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Cameo
Songs like
Cameo
by
John Bert
Based on a tempo of (+/- 10%) and a similar genre
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Debbie Gravitte
Just Blew in from the Windy City
63 bpm • C Maj • 04:05 • -14.51db
8% Popularity • 43% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Leighton Lucas
Of Love and Destiny
64 bpm • G min • 02:54 • -12.07db
14% Popularity • 24% Danceability • 25% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
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Gilbert & Sullivan Society of Houston
Trial by Jury: Swear Thou the Jury!
64 bpm • C Maj • 01:14 • -22db
9% Popularity • 42% Danceability • 6% Energy • 50% Liveness
0% Instrumentalness • 40% Positiveness
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George M. Cohan
Life's a Funny Proposition After All
65 bpm • D# Maj • 03:05 • -23.42db
8% Popularity • 53% Danceability • 8% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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The Bible in Living Sound
In the Beginning
61 bpm • C# Maj • 05:55 • -15.76db
11% Popularity • 60% Danceability • 12% Energy • 43% Liveness
0% Instrumentalness • 31% Positiveness
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Audrey Hepburn
'S Wonderful
65 bpm • F# min • 02:05 • -11.97db
9% Popularity • 29% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Shirley Temple
Come And Get Your Happiness
66 bpm • D Maj • 01:54 • -22db
13% Popularity • 68% Danceability • 6% Energy • 39% Liveness
61% Instrumentalness • 80% Positiveness
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Charlie Chaplin
Girl Holds Charlie's Hand
66 bpm • F# min • 01:27 • -5.77db
12% Popularity • 30% Danceability • 58% Energy • 22% Liveness
87% Instrumentalness • 13% Positiveness
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Gary Grant
The Tiny Scout
67 bpm • G# Maj • 03:18 • -17db
13% Popularity • 66% Danceability • 21% Energy • 43% Liveness
0% Instrumentalness • 66% Positiveness
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Cathy Rigby
Wendy
66 bpm • A# Maj • 02:26 • -11.61db
10% Popularity • 44% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Julie Andrews
My Ship
67 bpm • F Maj • 02:10 • -14.23db
7% Popularity • 42% Danceability • 17% Energy • 35% Liveness
0% Instrumentalness • 31% Positiveness
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Earle Hagen
Aunt Bee
67 bpm • D Maj • 03:05 • -16.24db
9% Popularity • 18% Danceability • 13% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
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MGM Studio Chorus
Down on Macconnachy Square
68 bpm • C# Maj • 03:14 • -13.82db
1% Popularity • 47% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
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Tommy Smith
Children's Song No. 18
68 bpm • G min • 01:05 • -13.24db
12% Popularity • 45% Danceability • 37% Energy • 44% Liveness
93% Instrumentalness • 86% Positiveness
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Harry Partch
Revelations in the Courthouse Park: Chor...
68 bpm • G# Maj • 07:25 • -14.71db
0% Popularity • 36% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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雪村泉
Whatever Will Be Will Be
68 bpm • F min • 00:55 • -13.03db
9% Popularity • 52% Danceability • 22% Energy • 39% Liveness
0% Instrumentalness • 72% Positiveness
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Peter Deunov
The joy of Earth
69 bpm • G Maj • 01:56 • -19db
10% Popularity • 26% Danceability • 21% Energy • 11% Liveness
85% Instrumentalness • 23% Positiveness
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Tom Lehrer
The Hunting Song
57 bpm • F Maj • 01:37 • -9.35db
7% Popularity • 52% Danceability • 58% Energy • 66% Liveness
0% Instrumentalness • 62% Positiveness
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BBC News Broadcaster
News Bulletin: War Declared - 3.9.1939
70 bpm • F min • 01:36 • -22db
13% Popularity • 62% Danceability • 20% Energy • 17% Liveness
1% Instrumentalness • 74% Positiveness
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Al Jolson
Dirty Hands! Dirty Face! - Film: "The Ja...
70 bpm • A Maj • 02:56 • -13.16db
9% Popularity • 42% Danceability • 24% Energy • 67% Liveness
0% Instrumentalness • 49% Positiveness
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Harry Partch
Revelations in the Courthouse Park: Scen...
69 bpm • C# Maj • 08:15 • -20.04db
0% Popularity • 25% Danceability • 10% Energy • 57% Liveness
0% Instrumentalness • 6% Positiveness
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Brian Greene
The Happy Ending / Guys and Dolls Finale
72 bpm • D# Maj • 02:13 • -13.92db
8% Popularity • 46% Danceability • 42% Energy • 28% Liveness
7% Instrumentalness • 51% Positiveness
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Peter Deunov
Step by step
70 bpm • D min • 03:42 • -17db
8% Popularity • 9% Danceability • 22% Energy • 10% Liveness
87% Instrumentalness • 10% Positiveness
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環球合唱團
夢
71 bpm • E Maj • 03:38 • -38db
12% Popularity • 12% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
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Rob Gardner
The Blind Man
74 bpm • A min • 02:19 • -20.46db
11% Popularity • 55% Danceability • 27% Energy • 47% Liveness
0% Instrumentalness • 53% Positiveness
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Micah Sandt
Hello, Mr Gable (Reprise)
75 bpm • D Maj • 02:10 • -13.61db
11% Popularity • 51% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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The Society Syncopators (performers)
By the Beautiful Sea
75 bpm • G Maj • 01:21 • -10.5db
17% Popularity • 41% Danceability • 69% Energy • 12% Liveness
46% Instrumentalness • 68% Positiveness
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Lawrence Welk and His Orchestra
Tonight We Love
75 bpm • C# Maj • 02:45 • -15.93db
13% Popularity • 38% Danceability • 10% Energy • 11% Liveness
84% Instrumentalness • 32% Positiveness
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Peter Deunov
Winning
74 bpm • G Maj • 01:46 • -18.48db
10% Popularity • 23% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
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環球合唱團
安妮羅莉
75 bpm • D Maj • 02:54 • -21db
10% Popularity • 24% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Rodgers & Hammerstein
Marjorie's Death
75 bpm • D# Maj • 01:30 • -20.6db
13% Popularity • 15% Danceability • 12% Energy • 24% Liveness
77% Instrumentalness • 5% Positiveness
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Irish Pub Society
Donegal Tale
75 bpm • G Maj • 03:57 • -15.41db
7% Popularity • 8% Danceability • 16% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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The Bosworth Orchestra
Springtime
75 bpm • D Maj • 03:15 • -11db
10% Popularity • 13% Danceability • 36% Energy • 24% Liveness
92% Instrumentalness • 23% Positiveness
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Mo Willems
We Are in a Play
76 bpm • G# Maj • 04:47 • -7.04db
12% Popularity • 60% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Mrs Smith
Women at the Benches - 6.1.1941
76 bpm • A Maj • 03:52 • -17.39db
7% Popularity • 64% Danceability • 43% Energy • 42% Liveness
0% Instrumentalness • 55% Positiveness
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Doretta Morrow
Baubles, Bangles and Beads
76 bpm • C# Maj • 04:09 • -13db
8% Popularity • 25% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Alison Fraser
Picture Postcard Place (Reprise)
76 bpm • F Maj • 01:11 • -17.03db
11% Popularity • 74% Danceability • 13% Energy • 43% Liveness
0% Instrumentalness • 44% Positiveness
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Raymond Scott
Dreary Weather on Sixth Avenue - 1940
76 bpm • G# Maj • 01:36 • -13.29db
12% Popularity • 38% Danceability • 16% Energy • 35% Liveness
98% Instrumentalness • 27% Positiveness
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Piero Piccioni
Nata di Marzo - Finale
76 bpm • A min • 00:48 • -7.35db
15% Popularity • 22% Danceability • 41% Energy • 18% Liveness
84% Instrumentalness • 34% Positiveness
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Kenyon Hopkins
Main Theme
76 bpm • A# Maj • 01:00 • -10.95db
7% Popularity • 13% Danceability • 25% Energy • 14% Liveness
88% Instrumentalness • 11% Positiveness
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The Beau Hunks
Good Old Days
76 bpm • F Maj • 02:33 • -23.4db
9% Popularity • 29% Danceability • 7% Energy • 18% Liveness
72% Instrumentalness • 8% Positiveness
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New York Theatre Of The Arts
Luck Be A Lady
77 bpm • G# Maj • 03:04 • -9.44db
1% Popularity • 35% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Paragon Ragtime Orchestra, Rick Benjamin
Kentucky Home
77 bpm • C Maj • 02:38 • -14.19db
15% Popularity • 70% Danceability • 19% Energy • 4% Liveness
85% Instrumentalness • 88% Positiveness
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Leroy Anderson
Pyramid Dance (Heart Of Stone)
77 bpm • A# min • 03:17 • -18.54db
9% Popularity • 17% Danceability • 28% Energy • 25% Liveness
91% Instrumentalness • 31% Positiveness
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Julie Andrews
Edelweiss - Festival Reprise
77 bpm • A# Maj • 02:07 • -14.56db
14% Popularity • 32% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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湯蘭花
藍色的憂鬱
77 bpm • F# min • 03:17 • -28.57db
8% Popularity • 17% Danceability • 4% Energy • 20% Liveness
0% Instrumentalness • 6% Positiveness
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Charlie Chaplin
Opening / Sheep
77 bpm • A# Maj • 01:48 • -7.15db
2% Popularity • 38% Danceability • 49% Energy • 38% Liveness
83% Instrumentalness • 55% Positiveness
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Tom Lehrer
The Wiener Schnitzel Waltz
77 bpm • G# Maj • 02:24 • -10.61db
0% Popularity • 52% Danceability • 53% Energy • 67% Liveness
0% Instrumentalness • 46% Positiveness
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Barry Cavanagh
I'm Flying
77 bpm • A Maj • 04:01 • -11.58db
13% Popularity • 32% Danceability • 46% Energy • 40% Liveness
0% Instrumentalness • 49% Positiveness
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Leonard Bernstein
West Side Story : Act I: Prologue - 2017...
77 bpm • A# Maj • 03:52 • -17.65db
9% Popularity • 41% Danceability • 35% Energy • 12% Liveness
8% Instrumentalness • 27% Positiveness
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Peter Deunov
Evera
78 bpm • F Maj • 01:29 • -14.18db
12% Popularity • 8% Danceability • 29% Energy • 17% Liveness
97% Instrumentalness • 20% Positiveness
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Musicam Sacram Ensemble
Ang Pananalangin sa Halamanan, Kagat-dil...
78 bpm • C Maj • 04:35 • -15.32db
11% Popularity • 16% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Toby Chu
The Ultimate Weapon
78 bpm • A# Maj • 02:17 • -13.89db
8% Popularity • 18% Danceability • 33% Energy • 10% Liveness
79% Instrumentalness • 8% Positiveness
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Wynford Vaughan Thomas
Mass Surrender Of German Troops 3.5.1945
78 bpm • G min • 01:20 • -12.01db
9% Popularity • 69% Danceability • 78% Energy • 64% Liveness
0% Instrumentalness • 75% Positiveness
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Various Artists
In My Merry Oldsmobile
78 bpm • D Maj • 01:58 • -23db
11% Popularity • 81% Danceability • 6% Energy • 15% Liveness
69% Instrumentalness • 69% Positiveness
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Hannah Spearritt
That's Why They Call Him Daddy
78 bpm • D Maj • 03:23 • -11.51db
10% Popularity • 68% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Raymond Scott
Stop at the Esso Sign (Rehearsal 1)
78 bpm • E Maj • 01:19 • -12.82db
8% Popularity • 79% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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Lindsay Ridgeway
Born To Entertain
78 bpm • G Maj • 01:57 • -12.75db
10% Popularity • 56% Danceability • 37% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
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Kim Huber
Little Women
79 bpm • E Maj • 04:35 • -12.88db
28% Popularity • 28% Danceability • 17% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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The Beau Hunks
On to the Show
78 bpm • D# Maj • 00:51 • -15.18db
12% Popularity • 84% Danceability • 33% Energy • 34% Liveness
96% Instrumentalness • 98% Positiveness
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Members Of The Glenn Miller Orchestra
Song of the Volga Boatman
79 bpm • F min • 02:41 • -17.56db
9% Popularity • 52% Danceability • 44% Energy • 9% Liveness
19% Instrumentalness • 61% Positiveness
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Marni Nixon
Hello Young Lovers
79 bpm • C Maj • 03:31 • -14.48db
7% Popularity • 25% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Ed Ward
Anti-Aircraft Battery: Hyde Park - 21 Se...
79 bpm • F# min • 03:46 • -20.36db
7% Popularity • 75% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Adam Guettel
ACT I the Cave, the Call:, Pt. II: It Mo...
80 bpm • E Maj • 03:09 • -16.35db
7% Popularity • 34% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
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Ellen Greene
Pirate Jenny
80 bpm • A# Maj • 04:36 • -15db
9% Popularity • 49% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Hollywood Studio Symphony Orchestra
Alky 1-2-3 / Ballad of Rock Ridge (Sad) ...
80 bpm • A min • 01:37 • -17.81db
8% Popularity • 44% Danceability • 17% Energy • 42% Liveness
1% Instrumentalness • 7% Positiveness
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Harry Groener
By Candlelight
80 bpm • A# Maj • 02:48 • -9.38db
11% Popularity • 57% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 53% Positiveness
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Valentino
A Bouquet For You
80 bpm • A# Maj • 01:07 • -18.69db
9% Popularity • 38% Danceability • 16% Energy • 19% Liveness
33% Instrumentalness • 25% Positiveness
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Adolph Deutsch (conductor), Adolph Deutsch's Orchestra
Park Avenue Fantasy
80 bpm • D Maj • 03:30 • -15.81db
9% Popularity • 13% Danceability • 27% Energy • 30% Liveness
87% Instrumentalness • 4% Positiveness
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Gilbert & Sullivan Society of Houston
Trial by Jury: That She Is Reeling Is Pl...
80 bpm • G min • 00:55 • -14.94db
7% Popularity • 52% Danceability • 27% Energy • 84% Liveness
0% Instrumentalness • 49% Positiveness
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Doris Day
Artist's Choice 'Secret Love' Promo Spot
80 bpm • A# min • 01:05 • -19.11db
16% Popularity • 65% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Megan Lloyd George
Salvage of Household Materials - 26.6.19...
81 bpm • C min • 04:44 • -20.93db
14% Popularity • 70% Danceability • 22% Energy • 11% Liveness
3% Instrumentalness • 25% Positiveness
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Peter Deunov
Square
81 bpm • E min • 02:47 • -16.12db
9% Popularity • 14% Danceability • 26% Energy • 24% Liveness
87% Instrumentalness • 26% Positiveness
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環球合唱團
跑步
81 bpm • D# Maj • 01:40 • -5.1db
11% Popularity • 72% Danceability • 75% Energy • 7% Liveness
97% Instrumentalness • 98% Positiveness
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Queen's Hall Light Orchestra
Spring Song
81 bpm • C Maj • 02:29 • -14.44db
9% Popularity • 24% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 17% Positiveness
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Marilyn Monroe
Rachmaninov - Chopsticks - Remastered
81 bpm • F min • 03:48 • -9.97db
10% Popularity • 50% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 29% Positiveness
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Raymond Scott
When Cootie Left the Duke - 1941
81 bpm • F Maj • 03:27 • -12.07db
8% Popularity • 36% Danceability • 20% Energy • 16% Liveness
90% Instrumentalness • 21% Positiveness
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Andrew Lloyd Webber
With One Look
81 bpm • A Maj • 03:17 • -14.4db
9% Popularity • 22% Danceability • 18% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
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Julie Andrews
Something Good - Film Version
81 bpm • C# Maj • 03:41 • -22.2db
12% Popularity • 31% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Elmer Bernstein
Hendley's Risk
81 bpm • G Maj • 02:27 • -22.49db
0% Popularity • 20% Danceability • 10% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Piero Piccioni
Francesco e Sandro
81 bpm • G# Maj • 01:58 • -7.29db
16% Popularity • 18% Danceability • 35% Energy • 11% Liveness
74% Instrumentalness • 5% Positiveness
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Anonymous
5 to 1 on the Land - 15.4.1941
81 bpm • A Maj • 03:44 • -17.59db
11% Popularity • 63% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Emily E. Finke
Maybe
82 bpm • D# Maj • 03:37 • -12.46db
16% Popularity • 28% Danceability • 26% Energy • 13% Liveness
25% Instrumentalness • 13% Positiveness
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Allan Sherman
Cradunza
81 bpm • G# Maj • 01:02 • -13.87db
19% Popularity • 36% Danceability • 22% Energy • 47% Liveness
0% Instrumentalness • 60% Positiveness
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The Charlottetown Festival
The Facts
82 bpm • D# Maj • 01:44 • -14.18db
8% Popularity • 53% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Isabella Lundgren
A Fine Romance
82 bpm • C Maj • 04:16 • -10.37db
22% Popularity • 40% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Chor - Cinderella
Haupttitel/Cinderella
82 bpm • E min • 02:51 • -13.38db
13% Popularity • 23% Danceability • 29% Energy • 22% Liveness
78% Instrumentalness • 10% Positiveness
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The Melachrino Strings
Evensong
82 bpm • E Maj • 02:25 • -18.14db
11% Popularity • 17% Danceability • 31% Energy • 16% Liveness
85% Instrumentalness • 7% Positiveness
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Alfred Molina
Lonely Room
82 bpm • G Maj • 02:34 • -19.91db
19% Popularity • 24% Danceability • 27% Energy • 70% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Angela Morely
Introduction and Waltz
83 bpm • A# Maj • 04:39 • -16.34db
11% Popularity • 8% Danceability • 19% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Cy Coleman
On the Twentieth Century: Overture
82 bpm • G Maj • 03:37 • -12.52db
10% Popularity • 39% Danceability • 33% Energy • 25% Liveness
56% Instrumentalness • 38% Positiveness
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Barbra Streisand
The Moon And I - Demo
83 bpm • C min • 04:30 • -16.78db
10% Popularity • 36% Danceability • 11% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
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Bob Merrill
Finale "Carnival" - 1961 Original Broadw...
83 bpm • G Maj • 01:06 • -16.6db
10% Popularity • 36% Danceability • 6% Energy • 28% Liveness
0% Instrumentalness • 21% Positiveness
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Earl Robinson
Lincoln, The Man of the People
83 bpm • G Maj • 03:00 • -17.61db
9% Popularity • 49% Danceability • 31% Energy • 62% Liveness
0% Instrumentalness • 58% Positiveness
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Anthony Ritchie
Coming To It, Op. 91: VI.
83 bpm • D Maj • 01:47 • -21.7db
8% Popularity • 47% Danceability • 17% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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Michael Sheen
The Rigs O' Barley (Robert Burns)
83 bpm • C Maj • 02:07 • -31.85db
11% Popularity • 37% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Sir Ralph Richardson
And Did Those Feet in Ancient Time by Wi...
84 bpm • F# Maj • 00:57 • -16.89db
16% Popularity • 68% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
Franz Schmidt-Hagen
Tea Dance Waltz
84 bpm • F Maj • 03:01 • -11.79db
10% Popularity • 30% Danceability • 31% Energy • 17% Liveness
87% Instrumentalness • 36% Positiveness
► Preview
Jelly Roll Morton
Prologue "Jelly's Last Jam"
84 bpm • A Maj • 01:11 • -24.72db
11% Popularity • 62% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
► Preview
Roy Rogers and Dale Evans
Oh, What a Beautiful Morning
84 bpm • D# Maj • 01:40 • -6.95db
12% Popularity • 52% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
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Cameo