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CanAan
Songs like
CanAan
by
Marques Toliver
Based on a tempo of (+/- 10%) and a similar genre
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Cody Chesnutt
Everybody's Brother
90 bpm • D Maj • 02:46 • -5.38db
9% Popularity • 59% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Nizlopi
Find Me
90 bpm • G Maj • 03:06 • -7.45db
12% Popularity • 59% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Quadron
Crush
90 bpm • E Maj • 03:44 • -8.98db
20% Popularity • 43% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Feist
Anti-Pioneer
88 bpm • B min • 05:33 • -10.54db
23% Popularity • 39% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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King Creosote
Bats In The Attic (Unravelled)
88 bpm • G# Maj • 03:25 • -10.37db
20% Popularity • 38% Danceability • 43% Energy • 16% Liveness
36% Instrumentalness • 14% Positiveness
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Lo-Fang
Light Year
90 bpm • C Maj • 03:59 • -13.45db
24% Popularity • 78% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Misun
Coffee
90 bpm • F# min • 03:44 • -5.41db
20% Popularity • 66% Danceability • 72% Energy • 10% Liveness
20% Instrumentalness • 51% Positiveness
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William Fitzsimmons
Let You Break
88 bpm • E Maj • 03:22 • -12db
13% Popularity • 65% Danceability • 41% Energy • 9% Liveness
1% Instrumentalness • 49% Positiveness
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Robyn Sherwell
Islander
90 bpm • F# Maj • 02:54 • -6.77db
14% Popularity • 61% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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Marques Toliver
If Only
90 bpm • D Maj • 03:48 • -7.11db
0% Popularity • 57% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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SOHN
Tempest
90 bpm • D Maj • 03:30 • -8db
30% Popularity • 39% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Little Dragon
After The Rain
91 bpm • C# Maj • 04:04 • -6db
28% Popularity • 89% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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GIVERS
Go Out All Night
91 bpm • G# Maj • 07:24 • -9.41db
9% Popularity • 22% Danceability • 29% Energy • 7% Liveness
1% Instrumentalness • 5% Positiveness
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Francis and the Lights
Can't Tell Me Nothing
91 bpm • F min • 02:11 • -8.38db
11% Popularity • 63% Danceability • 76% Energy • 14% Liveness
2% Instrumentalness • 57% Positiveness
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Jon Mcxro
Stay Open
91 bpm • A min • 04:10 • -7.79db
16% Popularity • 69% Danceability • 67% Energy • 39% Liveness
1% Instrumentalness • 41% Positiveness
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Pete Philly
Leaves That Are Green
87 bpm • E Maj • 02:01 • -11.65db
7% Popularity • 56% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Marques Toliver
Magic Look
87 bpm • F Maj • 03:02 • -8.35db
3% Popularity • 52% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
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Elbow
Honey Sun
91 bpm • A Maj • 04:56 • -13.27db
26% Popularity • 74% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Mia and Jonah
Rooms
92 bpm • A min • 03:49 • -14.5db
10% Popularity • 63% Danceability • 61% Energy • 10% Liveness
25% Instrumentalness • 70% Positiveness
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Paul Thomas Saunders
Appointment in Samarra
92 bpm • A# min • 05:06 • -9.11db
9% Popularity • 43% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Francis and the Lights
Etc
86 bpm • D# min • 03:26 • -7.94db
30% Popularity • 69% Danceability • 40% Energy • 10% Liveness
19% Instrumentalness • 42% Positiveness
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M. Ward
Clean Slate
85 bpm • F# Maj • 02:51 • -13.71db
5% Popularity • 53% Danceability • 26% Energy • 16% Liveness
2% Instrumentalness • 39% Positiveness
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Marques Toliver
Canaan
92 bpm • G Maj • 02:28 • -7.81db
0% Popularity • 36% Danceability • 78% Energy • 32% Liveness
44% Instrumentalness • 34% Positiveness
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Grey Reverend
Altruistic Holiday
85 bpm • C# Maj • 05:08 • -14db
22% Popularity • 63% Danceability • 19% Energy • 16% Liveness
51% Instrumentalness • 44% Positiveness
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Emily King
Ever After
85 bpm • C Maj • 03:40 • -11.24db
24% Popularity • 51% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
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Body Language
I'm a Mess
93 bpm • C# min • 03:02 • -7.23db
12% Popularity • 68% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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kwes.
36
93 bpm • G Maj • 04:03 • -7.94db
14% Popularity • 64% Danceability • 47% Energy • 11% Liveness
24% Instrumentalness • 28% Positiveness
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Lucy Rose
Lines
85 bpm • C# min • 03:38 • -7db
25% Popularity • 41% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 57% Positiveness
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Kindness
House
94 bpm • C# min • 03:37 • -11db
33% Popularity • 72% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Nicholas Littlemore’s The Two Leaves Project
On the Chord I Found You (Bonus Track)
84 bpm • D Maj • 06:22 • -10.07db
0% Popularity • 41% Danceability • 59% Energy • 15% Liveness
63% Instrumentalness • 18% Positiveness
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Tracey Thorn
Taxi Cab - Vampire Weekend Cover
84 bpm • A# Maj • 03:55 • -8.73db
14% Popularity • 65% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Marques Toliver
Find Your Way Back Home
84 bpm • G min • 03:36 • -7.28db
0% Popularity • 37% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Laura Mvula
Like the Morning Dew
95 bpm • D Maj • 03:40 • -9.06db
21% Popularity • 65% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
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POLIÇA
Wandering Star
95 bpm • C Maj • 04:58 • -6.12db
8% Popularity • 56% Danceability • 74% Energy • 39% Liveness
4% Instrumentalness • 36% Positiveness
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Emily and The Woods
Helios
83 bpm • D min • 03:00 • -9.3db
23% Popularity • 61% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Nicholas Littlemore’s The Two Leaves Project
First Blush of Winter
94 bpm • F# Maj • 02:05 • -9.45db
0% Popularity • 24% Danceability • 60% Energy • 9% Liveness
8% Instrumentalness • 36% Positiveness
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How To Dress Well
When I Was In Trouble
95 bpm • C min • 03:22 • -19.56db
9% Popularity • 23% Danceability • 26% Energy • 12% Liveness
44% Instrumentalness • 12% Positiveness
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Marques Toliver
Something's Wrong
95 bpm • C Maj • 02:53 • -5.81db
0% Popularity • 50% Danceability • 79% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
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Bombay Bicycle Club
You Already Know
95 bpm • D Maj • 04:21 • -16db
24% Popularity • 68% Danceability • 23% Energy • 10% Liveness
42% Instrumentalness • 41% Positiveness
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Tobias Jesso Jr.
Hollywood
97 bpm • C Maj • 06:08 • -11.99db
21% Popularity • 32% Danceability • 18% Energy • 11% Liveness
17% Instrumentalness • 14% Positiveness
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Taylor Swift
Fortnight
96 bpm • B Maj • 03:48 • -10.9db
93% Popularity • 68% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Nicholas Littlemore’s The Two Leaves Project
Strange Ideas
94 bpm • F# Maj • 05:09 • -9.77db
0% Popularity • 18% Danceability • 34% Energy • 31% Liveness
1% Instrumentalness • 22% Positiveness
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How To Dress Well
Running Back
96 bpm • A Maj • 03:16 • -9.89db
10% Popularity • 77% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Blair
Wake Up Shake Up
97 bpm • F# Maj • 03:56 • -10db
22% Popularity • 55% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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POLIÇA
I Need $
97 bpm • A min • 04:38 • -9.27db
1% Popularity • 66% Danceability • 42% Energy • 12% Liveness
6% Instrumentalness • 32% Positiveness
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Secret Cities
The Park
82 bpm • F Maj • 03:21 • -8.06db
8% Popularity • 30% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Kendra Morris
Just One More
82 bpm • C# Maj • 04:00 • -10.49db
11% Popularity • 61% Danceability • 44% Energy • 16% Liveness
10% Instrumentalness • 32% Positiveness
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Mara Carlyle
Pianni
81 bpm • D# Maj • 02:25 • -20.51db
13% Popularity • 30% Danceability • 5% Energy • 9% Liveness
4% Instrumentalness • 35% Positiveness
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Hundred Waters
Boreal - Original Mix
98 bpm • A Maj • 03:54 • -7.4db
14% Popularity • 46% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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MS MR
Dance Yrself Clean - Spotify Sessions
98 bpm • F Maj • 05:01 • -9.54db
9% Popularity • 69% Danceability • 58% Energy • 71% Liveness
0% Instrumentalness • 41% Positiveness
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Corinne Bailey Rae
Are You Here
98 bpm • A Maj • 04:12 • -9.25db
26% Popularity • 43% Danceability • 43% Energy • 10% Liveness
3% Instrumentalness • 14% Positiveness
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Joan As Police Woman
Get Direct
81 bpm • C Maj • 06:44 • -16.89db
13% Popularity • 76% Danceability • 32% Energy • 10% Liveness
46% Instrumentalness • 50% Positiveness
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Matthew E. White
Gone Away
98 bpm • C Maj • 06:53 • -12.68db
9% Popularity • 42% Danceability • 22% Energy • 16% Liveness
13% Instrumentalness • 14% Positiveness
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Jack Peñate
Body Down
98 bpm • G min • 04:06 • -6.49db
12% Popularity • 57% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Slow Club
Apples and Pairs
98 bpm • C Maj • 03:43 • -16.16db
12% Popularity • 76% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Active Child
Way Too Fast
81 bpm • F Maj • 05:16 • -10.94db
4% Popularity • 17% Danceability • 38% Energy • 10% Liveness
41% Instrumentalness • 9% Positiveness
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Jolie Holland
Waiting For The Sun
98 bpm • F# min • 03:59 • -9.76db
9% Popularity • 61% Danceability • 48% Energy • 7% Liveness
4% Instrumentalness • 72% Positiveness
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Laura Mvula
Jump Right Out
80 bpm • A# Maj • 04:10 • -7.95db
15% Popularity • 46% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Matthew E. White
Big Love
99 bpm • E min • 04:39 • -11db
18% Popularity • 48% Danceability • 69% Energy • 11% Liveness
90% Instrumentalness • 55% Positiveness
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Cody Chesnutt
That's Still Mama
99 bpm • C min • 04:15 • -4.28db
13% Popularity • 49% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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POLIÇA
Vegas
80 bpm • G Maj • 04:11 • -8.78db
1% Popularity • 63% Danceability • 46% Energy • 12% Liveness
2% Instrumentalness • 31% Positiveness
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Nerina Pallot
Finally
80 bpm • A min • 03:22 • -11.02db
9% Popularity • 60% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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How To Dress Well
Words I Don't Remember
80 bpm • D# min • 06:18 • -13.44db
28% Popularity • 53% Danceability • 21% Energy • 45% Liveness
56% Instrumentalness • 21% Positiveness
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Jungle
Platoon
100 bpm • C min • 03:10 • -10db
27% Popularity • 66% Danceability • 70% Energy • 13% Liveness
88% Instrumentalness • 70% Positiveness
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SOHN
Lessons
80 bpm • G min • 03:20 • -15.71db
23% Popularity • 47% Danceability • 50% Energy • 12% Liveness
35% Instrumentalness • 44% Positiveness
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Marques Toliver
Charter Magic
100 bpm • G Maj • 06:24 • -7.67db
0% Popularity • 54% Danceability • 52% Energy • 46% Liveness
0% Instrumentalness • 37% Positiveness
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Firehorse
Our Hearts
100 bpm • C Maj • 04:02 • -8.88db
14% Popularity • 74% Danceability • 38% Energy • 11% Liveness
4% Instrumentalness • 21% Positiveness
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Generationals
Say for Certain
100 bpm • C Maj • 04:15 • -5.58db
23% Popularity • 78% Danceability • 93% Energy • 8% Liveness
53% Instrumentalness • 40% Positiveness
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Jamie Lidell
Completely Exposed
79 bpm • C# Maj • 03:24 • -5.93db
9% Popularity • 52% Danceability • 78% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
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Dirty Gold
The Quiet Life
100 bpm • E Maj • 04:42 • -11.18db
11% Popularity • 50% Danceability • 62% Energy • 39% Liveness
29% Instrumentalness • 17% Positiveness
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Big Scary
Invest
79 bpm • C Maj • 04:30 • -11.47db
22% Popularity • 61% Danceability • 67% Energy • 11% Liveness
6% Instrumentalness • 25% Positiveness
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Marques Toliver
Try Your Best
100 bpm • F# Maj • 04:24 • -9.79db
0% Popularity • 66% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Lo-Fang
When We're Fire
100 bpm • C# Maj • 03:48 • -8.97db
29% Popularity • 75% Danceability • 54% Energy • 9% Liveness
55% Instrumentalness • 18% Positiveness
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AM & Shawn Lee
Dark into Light
101 bpm • C Maj • 03:49 • -3.71db
8% Popularity • 38% Danceability • 71% Energy • 15% Liveness
14% Instrumentalness • 55% Positiveness
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Rufus Wainwright
Barbara
79 bpm • C Maj • 03:55 • -7.24db
11% Popularity • 41% Danceability • 60% Energy • 25% Liveness
12% Instrumentalness • 48% Positiveness
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Nicholas Littlemore’s The Two Leaves Project
I'll Find You
101 bpm • G# min • 03:01 • -11.49db
0% Popularity • 34% Danceability • 54% Energy • 27% Liveness
2% Instrumentalness • 32% Positiveness
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Dirty Projectors
Gun Has No Trigger
101 bpm • A min • 03:24 • -5.89db
20% Popularity • 68% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Marques Toliver
White Sails (Demo)
100 bpm • C Maj • 03:45 • -8.22db
9% Popularity • 76% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Bat For Lashes
Lilies
101 bpm • B Maj • 04:46 • -12.45db
16% Popularity • 31% Danceability • 41% Energy • 27% Liveness
0% Instrumentalness • 18% Positiveness
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Samantha Crain
For the Miner
78 bpm • G# min • 05:13 • -11.88db
13% Popularity • 72% Danceability • 43% Energy • 12% Liveness
4% Instrumentalness • 77% Positiveness
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Kimbra
Old Flame - Claude VonStroke Remix
78 bpm • E Maj • 04:07 • -6.49db
7% Popularity • 43% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Twin Shadow
Turn Me Up
77 bpm • G# min • 03:21 • -7db
19% Popularity • 65% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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Nicholas Littlemore’s The Two Leaves Project
I See Them Coming
103 bpm • F# Maj • 02:16 • -9.8db
0% Popularity • 20% Danceability • 59% Energy • 16% Liveness
75% Instrumentalness • 39% Positiveness
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Marques Toliver
Anniversary
100 bpm • G min • 03:41 • -8.03db
0% Popularity • 25% Danceability • 69% Energy • 29% Liveness
0% Instrumentalness • 7% Positiveness
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Laura Mvula
Flying Without You
103 bpm • F Maj • 03:21 • -5.29db
16% Popularity • 75% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Mayer Hawthorne
No Strings (Classixx Original)
103 bpm • D Maj • 03:49 • -7.24db
13% Popularity • 71% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Yuna
Remember My Name
103 bpm • A Maj • 03:37 • -8.34db
20% Popularity • 73% Danceability • 66% Energy • 8% Liveness
8% Instrumentalness • 67% Positiveness
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Moko
Hand On Heart
103 bpm • A# min • 02:53 • -6.32db
7% Popularity • 77% Danceability • 51% Energy • 9% Liveness
1% Instrumentalness • 18% Positiveness
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The Stepkids
Moving Pictures
103 bpm • G Maj • 04:50 • -7.29db
9% Popularity • 73% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Marques Toliver
Summer Song
101 bpm • C# min • 03:25 • -14.56db
0% Popularity • 48% Danceability • 45% Energy • 14% Liveness
39% Instrumentalness • 46% Positiveness
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RJD2
Games You Can Win
103 bpm • G# Maj • 05:26 • -8.26db
13% Popularity • 63% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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Javelin
Light Out
103 bpm • F# Maj • 03:08 • -6.37db
6% Popularity • 73% Danceability • 68% Energy • 17% Liveness
4% Instrumentalness • 87% Positiveness
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Bibio
K is for Kelson
104 bpm • F# Maj • 03:28 • -3.51db
15% Popularity • 75% Danceability • 89% Energy • 22% Liveness
59% Instrumentalness • 96% Positiveness
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Lucy Rose
Scar
104 bpm • D Maj • 04:05 • -9.62db
24% Popularity • 70% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Zero 7
Mr McGee
104 bpm • E min • 04:19 • -6.14db
19% Popularity • 48% Danceability • 78% Energy • 64% Liveness
1% Instrumentalness • 66% Positiveness
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Marques Toliver
Stay
101 bpm • G min • 04:10 • -8.35db
2% Popularity • 54% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
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Active Child
Diamond Heart - b-side- Bonus Track
104 bpm • C# Maj • 05:40 • -7.84db
3% Popularity • 56% Danceability • 77% Energy • 8% Liveness
23% Instrumentalness • 52% Positiveness
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The Memory Band
This Is How We Walk On The Moon
104 bpm • F# min • 03:43 • -10.02db
12% Popularity • 49% Danceability • 70% Energy • 32% Liveness
85% Instrumentalness • 47% Positiveness
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Laura Mvula
Flying Without You
104 bpm • A# Maj • 03:49 • -9.77db
11% Popularity • 74% Danceability • 48% Energy • 54% Liveness
6% Instrumentalness • 56% Positiveness
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Freedom Fry
Friends and Enemies
104 bpm • A# Maj • 04:31 • -7.34db
9% Popularity • 65% Danceability • 68% Energy • 7% Liveness
5% Instrumentalness • 94% Positiveness
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CanAan