Songs like Call To Arms by Down By Law
Based on a tempo of (+/- 10%) and a similar genre
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Down By Law
Call To Arms
182 bpm • E Maj • 03:06 • -8.28db
4% Popularity • 31% Danceability • 95% Energy • 24% Liveness
0% Instrumentalness • 77% Positiveness
4% Popularity • 31% Danceability • 95% Energy • 24% Liveness
0% Instrumentalness • 77% Positiveness
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Pour Habit
Institution
182 bpm • C# Maj • 02:12 • -2.08db
28% Popularity • 22% Danceability • 99% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 22% Danceability • 99% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
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Descendents
Blast Off
182 bpm • B min • 02:27 • -5.12db
27% Popularity • 32% Danceability • 99% Energy • 40% Liveness
0% Instrumentalness • 55% Positiveness
27% Popularity • 32% Danceability • 99% Energy • 40% Liveness
0% Instrumentalness • 55% Positiveness
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Anti-Flag
A New Kind of Army
181 bpm • E Maj • 03:41 • -3.11db
32% Popularity • 30% Danceability • 98% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
32% Popularity • 30% Danceability • 98% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
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Lars Frederiksen and the Bastards
1%
182 bpm • E min • 02:46 • -2.73db
32% Popularity • 33% Danceability • 99% Energy • 21% Liveness
0% Instrumentalness • 83% Positiveness
32% Popularity • 33% Danceability • 99% Energy • 21% Liveness
0% Instrumentalness • 83% Positiveness
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Snuff
Shadows of Love
183 bpm • C# Maj • 02:09 • -3.35db
21% Popularity • 20% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
21% Popularity • 20% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Street Dogs
Strike a Blow
181 bpm • G# Maj • 03:01 • -4.91db
33% Popularity • 34% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
33% Popularity • 34% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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U.S. Bombs
Roll Around
181 bpm • C# Maj • 02:21 • -3.89db
25% Popularity • 22% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
25% Popularity • 22% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
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88 Fingers Louie
Past Mistakes
183 bpm • C Maj • 02:05 • -6.38db
42% Popularity • 32% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
42% Popularity • 32% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Transplants
See It To Believe It
180 bpm • B min • 03:05 • -2.29db
27% Popularity • 47% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 47% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Lars Frederiksen and the Bastards
Skins, Punx and Drunx
181 bpm • G min • 01:04 • -3.81db
39% Popularity • 22% Danceability • 100% Energy • 42% Liveness
0% Instrumentalness • 7% Positiveness
39% Popularity • 22% Danceability • 100% Energy • 42% Liveness
0% Instrumentalness • 7% Positiveness
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Dillinger Four
Minimum Wage Is a Gateway Drug
180 bpm • D Maj • 02:21 • -3.45db
26% Popularity • 36% Danceability • 97% Energy • 69% Liveness
50% Instrumentalness • 46% Positiveness
26% Popularity • 36% Danceability • 97% Energy • 69% Liveness
50% Instrumentalness • 46% Positiveness
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The Bollweevils
Last Laugh
184 bpm • D Maj • 02:32 • -7db
16% Popularity • 20% Danceability • 96% Energy • 35% Liveness
5% Instrumentalness • 59% Positiveness
16% Popularity • 20% Danceability • 96% Energy • 35% Liveness
5% Instrumentalness • 59% Positiveness
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Snuff
In the Stocks
180 bpm • C Maj • 02:52 • -4.48db
14% Popularity • 23% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
14% Popularity • 23% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Chixdiggit!
Sikome Beach
185 bpm • C# Maj • 01:49 • -5db
18% Popularity • 34% Danceability • 94% Energy • 7% Liveness
1% Instrumentalness • 60% Positiveness
18% Popularity • 34% Danceability • 94% Energy • 7% Liveness
1% Instrumentalness • 60% Positiveness
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Deviates
I Hate (Teen Angst)
185 bpm • A Maj • 01:47 • -4.55db
24% Popularity • 32% Danceability • 100% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
24% Popularity • 32% Danceability • 100% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Guns n' Wankers
Surprise
185 bpm • B Maj • 01:54 • -5.75db
15% Popularity • 14% Danceability • 97% Energy • 11% Liveness
2% Instrumentalness • 68% Positiveness
15% Popularity • 14% Danceability • 97% Energy • 11% Liveness
2% Instrumentalness • 68% Positiveness
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Gas Huffer
Rotten Egg
185 bpm • B min • 02:44 • -6db
17% Popularity • 28% Danceability • 96% Energy • 43% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 28% Danceability • 96% Energy • 43% Liveness
0% Instrumentalness • 55% Positiveness
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Bombshell Rocks
Joker In The Pack
186 bpm • D Maj • 02:32 • -4.69db
27% Popularity • 24% Danceability • 96% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
27% Popularity • 24% Danceability • 96% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
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Snuff
Summer's Over
179 bpm • A Maj • 02:22 • -10.97db
17% Popularity • 8% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 19% Positiveness
17% Popularity • 8% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 19% Positiveness
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U.S. Bombs
Jaks
186 bpm • F# Maj • 02:40 • -5db
28% Popularity • 28% Danceability • 87% Energy • 44% Liveness
0% Instrumentalness • 82% Positiveness
28% Popularity • 28% Danceability • 87% Energy • 44% Liveness
0% Instrumentalness • 82% Positiveness
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Guttermouth
Lucky The Donkey
178 bpm • F Maj • 01:43 • -4.62db
37% Popularity • 24% Danceability • 99% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
37% Popularity • 24% Danceability • 99% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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88 Fingers Louie
Go Away
178 bpm • A# Maj • 02:17 • -6.46db
26% Popularity • 22% Danceability • 98% Energy • 7% Liveness
75% Instrumentalness • 34% Positiveness
26% Popularity • 22% Danceability • 98% Energy • 7% Liveness
75% Instrumentalness • 34% Positiveness
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Dillinger Four
Maximum Piss & Vinegar
178 bpm • B Maj • 02:17 • -3.87db
28% Popularity • 30% Danceability • 94% Energy • 60% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 30% Danceability • 94% Energy • 60% Liveness
0% Instrumentalness • 62% Positiveness
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The Lawrence Arms
Porno and Snuff Films
178 bpm • G Maj • 02:33 • -7.17db
33% Popularity • 22% Danceability • 96% Energy • 40% Liveness
0% Instrumentalness • 89% Positiveness
33% Popularity • 22% Danceability • 96% Energy • 40% Liveness
0% Instrumentalness • 89% Positiveness
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Guns n' Wankers
Raise Your Glass
186 bpm • G# Maj • 02:53 • -5.17db
21% Popularity • 24% Danceability • 96% Energy • 19% Liveness
6% Instrumentalness • 44% Positiveness
21% Popularity • 24% Danceability • 96% Energy • 19% Liveness
6% Instrumentalness • 44% Positiveness
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Dag Nasty
Million Days
178 bpm • D Maj • 03:38 • -7.97db
23% Popularity • 33% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 33% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Union 13
Never Connected
177 bpm • D Maj • 02:01 • -5.36db
22% Popularity • 23% Danceability • 97% Energy • 26% Liveness
13% Instrumentalness • 74% Positiveness
22% Popularity • 23% Danceability • 97% Energy • 26% Liveness
13% Instrumentalness • 74% Positiveness
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Goober Patrol
Part-Time SF Ecologist
187 bpm • A Maj • 02:46 • -3.8db
6% Popularity • 29% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
6% Popularity • 29% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Riverdales
Make Way
187 bpm • B Maj • 01:58 • -5db
24% Popularity • 48% Danceability • 97% Energy • 54% Liveness
0% Instrumentalness • 89% Positiveness
24% Popularity • 48% Danceability • 97% Energy • 54% Liveness
0% Instrumentalness • 89% Positiveness
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Snuff
Magic Moments
187 bpm • F# min • 02:18 • -6.42db
13% Popularity • 15% Danceability • 79% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
13% Popularity • 15% Danceability • 79% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
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Unwritten Law
C.P.K.
177 bpm • E Maj • 02:39 • -4db
31% Popularity • 24% Danceability • 99% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 24% Danceability • 99% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
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Dwarves
I Will Deny
177 bpm • D min • 01:39 • -5db
40% Popularity • 24% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
40% Popularity • 24% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
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The Manges
Vengeance Is Mine
187 bpm • B Maj • 02:00 • -2.79db
30% Popularity • 35% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
30% Popularity • 35% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Osker
Strangled
187 bpm • F# Maj • 02:58 • -4.91db
28% Popularity • 25% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
28% Popularity • 25% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Descendents
Shameless Halo
187 bpm • C Maj • 02:05 • -2.74db
33% Popularity • 42% Danceability • 98% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 42% Danceability • 98% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
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The Mighty Mighty Bosstones
Sugar Free
187 bpm • A Maj • 02:44 • -3.59db
41% Popularity • 32% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
41% Popularity • 32% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
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Jughead‘s Revenge
Weight Of The World
177 bpm • B min • 03:35 • -5db
10% Popularity • 29% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 29% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
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U.S. Bombs
The World
177 bpm • C Maj • 03:39 • -4.74db
17% Popularity • 23% Danceability • 94% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
17% Popularity • 23% Danceability • 94% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Union 13
Innocence
176 bpm • G Maj • 02:25 • -2.93db
17% Popularity • 19% Danceability • 98% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 19% Danceability • 98% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Ten Foot Pole
Excuses
188 bpm • C# Maj • 01:37 • -9.37db
23% Popularity • 45% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 45% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Teen Idols
Test Tube Teens
176 bpm • C Maj • 02:07 • -3.81db
16% Popularity • 36% Danceability • 100% Energy • 30% Liveness
0% Instrumentalness • 83% Positiveness
16% Popularity • 36% Danceability • 100% Energy • 30% Liveness
0% Instrumentalness • 83% Positiveness
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Operation Ivy
The Crowd - 2007 Remaster
188 bpm • A Maj • 02:11 • -5db
45% Popularity • 28% Danceability • 97% Energy • 38% Liveness
0% Instrumentalness • 56% Positiveness
45% Popularity • 28% Danceability • 97% Energy • 38% Liveness
0% Instrumentalness • 56% Positiveness
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Vision
Close Minded
189 bpm • F# min • 02:41 • -4.41db
29% Popularity • 34% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 34% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 32% Positiveness
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U.S. Bombs
Die Alone
176 bpm • G Maj • 03:36 • -3.83db
20% Popularity • 44% Danceability • 95% Energy • 31% Liveness
22% Instrumentalness • 68% Positiveness
20% Popularity • 44% Danceability • 95% Energy • 31% Liveness
22% Instrumentalness • 68% Positiveness
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Pulley
Nothing To Lose
175 bpm • C Maj • 03:03 • -6.81db
22% Popularity • 61% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
22% Popularity • 61% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Ten Foot Pole
Fade Away
189 bpm • C Maj • 03:11 • -6.29db
20% Popularity • 23% Danceability • 95% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
20% Popularity • 23% Danceability • 95% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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Guns n' Wankers
Sunstroke
189 bpm • A# Maj • 03:01 • -5.95db
20% Popularity • 22% Danceability • 97% Energy • 37% Liveness
39% Instrumentalness • 40% Positiveness
20% Popularity • 22% Danceability • 97% Energy • 37% Liveness
39% Instrumentalness • 40% Positiveness
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Descendents
We
175 bpm • G Maj • 02:36 • -5.66db
34% Popularity • 30% Danceability • 99% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
34% Popularity • 30% Danceability • 99% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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Nobodys
A Girl Like You
175 bpm • G Maj • 01:36 • -7db
22% Popularity • 24% Danceability • 90% Energy • 18% Liveness
82% Instrumentalness • 74% Positiveness
22% Popularity • 24% Danceability • 90% Energy • 18% Liveness
82% Instrumentalness • 74% Positiveness
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U.S. Bombs
Skater Dater
175 bpm • A Maj • 02:03 • -4.75db
24% Popularity • 33% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
24% Popularity • 33% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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88 Fingers Louie
Summer Photos
190 bpm • B Maj • 03:12 • -2.67db
42% Popularity • 51% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
42% Popularity • 51% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Street Dogs
Avenues & Alleyways
175 bpm • G Maj • 02:56 • -3.9db
23% Popularity • 25% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 25% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Guttermouth
Teri Yakimoto
190 bpm • C# min • 03:27 • -7.05db
23% Popularity • 30% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
23% Popularity • 30% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Dag Nasty
S.F.S.
175 bpm • F# min • 02:51 • -9.41db
16% Popularity • 33% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 33% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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New Bomb Turks
Defiled
175 bpm • B Maj • 03:38 • -4.55db
19% Popularity • 14% Danceability • 99% Energy • 40% Liveness
0% Instrumentalness • 7% Positiveness
19% Popularity • 14% Danceability • 99% Energy • 40% Liveness
0% Instrumentalness • 7% Positiveness
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Down By Law
Haircut
175 bpm • E Maj • 02:21 • -6.03db
7% Popularity • 29% Danceability • 99% Energy • 65% Liveness
0% Instrumentalness • 40% Positiveness
7% Popularity • 29% Danceability • 99% Energy • 65% Liveness
0% Instrumentalness • 40% Positiveness
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Against All Authority
Hard As Fuck
174 bpm • C# min • 02:06 • -4.03db
37% Popularity • 30% Danceability • 95% Energy • 10% Liveness
29% Instrumentalness • 77% Positiveness
37% Popularity • 30% Danceability • 95% Energy • 10% Liveness
29% Instrumentalness • 77% Positiveness
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Osker
Panic
174 bpm • D Maj • 02:21 • -5.18db
22% Popularity • 32% Danceability • 95% Energy • 9% Liveness
1% Instrumentalness • 85% Positiveness
22% Popularity • 32% Danceability • 95% Energy • 9% Liveness
1% Instrumentalness • 85% Positiveness
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98 Mute
Slow Motion Riot
173 bpm • E min • 02:57 • -3.94db
27% Popularity • 30% Danceability • 98% Energy • 13% Liveness
19% Instrumentalness • 57% Positiveness
27% Popularity • 30% Danceability • 98% Energy • 13% Liveness
19% Instrumentalness • 57% Positiveness
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SNFU
Bizarre Novelties
173 bpm • B min • 01:26 • -6.22db
20% Popularity • 23% Danceability • 93% Energy • 26% Liveness
8% Instrumentalness • 72% Positiveness
20% Popularity • 23% Danceability • 93% Energy • 26% Liveness
8% Instrumentalness • 72% Positiveness
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Pulley
Cashed In
173 bpm • G# Maj • 02:12 • -5.39db
34% Popularity • 18% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 18% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Guttermouth
End On 9
192 bpm • A Maj • 02:07 • -5.27db
37% Popularity • 32% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
37% Popularity • 32% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Down By Law
The Last Goodbye
192 bpm • A Maj • 02:09 • -9.22db
4% Popularity • 14% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
4% Popularity • 14% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Guns n' Wankers
Blah, Blah, Blah
192 bpm • G# Maj • 02:17 • -6.92db
24% Popularity • 24% Danceability • 96% Energy • 12% Liveness
64% Instrumentalness • 64% Positiveness
24% Popularity • 24% Danceability • 96% Energy • 12% Liveness
64% Instrumentalness • 64% Positiveness
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98 Mute
M.A.D.
173 bpm • A Maj • 03:16 • -4.16db
10% Popularity • 37% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
10% Popularity • 37% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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SNFU
Don't Have The Cow
173 bpm • G Maj • 02:40 • -7.55db
30% Popularity • 21% Danceability • 91% Energy • 14% Liveness
1% Instrumentalness • 31% Positiveness
30% Popularity • 21% Danceability • 91% Energy • 14% Liveness
1% Instrumentalness • 31% Positiveness
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The Briggs
My Own Enemy
192 bpm • E Maj • 02:33 • -3.2db
33% Popularity • 40% Danceability • 98% Energy • 55% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 40% Danceability • 98% Energy • 55% Liveness
0% Instrumentalness • 54% Positiveness
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The Bollweevils
Bottomless Pit
173 bpm • F# min • 02:36 • -9.93db
23% Popularity • 33% Danceability • 82% Energy • 7% Liveness
83% Instrumentalness • 52% Positiveness
23% Popularity • 33% Danceability • 82% Energy • 7% Liveness
83% Instrumentalness • 52% Positiveness
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Down By Law
Independence Day
192 bpm • E Maj • 01:13 • -2db
38% Popularity • 35% Danceability • 99% Energy • 27% Liveness
0% Instrumentalness • 84% Positiveness
38% Popularity • 35% Danceability • 99% Energy • 27% Liveness
0% Instrumentalness • 84% Positiveness
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Ten Foot Pole
Old Man
192 bpm • F# Maj • 03:44 • -6.48db
30% Popularity • 25% Danceability • 95% Energy • 17% Liveness
1% Instrumentalness • 92% Positiveness
30% Popularity • 25% Danceability • 95% Energy • 17% Liveness
1% Instrumentalness • 92% Positiveness
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Street Dogs
Fatty
192 bpm • G Maj • 03:17 • -2.86db
36% Popularity • 31% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
36% Popularity • 31% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Deviates
One Day
172 bpm • C# min • 02:06 • -3.31db
17% Popularity • 32% Danceability • 96% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 32% Danceability • 96% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Pulley
Working Class Whore
172 bpm • A Maj • 03:34 • -8.47db
32% Popularity • 20% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
32% Popularity • 20% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
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Chixdiggit!
You're Pretty Good
172 bpm • C# Maj • 01:48 • -4.41db
18% Popularity • 42% Danceability • 95% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
18% Popularity • 42% Danceability • 95% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
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Down By Law
Hit Or Miss
193 bpm • C# min • 03:22 • -5.37db
13% Popularity • 19% Danceability • 99% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 19% Danceability • 99% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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Ten Foot Pole
Fiction
193 bpm • C# Maj • 02:07 • -7.02db
22% Popularity • 22% Danceability • 88% Energy • 26% Liveness
1% Instrumentalness • 41% Positiveness
22% Popularity • 22% Danceability • 88% Energy • 26% Liveness
1% Instrumentalness • 41% Positiveness
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88 Fingers Louie
Pent Up
171 bpm • G Maj • 03:27 • -4.5db
26% Popularity • 18% Danceability • 99% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 18% Danceability • 99% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
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Jughead‘s Revenge
49 and 61
194 bpm • E Maj • 02:46 • -9.41db
18% Popularity • 24% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
18% Popularity • 24% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Pulley
Blindfold
193 bpm • F Maj • 02:43 • -5db
28% Popularity • 26% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 26% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Time Again
The Stories Are True
170 bpm • D Maj • 03:18 • -3.8db
32% Popularity • 49% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
32% Popularity • 49% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
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Down By Law
Cheap Thrill
193 bpm • A Maj • 02:51 • -4.26db
6% Popularity • 30% Danceability • 98% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
6% Popularity • 30% Danceability • 98% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Hot Water Music
Wayfarer
170 bpm • D Maj • 02:57 • -5.61db
35% Popularity • 33% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
35% Popularity • 33% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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The Lillingtons
Lillington High
195 bpm • C Maj • 02:35 • -3.91db
29% Popularity • 29% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
29% Popularity • 29% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
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Jughead‘s Revenge
No Time
194 bpm • D Maj • 04:01 • -5.98db
10% Popularity • 33% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 33% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Pulley
If
171 bpm • F min • 02:09 • -6.41db
23% Popularity • 35% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
23% Popularity • 35% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Time Again
Cold Concrete
170 bpm • A Maj • 02:14 • -2.86db
24% Popularity • 34% Danceability • 98% Energy • 25% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 34% Danceability • 98% Energy • 25% Liveness
0% Instrumentalness • 37% Positiveness
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Down By Law
Far And Away
170 bpm • D Maj • 04:06 • -5.37db
3% Popularity • 24% Danceability • 96% Energy • 7% Liveness
2% Instrumentalness • 32% Positiveness
3% Popularity • 24% Danceability • 96% Energy • 7% Liveness
2% Instrumentalness • 32% Positiveness
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Bracket
Talk Show
196 bpm • E Maj • 02:45 • -6.6db
24% Popularity • 27% Danceability • 84% Energy • 44% Liveness
0% Instrumentalness • 73% Positiveness
24% Popularity • 27% Danceability • 84% Energy • 44% Liveness
0% Instrumentalness • 73% Positiveness
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The Lillingtons
Don't Trust The Humanoids
195 bpm • D Maj • 01:43 • -5.75db
32% Popularity • 25% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
32% Popularity • 25% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Ten Foot Pole
Final Hours
196 bpm • B Maj • 03:35 • -6.22db
19% Popularity • 23% Danceability • 95% Energy • 20% Liveness
7% Instrumentalness • 75% Positiveness
19% Popularity • 23% Danceability • 95% Energy • 20% Liveness
7% Instrumentalness • 75% Positiveness
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Guttermouth
Do The Hustle
169 bpm • E Maj • 02:23 • -4.28db
32% Popularity • 37% Danceability • 99% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 37% Danceability • 99% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Dag Nasty
Still Waiting
169 bpm • A# Maj • 02:52 • -9.71db
20% Popularity • 45% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
20% Popularity • 45% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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Teen Idols
She's a Poser
168 bpm • A Maj • 01:40 • -4.93db
13% Popularity • 31% Danceability • 96% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
13% Popularity • 31% Danceability • 96% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
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Lars Frederiksen and the Bastards
To Have And To Have Not
168 bpm • G Maj • 02:46 • -2db
47% Popularity • 28% Danceability • 96% Energy • 50% Liveness
0% Instrumentalness • 52% Positiveness
47% Popularity • 28% Danceability • 96% Energy • 50% Liveness
0% Instrumentalness • 52% Positiveness
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The Lillingtons
I Came From The Future
169 bpm • C# min • 01:38 • -5.66db
29% Popularity • 14% Danceability • 98% Energy • 26% Liveness
78% Instrumentalness • 56% Positiveness
29% Popularity • 14% Danceability • 98% Energy • 26% Liveness
78% Instrumentalness • 56% Positiveness
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Consumed
Not Today
197 bpm • C# Maj • 02:56 • -4.09db
17% Popularity • 37% Danceability • 97% Energy • 58% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 37% Danceability • 97% Energy • 58% Liveness
0% Instrumentalness • 56% Positiveness
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SNFU
Stepstranger
198 bpm • G Maj • 01:17 • -6.95db
28% Popularity • 17% Danceability • 95% Energy • 22% Liveness
5% Instrumentalness • 51% Positiveness
28% Popularity • 17% Danceability • 95% Energy • 22% Liveness
5% Instrumentalness • 51% Positiveness