Songs like Canadian Girls by Dean Brody
Based on a tempo of (+/- 10%) and a similar genre
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Cole Swindell
Chillin' It
138 bpm • A Maj • 03:16 • -3.06db
64% Popularity • 58% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
64% Popularity • 58% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Dean Brody
Another Man’s Gold
138 bpm • D Maj • 04:04 • -8.79db
27% Popularity • 57% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 57% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Brooks Jefferson
More Than a Memory
138 bpm • C# Maj • 03:22 • -4.25db
37% Popularity • 49% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
37% Popularity • 49% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Travis Denning
David Ashley Parker From Powder Springs
138 bpm • F Maj • 03:30 • -5db
48% Popularity • 56% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
48% Popularity • 56% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Terri Clark
Girls Lie Too - Greatest Hits Version
139 bpm • A Maj • 03:34 • -4.33db
27% Popularity • 49% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 49% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Morgan Wallen
If I Ever Get You Back
140 bpm • C Maj • 02:53 • -3.34db
55% Popularity • 67% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 96% Positiveness
55% Popularity • 67% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 96% Positiveness
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Jerrod Niemann
Old Glory
136 bpm • A Maj • 03:58 • -6db
34% Popularity • 66% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
34% Popularity • 66% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Dean Brody
Canadian Girls
138 bpm • G Maj • 03:56 • -6.15db
43% Popularity • 61% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
43% Popularity • 61% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Randy Houser
Like a Cowboy
140 bpm • C# Maj • 04:22 • -4.33db
51% Popularity • 51% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
51% Popularity • 51% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Chris Young
Save Water, Drink Beer
136 bpm • G Maj • 02:45 • -4db
37% Popularity • 57% Danceability • 92% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
37% Popularity • 57% Danceability • 92% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
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Hot Country Knights
Moose Knuckle Shuffle
136 bpm • C# Maj • 03:07 • -4.5db
34% Popularity • 63% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
34% Popularity • 63% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Bobby Wills
Crazy Enough
135 bpm • A min • 03:50 • -5.34db
27% Popularity • 61% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 75% Positiveness
27% Popularity • 61% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 75% Positiveness
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Dan Davidson
Cinderella
135 bpm • D Maj • 03:00 • -4.6db
26% Popularity • 56% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
26% Popularity • 56% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
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Dean Brody
That’s Your Cousin
139 bpm • F# Maj • 03:24 • -6.55db
25% Popularity • 66% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
25% Popularity • 66% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Luke Bryan
Here's To The Farmer
135 bpm • G Maj • 03:30 • -2.57db
35% Popularity • 53% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
35% Popularity • 53% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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James Barker Band
Living The Dream
135 bpm • F Maj • 03:27 • -6.6db
37% Popularity • 72% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
37% Popularity • 72% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Ricochet
Daddy's Money
135 bpm • D Maj • 03:03 • -5db
57% Popularity • 70% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
57% Popularity • 70% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Drake White
The Simple Life
142 bpm • C Maj • 03:19 • -5db
37% Popularity • 50% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
37% Popularity • 50% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Brooks & Dunn
My Next Broken Heart - with Jon Pardi
142 bpm • G Maj • 03:06 • -3.35db
47% Popularity • 50% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
47% Popularity • 50% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Dean Brody
Bush Party
140 bpm • A# Maj • 03:41 • -6db
44% Popularity • 57% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
44% Popularity • 57% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Luke Bryan
Harvest Time
142 bpm • G Maj • 03:27 • -4.06db
43% Popularity • 56% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
43% Popularity • 56% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Granger Smith
When the Good Guys Win
142 bpm • E Maj • 03:13 • -4.89db
36% Popularity • 62% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
36% Popularity • 62% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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Trent Tomlinson
One Wing In The Fire
142 bpm • D# Maj • 03:52 • -7.36db
44% Popularity • 61% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
44% Popularity • 61% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Steven Lee Olsen
Raised by a Good Time
142 bpm • D Maj • 03:12 • -4.5db
43% Popularity • 58% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
43% Popularity • 58% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Frankie Ballard
Helluva Life
134 bpm • F# Maj • 03:51 • -6db
51% Popularity • 56% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
51% Popularity • 56% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Aaron Pritchett
Wake You With a Kiss
134 bpm • D# Maj • 03:37 • -5.93db
18% Popularity • 53% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
18% Popularity • 53% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Dean Brody
Trail In Life
134 bpm • D# Maj • 04:37 • -5.67db
22% Popularity • 57% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
22% Popularity • 57% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Steve Holy
Brand New Girlfriend
134 bpm • D Maj • 03:40 • -3.55db
53% Popularity • 67% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
53% Popularity • 67% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Jason McCoy
I Feel A Sin Comin' On
143 bpm • D min • 02:37 • -7.49db
29% Popularity • 64% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 64% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Brad Paisley
Online
133 bpm • G Maj • 04:56 • -5.54db
43% Popularity • 59% Danceability • 82% Energy • 39% Liveness
13% Instrumentalness • 91% Positiveness
43% Popularity • 59% Danceability • 82% Energy • 39% Liveness
13% Instrumentalness • 91% Positiveness
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Hunter Brothers
Northern Lights
144 bpm • B Maj • 02:56 • -5.25db
27% Popularity • 53% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 53% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Aaron Pritchett
Hold My Beer
134 bpm • E Maj • 04:10 • -4.98db
31% Popularity • 62% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 62% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Dean Brody
Beautiful Freakshow
133 bpm • C Maj • 03:30 • -6.86db
38% Popularity • 58% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
38% Popularity • 58% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Toby Keith
Beers Ago
144 bpm • C Maj • 03:26 • -4.64db
53% Popularity • 56% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
53% Popularity • 56% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Tim Hicks
Whiskey Does
144 bpm • F# min • 03:36 • -4.64db
25% Popularity • 50% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
25% Popularity • 50% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
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Luke Bryan
Muckalee Creek Water
132 bpm • C Maj • 03:56 • -4db
48% Popularity • 58% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
48% Popularity • 58% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Chad Brownlee
They Don't Know About Us
132 bpm • C# Maj • 03:18 • -5.48db
28% Popularity • 58% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 58% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Doc Walker
The Show Is Free
132 bpm • E Maj • 03:35 • -8.77db
17% Popularity • 62% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
17% Popularity • 62% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Dean Brody
Old Joe Riley
133 bpm • C Maj • 03:05 • -4.18db
16% Popularity • 67% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
16% Popularity • 67% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Luke Combs
Honky Tonk Highway
132 bpm • A# min • 03:32 • -4.37db
51% Popularity • 57% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
51% Popularity • 57% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Jason Aldean
Laughed Until We Cried
145 bpm • G Maj • 03:22 • -5.37db
48% Popularity • 55% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
48% Popularity • 55% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Luke Bryan
Drinkin' Beer And Wastin' Bullets
132 bpm • G min • 04:19 • -5db
50% Popularity • 49% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
50% Popularity • 49% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Tim Hicks
Buzz, Buzz, Buzzing
146 bpm • G# Maj • 03:17 • -4.06db
20% Popularity • 53% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
20% Popularity • 53% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Ronnie Dunn
That's Why They Make Jack Daniels
146 bpm • D# Maj • 03:23 • -5db
38% Popularity • 53% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
38% Popularity • 53% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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Dean Brody
Underneath the Apple Trees
143 bpm • C# Maj • 03:31 • -8.04db
20% Popularity • 61% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
20% Popularity • 61% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Jason Blaine
They Don't Make Em Like That Anymore
146 bpm • F Maj • 03:43 • -3.88db
28% Popularity • 46% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 46% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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LOCASH
Don't Get Better Than That
130 bpm • E Maj • 03:17 • -3.32db
41% Popularity • 53% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
41% Popularity • 53% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Brett Kissel
Girl in a Cowboy Hat
130 bpm • E Maj • 03:04 • -5.45db
32% Popularity • 67% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
32% Popularity • 67% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
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Luke Combs
Angels Workin' Overtime
130 bpm • E min • 04:13 • -3.99db
50% Popularity • 64% Danceability • 97% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
50% Popularity • 64% Danceability • 97% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
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Granger Smith
Bury Me in Blue Jeans
130 bpm • A# Maj • 03:41 • -6.46db
34% Popularity • 69% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
34% Popularity • 69% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Dean Brody
Dirt
131 bpm • D# Maj • 03:16 • -6.95db
31% Popularity • 70% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
31% Popularity • 70% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Chase Rice
How She Rolls
146 bpm • E Maj • 02:59 • -5.27db
22% Popularity • 46% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 46% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Chris Cagle
Wal-Mart Parking Lot
147 bpm • F# Maj • 04:22 • -6.3db
36% Popularity • 56% Danceability • 72% Energy • 39% Liveness
0% Instrumentalness • 58% Positiveness
36% Popularity • 56% Danceability • 72% Energy • 39% Liveness
0% Instrumentalness • 58% Positiveness
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Tim Hicks
Wreck This Town
147 bpm • B Maj • 02:58 • -3.71db
30% Popularity • 59% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 73% Positiveness
30% Popularity • 59% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 73% Positiveness
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Luke Combs
Don't Tempt Me
147 bpm • G Maj • 03:31 • -4.62db
50% Popularity • 56% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
50% Popularity • 56% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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Brett Kissel
I Didn't Fall in Love with Your Hair
148 bpm • F Maj • 03:18 • -7.33db
32% Popularity • 42% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
32% Popularity • 42% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Dean Brody
Undone
130 bpm • F Maj • 03:25 • -4.75db
24% Popularity • 61% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 61% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Bucky Covington
A Different World
129 bpm • A Maj • 03:28 • -5.03db
49% Popularity • 62% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
49% Popularity • 62% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Big & Rich
Lost in This Moment
148 bpm • B Maj • 03:30 • -7db
32% Popularity • 60% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
32% Popularity • 60% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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Canaan Smith
Beer Drinkin' Weather
148 bpm • A# Maj • 03:04 • -2.88db
47% Popularity • 46% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
47% Popularity • 46% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Luke Combs
Beer Can
148 bpm • G Maj • 03:30 • -5db
59% Popularity • 55% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
59% Popularity • 55% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Tyler Farr
A Guy Walks Into a Bar
148 bpm • C Maj • 03:16 • -3db
54% Popularity • 43% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
54% Popularity • 43% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Dean Brody
Bounty
130 bpm • D Maj • 04:12 • -6.69db
36% Popularity • 41% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
36% Popularity • 41% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Justin Moore
Pick-Up Lines
148 bpm • A Maj • 03:21 • -4.95db
36% Popularity • 45% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
36% Popularity • 45% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
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Big & Rich
Run Away with You
148 bpm • F# min • 03:44 • -4.12db
46% Popularity • 54% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 54% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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Florida Georgia Line
I'm In A Hurry (And Don't Know Why)
129 bpm • G Maj • 02:51 • -3db
52% Popularity • 56% Danceability • 98% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
52% Popularity • 56% Danceability • 98% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
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Chris Young
Raised on Country
148 bpm • D Maj • 02:57 • -3.28db
49% Popularity • 58% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
49% Popularity • 58% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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Randy Houser
Fired Up
148 bpm • C Maj • 03:34 • -3.58db
31% Popularity • 51% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
31% Popularity • 51% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Dean Brody
People Know You By Your First Name
129 bpm • F# Maj • 03:16 • -2.77db
27% Popularity • 57% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
27% Popularity • 57% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
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Luke Bryan
What Country Is
148 bpm • A# Maj • 03:14 • -4.07db
45% Popularity • 56% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
45% Popularity • 56% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Buddy Jewell
Sweet Southern Comfort
148 bpm • D Maj • 03:32 • -7db
48% Popularity • 50% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
48% Popularity • 50% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Toby Keith
Get Drunk And Be Somebody
128 bpm • D Maj • 02:58 • -4.13db
49% Popularity • 63% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
49% Popularity • 63% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
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The Washboard Union
Feel Like That
128 bpm • A# Maj • 03:10 • -5db
25% Popularity • 55% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
25% Popularity • 55% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Kane Brown
Short Skirt Weather
128 bpm • A Maj • 03:14 • -5.41db
55% Popularity • 70% Danceability • 89% Energy • 25% Liveness
0% Instrumentalness • 94% Positiveness
55% Popularity • 70% Danceability • 89% Energy • 25% Liveness
0% Instrumentalness • 94% Positiveness
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Dean Brody
Love Would Be Enough
129 bpm • G Maj • 02:54 • -3.87db
32% Popularity • 67% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 67% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Jason Blaine
On a Night Like This
128 bpm • G# Maj • 03:31 • -3.63db
15% Popularity • 63% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 63% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Craig Morgan
This Ain't Nothin'
150 bpm • F# Maj • 04:02 • -5.32db
45% Popularity • 35% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
45% Popularity • 35% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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The Reklaws
Long Live The Night
127 bpm • G Maj • 03:26 • -6db
45% Popularity • 55% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
45% Popularity • 55% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Brooks & Dunn
Brand New Man - with Luke Combs
127 bpm • G Maj • 03:11 • -4.87db
68% Popularity • 57% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
68% Popularity • 57% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Lonestar
What About Now
127 bpm • E Maj • 03:31 • -6db
38% Popularity • 74% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
38% Popularity • 74% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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Dean Brody
Cattleman's Gun
148 bpm • A# Maj • 04:09 • -6.55db
50% Popularity • 61% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
50% Popularity • 61% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Phil Vassar
Little Red Rodeo
127 bpm • C Maj • 03:23 • -5.19db
45% Popularity • 63% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
45% Popularity • 63% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
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Ronnie Dunn
Young Buck
150 bpm • A Maj • 03:12 • -6db
38% Popularity • 62% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
38% Popularity • 62% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Eli Young Band
Always The Love Songs
150 bpm • E Maj • 03:41 • -3.42db
41% Popularity • 47% Danceability • 77% Energy • 68% Liveness
0% Instrumentalness • 40% Positiveness
41% Popularity • 47% Danceability • 77% Energy • 68% Liveness
0% Instrumentalness • 40% Positiveness
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Matt Lang
Getcha
150 bpm • F# Maj • 03:15 • -6.1db
42% Popularity • 57% Danceability • 92% Energy • 27% Liveness
0% Instrumentalness • 89% Positiveness
42% Popularity • 57% Danceability • 92% Energy • 27% Liveness
0% Instrumentalness • 89% Positiveness
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Justin Moore
Kinda Don't Care
150 bpm • C# Maj • 04:21 • -6db
51% Popularity • 58% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
51% Popularity • 58% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Dean Brody
Marianne
148 bpm • C Maj • 04:16 • -8.07db
14% Popularity • 54% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
14% Popularity • 54% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Jon Pardi
Write You A Song
150 bpm • A Maj • 03:05 • -4db
38% Popularity • 54% Danceability • 89% Energy • 48% Liveness
0% Instrumentalness • 85% Positiveness
38% Popularity • 54% Danceability • 89% Energy • 48% Liveness
0% Instrumentalness • 85% Positiveness
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Florida Georgia Line
Can’t Say I Ain’t Country
150 bpm • D Maj • 02:56 • -2.4db
43% Popularity • 47% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
43% Popularity • 47% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
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Chad Brock
Yes!
127 bpm • D Maj • 03:26 • -6db
43% Popularity • 67% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 45% Positiveness
43% Popularity • 67% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 45% Positiveness
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Brooks Jefferson
Two of a Kind (Workin' On a Full House)
126 bpm • D Maj • 02:31 • -3.73db
43% Popularity • 63% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
43% Popularity • 63% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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James Barker Band
Keep It Simple
126 bpm • G min • 03:07 • -5.53db
45% Popularity • 67% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 95% Positiveness
45% Popularity • 67% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 95% Positiveness
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Dean Brody
Dirt Roads Scholar
128 bpm • D# Maj • 03:09 • -5.01db
32% Popularity • 68% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
32% Popularity • 68% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Granger Smith
Silverado Bench Seat
126 bpm • D# Maj • 02:57 • -4.58db
39% Popularity • 66% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
39% Popularity • 66% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
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Lonestar
What About Now
126 bpm • E Maj • 03:30 • -7db
50% Popularity • 66% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
50% Popularity • 66% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Jade Eagleson
More Drinkin' Than Fishin'
152 bpm • C# Maj • 02:59 • -4db
43% Popularity • 58% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
43% Popularity • 58% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Brett Kissel
Cool with That
152 bpm • A Maj • 03:49 • -4.74db
33% Popularity • 43% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 43% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
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Toby Keith
God Love Her
125 bpm • A# Maj • 03:36 • -4db
56% Popularity • 55% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
56% Popularity • 55% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness