Songs like Calm Like a Bomb by Jesper Nordin & Daniel Frankel
Based on a tempo of (+/- 10%) and a similar genre
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Jonny Greenwood
Sougen, Kaze, Zoukibayashi
91 bpm • F# Maj • 01:37 • -26.41db
14% Popularity • 23% Danceability • 15% Energy • 13% Liveness
11% Instrumentalness • 3% Positiveness
14% Popularity • 23% Danceability • 15% Energy • 13% Liveness
11% Instrumentalness • 3% Positiveness
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Jesper Nordin & Daniel Frankel
Calm Like a Bomb
91 bpm • C# Maj • 10:13 • -16.39db
0% Popularity • 30% Danceability • 40% Energy • 30% Liveness
62% Instrumentalness • 4% Positiveness
0% Popularity • 30% Danceability • 40% Energy • 30% Liveness
62% Instrumentalness • 4% Positiveness
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Wu Wei
Improvisation (For My Father)
91 bpm • A min • 05:05 • -21.48db
7% Popularity • 34% Danceability • 14% Energy • 66% Liveness
84% Instrumentalness • 8% Positiveness
7% Popularity • 34% Danceability • 14% Energy • 66% Liveness
84% Instrumentalness • 8% Positiveness
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Daniel Licht
Streets Exploration
91 bpm • E min • 03:07 • -22.16db
27% Popularity • 18% Danceability • 15% Energy • 16% Liveness
70% Instrumentalness • 3% Positiveness
27% Popularity • 18% Danceability • 15% Energy • 16% Liveness
70% Instrumentalness • 3% Positiveness
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Arnoud Noordegraaf
H - non sum ego quod fueram
92 bpm • B Maj • 01:41 • -18.69db
7% Popularity • 23% Danceability • 5% Energy • 11% Liveness
6% Instrumentalness • 5% Positiveness
7% Popularity • 23% Danceability • 5% Energy • 11% Liveness
6% Instrumentalness • 5% Positiveness
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Martien van der Knijff
One more light
90 bpm • G# Maj • 03:22 • -24db
11% Popularity • 58% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
11% Popularity • 58% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Terry Riley
Cadenza on the Night Plain: Introduction
90 bpm • D Maj • 02:18 • -20.13db
10% Popularity • 15% Danceability • 2% Energy • 9% Liveness
46% Instrumentalness • 7% Positiveness
10% Popularity • 15% Danceability • 2% Energy • 9% Liveness
46% Instrumentalness • 7% Positiveness
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Naoki Sato
慟哭の剣
90 bpm • C min • 01:43 • -13.48db
14% Popularity • 25% Danceability • 44% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
14% Popularity • 25% Danceability • 44% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Leo Brouwer
Paesaje cubano con rumba - Arr. for Reco...
92 bpm • A min • 07:46 • -24.47db
7% Popularity • 60% Danceability • 4% Energy • 6% Liveness
15% Instrumentalness • 30% Positiveness
7% Popularity • 60% Danceability • 4% Energy • 6% Liveness
15% Instrumentalness • 30% Positiveness
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Peter Hont
Broken Heart of Ender
90 bpm • C# min • 02:53 • -8.71db
31% Popularity • 39% Danceability • 82% Energy • 11% Liveness
87% Instrumentalness • 44% Positiveness
31% Popularity • 39% Danceability • 82% Energy • 11% Liveness
87% Instrumentalness • 44% Positiveness
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司安荣
complaint
92 bpm • C# Maj • 01:02 • -18.46db
10% Popularity • 25% Danceability • 2% Energy • 13% Liveness
81% Instrumentalness • 39% Positiveness
10% Popularity • 25% Danceability • 2% Energy • 13% Liveness
81% Instrumentalness • 39% Positiveness
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Emiliano Albani
The Abandonment
92 bpm • D Maj • 01:45 • -23.52db
15% Popularity • 11% Danceability • 22% Energy • 12% Liveness
98% Instrumentalness • 6% Positiveness
15% Popularity • 11% Danceability • 22% Energy • 12% Liveness
98% Instrumentalness • 6% Positiveness
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Meredith Monk
Strand (Gathering)
90 bpm • E min • 01:55 • -30.86db
24% Popularity • 13% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 2% Positiveness
24% Popularity • 13% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 2% Positiveness
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James Horner
Med.Lab.
90 bpm • C# Maj • 02:03 • -43.55db
20% Popularity • 10% Danceability • 0% Energy • 10% Liveness
18% Instrumentalness • 16% Positiveness
20% Popularity • 10% Danceability • 0% Energy • 10% Liveness
18% Instrumentalness • 16% Positiveness
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Max Richter
Ionosphere
89 bpm • C# Maj • 01:27 • -40.74db
14% Popularity • 20% Danceability • 4% Energy • 15% Liveness
97% Instrumentalness • 9% Positiveness
14% Popularity • 20% Danceability • 4% Energy • 15% Liveness
97% Instrumentalness • 9% Positiveness
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Arvo Pärt
Symphony No. 1 "Polyphonic": 2. Prelude ...
92 bpm • C# Maj • 07:56 • -20.05db
9% Popularity • 25% Danceability • 25% Energy • 22% Liveness
39% Instrumentalness • 4% Positiveness
9% Popularity • 25% Danceability • 25% Energy • 22% Liveness
39% Instrumentalness • 4% Positiveness
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Gilgamesh Ensemble
Epic of Gilgamesh
93 bpm • C Maj • 07:46 • -21.12db
15% Popularity • 40% Danceability • 7% Energy • 8% Liveness
13% Instrumentalness • 3% Positiveness
15% Popularity • 40% Danceability • 7% Energy • 8% Liveness
13% Instrumentalness • 3% Positiveness
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Sascha Lino Lemke
Atemschaukel: Atemschaukel
89 bpm • C# Maj • 09:42 • -22.61db
8% Popularity • 20% Danceability • 16% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 16% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
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Missy Mazzoli
Impromptu (Thomas's piece)
93 bpm • A# Maj • 02:27 • -17.86db
19% Popularity • 16% Danceability • 25% Energy • 35% Liveness
46% Instrumentalness • 10% Positiveness
19% Popularity • 16% Danceability • 25% Energy • 35% Liveness
46% Instrumentalness • 10% Positiveness
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Jon Brion
Showtime
89 bpm • B Maj • 00:55 • -23.63db
25% Popularity • 29% Danceability • 32% Energy • 11% Liveness
28% Instrumentalness • 6% Positiveness
25% Popularity • 29% Danceability • 32% Energy • 11% Liveness
28% Instrumentalness • 6% Positiveness
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Jeremy Soule
Dawn
89 bpm • A min • 03:57 • -30db
56% Popularity • 13% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
56% Popularity • 13% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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Gavin Bryars
The Sinking of the Titanic: 8. Titanic L...
89 bpm • C# Maj • 05:23 • -28.21db
8% Popularity • 10% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
8% Popularity • 10% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Mellow C Beats
Ex's + Os
94 bpm • D min • 01:08 • -44.86db
8% Popularity • 33% Danceability • 2% Energy • 11% Liveness
48% Instrumentalness • 34% Positiveness
8% Popularity • 33% Danceability • 2% Energy • 11% Liveness
48% Instrumentalness • 34% Positiveness
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Daniel Licht
The Dreadful Wale
88 bpm • C# Maj • 01:08 • -28db
43% Popularity • 19% Danceability • 2% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
43% Popularity • 19% Danceability • 2% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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Stijn Kuppens
The Heidelberg Variations
88 bpm • G Maj • 06:28 • -16.26db
14% Popularity • 29% Danceability • 17% Energy • 10% Liveness
85% Instrumentalness • 31% Positiveness
14% Popularity • 29% Danceability • 17% Energy • 10% Liveness
85% Instrumentalness • 31% Positiveness
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Takashi Yoshimatsu
サイバーバード協奏曲 I. 彩の...
88 bpm • D min • 08:24 • -11.98db
12% Popularity • 23% Danceability • 34% Energy • 19% Liveness
56% Instrumentalness • 15% Positiveness
12% Popularity • 23% Danceability • 34% Energy • 19% Liveness
56% Instrumentalness • 15% Positiveness
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Hermanos Ferrando
Universe Chaos
88 bpm • C# Maj • 01:20 • -14.31db
21% Popularity • 21% Danceability • 40% Energy • 20% Liveness
95% Instrumentalness • 57% Positiveness
21% Popularity • 21% Danceability • 40% Energy • 20% Liveness
95% Instrumentalness • 57% Positiveness
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John Cage
Cage: Prelude for Meditation
94 bpm • C# Maj • 01:20 • -41.48db
20% Popularity • 36% Danceability • 0% Energy • 10% Liveness
77% Instrumentalness • 39% Positiveness
20% Popularity • 36% Danceability • 0% Energy • 10% Liveness
77% Instrumentalness • 39% Positiveness
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Tomasz Trzcinski
Firestar Dance
94 bpm • B Maj • 06:39 • -13.64db
8% Popularity • 35% Danceability • 40% Energy • 67% Liveness
87% Instrumentalness • 11% Positiveness
8% Popularity • 35% Danceability • 40% Energy • 67% Liveness
87% Instrumentalness • 11% Positiveness
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Anja Lechner
Shadow
88 bpm • C# Maj • 01:18 • -32.22db
17% Popularity • 30% Danceability • 1% Energy • 11% Liveness
73% Instrumentalness • 19% Positiveness
17% Popularity • 30% Danceability • 1% Energy • 11% Liveness
73% Instrumentalness • 19% Positiveness
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Red Ranged
Pave the Way
88 bpm • A min • 01:30 • -27db
7% Popularity • 58% Danceability • 0% Energy • 8% Liveness
77% Instrumentalness • 10% Positiveness
7% Popularity • 58% Danceability • 0% Energy • 8% Liveness
77% Instrumentalness • 10% Positiveness
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Yoshihisa Hirano
The Prey
88 bpm • C min • 01:17 • -23.51db
14% Popularity • 20% Danceability • 22% Energy • 12% Liveness
60% Instrumentalness • 3% Positiveness
14% Popularity • 20% Danceability • 22% Energy • 12% Liveness
60% Instrumentalness • 3% Positiveness
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Charles Camilleri
Orbits for Clarinet Solo: I. First Movem...
88 bpm • D Maj • 01:00 • -27db
8% Popularity • 26% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
8% Popularity • 26% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Richard Strauss
Eine Alpensinfonie, Op. 64, TrV 233: I. ...
88 bpm • A# min • 03:04 • -24.27db
23% Popularity • 17% Danceability • 1% Energy • 64% Liveness
92% Instrumentalness • 13% Positiveness
23% Popularity • 17% Danceability • 1% Energy • 64% Liveness
92% Instrumentalness • 13% Positiveness
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Moving to Mars
Leaving (Everything You Know)
95 bpm • C Maj • 01:17 • -22db
10% Popularity • 23% Danceability • 19% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
10% Popularity • 23% Danceability • 19% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Douglas Anderson
Chamber Symphony No. 2: II. Violin Caden...
87 bpm • C Maj • 08:20 • -18.63db
7% Popularity • 16% Danceability • 8% Energy • 13% Liveness
48% Instrumentalness • 4% Positiveness
7% Popularity • 16% Danceability • 8% Energy • 13% Liveness
48% Instrumentalness • 4% Positiveness
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Tinnitus Research Center
Introduction.2 & TRT / Soundscape 1.1 - ...
87 bpm • F# Maj • 04:39 • -19.93db
9% Popularity • 59% Danceability • 0% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 59% Danceability • 0% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Anders Hillborg
11 Gates: No. 11. Waves, Pulse and Elast...
95 bpm • G Maj • 03:20 • -20.42db
9% Popularity • 16% Danceability • 13% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
9% Popularity • 16% Danceability • 13% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
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Tom Tykwer
Morgue
95 bpm • D Maj • 01:28 • -29.18db
9% Popularity • 51% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
9% Popularity • 51% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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cheptsov alex
Farewell low tide
87 bpm • G min • 02:42 • -22.34db
13% Popularity • 22% Danceability • 16% Energy • 19% Liveness
87% Instrumentalness • 7% Positiveness
13% Popularity • 22% Danceability • 16% Energy • 19% Liveness
87% Instrumentalness • 7% Positiveness
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Liam Sauvé
The Forest
95 bpm • D min • 01:13 • -27.26db
18% Popularity • 36% Danceability • 0% Energy • 9% Liveness
2% Instrumentalness • 10% Positiveness
18% Popularity • 36% Danceability • 0% Energy • 9% Liveness
2% Instrumentalness • 10% Positiveness
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James Horner
Bad Dreams
95 bpm • E Maj • 01:22 • -28.04db
22% Popularity • 12% Danceability • 4% Energy • 8% Liveness
39% Instrumentalness • 4% Positiveness
22% Popularity • 12% Danceability • 4% Energy • 8% Liveness
39% Instrumentalness • 4% Positiveness
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Eric Whitacre
The Sacred Veil: VII. I Am Here
87 bpm • F Maj • 02:23 • -27.65db
13% Popularity • 13% Danceability • 3% Energy • 19% Liveness
88% Instrumentalness • 3% Positiveness
13% Popularity • 13% Danceability • 3% Energy • 19% Liveness
88% Instrumentalness • 3% Positiveness
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照井順政
Our Fellow Sorcerers' Corpses
96 bpm • A Maj • 02:06 • -8.11db
31% Popularity • 48% Danceability • 68% Energy • 38% Liveness
84% Instrumentalness • 36% Positiveness
31% Popularity • 48% Danceability • 68% Energy • 38% Liveness
84% Instrumentalness • 36% Positiveness
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Evgueni Galperine
11 Cycles Of E
96 bpm • A# min • 06:06 • -21.76db
9% Popularity • 68% Danceability • 21% Energy • 7% Liveness
85% Instrumentalness • 43% Positiveness
9% Popularity • 68% Danceability • 21% Energy • 7% Liveness
85% Instrumentalness • 43% Positiveness
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Peter Ross PinkSmit
The Cosmos Unknown
96 bpm • A min • 01:02 • -19db
12% Popularity • 33% Danceability • 1% Energy • 13% Liveness
88% Instrumentalness • 25% Positiveness
12% Popularity • 33% Danceability • 1% Energy • 13% Liveness
88% Instrumentalness • 25% Positiveness
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Kaija Saariaho
Sept papillons: Papillons I
86 bpm • D Maj • 01:24 • -30.36db
13% Popularity • 26% Danceability • 13% Energy • 18% Liveness
82% Instrumentalness • 4% Positiveness
13% Popularity • 26% Danceability • 13% Energy • 18% Liveness
82% Instrumentalness • 4% Positiveness
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Tigran Hamasyan
Traces VIII
86 bpm • B min • 05:58 • -23.85db
11% Popularity • 20% Danceability • 4% Energy • 8% Liveness
75% Instrumentalness • 3% Positiveness
11% Popularity • 20% Danceability • 4% Energy • 8% Liveness
75% Instrumentalness • 3% Positiveness
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Elyssa Samsel
When it suits,
86 bpm • A# min • 01:07 • -23.56db
14% Popularity • 38% Danceability • 1% Energy • 10% Liveness
29% Instrumentalness • 18% Positiveness
14% Popularity • 38% Danceability • 1% Energy • 10% Liveness
29% Instrumentalness • 18% Positiveness
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Meredith Monk
Winter Variation
96 bpm • A min • 01:51 • -32db
36% Popularity • 14% Danceability • 1% Energy • 6% Liveness
62% Instrumentalness • 16% Positiveness
36% Popularity • 14% Danceability • 1% Energy • 6% Liveness
62% Instrumentalness • 16% Positiveness
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Adrian Belew
The Final Rhino
86 bpm • C Maj • 01:25 • -26.58db
24% Popularity • 28% Danceability • 2% Energy • 8% Liveness
81% Instrumentalness • 13% Positiveness
24% Popularity • 28% Danceability • 2% Energy • 8% Liveness
81% Instrumentalness • 13% Positiveness
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Aleksandr Borodin
String Quartet No.1 In A Major: II. Anda...
97 bpm • F# min • 08:43 • -22.62db
8% Popularity • 13% Danceability • 10% Energy • 74% Liveness
36% Instrumentalness • 4% Positiveness
8% Popularity • 13% Danceability • 10% Energy • 74% Liveness
36% Instrumentalness • 4% Positiveness
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Kaija Saariaho
7 Papillons: No. 6. —
96 bpm • G Maj • 02:02 • -36db
18% Popularity • 12% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
18% Popularity • 12% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Jonny Greenwood
Greenwood: Popcorn Superhet Receiver:, P...
86 bpm • G Maj • 08:42 • -21db
11% Popularity • 9% Danceability • 14% Energy • 36% Liveness
79% Instrumentalness • 3% Positiveness
11% Popularity • 9% Danceability • 14% Energy • 36% Liveness
79% Instrumentalness • 3% Positiveness
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Anna Thorvaldsdottir
Hidden: II. Our
85 bpm • D min • 01:59 • -45db
10% Popularity • 22% Danceability • 0% Energy • 11% Liveness
83% Instrumentalness • 7% Positiveness
10% Popularity • 22% Danceability • 0% Energy • 11% Liveness
83% Instrumentalness • 7% Positiveness
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The Choir of the Dormition Church of the Novodevichy Convent
Bells of the Novodevichy Convent
97 bpm • E Maj • 01:12 • -22.52db
17% Popularity • 50% Danceability • 10% Energy • 8% Liveness
97% Instrumentalness • 6% Positiveness
17% Popularity • 50% Danceability • 10% Energy • 8% Liveness
97% Instrumentalness • 6% Positiveness
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Pauline Oliveros
Monkey
85 bpm • E min • 02:52 • -42.47db
9% Popularity • 16% Danceability • 0% Energy • 9% Liveness
7% Instrumentalness • 3% Positiveness
9% Popularity • 16% Danceability • 0% Energy • 9% Liveness
7% Instrumentalness • 3% Positiveness
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John Tavener
Tavener: The Protecting Veil: VI. The Re...
85 bpm • E min • 02:36 • -15.44db
7% Popularity • 10% Danceability • 36% Energy • 16% Liveness
84% Instrumentalness • 15% Positiveness
7% Popularity • 10% Danceability • 36% Energy • 16% Liveness
84% Instrumentalness • 15% Positiveness
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Jack Dalton
Fight Another Day
85 bpm • F# min • 03:32 • -28.88db
18% Popularity • 13% Danceability • 1% Energy • 8% Liveness
70% Instrumentalness • 4% Positiveness
18% Popularity • 13% Danceability • 1% Energy • 8% Liveness
70% Instrumentalness • 4% Positiveness
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John Adams
Adams: Shaker Loops: III. Loops and Vers...
85 bpm • G min • 06:54 • -21.92db
13% Popularity • 20% Danceability • 17% Energy • 8% Liveness
57% Instrumentalness • 16% Positiveness
13% Popularity • 20% Danceability • 17% Energy • 8% Liveness
57% Instrumentalness • 16% Positiveness
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Gustavo Santaolalla
Stockpile
97 bpm • D Maj • 01:17 • -28.05db
25% Popularity • 47% Danceability • 0% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
25% Popularity • 47% Danceability • 0% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
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Steve Reich
Music for 18 Musicians: Section V
97 bpm • E Maj • 05:35 • -20.87db
16% Popularity • 52% Danceability • 31% Energy • 26% Liveness
88% Instrumentalness • 80% Positiveness
16% Popularity • 52% Danceability • 31% Energy • 26% Liveness
88% Instrumentalness • 80% Positiveness
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Concordis Chamber Choir
Bach (Again): Come, Sweet Death • Live
85 bpm • C min • 05:05 • -17.22db
11% Popularity • 10% Danceability • 24% Energy • 24% Liveness
56% Instrumentalness • 3% Positiveness
11% Popularity • 10% Danceability • 24% Energy • 24% Liveness
56% Instrumentalness • 3% Positiveness
► Preview
Yoshihisa Hirano
Auras
85 bpm • C Maj • 01:31 • -17.52db
25% Popularity • 18% Danceability • 21% Energy • 6% Liveness
95% Instrumentalness • 3% Positiveness
25% Popularity • 18% Danceability • 21% Energy • 6% Liveness
95% Instrumentalness • 3% Positiveness
► Preview
Meredith Monk
Clusters 1
97 bpm • B Maj • 03:17 • -42.84db
12% Popularity • 15% Danceability • 3% Energy • 76% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 15% Danceability • 3% Energy • 76% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Billy Thompson
Date of Birth
85 bpm • E Maj • 06:36 • -14.98db
24% Popularity • 19% Danceability • 25% Energy • 14% Liveness
3% Instrumentalness • 14% Positiveness
24% Popularity • 19% Danceability • 25% Energy • 14% Liveness
3% Instrumentalness • 14% Positiveness
► Preview
Philip Glass
In His Cell
97 bpm • G min • 01:31 • -24.2db
12% Popularity • 31% Danceability • 5% Energy • 24% Liveness
93% Instrumentalness • 12% Positiveness
12% Popularity • 31% Danceability • 5% Energy • 24% Liveness
93% Instrumentalness • 12% Positiveness
► Preview
Brand X
Collapsar
85 bpm • C Maj • 01:35 • -25.55db
38% Popularity • 22% Danceability • 20% Energy • 10% Liveness
77% Instrumentalness • 4% Positiveness
38% Popularity • 22% Danceability • 20% Energy • 10% Liveness
77% Instrumentalness • 4% Positiveness
► Preview
Camille Pépin
Aux Confins de l'orage: I. Sphères jaun...
98 bpm • E min • 04:37 • -24.51db
7% Popularity • 13% Danceability • 9% Energy • 61% Liveness
78% Instrumentalness • 5% Positiveness
7% Popularity • 13% Danceability • 9% Energy • 61% Liveness
78% Instrumentalness • 5% Positiveness
► Preview
Narls
This Way
97 bpm • C# Maj • 01:02 • -23.07db
8% Popularity • 47% Danceability • 0% Energy • 5% Liveness
7% Instrumentalness • 24% Positiveness
8% Popularity • 47% Danceability • 0% Energy • 5% Liveness
7% Instrumentalness • 24% Positiveness
► Preview
Chamber Chu
Serpent Bone Temple
85 bpm • G# min • 02:44 • -22.37db
10% Popularity • 15% Danceability • 14% Energy • 14% Liveness
83% Instrumentalness • 4% Positiveness
10% Popularity • 15% Danceability • 14% Energy • 14% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
ASMR Zeitgeist
Singing Bowl
98 bpm • C# Maj • 03:51 • -48.09db
8% Popularity • 22% Danceability • 2% Energy • 10% Liveness
26% Instrumentalness • 4% Positiveness
8% Popularity • 22% Danceability • 2% Energy • 10% Liveness
26% Instrumentalness • 4% Positiveness
► Preview
Jimmy Herrera
Mirror - En Vivo
98 bpm • D Maj • 07:40 • -16.86db
18% Popularity • 23% Danceability • 31% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
18% Popularity • 23% Danceability • 31% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Harold Budd
Greek George
85 bpm • C Maj • 05:50 • -24.41db
9% Popularity • 55% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
9% Popularity • 55% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Heinz Holliger
Lieder ohne Worte II, No. 3: (...fern......
98 bpm • G Maj • 01:44 • -23.37db
9% Popularity • 26% Danceability • 2% Energy • 12% Liveness
34% Instrumentalness • 6% Positiveness
9% Popularity • 26% Danceability • 2% Energy • 12% Liveness
34% Instrumentalness • 6% Positiveness
► Preview
Krzysztof Penderecki
Penderecki: Threnody for the Victims of ...
85 bpm • F min • 09:06 • -20.65db
17% Popularity • 16% Danceability • 21% Energy • 22% Liveness
59% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 21% Energy • 22% Liveness
59% Instrumentalness • 4% Positiveness
► Preview
György Ligeti
Ligeti: Requiem: I. Introitus. Sostenuto
85 bpm • C# Maj • 05:39 • -42.57db
15% Popularity • 10% Danceability • 0% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
15% Popularity • 10% Danceability • 0% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Gustav Mahler
Symphony No. 9 In D / 4. Satz: Adagissim...
84 bpm • G# Maj • 03:47 • -50.24db
17% Popularity • 15% Danceability • 0% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
17% Popularity • 15% Danceability • 0% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Bobby Krlic
Hårga, Collapsing
84 bpm • A Maj • 02:40 • -11db
18% Popularity • 15% Danceability • 67% Energy • 54% Liveness
84% Instrumentalness • 4% Positiveness
18% Popularity • 15% Danceability • 67% Energy • 54% Liveness
84% Instrumentalness • 4% Positiveness
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Max Richter
Quartet Fragment (1908)
84 bpm • E min • 03:08 • -32.46db
15% Popularity • 18% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
15% Popularity • 18% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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Jóhann Jóhannsson
A Deal with Chaos
84 bpm • C min • 02:05 • -27.96db
37% Popularity • 11% Danceability • 9% Energy • 8% Liveness
56% Instrumentalness • 4% Positiveness
37% Popularity • 11% Danceability • 9% Energy • 8% Liveness
56% Instrumentalness • 4% Positiveness
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Ingram Marshall
Fog Tropes
84 bpm • A# Maj • 09:56 • -33db
14% Popularity • 8% Danceability • 6% Energy • 5% Liveness
97% Instrumentalness • 3% Positiveness
14% Popularity • 8% Danceability • 6% Energy • 5% Liveness
97% Instrumentalness • 3% Positiveness
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György Ligeti
Ligeti: Atmosphères
84 bpm • C# Maj • 08:58 • -32db
26% Popularity • 8% Danceability • 7% Energy • 34% Liveness
11% Instrumentalness • 3% Positiveness
26% Popularity • 8% Danceability • 7% Energy • 34% Liveness
11% Instrumentalness • 3% Positiveness
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Brad Mehldau
Now You Must Climb Alone
84 bpm • A Maj • 04:05 • -21.52db
13% Popularity • 8% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
13% Popularity • 8% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Mr. Ferrando
Night & Day Excerpt 3
83 bpm • C# Maj • 01:21 • -16.33db
22% Popularity • 21% Danceability • 47% Energy • 14% Liveness
92% Instrumentalness • 15% Positiveness
22% Popularity • 21% Danceability • 47% Energy • 14% Liveness
92% Instrumentalness • 15% Positiveness
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Emiliano Albani
Broken Song
83 bpm • D min • 02:58 • -24.09db
14% Popularity • 31% Danceability • 35% Energy • 20% Liveness
69% Instrumentalness • 5% Positiveness
14% Popularity • 31% Danceability • 35% Energy • 20% Liveness
69% Instrumentalness • 5% Positiveness
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Tomás Marco
Miró: I. Gota de agua sobre la nieve ro...
99 bpm • E Maj • 02:55 • -23.81db
13% Popularity • 28% Danceability • 4% Energy • 10% Liveness
76% Instrumentalness • 8% Positiveness
13% Popularity • 28% Danceability • 4% Energy • 10% Liveness
76% Instrumentalness • 8% Positiveness
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Medeski, Martin & Wood
Baby Clams
83 bpm • G min • 01:14 • -29.68db
12% Popularity • 56% Danceability • 9% Energy • 67% Liveness
6% Instrumentalness • 38% Positiveness
12% Popularity • 56% Danceability • 9% Energy • 67% Liveness
6% Instrumentalness • 38% Positiveness
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Ennio Morricone
Sentenza
99 bpm • A Maj • 01:41 • -15.95db
33% Popularity • 27% Danceability • 21% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
33% Popularity • 27% Danceability • 21% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Aki Yli-Salomäki
Tiedät kyllä miksi
83 bpm • A Maj • 07:41 • -18db
12% Popularity • 8% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
12% Popularity • 8% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Ernst Reijseger
Deep Cave
83 bpm • C Maj • 03:37 • -26.02db
16% Popularity • 20% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
16% Popularity • 20% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
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Christian Lindberg
Meditation
83 bpm • C min • 02:54 • -41.88db
14% Popularity • 8% Danceability • 0% Energy • 17% Liveness
6% Instrumentalness • 6% Positiveness
14% Popularity • 8% Danceability • 0% Energy • 17% Liveness
6% Instrumentalness • 6% Positiveness
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Popol Vuh
Ich Mache Einen Spiegel - Dream Part 4
100 bpm • C min • 08:44 • -17.22db
8% Popularity • 27% Danceability • 37% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
8% Popularity • 27% Danceability • 37% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Polskie Znaki
Anielski orszak
83 bpm • C# Maj • 02:29 • -14db
15% Popularity • 31% Danceability • 16% Energy • 30% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 31% Danceability • 16% Energy • 30% Liveness
0% Instrumentalness • 4% Positiveness
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Kaija Saariaho
Petals
100 bpm • G Maj • 10:38 • -19db
14% Popularity • 25% Danceability • 27% Energy • 23% Liveness
73% Instrumentalness • 5% Positiveness
14% Popularity • 25% Danceability • 27% Energy • 23% Liveness
73% Instrumentalness • 5% Positiveness
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Luz Casal
Intro - En Directo. Solo Esta Noche 21/7...
82 bpm • A min • 01:33 • -18.2db
11% Popularity • 19% Danceability • 34% Energy • 62% Liveness
92% Instrumentalness • 19% Positiveness
11% Popularity • 19% Danceability • 34% Energy • 62% Liveness
92% Instrumentalness • 19% Positiveness
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Niccolo Seligmann
Resilience
100 bpm • C# Maj • 05:14 • -16.46db
12% Popularity • 31% Danceability • 8% Energy • 12% Liveness
15% Instrumentalness • 15% Positiveness
12% Popularity • 31% Danceability • 8% Energy • 12% Liveness
15% Instrumentalness • 15% Positiveness
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Alex Baranowski
Sala Paints
82 bpm • F# Maj • 01:11 • -19.09db
7% Popularity • 20% Danceability • 32% Energy • 30% Liveness
83% Instrumentalness • 3% Positiveness
7% Popularity • 20% Danceability • 32% Energy • 30% Liveness
83% Instrumentalness • 3% Positiveness
