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Calling Liv
Songs like
Calling Liv
by
Johan Söderqvist
Based on a tempo of (+/- 10%) and a similar genre
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Jesper Kyd
City of Rome
74 bpm • A min • 05:32 • -14.16db
44% Popularity • 41% Danceability • 19% Energy • 9% Liveness
85% Instrumentalness • 6% Positiveness
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Marc Streitenfeld
Returning the Crown
74 bpm • G Maj • 01:13 • -13.58db
50% Popularity • 49% Danceability • 53% Energy • 9% Liveness
86% Instrumentalness • 17% Positiveness
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Johan Söderqvist
Calling Liv
74 bpm • G min • 01:41 • -32.63db
10% Popularity • 23% Danceability • 6% Energy • 52% Liveness
4% Instrumentalness • 12% Positiveness
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Fernando Velázquez
Even If It's The Last Thing We Do
74 bpm • G# Maj • 01:28 • -24.72db
36% Popularity • 12% Danceability • 3% Energy • 8% Liveness
98% Instrumentalness • 5% Positiveness
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Alan Silvestri
Endless Searching
74 bpm • D Maj • 04:01 • -18.45db
12% Popularity • 14% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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The Prestige
Borden Meets Sarah
74 bpm • E min • 02:11 • -22.72db
21% Popularity • 17% Danceability • 11% Energy • 11% Liveness
83% Instrumentalness • 3% Positiveness
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Rachel Portman
Buckley Talks About His Dad
74 bpm • A Maj • 01:39 • -23.12db
7% Popularity • 7% Danceability • 3% Energy • 30% Liveness
83% Instrumentalness • 4% Positiveness
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John Ottman
He Lost Everything
74 bpm • A min • 01:51 • -37db
28% Popularity • 7% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Johan Söderqvist
Kon-Tiki (Start Credits)
74 bpm • A min • 02:08 • -17.94db
19% Popularity • 14% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
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George Fenton
The Choice is Ours
74 bpm • D Maj • 03:12 • -24.11db
4% Popularity • 16% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Jeff Beal
Rachel On The Bus
74 bpm • A# Maj • 02:52 • -24.44db
15% Popularity • 20% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
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Steve Jablonsky
Game Over
74 bpm • A# Maj • 02:36 • -31.32db
19% Popularity • 17% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Invitation
74 bpm • B min • 02:16 • -29.88db
28% Popularity • 19% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Anne Nikitin
Calibre
74 bpm • A# Maj • 02:05 • -17db
41% Popularity • 11% Danceability • 21% Energy • 9% Liveness
76% Instrumentalness • 3% Positiveness
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Johan Söderqvist
The Shaman
74 bpm • B min • 02:23 • -23.6db
15% Popularity • 17% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Michael Giacchino
Just Die Already
74 bpm • F# min • 01:52 • -34.37db
17% Popularity • 13% Danceability • 1% Energy • 14% Liveness
88% Instrumentalness • 3% Positiveness
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Rupert Gregson-Williams
Dorothy Pleads
74 bpm • A min • 03:17 • -27.31db
25% Popularity • 9% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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John Ottman
All Those Voices
74 bpm • F min • 03:18 • -28.66db
15% Popularity • 7% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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West Dylan Thordson
Dr. Fletcher and the World
75 bpm • A# Maj • 02:00 • -22.77db
33% Popularity • 18% Danceability • 10% Energy • 11% Liveness
77% Instrumentalness • 3% Positiveness
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Bear McCreary
The Imperial Library
73 bpm • C min • 03:49 • -20.57db
20% Popularity • 11% Danceability • 10% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Johan Söderqvist
Avanti Savoia
74 bpm • A min • 03:31 • -14db
30% Popularity • 42% Danceability • 57% Energy • 10% Liveness
98% Instrumentalness • 36% Positiveness
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John Paesano
The Cure
73 bpm • A# Maj • 02:16 • -38.76db
12% Popularity • 8% Danceability • 1% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
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Dominik Scherrer
What Use Our Work
73 bpm • A min • 03:31 • -21.6db
8% Popularity • 9% Danceability • 8% Energy • 33% Liveness
84% Instrumentalness • 4% Positiveness
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George Fenton
Giant Mantas
75 bpm • F Maj • 02:47 • -20.15db
0% Popularity • 11% Danceability • 21% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Stephen Rennicks
After Suicide
73 bpm • A min • 01:52 • -26db
9% Popularity • 38% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Clinton Shorter
Welwala
73 bpm • D min • 02:16 • -22db
34% Popularity • 15% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
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Johan Söderqvist
Narvik
73 bpm • A# min • 01:37 • -33db
40% Popularity • 13% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 5% Positiveness
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Danny Elfman
Sandra's Farewell
73 bpm • C# Maj • 01:16 • -21.76db
22% Popularity • 7% Danceability • 12% Energy • 12% Liveness
8% Instrumentalness • 4% Positiveness
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John Paesano
Chat With Brenda
75 bpm • A min • 02:04 • -33.24db
19% Popularity • 18% Danceability • 4% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Collision
75 bpm • C# min • 03:05 • -20.1db
24% Popularity • 18% Danceability • 27% Energy • 5% Liveness
89% Instrumentalness • 12% Positiveness
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Alberto Iglesias
The Vows
72 bpm • G Maj • 02:23 • -18.96db
12% Popularity • 21% Danceability • 18% Energy • 12% Liveness
54% Instrumentalness • 5% Positiveness
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Trevor Morris
Rocky Road Ice Cream
72 bpm • D min • 01:16 • -32.68db
11% Popularity • 9% Danceability • 2% Energy • 10% Liveness
98% Instrumentalness • 5% Positiveness
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Johan Söderqvist
Pride & Honour
75 bpm • A min • 01:20 • -13.27db
30% Popularity • 22% Danceability • 66% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
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Danny Elfman
The Marble
73 bpm • C# Maj • 01:08 • -34.39db
14% Popularity • 14% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Dominik Scherrer
A Man of My Company
76 bpm • D min • 03:04 • -22.63db
8% Popularity • 15% Danceability • 6% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Alpha
73 bpm • C Maj • 02:16 • -22db
44% Popularity • 10% Danceability • 15% Energy • 7% Liveness
95% Instrumentalness • 6% Positiveness
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Ilan Eshkeri
Butterfly
72 bpm • E min • 01:37 • -17db
47% Popularity • 21% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Alan Silvestri
The Inquisition
76 bpm • F min • 03:36 • -21.35db
12% Popularity • 17% Danceability • 9% Energy • 15% Liveness
89% Instrumentalness • 3% Positiveness
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The Prestige
The Price Of A Good Trick
72 bpm • A min • 05:05 • -20.44db
15% Popularity • 11% Danceability • 18% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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John Ottman
Join Me
72 bpm • A# Maj • 02:55 • -24.12db
19% Popularity • 6% Danceability • 9% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
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Rob Lane
The Burdens of Duty
72 bpm • C min • 02:11 • -24db
41% Popularity • 19% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Trevor Morris
Jacob's Death
76 bpm • A min • 01:42 • -28.37db
17% Popularity • 18% Danceability • 2% Energy • 9% Liveness
36% Instrumentalness • 4% Positiveness
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Johan Söderqvist
Oscar in Love
76 bpm • D min • 02:11 • -29.62db
17% Popularity • 14% Danceability • 7% Energy • 14% Liveness
20% Instrumentalness • 6% Positiveness
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Michael Giacchino
Past Their Primates
76 bpm • C Maj • 01:57 • -30.55db
22% Popularity • 19% Danceability • 2% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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The Prestige
A New Trick
72 bpm • E min • 04:29 • -23db
18% Popularity • 13% Danceability • 12% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Alan Silvestri
Ellie's Bogey
72 bpm • C# Maj • 03:25 • -18.88db
15% Popularity • 29% Danceability • 33% Energy • 7% Liveness
88% Instrumentalness • 9% Positiveness
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Clinton Shorter
Hostage
77 bpm • A Maj • 03:13 • -26.39db
28% Popularity • 7% Danceability • 7% Energy • 12% Liveness
87% Instrumentalness • 3% Positiveness
► Preview
James Horner
Journey Upriver
71 bpm • D min • 04:16 • -27.88db
14% Popularity • 6% Danceability • 3% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
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Jordan Seigel
Flavio's Goodbye
77 bpm • C Maj • 01:30 • -27.27db
44% Popularity • 18% Danceability • 2% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
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George Fenton
Rapid Change
77 bpm • A min • 01:20 • -24db
11% Popularity • 42% Danceability • 21% Energy • 8% Liveness
60% Instrumentalness • 52% Positiveness
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Mark Isham
Hospital
77 bpm • A Maj • 01:07 • -26db
39% Popularity • 20% Danceability • 6% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
Souls Rising
77 bpm • C Maj • 01:25 • -25.53db
52% Popularity • 32% Danceability • 0% Energy • 9% Liveness
98% Instrumentalness • 7% Positiveness
► Preview
Rachel Portman
Catrin Grieves
71 bpm • G min • 01:47 • -30.17db
12% Popularity • 15% Danceability • 2% Energy • 6% Liveness
89% Instrumentalness • 6% Positiveness
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The Prestige
Goodbye To Jess
77 bpm • E Maj • 02:53 • -25.92db
14% Popularity • 18% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Atli Örvarsson
The Ninth Legion
71 bpm • A min • 02:18 • -21.55db
34% Popularity • 6% Danceability • 14% Energy • 11% Liveness
72% Instrumentalness • 3% Positiveness
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Geoff Zanelli
Storybook
77 bpm • A min • 01:22 • -20.87db
51% Popularity • 44% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 37% Positiveness
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Jacob Shea
The House Of Gods (Angel Falls)
71 bpm • C Maj • 02:13 • -16.77db
26% Popularity • 15% Danceability • 15% Energy • 6% Liveness
96% Instrumentalness • 3% Positiveness
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Ilan Eshkeri
Return To Ako
77 bpm • G Maj • 02:23 • -21.98db
44% Popularity • 12% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Mark Isham
Jack Roosevelt Robinson
77 bpm • D Maj • 01:31 • -23.8db
10% Popularity • 16% Danceability • 11% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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James Horner
Beijing Valentine
77 bpm • A Maj • 01:34 • -35.49db
15% Popularity • 15% Danceability • 1% Energy • 11% Liveness
85% Instrumentalness • 3% Positiveness
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The Prestige
Adagio For Julia
71 bpm • A min • 02:03 • -23.25db
21% Popularity • 20% Danceability • 7% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
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Johan Söderqvist
Rotterdam In Ruins
71 bpm • G# Maj • 02:03 • -19.31db
25% Popularity • 10% Danceability • 15% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Jacob Shea
Northern Lights
77 bpm • C min • 02:00 • -21.55db
43% Popularity • 19% Danceability • 7% Energy • 6% Liveness
97% Instrumentalness • 3% Positiveness
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George Fenton
Lost in the Storm
70 bpm • A min • 01:11 • -17.41db
36% Popularity • 15% Danceability • 14% Energy • 6% Liveness
93% Instrumentalness • 3% Positiveness
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John Debney
Jesus Heals Cleopus
78 bpm • A min • 03:07 • -20.16db
14% Popularity • 7% Danceability • 10% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Anne Nikitin
Rosary
70 bpm • A min • 01:25 • -15db
48% Popularity • 18% Danceability • 21% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Chris Tilton
The Human Kind
70 bpm • A# Maj • 04:12 • -21.72db
8% Popularity • 12% Danceability • 7% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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Carlos Rafael Rivera
The Scholar's Mate
70 bpm • F Maj • 01:18 • -19.62db
58% Popularity • 22% Danceability • 26% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Walter's Burial
78 bpm • G min • 03:04 • -22db
48% Popularity • 7% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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John Ottman
Eric's New Life
78 bpm • E min • 01:27 • -37.8db
20% Popularity • 18% Danceability • 2% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
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Johan Söderqvist
Hiding the Body
70 bpm • E min • 01:34 • -23.99db
19% Popularity • 20% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Roque Baños
Finding The Dead - Bonus Track
78 bpm • A min • 02:04 • -31.39db
13% Popularity • 20% Danceability • 8% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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Sarah Schachner
The Shimmering Sands
78 bpm • G Maj • 03:07 • -17db
34% Popularity • 16% Danceability • 34% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Mark Mancina
Looking At You
70 bpm • A Maj • 04:29 • -18db
11% Popularity • 15% Danceability • 8% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
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Philharmonia Orchestra
Octopussy (Arr. C. Egan)
79 bpm • G# Maj • 03:52 • -17.65db
25% Popularity • 8% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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John Ottman
Pentagon Plan - Sneaky Mystique
78 bpm • A# Maj • 03:24 • -25.02db
16% Popularity • 11% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Brian Tyler
Loss Of A Twin
79 bpm • D min • 01:53 • -28db
44% Popularity • 7% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Commander
79 bpm • C min • 03:34 • -17db
25% Popularity • 7% Danceability • 23% Energy • 8% Liveness
68% Instrumentalness • 12% Positiveness
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William Ross
Hometown Hero
79 bpm • G# Maj • 01:59 • -21.2db
45% Popularity • 15% Danceability • 6% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
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Roque Baños
Farewell
79 bpm • F Maj • 02:47 • -23.89db
21% Popularity • 12% Danceability • 5% Energy • 11% Liveness
61% Instrumentalness • 3% Positiveness
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Sarah Schachner
The First Departure
79 bpm • G min • 02:26 • -13db
39% Popularity • 18% Danceability • 28% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
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John Ottman
I Have Faith in You - Goodbyes
79 bpm • F Maj • 03:19 • -29db
31% Popularity • 7% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
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Clint Mansell
In Sorrow Thou Shalt Bring Forth Childre...
79 bpm • G min • 03:55 • -16.75db
9% Popularity • 17% Danceability • 11% Energy • 44% Liveness
90% Instrumentalness • 3% Positiveness
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The Prestige
The Prestige
79 bpm • A Maj • 01:40 • -14.59db
32% Popularity • 19% Danceability • 20% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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Alan Silvestri
The Primer
69 bpm • D Maj • 06:20 • -31.54db
33% Popularity • 6% Danceability • 4% Energy • 17% Liveness
87% Instrumentalness • 3% Positiveness
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William Ross
Saying Goodbye
79 bpm • F Maj • 05:26 • -23.4db
30% Popularity • 16% Danceability • 5% Energy • 11% Liveness
61% Instrumentalness • 3% Positiveness
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Ilan Eshkeri
Fate of the Ninth
69 bpm • A# min • 02:03 • -20.47db
31% Popularity • 17% Danceability • 9% Energy • 10% Liveness
80% Instrumentalness • 3% Positiveness
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John Ottman
Rebuilding / Cuffed / Goodbye Old Friend
79 bpm • G min • 03:35 • -35db
28% Popularity • 14% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Charlie Mole
L'addition
69 bpm • C min • 02:00 • -20.65db
15% Popularity • 26% Danceability • 7% Energy • 18% Liveness
92% Instrumentalness • 7% Positiveness
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Clinton Shorter
Sacrifice
69 bpm • G min • 01:26 • -18.88db
52% Popularity • 22% Danceability • 19% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
► Preview
Atli Örvarsson
Pretty Far From Brooklyn
79 bpm • C Maj • 02:32 • -20.39db
15% Popularity • 22% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Roque Baños
Homecoming
69 bpm • F Maj • 07:32 • -21.31db
18% Popularity • 15% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 3% Positiveness
► Preview
Marc Streitenfeld
Robin Speaks
79 bpm • D Maj • 02:33 • -19.82db
45% Popularity • 7% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Rachel Portman
Tino: One of My Best Lives
80 bpm • A# Maj • 01:12 • -35.66db
26% Popularity • 16% Danceability • 3% Energy • 12% Liveness
97% Instrumentalness • 11% Positiveness
► Preview
Theodore Shapiro
Boardroom
80 bpm • C# min • 04:53 • -36.45db
11% Popularity • 8% Danceability • 4% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Christophe Beck
Welcome to London, Major
80 bpm • A# Maj • 02:22 • -28.04db
25% Popularity • 18% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Michael Giacchino
Not Quite Finished
80 bpm • C Maj • 02:06 • -21.85db
13% Popularity • 15% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
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Sarah Schachner
Moonlight on the Nile
80 bpm • F# min • 01:39 • -21.55db
34% Popularity • 23% Danceability • 14% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Life
69 bpm • E Maj • 02:30 • -20.33db
47% Popularity • 11% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Jacob Shea
Albatross Facing Extinction
68 bpm • C# min • 04:39 • -17.37db
16% Popularity • 18% Danceability • 21% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
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Calling Liv