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Camptown Races (Live)
Songs like
Camptown Races (Live)
by
Stephen Foster
Based on a tempo of (+/- 10%) and a similar genre
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Jackie Oates
The Sweet Nightingale
117 bpm • D Maj • 05:01 • -13db
21% Popularity • 41% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Ralph Vaughan Williams
Songs of Travel: Whither must I wander?
117 bpm • C min • 04:12 • -22db
15% Popularity • 38% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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Jaqueline Schwab
Weeping Sad and Lonely
117 bpm • G Maj • 01:08 • -22.96db
19% Popularity • 24% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Eric Whitacre
This Marriage
116 bpm • C# min • 03:31 • -26.5db
14% Popularity • 21% Danceability • 4% Energy • 20% Liveness
1% Instrumentalness • 3% Positiveness
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Alasdair Fraser
Calliope Meets Frank
117 bpm • A Maj • 05:55 • -10.94db
26% Popularity • 58% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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John Townley
To Anacreon in Heaven
116 bpm • C Maj • 02:25 • -12.99db
9% Popularity • 40% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Anne Trenning
The Ash Grove
116 bpm • G Maj • 02:58 • -17db
30% Popularity • 53% Danceability • 17% Energy • 16% Liveness
55% Instrumentalness • 21% Positiveness
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The Kingston Trio
Across The Wide Missouri
118 bpm • D Maj • 03:02 • -15.31db
17% Popularity • 30% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Aaron Copland
Rodeo: 4. Hoe-Down
116 bpm • D Maj • 03:37 • -17.52db
1% Popularity • 46% Danceability • 30% Energy • 18% Liveness
93% Instrumentalness • 39% Positiveness
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Nickel Creek
Cuckoo's Nest
119 bpm • G Maj • 02:19 • -8db
34% Popularity • 51% Danceability • 67% Energy • 18% Liveness
89% Instrumentalness • 96% Positiveness
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Mat Williams
Dashing Away With the Smoothing Iron
119 bpm • F min • 03:59 • -7.41db
25% Popularity • 43% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Stephen Foster
Dirty Old Town
115 bpm • C Maj • 04:07 • -15.8db
0% Popularity • 56% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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The New American Brass Band
Dixie / Bonnie Blue Flag
119 bpm • D# Maj • 01:55 • -15db
25% Popularity • 78% Danceability • 31% Energy • 10% Liveness
87% Instrumentalness • 86% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: 3. March: Folk ...
119 bpm • A# Maj • 03:50 • -13.97db
22% Popularity • 48% Danceability • 27% Energy • 7% Liveness
85% Instrumentalness • 68% Positiveness
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Aaron Copland
Rodeo: V. Hoe Down
119 bpm • D Maj • 04:52 • -18db
21% Popularity • 42% Danceability • 22% Energy • 4% Liveness
95% Instrumentalness • 32% Positiveness
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Kruger Brothers
Gather Round
115 bpm • D Maj • 04:53 • -16.69db
15% Popularity • 37% Danceability • 14% Energy • 19% Liveness
88% Instrumentalness • 41% Positiveness
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Robin Bullock
Les barricades mystérieuses
115 bpm • C# Maj • 03:40 • -20.02db
10% Popularity • 30% Danceability • 24% Energy • 12% Liveness
87% Instrumentalness • 67% Positiveness
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George Gershwin
Walking the Dog
120 bpm • C Maj • 03:06 • -13.47db
25% Popularity • 39% Danceability • 17% Energy • 15% Liveness
92% Instrumentalness • 8% Positiveness
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Geoffrey Burgon
Brideshead Revisited Variations: Theme
114 bpm • C Maj • 02:01 • -13db
19% Popularity • 18% Danceability • 26% Energy • 12% Liveness
89% Instrumentalness • 10% Positiveness
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Stephen Foster
O Susannah & Some Folks
120 bpm • D Maj • 02:33 • -34.81db
1% Popularity • 40% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Celtic Fiddle Festival
Music For A Found Harmonium/La Partida/R...
120 bpm • D Maj • 08:08 • -14.66db
20% Popularity • 44% Danceability • 38% Energy • 74% Liveness
25% Instrumentalness • 68% Positiveness
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Jean Redpath
Will Ye No Come Back Again
114 bpm • G Maj • 03:54 • -16db
16% Popularity • 28% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Bob Marley & The Wailers
Redemption Song (Arr. Kanneh-Mason)
120 bpm • G Maj • 03:53 • -16.85db
28% Popularity • 37% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 43% Positiveness
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Ian & Sylvia
Un Canadien Errant
114 bpm • B min • 02:59 • -25.54db
17% Popularity • 42% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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T. L. Cornett
Lulu is Gone (arr. W.R. Baccus and T.L. ...
114 bpm • D# Maj • 03:16 • -24.32db
0% Popularity • 39% Danceability • 2% Energy • 16% Liveness
89% Instrumentalness • 48% Positiveness
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Stephen Foster
For the Dear Old Flag I DIe
120 bpm • D Maj • 03:40 • -37.16db
1% Popularity • 32% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Karl Jenkins
Cantata Memoria: Pitran, Patran
120 bpm • A Maj • 05:56 • -17.79db
9% Popularity • 42% Danceability • 20% Energy • 15% Liveness
10% Instrumentalness • 11% Positiveness
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Laudate Mennonite Ensemble
The Irish Blessing
114 bpm • D# Maj • 01:41 • -25.95db
25% Popularity • 19% Danceability • 3% Energy • 12% Liveness
5% Instrumentalness • 5% Positiveness
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John Dowland
Come again, sweet love doth now invite
114 bpm • D# Maj • 02:21 • -13db
22% Popularity • 34% Danceability • 32% Energy • 38% Liveness
0% Instrumentalness • 31% Positiveness
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Catherine Strutt
The Fairy Dance Set: Mr Barnard - Miss B...
121 bpm • C Maj • 03:20 • -11.56db
15% Popularity • 65% Danceability • 38% Energy • 9% Liveness
86% Instrumentalness • 83% Positiveness
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John Prine
Falling in Love Again
113 bpm • B Maj • 02:31 • -15db
35% Popularity • 68% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Chad Mitchell Trio
Golden Vanity
121 bpm • C Maj • 02:52 • -12.96db
22% Popularity • 52% Danceability • 39% Energy • 73% Liveness
0% Instrumentalness • 60% Positiveness
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Giacomo Puccini
Gianni Schicchi: O mio babbino caro (Arr...
121 bpm • C# Maj • 03:24 • -18.04db
26% Popularity • 23% Danceability • 16% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: 1. March: Seven...
121 bpm • F min • 03:21 • -17.06db
32% Popularity • 43% Danceability • 23% Energy • 7% Liveness
86% Instrumentalness • 56% Positiveness
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David Huntsinger
Morning Weaves Through Irish Lace
113 bpm • G Maj • 02:57 • -15.39db
7% Popularity • 46% Danceability • 19% Energy • 17% Liveness
92% Instrumentalness • 34% Positiveness
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Stephen Foster
Civil War Folk Song Medley: Oh, Suzanna,...
113 bpm • G# Maj • 03:21 • -21db
2% Popularity • 66% Danceability • 34% Energy • 14% Liveness
92% Instrumentalness • 63% Positiveness
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George Gershwin
Porgy and Bess: Summertime
121 bpm • F# min • 02:52 • -20.35db
20% Popularity • 25% Danceability • 11% Energy • 37% Liveness
2% Instrumentalness • 6% Positiveness
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Aaron Copland
The Boatman's Dance (Mistrel Song)
113 bpm • A Maj • 03:10 • -18db
6% Popularity • 36% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 21% Positiveness
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Sacred Harp Singers
I'm Going Home
122 bpm • F# min • 02:18 • -12.17db
27% Popularity • 66% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
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Wolfgang Amadeus Mozart
Voi Che Sapete - from 'Le Nozze Di Figar...
122 bpm • A# Maj • 02:42 • -13.53db
26% Popularity • 38% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Henry Purcell
Trumpet Tune in C Major, Z. 697
112 bpm • F Maj • 01:17 • -18.5db
36% Popularity • 50% Danceability • 9% Energy • 14% Liveness
87% Instrumentalness • 45% Positiveness
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Scott Joplin
The Entertainer - A Ragtime Two-Step
122 bpm • C Maj • 05:04 • -29db
26% Popularity • 39% Danceability • 11% Energy • 14% Liveness
91% Instrumentalness • 34% Positiveness
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Geoffrey Burgon
Brideshead Revisited Theme
112 bpm • C Maj • 02:07 • -15db
37% Popularity • 21% Danceability • 19% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
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Aaron Copland
Rodeo: IV. Hoe-Down
122 bpm • D Maj • 04:27 • -19.85db
23% Popularity • 46% Danceability • 21% Energy • 15% Liveness
95% Instrumentalness • 25% Positiveness
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Jaqueline Schwab
Battle Cry of Freedom II
122 bpm • G Maj • 02:30 • -22.14db
21% Popularity • 63% Danceability • 2% Energy • 14% Liveness
95% Instrumentalness • 23% Positiveness
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George Frideric Handel
Hornpipe From The Water Music
112 bpm • D Maj • 03:14 • -11.97db
12% Popularity • 69% Danceability • 21% Energy • 9% Liveness
78% Instrumentalness • 52% Positiveness
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Anúna
Love's Old Sweet Song
112 bpm • A Maj • 04:07 • -18db
20% Popularity • 28% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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George Winston
Cast Your Fate to the Wind
122 bpm • G# Maj • 06:22 • -14.46db
34% Popularity • 36% Danceability • 24% Energy • 11% Liveness
90% Instrumentalness • 19% Positiveness
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Gordon Bok
How Can I Keep from Singing
112 bpm • C# Maj • 03:26 • -22.5db
13% Popularity • 48% Danceability • 0% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
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Stephen Foster
Nelly Was a Lady
123 bpm • A Maj • 03:30 • -37.73db
5% Popularity • 27% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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John Ireland
Sea Fever
112 bpm • E min • 02:29 • -23.27db
20% Popularity • 46% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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David Cieri
Stand by Water, Pt. 1
123 bpm • G# Maj • 02:56 • -17.91db
13% Popularity • 37% Danceability • 6% Energy • 16% Liveness
90% Instrumentalness • 33% Positiveness
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Steve Martin
Clawhammer Medley
111 bpm • D Maj • 02:16 • -5.79db
39% Popularity • 57% Danceability • 63% Energy • 9% Liveness
70% Instrumentalness • 81% Positiveness
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El McMeen
There Is a Rose in Spanish Harlem
111 bpm • A Maj • 03:02 • -19db
22% Popularity • 43% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 26% Positiveness
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Karl Jenkins
Chorale: Hymn
110 bpm • C Maj • 04:09 • -17.18db
14% Popularity • 21% Danceability • 13% Energy • 8% Liveness
13% Instrumentalness • 5% Positiveness
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Don McLean
Mountains O'Mourne
110 bpm • G Maj • 04:32 • -20.43db
23% Popularity • 54% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Benjamin Britten
The Salley Gardens
125 bpm • D# min • 03:06 • -29db
9% Popularity • 29% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Treorchy Male Voice Choir
Ar Hyd Y Nos
125 bpm • G# min • 02:20 • -34.71db
14% Popularity • 17% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Henry Purcell
Hole in the Wall
110 bpm • A# Maj • 02:46 • -16.07db
18% Popularity • 42% Danceability • 33% Energy • 21% Liveness
12% Instrumentalness • 54% Positiveness
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Carl Nielsen
Moderen (The Mother), Op. 41, FS 94: Tag...
110 bpm • C Maj • 02:14 • -26.54db
31% Popularity • 28% Danceability • 3% Energy • 12% Liveness
95% Instrumentalness • 12% Positiveness
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Kruger Brothers
Slow Clouds
125 bpm • D Maj • 05:34 • -16.68db
19% Popularity • 74% Danceability • 16% Energy • 12% Liveness
79% Instrumentalness • 28% Positiveness
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Russ Barenberg
Return To The Brandywine
109 bpm • E Maj • 04:40 • -18.4db
25% Popularity • 47% Danceability • 15% Energy • 35% Liveness
84% Instrumentalness • 26% Positiveness
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Alasdair Fraser
Da Slockit Light
125 bpm • D Maj • 03:53 • -15.41db
19% Popularity • 27% Danceability • 5% Energy • 16% Liveness
2% Instrumentalness • 50% Positiveness
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USMA Cadet Glee Club
Mansions of the Lord
109 bpm • G# Maj • 02:09 • -19db
23% Popularity • 23% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Michael William Balfe
Marble Halls
109 bpm • G Maj • 03:01 • -24.73db
7% Popularity • 34% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
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Stephen Foster
oh susana
125 bpm • B Maj • 03:13 • -16db
10% Popularity • 47% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Leroy Anderson
Forgotten Dreams
109 bpm • D Maj • 02:40 • -16db
19% Popularity • 23% Danceability • 17% Energy • 10% Liveness
66% Instrumentalness • 10% Positiveness
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Ginny Snowe
Two Rivers
126 bpm • B min • 04:53 • -10.43db
16% Popularity • 53% Danceability • 30% Energy • 8% Liveness
1% Instrumentalness • 23% Positiveness
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Gordon Bok
Isle Au Haut Lullaby (Hay Ledge Song)
109 bpm • C Maj • 03:54 • -21db
15% Popularity • 43% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Kruger Brothers
Overmountain Men
126 bpm • G min • 07:11 • -11.83db
15% Popularity • 59% Danceability • 58% Energy • 10% Liveness
93% Instrumentalness • 93% Positiveness
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John McCormack
I'll Walk Beside You
126 bpm • F# Maj • 02:09 • -11db
17% Popularity • 53% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Stephen Foster
Nothing But a Plain Old Soldier
125 bpm • A Maj • 02:12 • -29.64db
0% Popularity • 57% Danceability • 4% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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Jaqueline Schwab
The Minstrel Boy
109 bpm • D Maj • 01:59 • -10.69db
13% Popularity • 43% Danceability • 36% Energy • 12% Liveness
85% Instrumentalness • 42% Positiveness
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Ronald Binge
Miss Melanie
126 bpm • A Maj • 02:25 • -20.17db
13% Popularity • 55% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 42% Positiveness
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Vernon Solomon & Scott Myers
Old Joe Clark
126 bpm • A Maj • 02:55 • -12db
25% Popularity • 61% Danceability • 49% Energy • 28% Liveness
76% Instrumentalness • 74% Positiveness
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Athol McGregor
Oh, Danny Boy
108 bpm • F Maj • 02:04 • -26.87db
29% Popularity • 48% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 49% Positiveness
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Ewan MacColl
The Shoals of Herring
126 bpm • A Maj • 03:54 • -15.59db
28% Popularity • 56% Danceability • 10% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
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Stephen Foster
Nelly Bly
126 bpm • C Maj • 02:51 • -38.09db
0% Popularity • 41% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Huddersfield Choral Society
Eternal Father, Strong to Save
108 bpm • G Maj • 02:45 • -23.57db
23% Popularity • 16% Danceability • 13% Energy • 13% Liveness
46% Instrumentalness • 18% Positiveness
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Jacqueline Schwab
Hard Times
127 bpm • F Maj • 01:22 • -27.23db
13% Popularity • 51% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
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Eric Whitacre
Whitacre: Sleep
127 bpm • C min • 05:33 • -24.96db
39% Popularity • 17% Danceability • 4% Energy • 18% Liveness
5% Instrumentalness • 3% Positiveness
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Darren Vincent
Oh! My Darling Clementine
108 bpm • C Maj • 01:46 • -12db
14% Popularity • 60% Danceability • 31% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
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Becky Ross
Mr. Isaac's Maggot
108 bpm • C Maj • 04:05 • -12.13db
7% Popularity • 56% Danceability • 20% Energy • 9% Liveness
7% Instrumentalness • 78% Positiveness
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Stephen Foster
The Voices That Are Gone
126 bpm • C Maj • 02:49 • -36.97db
0% Popularity • 25% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Aaron Copland
Rodeo: No. 5, Hoe-Down
127 bpm • D Maj • 04:08 • -19.31db
33% Popularity • 44% Danceability • 24% Energy • 7% Liveness
94% Instrumentalness • 24% Positiveness
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Ralph Vaughan Williams
It Was a Lover and His Lass: It was a Lo...
127 bpm • B min • 01:56 • -27db
16% Popularity • 42% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 35% Positiveness
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William Moore
Holy Manna
108 bpm • A Maj • 02:19 • -20.92db
8% Popularity • 30% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Marvin Hamlisch
Solace - The Sting/Soundtrack Version (O...
108 bpm • F Maj • 03:35 • -12db
31% Popularity • 46% Danceability • 23% Energy • 14% Liveness
94% Instrumentalness • 33% Positiveness
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Ronald Binge
Scottish Rhapsody
127 bpm • G Maj • 06:26 • -22.64db
11% Popularity • 31% Danceability • 11% Energy • 5% Liveness
95% Instrumentalness • 20% Positiveness
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Stephen Foster
Old Black Joe
126 bpm • D Maj • 03:05 • -32.76db
1% Popularity • 38% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Serge Mazerand
Pachabel's Canon in D, Variation #1
127 bpm • G min • 04:17 • -22.68db
27% Popularity • 24% Danceability • 5% Energy • 7% Liveness
23% Instrumentalness • 12% Positiveness
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Ralph Vaughan Williams
Songs of Travel: The Vagabond
107 bpm • A# min • 03:24 • -17.2db
15% Popularity • 50% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Iris DeMent
When My Morning Comes Around
107 bpm • A# Maj • 03:51 • -8db
30% Popularity • 54% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Marvin Hamlisch
Solace - The Sting/Soundtrack Version (P...
107 bpm • F Maj • 03:34 • -11.99db
27% Popularity • 50% Danceability • 24% Energy • 12% Liveness
90% Instrumentalness • 30% Positiveness
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Pa's Fiddle Band
Irish Washerwoman
128 bpm • G Maj • 02:49 • -11.32db
28% Popularity • 70% Danceability • 29% Energy • 30% Liveness
56% Instrumentalness • 96% Positiveness
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Stephen Foster
Hard Times Come Again No More
127 bpm • D Maj • 05:13 • -22.53db
9% Popularity • 27% Danceability • 10% Energy • 14% Liveness
2% Instrumentalness • 20% Positiveness
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Frank Ticheli
There Will Be Rest
106 bpm • D# Maj • 06:05 • -28db
11% Popularity • 16% Danceability • 5% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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Susan LaBarr
Grace Before Sleep
129 bpm • C# Maj • 03:45 • -23db
22% Popularity • 20% Danceability • 12% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
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Jaqueline Schwab
Flag of Columbia
129 bpm • G Maj • 01:01 • -20.28db
20% Popularity • 59% Danceability • 9% Energy • 19% Liveness
94% Instrumentalness • 41% Positiveness
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Leroy Anderson
Forgotten Dreams
129 bpm • D Maj • 02:37 • -28db
19% Popularity • 22% Danceability • 3% Energy • 8% Liveness
60% Instrumentalness • 7% Positiveness
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Camptown Races (Live)