good Tanyas
Scattered Leaves
121 bpm • C min • 04:47 • -8.56db
36% Popularity • 62% Danceability • 47% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
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Natalie Merchant
Where I Go
123 bpm • B Maj • 04:00 • -14db
40% Popularity • 83% Danceability • 30% Energy • 10% Liveness
2% Instrumentalness • 69% Positiveness
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Cowboy Junkies
A Horse In The Country
124 bpm • A Maj • 03:50 • -14.94db
31% Popularity • 69% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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John Smith
Great Lakes
124 bpm • E Maj • 03:46 • -9.98db
28% Popularity • 39% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Midlake
Fortune
124 bpm • A# Maj • 02:03 • -18.13db
34% Popularity • 46% Danceability • 23% Energy • 11% Liveness
26% Instrumentalness • 32% Positiveness
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Ray LaMontagne
Ojai
120 bpm • B Maj • 04:35 • -8.89db
36% Popularity • 67% Danceability • 54% Energy • 12% Liveness
3% Instrumentalness • 89% Positiveness
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KT Tunstall
White Bird
120 bpm • G Maj • 03:13 • -10.74db
33% Popularity • 76% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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John Martyn
Fairy Tale Lullaby
120 bpm • G Maj • 02:49 • -11db
34% Popularity • 56% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Cowboy Junkies
Mining For Gold
120 bpm • C# Maj • 01:32 • -21.52db
36% Popularity • 46% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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The Weather Station
Way It Is, Way It Could Be
124 bpm • F# min • 03:39 • -16db
18% Popularity • 62% Danceability • 27% Energy • 10% Liveness
7% Instrumentalness • 41% Positiveness
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Great Lake Swimmers
Catcher Song
120 bpm • C Maj • 04:11 • -13.82db
7% Popularity • 59% Danceability • 38% Energy • 13% Liveness
1% Instrumentalness • 39% Positiveness
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Frazey Ford
Natural Law
120 bpm • A# min • 04:03 • -9.22db
40% Popularity • 69% Danceability • 42% Energy • 12% Liveness
42% Instrumentalness • 27% Positiveness
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The Audreys
More to a Sinner
120 bpm • D Maj • 04:32 • -11db
20% Popularity • 57% Danceability • 31% Energy • 10% Liveness
11% Instrumentalness • 22% Positiveness
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John Grant
Marz
120 bpm • A# Maj • 03:58 • -10.86db
45% Popularity • 53% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Ryan Adams
Amy
124 bpm • F# Maj • 03:46 • -19.7db
33% Popularity • 50% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Beth Orton
Central Reservation - The Then Again Ver...
120 bpm • G Maj • 04:01 • -6.35db
32% Popularity • 71% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Hem
Not California
120 bpm • G Maj • 04:15 • -6.24db
28% Popularity • 45% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Gillian Welch
The Way It WIll Be
120 bpm • G min • 04:47 • -15.76db
25% Popularity • 51% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Rickie Lee Jones
Stewart's Coat
124 bpm • G Maj • 04:31 • -16.52db
30% Popularity • 52% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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John Grant
Outer Space
120 bpm • G# Maj • 03:14 • -6.44db
32% Popularity • 53% Danceability • 43% Energy • 11% Liveness
16% Instrumentalness • 33% Positiveness
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Joan Shelley
Time Has Told Me
119 bpm • F Maj • 03:50 • -12.48db
27% Popularity • 63% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Neko Case
Hold On, Hold On
119 bpm • F min • 02:46 • -5.02db
50% Popularity • 47% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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Rufus Wainwright
Chelsea Hotel No. 2
119 bpm • F Maj • 03:45 • -6.93db
36% Popularity • 39% Danceability • 26% Energy • 72% Liveness
0% Instrumentalness • 23% Positiveness
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Hem
Horsey
125 bpm • B Maj • 03:34 • -13.26db
26% Popularity • 58% Danceability • 27% Energy • 9% Liveness
26% Instrumentalness • 24% Positiveness
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Cass McCombs
County Line
125 bpm • D Maj • 05:37 • -13.4db
31% Popularity • 58% Danceability • 15% Energy • 11% Liveness
2% Instrumentalness • 32% Positiveness
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Cowboy Junkies
Come Calling (His Song)
125 bpm • C# min • 03:34 • -11.96db
33% Popularity • 62% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
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Adam Green
Here I Am
119 bpm • G Maj • 03:28 • -9.08db
32% Popularity • 64% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Basia Bulat
Tall Tall Shadow
125 bpm • E Maj • 04:03 • -4.63db
35% Popularity • 65% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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John Martyn
May You Never
125 bpm • E Maj • 03:40 • -15db
47% Popularity • 67% Danceability • 17% Energy • 11% Liveness
79% Instrumentalness • 73% Positiveness
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Fionn Regan
Put a Penny in the Slot
119 bpm • C# Maj • 03:59 • -9.31db
27% Popularity • 74% Danceability • 28% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
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Beth Orton
Whenever
119 bpm • G Maj • 03:53 • -9db
12% Popularity • 66% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Billy Bragg
Birds And Ships
119 bpm • D Maj • 02:15 • -12db
40% Popularity • 61% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Frazey Ford
You Got Religion
119 bpm • C# min • 03:50 • -11.76db
43% Popularity • 69% Danceability • 34% Energy • 8% Liveness
40% Instrumentalness • 28% Positiveness
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M. Ward
For Beginners
119 bpm • C Maj • 02:47 • -11.21db
6% Popularity • 54% Danceability • 41% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
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The Be Good Tanyas
In Spite Of All The Damage
125 bpm • D Maj • 03:59 • -15.67db
41% Popularity • 67% Danceability • 19% Energy • 23% Liveness
1% Instrumentalness • 53% Positiveness
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The National
Peggy-O
119 bpm • A Maj • 05:35 • -14db
34% Popularity • 50% Danceability • 54% Energy • 14% Liveness
87% Instrumentalness • 22% Positiveness
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Nick Drake
' Cello Song
119 bpm • D# Maj • 04:44 • -17.22db
51% Popularity • 51% Danceability • 39% Energy • 6% Liveness
86% Instrumentalness • 52% Positiveness
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Hem
South Central Rain
119 bpm • G min • 03:10 • -10db
28% Popularity • 60% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Neko Case
Night Still Comes
119 bpm • E Maj • 03:47 • -9db
33% Popularity • 51% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
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Joan Shelley
The Push and Pull
126 bpm • F# Maj • 02:33 • -13db
32% Popularity • 67% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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The Be Good Tanyas
Light Enough to Travel
126 bpm • G Maj • 04:58 • -9db
32% Popularity • 59% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Beth Orton
How Far
126 bpm • G Maj • 04:27 • -9.77db
10% Popularity • 62% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
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Hurray For The Riff Raff
Living In The City
126 bpm • C# Maj • 03:16 • -4.94db
34% Popularity • 61% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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Eilen Jewell
Codeine Arms
126 bpm • G Maj • 03:38 • -9.98db
5% Popularity • 60% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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John Grant
It Doesn't Matter to Him
126 bpm • D Maj • 04:08 • -12.25db
6% Popularity • 71% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Terry Callier
Love Can Do
126 bpm • D min • 03:29 • -17db
11% Popularity • 52% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Kathleen Edwards
For The Record
118 bpm • C Maj • 07:06 • -11.92db
13% Popularity • 65% Danceability • 31% Energy • 12% Liveness
4% Instrumentalness • 8% Positiveness
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Beth Orton
Worms
118 bpm • F min • 02:04 • -16.26db
25% Popularity • 84% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Great Lake Swimmers
Swimming Away
126 bpm • A Maj • 03:08 • -8.97db
41% Popularity • 59% Danceability • 60% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
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Villagers
Set The Tigers Free
118 bpm • A min • 03:22 • -13.08db
28% Popularity • 80% Danceability • 44% Energy • 24% Liveness
1% Instrumentalness • 74% Positiveness
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Lia Ices
Daphne
126 bpm • D# Maj • 05:21 • -8db
19% Popularity • 37% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 13% Positiveness
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M. Ward
Vincent O'Brien
126 bpm • D Maj • 02:38 • -7.1db
13% Popularity • 63% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Frazey Ford
You're Not Free
126 bpm • C Maj • 04:05 • -8.98db
43% Popularity • 55% Danceability • 40% Energy • 16% Liveness
86% Instrumentalness • 24% Positiveness
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Beth Orton
Rectify
126 bpm • C min • 02:26 • -20.52db
16% Popularity • 78% Danceability • 20% Energy • 11% Liveness
4% Instrumentalness • 46% Positiveness
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Hem
Stupid Mouth Shut
126 bpm • A# Maj • 03:24 • -9.97db
30% Popularity • 66% Danceability • 56% Energy • 12% Liveness
1% Instrumentalness • 81% Positiveness
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Kristin Hersh
Trouble
126 bpm • G Maj • 03:25 • -8.6db
19% Popularity • 47% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Edie Brickell & New Bohemians
I Do
118 bpm • G Maj • 02:00 • -20.89db
39% Popularity • 67% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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The Delines
82nd Street
118 bpm • F# Maj • 04:43 • -13.46db
2% Popularity • 53% Danceability • 33% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
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Bat For Lashes
I'm on Fire
118 bpm • A# min • 03:31 • -13.15db
31% Popularity • 37% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Beth Orton
I Wasn't Born To Follow
126 bpm • C Maj • 04:01 • -11.26db
10% Popularity • 61% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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The Blue Nile
Happiness
127 bpm • G Maj • 04:39 • -10.35db
31% Popularity • 55% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Great Lake Swimmers
Pulling On A Line
117 bpm • D Maj • 03:19 • -7db
48% Popularity • 66% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Basia Bulat
Paris or Amsterdam
117 bpm • D Maj • 03:05 • -13.73db
28% Popularity • 59% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Hurray For The Riff Raff
Delta Momma Blues
117 bpm • C Maj • 03:48 • -7.7db
36% Popularity • 59% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Hem
Old Adam
127 bpm • D Maj • 02:41 • -9.82db
27% Popularity • 62% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Beth Orton
Dolphins
126 bpm • D Maj • 04:17 • -8.21db
14% Popularity • 48% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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KT Tunstall
Old Man Song
117 bpm • E Maj • 03:12 • -18.26db
17% Popularity • 54% Danceability • 14% Energy • 11% Liveness
3% Instrumentalness • 56% Positiveness
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Frazey Ford
Hey Little Mama
116 bpm • G Maj • 04:24 • -12.64db
30% Popularity • 55% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Lloyd Cole
Myrtle and Rose
128 bpm • C Maj • 05:19 • -10db
19% Popularity • 65% Danceability • 50% Energy • 11% Liveness
3% Instrumentalness • 45% Positiveness
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Beck
Turn Away
116 bpm • G Maj • 03:05 • -11.73db
42% Popularity • 61% Danceability • 28% Energy • 11% Liveness
2% Instrumentalness • 15% Positiveness
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Damien Jurado
Rachel & Cali
116 bpm • D# min • 03:00 • -11.83db
36% Popularity • 66% Danceability • 39% Energy • 10% Liveness
1% Instrumentalness • 72% Positiveness
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Beth Orton
Sisters Of Mercy
117 bpm • A Maj • 04:40 • -14.84db
26% Popularity • 45% Danceability • 16% Energy • 70% Liveness
0% Instrumentalness • 14% Positiveness
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Serafina Steer
Night Before Mutiny
116 bpm • E min • 05:01 • -18.5db
14% Popularity • 34% Danceability • 27% Energy • 8% Liveness
2% Instrumentalness • 10% Positiveness
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Gomez
Tijuana Lady
116 bpm • A Maj • 07:08 • -12db
42% Popularity • 63% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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The Be Good Tanyas
When Doves Cry
129 bpm • B min • 04:02 • -12db
44% Popularity • 84% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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The Watson Twins
Just Like Heaven
116 bpm • A Maj • 04:17 • -9.52db
30% Popularity • 46% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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John Martyn
Head And Heart
116 bpm • B min • 04:52 • -18.17db
28% Popularity • 73% Danceability • 31% Energy • 11% Liveness
15% Instrumentalness • 70% Positiveness
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Beth Orton
Concrete Sky
117 bpm • B Maj • 04:34 • -9db
30% Popularity • 66% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
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The Weather Station
Came so Easy
115 bpm • F Maj • 03:01 • -16.32db
33% Popularity • 54% Danceability • 30% Energy • 13% Liveness
30% Instrumentalness • 53% Positiveness
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Frazey Ford
Firecracker
129 bpm • D Maj • 03:45 • -11db
45% Popularity • 71% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Sharon Van Etten
Give Out
115 bpm • G# min • 04:19 • -8.89db
32% Popularity • 48% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Amy LaVere
Killing Him
115 bpm • G min • 03:04 • -8db
21% Popularity • 76% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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John Grant
Where Dreams Go To Die
115 bpm • C Maj • 06:04 • -7.21db
30% Popularity • 48% Danceability • 34% Energy • 11% Liveness
3% Instrumentalness • 13% Positiveness
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Beth Orton
Paris Train
127 bpm • D Maj • 05:46 • -9.21db
21% Popularity • 30% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Villagers
Hot Scary Summer
115 bpm • C Maj • 04:20 • -9db
31% Popularity • 64% Danceability • 36% Energy • 67% Liveness
0% Instrumentalness • 18% Positiveness
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Frazey Ford
Three Golden Trees
115 bpm • D# Maj • 05:04 • -11.9db
42% Popularity • 62% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
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Kathleen Edwards
House Full Of Empty Rooms
130 bpm • B Maj • 03:01 • -13.49db
22% Popularity • 54% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Call Me the Breeze