Songs like Callin' Baton Rouge by Brooks Jefferson
Based on a tempo of (+/- 10%) and a similar genre
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Gary Allan
Every Storm (Runs Out Of Rain)
107 bpm • C Maj • 03:45 • -6.97db
59% Popularity • 52% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
59% Popularity • 52% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
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Little Big Town
Little White Church
107 bpm • A# Maj • 03:06 • -4.8db
53% Popularity • 67% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
53% Popularity • 67% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Chris Young
Gettin' You Home
107 bpm • G Maj • 03:32 • -5.02db
66% Popularity • 64% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
66% Popularity • 64% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
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Billy Currington
Pretty Good At Drinkin' Beer
107 bpm • F Maj • 02:59 • -4db
63% Popularity • 77% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
63% Popularity • 77% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Mel McDaniel
Baby's Got Her Blue Jeans On
107 bpm • A# Maj • 02:59 • -6db
62% Popularity • 87% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
62% Popularity • 87% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Tracy Lawrence
Alibis
108 bpm • E Maj • 03:02 • -14db
57% Popularity • 61% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
57% Popularity • 61% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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Brooks Jefferson
Friends in Low Places
108 bpm • A Maj • 04:18 • -5.84db
62% Popularity • 55% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
62% Popularity • 55% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Neal McCoy
Billy's Got His Beer Goggles On
106 bpm • C Maj • 03:38 • -5.04db
40% Popularity • 72% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
40% Popularity • 72% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
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Little Big Town
Wine, Beer, Whiskey
106 bpm • G Maj • 03:16 • -5.85db
65% Popularity • 73% Danceability • 91% Energy • 60% Liveness
0% Instrumentalness • 78% Positiveness
65% Popularity • 73% Danceability • 91% Energy • 60% Liveness
0% Instrumentalness • 78% Positiveness
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Jon Pardi
Head Over Boots
108 bpm • G Maj • 03:22 • -4.47db
74% Popularity • 56% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
74% Popularity • 56% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Luke Bryan
Country Girl (Shake It For Me)
106 bpm • D Maj • 03:45 • -4.53db
76% Popularity • 64% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
76% Popularity • 64% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Trace Adkins
Swing
108 bpm • D Maj • 03:36 • -5.1db
49% Popularity • 58% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
49% Popularity • 58% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
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Brooks Jefferson
Callin' Baton Rouge
107 bpm • D Maj • 02:37 • -1.99db
58% Popularity • 46% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
58% Popularity • 46% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
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Dierks Bentley
Sideways
108 bpm • F min • 03:04 • -3db
59% Popularity • 62% Danceability • 92% Energy • 39% Liveness
0% Instrumentalness • 82% Positiveness
59% Popularity • 62% Danceability • 92% Energy • 39% Liveness
0% Instrumentalness • 82% Positiveness
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Randy Travis
1982
108 bpm • A Maj • 02:59 • -8db
53% Popularity • 61% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
53% Popularity • 61% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Zac Brown Band
Homegrown
105 bpm • F# Maj • 03:25 • -4db
69% Popularity • 71% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
69% Popularity • 71% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Luke Bryan
Rain Is A Good Thing
108 bpm • B min • 02:56 • -4.66db
69% Popularity • 62% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
69% Popularity • 62% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Jon Pardi
Tequila Little Time
105 bpm • D Maj • 03:27 • -5.08db
61% Popularity • 76% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
61% Popularity • 76% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Randy Houser
How Country Feels
105 bpm • G Maj • 03:05 • -3.62db
68% Popularity • 68% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
68% Popularity • 68% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Kenny Chesney
When the Sun Goes Down
105 bpm • A Maj • 04:50 • -6.8db
66% Popularity • 80% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
66% Popularity • 80% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
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John Anderson
Straight Tequila Night
109 bpm • A Maj • 02:53 • -10.11db
61% Popularity • 64% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
61% Popularity • 64% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Gary Allan
Nothing On But The Radio
109 bpm • A Maj • 03:32 • -5.95db
62% Popularity • 68% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
62% Popularity • 68% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Alabama
If You're Gonna Play in Texas (You Gotta...
110 bpm • A Maj • 03:32 • -15.2db
57% Popularity • 45% Danceability • 64% Energy • 90% Liveness
0% Instrumentalness • 78% Positiveness
57% Popularity • 45% Danceability • 64% Energy • 90% Liveness
0% Instrumentalness • 78% Positiveness
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Easton Corbin
Lovin' You Is Fun
110 bpm • G# Maj • 03:19 • -3.03db
55% Popularity • 70% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
55% Popularity • 70% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
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Chris Young
Aw Naw
110 bpm • D Maj • 03:08 • -3.75db
62% Popularity • 65% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
62% Popularity • 65% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Midland
Cheatin’ Songs
110 bpm • E Maj • 03:35 • -6db
58% Popularity • 72% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
58% Popularity • 72% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
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Luke Bryan
That's My Kind Of Night
110 bpm • G Maj • 03:10 • -2.91db
74% Popularity • 66% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
74% Popularity • 66% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Cody Johnson
Me and My Kind
110 bpm • D Maj • 02:36 • -3.43db
75% Popularity • 59% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
75% Popularity • 59% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Alabama
Mountain Music
110 bpm • A Maj • 03:37 • -9.52db
60% Popularity • 47% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
60% Popularity • 47% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Chris Cagle
Chicks Dig It - Single Edit
104 bpm • G Maj • 03:30 • -5db
55% Popularity • 60% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
55% Popularity • 60% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Eric Church
Springsteen
104 bpm • D Maj • 04:23 • -5.94db
77% Popularity • 69% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
77% Popularity • 69% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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Tim McGraw
Indian Outlaw
110 bpm • A Maj • 03:02 • -7.23db
64% Popularity • 66% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
64% Popularity • 66% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Pat Green
Wave on Wave
104 bpm • D Maj • 04:04 • -5.27db
56% Popularity • 67% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
56% Popularity • 67% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Joe Nichols
Brokenheartsville
104 bpm • A# Maj • 03:50 • -5.18db
61% Popularity • 69% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
61% Popularity • 69% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Conway Twitty
That's My Job
104 bpm • A Maj • 04:51 • -6.96db
45% Popularity • 59% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
45% Popularity • 59% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Keith Urban
Somebody Like You
111 bpm • E Maj • 05:23 • -5.77db
69% Popularity • 62% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
69% Popularity • 62% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Montgomery Gentry
One In Every Crowd
111 bpm • B Maj • 03:31 • -4.45db
46% Popularity • 64% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 67% Positiveness
46% Popularity • 64% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 67% Positiveness
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Blake Shelton
No Body
103 bpm • E Maj • 03:07 • -7db
54% Popularity • 74% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 89% Positiveness
54% Popularity • 74% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 89% Positiveness
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Brooks & Dunn
Neon Moon
102 bpm • A Maj • 04:23 • -6.51db
71% Popularity • 70% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
71% Popularity • 70% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Luke Bryan
I Don't Want This Night To End
112 bpm • A min • 03:39 • -4.02db
73% Popularity • 62% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
73% Popularity • 62% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Josh Turner
Time Is Love
112 bpm • D Maj • 03:20 • -4.99db
57% Popularity • 66% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
57% Popularity • 66% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Sugarland
Something More
102 bpm • E Maj • 03:36 • -4db
53% Popularity • 61% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
53% Popularity • 61% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Conway Twitty
Tight Fittin' Jeans
102 bpm • F Maj • 02:51 • -13.95db
64% Popularity • 73% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
64% Popularity • 73% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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LOCASH
I Love This Life
112 bpm • D Maj • 03:28 • -3db
37% Popularity • 59% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 59% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Randy Houser
Boots On
112 bpm • G# Maj • 02:50 • -5db
61% Popularity • 71% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
61% Popularity • 71% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Big & Rich
Save a Horse (Ride a Cowboy)
102 bpm • D Maj • 03:20 • -2.28db
70% Popularity • 70% Danceability • 90% Energy • 45% Liveness
0% Instrumentalness • 82% Positiveness
70% Popularity • 70% Danceability • 90% Energy • 45% Liveness
0% Instrumentalness • 82% Positiveness
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Billy Currington
I Got A Feelin'
112 bpm • D Maj • 03:13 • -5.4db
59% Popularity • 65% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
59% Popularity • 65% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Chris Young
Famous Friends
102 bpm • F# Maj • 02:46 • -2.92db
66% Popularity • 54% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
66% Popularity • 54% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Travis Tritt
Here's a Quarter (Call Someone Who Cares...
112 bpm • G Maj • 02:32 • -7db
62% Popularity • 65% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
62% Popularity • 65% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Jerrod Niemann
Lover, Lover
112 bpm • G Maj • 03:13 • -6.51db
59% Popularity • 88% Danceability • 57% Energy • 62% Liveness
0% Instrumentalness • 95% Positiveness
59% Popularity • 88% Danceability • 57% Energy • 62% Liveness
0% Instrumentalness • 95% Positiveness
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Randy Houser
We Went
102 bpm • E min • 02:59 • -3.77db
57% Popularity • 65% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
57% Popularity • 65% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
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Jon Pardi
When I've Been Drinkin'
113 bpm • B Maj • 03:17 • -6.08db
56% Popularity • 86% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
56% Popularity • 86% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Eric Church
Drink In My Hand
113 bpm • C Maj • 03:11 • -4.45db
72% Popularity • 63% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
72% Popularity • 63% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
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Clay Walker
She Won't Be Lonely Long
113 bpm • G Maj • 03:29 • -6db
68% Popularity • 64% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
68% Popularity • 64% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Luke Combs
Does To Me
113 bpm • C Maj • 03:43 • -4.9db
68% Popularity • 62% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
68% Popularity • 62% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
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Vince Gill
Don't Let Our Love Start Slippin' Away
113 bpm • D# Maj • 03:44 • -9.31db
58% Popularity • 74% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
58% Popularity • 74% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
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Brooks Jefferson
That Summer
114 bpm • A Maj • 04:45 • -7db
48% Popularity • 58% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
48% Popularity • 58% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Garth Brooks
Friends in Low Places - Live
114 bpm • A Maj • 06:02 • -9.56db
56% Popularity • 42% Danceability • 64% Energy • 71% Liveness
0% Instrumentalness • 46% Positiveness
56% Popularity • 42% Danceability • 64% Energy • 71% Liveness
0% Instrumentalness • 46% Positiveness
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The Country Gentlemen
Standing Outside the Fire
114 bpm • A Maj • 03:53 • -5.33db
42% Popularity • 67% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
42% Popularity • 67% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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The Charlie Daniels Band
(What This World Needs Is) A Few More Re...
100 bpm • C Maj • 03:42 • -11db
54% Popularity • 72% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
54% Popularity • 72% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Sara Evans
Born to Fly
100 bpm • C# Maj • 05:36 • -9.31db
54% Popularity • 61% Danceability • 66% Energy • 6% Liveness
2% Instrumentalness • 56% Positiveness
54% Popularity • 61% Danceability • 66% Energy • 6% Liveness
2% Instrumentalness • 56% Positiveness
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Cody Johnson
Dance Her Home
114 bpm • C Maj • 02:54 • -3.77db
72% Popularity • 67% Danceability • 89% Energy • 69% Liveness
0% Instrumentalness • 89% Positiveness
72% Popularity • 67% Danceability • 89% Energy • 69% Liveness
0% Instrumentalness • 89% Positiveness
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Chris LeDoux
Tougher Than The Rest
100 bpm • F Maj • 04:57 • -11.13db
42% Popularity • 58% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
42% Popularity • 58% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
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Aaron Tippin
Where The Stars And Stripes And The Eagl...
100 bpm • D Maj • 03:48 • -4db
47% Popularity • 60% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 35% Positiveness
47% Popularity • 60% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 35% Positiveness
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Midland
Burn Out
100 bpm • G Maj • 03:08 • -5.61db
68% Popularity • 67% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
68% Popularity • 67% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
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David Lee Murphy
Dust On The Bottle
100 bpm • B Maj • 03:44 • -11.12db
71% Popularity • 74% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
71% Popularity • 74% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
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Darius Rucker
This
100 bpm • E Maj • 03:38 • -5.04db
53% Popularity • 62% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
53% Popularity • 62% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Brooks & Dunn
Cowgirls Don't Cry
115 bpm • A Maj • 03:39 • -5.25db
58% Popularity • 66% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
58% Popularity • 66% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Gary Allan
Smoke Rings In The Dark
115 bpm • D Maj • 04:17 • -7.15db
54% Popularity • 53% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
54% Popularity • 53% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Trace Adkins
Honky Tonk Badonkadonk
115 bpm • D Maj • 04:01 • -3.49db
63% Popularity • 64% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
63% Popularity • 64% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Cole Swindell
Flatliner
115 bpm • C Maj • 02:57 • -3.3db
61% Popularity • 56% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
61% Popularity • 56% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Dierks Bentley
Gold
115 bpm • C# Maj • 02:47 • -4db
64% Popularity • 68% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
64% Popularity • 68% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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Darius Rucker
Straight To Hell
115 bpm • F Maj • 04:13 • -4.47db
52% Popularity • 58% Danceability • 82% Energy • 77% Liveness
0% Instrumentalness • 44% Positiveness
52% Popularity • 58% Danceability • 82% Energy • 77% Liveness
0% Instrumentalness • 44% Positiveness
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Brooks & Dunn
Play Something Country
115 bpm • G Maj • 03:14 • -3db
60% Popularity • 69% Danceability • 94% Energy • 57% Liveness
0% Instrumentalness • 77% Positiveness
60% Popularity • 69% Danceability • 94% Energy • 57% Liveness
0% Instrumentalness • 77% Positiveness
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Big & Rich
Comin' to Your City
99 bpm • A min • 03:27 • -1.42db
47% Popularity • 56% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
47% Popularity • 56% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Brad Paisley
Old Alabama
116 bpm • G Maj • 05:01 • -5db
51% Popularity • 38% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
51% Popularity • 38% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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John Michael Montgomery
Sold (The Grundy County Auction Incident...
116 bpm • D Maj • 02:32 • -7.37db
70% Popularity • 77% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
70% Popularity • 77% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Eric Church
Hell Of A View
99 bpm • F Maj • 02:55 • -6.76db
71% Popularity • 69% Danceability • 59% Energy • 11% Liveness
1% Instrumentalness • 92% Positiveness
71% Popularity • 69% Danceability • 59% Energy • 11% Liveness
1% Instrumentalness • 92% Positiveness
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Craig Campbell
Outskirts of Heaven
116 bpm • C Maj • 04:04 • -5.73db
55% Popularity • 50% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
55% Popularity • 50% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Tim McGraw
My Next Thirty Years
99 bpm • F Maj • 03:37 • -7.52db
56% Popularity • 60% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
56% Popularity • 60% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
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Montgomery Gentry
Hillbilly Shoes
116 bpm • G Maj • 03:12 • -6.07db
49% Popularity • 66% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
49% Popularity • 66% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Rodney Atkins
If You're Going Through Hell (Before The...
116 bpm • A Maj • 03:36 • -3.66db
63% Popularity • 57% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
63% Popularity • 57% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Blake Shelton
Some Beach
116 bpm • C Maj • 03:24 • -6.33db
62% Popularity • 79% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
62% Popularity • 79% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Jon Pardi
Heartache On The Dance Floor
116 bpm • A Maj • 03:25 • -4.31db
74% Popularity • 60% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
74% Popularity • 60% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Aaron Tippin
Kiss This
116 bpm • F# min • 02:53 • -5.48db
55% Popularity • 76% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
55% Popularity • 76% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
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Sawyer Brown
Thank God For You
116 bpm • F Maj • 03:18 • -6.46db
48% Popularity • 80% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
48% Popularity • 80% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Trace Adkins
(This Ain't) No Thinkin' Thing
116 bpm • A min • 04:02 • -6.3db
53% Popularity • 64% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
53% Popularity • 64% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Sammy Kershaw
She Don't Know She's Beautiful
116 bpm • A Maj • 02:54 • -9.42db
64% Popularity • 76% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
64% Popularity • 76% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Lonestar
No News
116 bpm • F min • 02:53 • -6db
54% Popularity • 74% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
54% Popularity • 74% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Brad Paisley
I'm Gonna Miss Her
98 bpm • F# Maj • 03:14 • -9.69db
65% Popularity • 56% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
65% Popularity • 56% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Jo Dee Messina
I'm Alright
98 bpm • C Maj • 03:19 • -7.75db
61% Popularity • 68% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
61% Popularity • 68% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
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Travis Tritt
Where Corn Don't Grow
98 bpm • E Maj • 03:28 • -9.38db
50% Popularity • 56% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
50% Popularity • 56% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Trace Adkins
Ladies Love Country Boys
116 bpm • G Maj • 03:41 • -4db
61% Popularity • 66% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
61% Popularity • 66% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
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James Otto
Just Got Started Lovin' You
98 bpm • G Maj • 03:54 • -7.05db
60% Popularity • 70% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
60% Popularity • 70% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
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BlackHawk
Every Once In a While
117 bpm • E Maj • 03:40 • -10.38db
47% Popularity • 75% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
47% Popularity • 75% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Justin Moore
Why We Drink
117 bpm • F# Maj • 03:31 • -3.05db
60% Popularity • 62% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
60% Popularity • 62% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
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Brooks Jefferson
The Beaches of Cheyenne
117 bpm • G Maj • 04:13 • -3.57db
39% Popularity • 59% Danceability • 81% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
39% Popularity • 59% Danceability • 81% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
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Dierks Bentley
5-1-5-0
117 bpm • C# min • 03:02 • -5.18db
63% Popularity • 55% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
63% Popularity • 55% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
