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Can I Leave Me Too?
Songs like
Can I Leave Me Too?
by
The Greeting Committee
Based on a tempo of (+/- 10%) and a similar genre
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Samia
Honey
120 bpm • B Maj • 03:23 • -6.43db
50% Popularity • 81% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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The Greeting Committee
Run For Your Money
120 bpm • G# Maj • 03:02 • -5.46db
30% Popularity • 73% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Wallice
Hey Michael
120 bpm • E Maj • 02:59 • -6.39db
36% Popularity • 76% Danceability • 63% Energy • 64% Liveness
0% Instrumentalness • 92% Positiveness
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Duncan Fellows
Icarus
120 bpm • C# Maj • 03:46 • -10.17db
29% Popularity • 55% Danceability • 58% Energy • 10% Liveness
3% Instrumentalness • 10% Positiveness
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Prince of Eden
Mammal Talk
120 bpm • C# Maj • 03:16 • -15.71db
44% Popularity • 40% Danceability • 41% Energy • 11% Liveness
13% Instrumentalness • 39% Positiveness
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Cottonwood Firing Squad
Post Modern Fade
120 bpm • D Maj • 01:43 • -12.82db
49% Popularity • 85% Danceability • 45% Energy • 11% Liveness
3% Instrumentalness • 96% Positiveness
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Babygirl
Soft
120 bpm • D Maj • 03:52 • -8db
40% Popularity • 76% Danceability • 59% Energy • 12% Liveness
56% Instrumentalness • 54% Positiveness
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Bad Bad Hats
Makes Me Nervous
120 bpm • A# Maj • 03:18 • -8db
32% Popularity • 72% Danceability • 73% Energy • 14% Liveness
1% Instrumentalness • 52% Positiveness
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The Regrettes
Pumpkin
120 bpm • A# Maj • 03:27 • -4.17db
49% Popularity • 57% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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ella jane
nothing else i could do
120 bpm • D# Maj • 02:50 • -7.65db
56% Popularity • 79% Danceability • 55% Energy • 13% Liveness
1% Instrumentalness • 58% Positiveness
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The Greeting Committee
Can I Leave Me Too?
120 bpm • D# Maj • 03:43 • -4.74db
37% Popularity • 44% Danceability • 77% Energy • 62% Liveness
0% Instrumentalness • 27% Positiveness
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Jacklen Ro
Self Control
120 bpm • A Maj • 03:02 • -8.34db
28% Popularity • 76% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Del Water Gap
To Philly
120 bpm • E Maj • 03:53 • -7.86db
41% Popularity • 46% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Another Michael
About
120 bpm • D# Maj • 02:47 • -8db
35% Popularity • 55% Danceability • 68% Energy • 38% Liveness
0% Instrumentalness • 19% Positiveness
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COIN
Sagittarius Superstar
120 bpm • F Maj • 02:53 • -8.63db
55% Popularity • 55% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
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Bad Bad Hats
Nothing Gets Me High
121 bpm • C Maj • 03:55 • -6db
32% Popularity • 70% Danceability • 62% Energy • 12% Liveness
3% Instrumentalness • 69% Positiveness
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The Greeting Committee
So It Must Be True
120 bpm • B Maj • 03:50 • -4.91db
18% Popularity • 56% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 18% Positiveness
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Tōth
Juliette
119 bpm • F# min • 03:13 • -4.04db
30% Popularity • 58% Danceability • 80% Energy • 16% Liveness
30% Instrumentalness • 36% Positiveness
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Vista Kicks
I Can't Think of Anybody but U
121 bpm • F# Maj • 05:17 • -9db
39% Popularity • 58% Danceability • 51% Energy • 6% Liveness
29% Instrumentalness • 27% Positiveness
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Annie DiRusso
I Think We're Alone Now
119 bpm • C Maj • 03:34 • -4.76db
26% Popularity • 58% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Del Water Gap
Love Song for Lady Earth
122 bpm • B Maj • 10:12 • -9.38db
32% Popularity • 36% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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Bad Bad Hats
Walkman
119 bpm • G Maj • 02:57 • -8.09db
42% Popularity • 88% Danceability • 61% Energy • 14% Liveness
2% Instrumentalness • 96% Positiveness
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Covey
////
119 bpm • B Maj • 02:41 • -10.45db
35% Popularity • 56% Danceability • 60% Energy • 20% Liveness
1% Instrumentalness • 61% Positiveness
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The Greeting Committee
Kids
122 bpm • A Maj • 03:41 • -5.19db
24% Popularity • 57% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 30% Positiveness
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The Essentialists
Magnolia
118 bpm • A Maj • 05:02 • -8.34db
40% Popularity • 69% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Boyish
Smithereens
122 bpm • D Maj • 02:20 • -9db
37% Popularity • 64% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
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The Backseat Lovers
Elevator Days
118 bpm • B Maj • 04:26 • -12.29db
51% Popularity • 67% Danceability • 38% Energy • 16% Liveness
1% Instrumentalness • 37% Positiveness
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TOLEDO
Crane Song
118 bpm • A Maj • 04:49 • -12db
39% Popularity • 46% Danceability • 36% Energy • 16% Liveness
3% Instrumentalness • 10% Positiveness
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The Brazen Youth
You Could Not Provoke Me
122 bpm • D Maj • 04:03 • -8.07db
25% Popularity • 60% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 41% Positiveness
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The Greeting Committee
Hopscotch
122 bpm • C# Maj • 02:54 • -6.38db
28% Popularity • 72% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
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Snarls
Walk in the Woods
118 bpm • G# Maj • 03:28 • -6db
34% Popularity • 46% Danceability • 62% Energy • 4% Liveness
35% Instrumentalness • 52% Positiveness
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Christian Leave
10 Steps
123 bpm • G Maj • 03:29 • -6.53db
41% Popularity • 25% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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Haley Blais
On a Weekend
123 bpm • C Maj • 02:41 • -6.63db
28% Popularity • 64% Danceability • 66% Energy • 15% Liveness
8% Instrumentalness • 64% Positiveness
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The Ophelias
General Electric
117 bpm • C# Maj • 03:33 • -7db
34% Popularity • 50% Danceability • 68% Energy • 11% Liveness
3% Instrumentalness • 35% Positiveness
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The Brook & The Bluff
Shelby
123 bpm • D Maj • 03:42 • -9.02db
50% Popularity • 83% Danceability • 51% Energy • 13% Liveness
1% Instrumentalness • 86% Positiveness
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Vista Kicks
Gotta Get Away
123 bpm • F# Maj • 03:50 • -5.5db
48% Popularity • 72% Danceability • 80% Energy • 14% Liveness
3% Instrumentalness • 90% Positiveness
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Hannah Cole
Warm Enough
117 bpm • D Maj • 02:14 • -7.9db
35% Popularity • 64% Danceability • 54% Energy • 27% Liveness
0% Instrumentalness • 66% Positiveness
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The Greeting Committee
Flint
117 bpm • D# Maj • 03:48 • -5.61db
25% Popularity • 70% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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The Brazen Youth
Changing
117 bpm • G# Maj • 03:42 • -8.4db
20% Popularity • 36% Danceability • 45% Energy • 9% Liveness
1% Instrumentalness • 30% Positiveness
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The Backseat Lovers
Davy Crochet
124 bpm • C Maj • 02:56 • -10.78db
58% Popularity • 74% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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The Brook & The Bluff
Misnomer
116 bpm • A# Maj • 03:43 • -9.04db
52% Popularity • 47% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Slaughter Beach, Dog
Acolyte
124 bpm • A Maj • 05:16 • -10.67db
60% Popularity • 79% Danceability • 48% Energy • 11% Liveness
9% Instrumentalness • 77% Positiveness
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Seasalt
Kool Girl
124 bpm • A min • 03:45 • -9.47db
41% Popularity • 82% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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The Greeting Committee
Ada
117 bpm • C Maj • 02:39 • -5.92db
20% Popularity • 37% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Peach Pit
Black Licorice
124 bpm • A Maj • 03:39 • -9.13db
53% Popularity • 69% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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The Backseat Lovers
Olivia
124 bpm • G Maj • 03:12 • -15.37db
57% Popularity • 78% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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Sjowgren
Dreams
124 bpm • C# Maj • 02:55 • -7.15db
39% Popularity • 73% Danceability • 77% Energy • 7% Liveness
34% Instrumentalness • 74% Positiveness
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Wallows
1980s Horror Film II
116 bpm • D Maj • 03:55 • -4.96db
57% Popularity • 59% Danceability • 66% Energy • 8% Liveness
1% Instrumentalness • 27% Positiveness
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Lunar Vacation
Mold
116 bpm • D Maj • 03:45 • -6.96db
12% Popularity • 61% Danceability • 56% Energy • 49% Liveness
0% Instrumentalness • 36% Positiveness
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The Greeting Committee
Elise
123 bpm • C Maj • 04:14 • -13.16db
44% Popularity • 64% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Katy Kirby
Juniper
116 bpm • G# Maj • 02:39 • -9db
45% Popularity • 70% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
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Wallice
Dramamine
124 bpm • B Maj • 02:55 • -5.58db
28% Popularity • 61% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 58% Positiveness
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Sjowgren
High Beam
116 bpm • G Maj • 04:14 • -6db
41% Popularity • 70% Danceability • 67% Energy • 22% Liveness
71% Instrumentalness • 26% Positiveness
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Sidney Gish
Presumably Dead Arm
116 bpm • G Maj • 03:33 • -16db
32% Popularity • 42% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Lunar Vacation
Monterey
116 bpm • C Maj • 03:36 • -14.5db
31% Popularity • 46% Danceability • 37% Energy • 31% Liveness
7% Instrumentalness • 32% Positiveness
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Peach Pit
Private Presley
124 bpm • F# min • 05:39 • -9.84db
52% Popularity • 28% Danceability • 50% Energy • 12% Liveness
41% Instrumentalness • 23% Positiveness
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The Greeting Committee
Can I Leave Me Too? - Live
123 bpm • G# Maj • 03:53 • -2.41db
13% Popularity • 22% Danceability • 93% Energy • 66% Liveness
0% Instrumentalness • 19% Positiveness
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Tommy Lefroy
The Cause
116 bpm • C Maj • 03:05 • -6.76db
44% Popularity • 67% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Superfan
Too Tired
115 bpm • F# Maj • 03:14 • -5.25db
42% Popularity • 71% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Vista Kicks
If I Didn't Have You
115 bpm • C# min • 04:02 • -9.64db
52% Popularity • 38% Danceability • 55% Energy • 12% Liveness
24% Instrumentalness • 12% Positiveness
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Lunar Vacation
Anna
125 bpm • G# Maj • 02:50 • -10.72db
36% Popularity • 55% Danceability • 56% Energy • 16% Liveness
70% Instrumentalness • 65% Positiveness
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Peach Pit
Hot Knifer
125 bpm • F# min • 04:08 • -8.81db
48% Popularity • 64% Danceability • 25% Energy • 12% Liveness
3% Instrumentalness • 9% Positiveness
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The Greeting Committee
Birthday Song
125 bpm • G Maj • 03:08 • -10db
26% Popularity • 72% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Trash Panda
Aging out of the 20th Century
115 bpm • A# Maj • 03:26 • -15.64db
41% Popularity • 53% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Jelani Aryeh
Stella Brown
125 bpm • D Maj • 03:06 • -7.55db
60% Popularity • 73% Danceability • 48% Energy • 29% Liveness
7% Instrumentalness • 55% Positiveness
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Sidney Gish
Persephone
125 bpm • B Maj • 03:24 • -16.44db
40% Popularity • 76% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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hey, nothing
Flora
125 bpm • C Maj • 04:08 • -7.47db
48% Popularity • 52% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Declan McKenna
Make Me Your Queen
125 bpm • D Maj • 03:41 • -6.42db
58% Popularity • 49% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Rainbow Kitten Surprise
Hide
115 bpm • E Maj • 03:12 • -6.57db
56% Popularity • 80% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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Hotel Fiction
Allure
125 bpm • D Maj • 03:10 • -6.34db
27% Popularity • 38% Danceability • 59% Energy • 59% Liveness
0% Instrumentalness • 38% Positiveness
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Jelani Aryeh
From These Heights
125 bpm • E Maj • 03:26 • -4.11db
46% Popularity • 76% Danceability • 90% Energy • 64% Liveness
0% Instrumentalness • 77% Positiveness
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Odie Leigh
Ronnie's Song
115 bpm • C min • 02:32 • -11.36db
41% Popularity • 70% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Duncan Fellows
Coffins
115 bpm • E Maj • 04:39 • -7.19db
26% Popularity • 54% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Haley Blais
Let Yourself Go
115 bpm • A# Maj • 02:03 • -9db
25% Popularity • 73% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Breakup Shoes
Nicotine Dream
115 bpm • G# Maj • 02:55 • -6db
56% Popularity • 52% Danceability • 61% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
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Krooked Kings
'96 Subaru
115 bpm • C# Maj • 04:20 • -7.16db
38% Popularity • 47% Danceability • 59% Energy • 10% Liveness
9% Instrumentalness • 13% Positiveness
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Claud
Tommy
126 bpm • C# Maj • 03:33 • -11.5db
36% Popularity • 53% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Sidney Gish
Presumably Dead Arm (617 Sessions)
114 bpm • A# Maj • 03:34 • -9.46db
49% Popularity • 48% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Duncan Fellows
Kerosene
115 bpm • B Maj • 02:53 • -6.43db
35% Popularity • 32% Danceability • 76% Energy • 14% Liveness
28% Instrumentalness • 40% Positiveness
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NoSo
Allie
126 bpm • E Maj • 03:25 • -8.19db
35% Popularity • 81% Danceability • 56% Energy • 12% Liveness
1% Instrumentalness • 38% Positiveness
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TOLEDO
Some Samurai
126 bpm • F# Maj • 04:54 • -7.55db
38% Popularity • 47% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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The Backseat Lovers
Pictures
126 bpm • F Maj • 03:16 • -12db
52% Popularity • 66% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
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The Greeting Committee
17
114 bpm • G Maj • 03:39 • -4.43db
41% Popularity • 60% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Ethan Tasch
Room
114 bpm • G Maj • 03:30 • -9.23db
47% Popularity • 83% Danceability • 48% Energy • 14% Liveness
5% Instrumentalness • 67% Positiveness
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Duncan Fellows
Feeling Down
114 bpm • E Maj • 02:55 • -7.35db
25% Popularity • 68% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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Haley Blais
Small Foreign Faction
114 bpm • G Maj • 03:33 • -8.48db
38% Popularity • 71% Danceability • 46% Energy • 8% Liveness
57% Instrumentalness • 56% Positiveness
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Bendigo Fletcher
No Smoke
114 bpm • A Maj • 02:53 • -9.97db
46% Popularity • 62% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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The Backseat Lovers
Heavy
114 bpm • B min • 04:18 • -10.01db
52% Popularity • 65% Danceability • 33% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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dad sports
out 4 a breather
127 bpm • F Maj • 03:21 • -7.14db
46% Popularity • 68% Danceability • 53% Energy • 14% Liveness
1% Instrumentalness • 69% Positiveness
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The Hails
Stay
127 bpm • A Maj • 02:39 • -4.09db
59% Popularity • 66% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Duncan Fellows
L.S.B.
114 bpm • A Maj • 03:08 • -8.37db
27% Popularity • 46% Danceability • 55% Energy • 14% Liveness
7% Instrumentalness • 24% Positiveness
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Claud
Cuff Your Jeans
113 bpm • D Maj • 02:55 • -6db
37% Popularity • 66% Danceability • 76% Energy • 19% Liveness
8% Instrumentalness • 96% Positiveness
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Bad Bad Hats
Midway
113 bpm • G Maj • 03:04 • -4.27db
39% Popularity • 75% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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The Greeting Committee
popmoneyhits
113 bpm • B Maj • 03:11 • -8.9db
37% Popularity • 62% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Indigo De Souza
Take Off Ur Pants
127 bpm • A Maj • 03:40 • -9.55db
55% Popularity • 41% Danceability • 66% Energy • 38% Liveness
18% Instrumentalness • 65% Positiveness
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Dayglow
Fair Game
128 bpm • A Maj • 04:22 • -8db
47% Popularity • 77% Danceability • 70% Energy • 15% Liveness
5% Instrumentalness • 94% Positiveness
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Duncan Fellows
Cul De Sac
114 bpm • D Maj • 03:21 • -7db
36% Popularity • 35% Danceability • 60% Energy • 11% Liveness
5% Instrumentalness • 29% Positiveness
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Samia
Ode To Artifice
128 bpm • A# Maj • 02:45 • -7.05db
15% Popularity • 68% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Arlie
big fat mouth
128 bpm • D Maj • 03:38 • -5.15db
52% Popularity • 60% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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Del Water Gap
High Tops
128 bpm • G Maj • 03:58 • -5.13db
55% Popularity • 56% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Can I Leave Me Too?