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Candlelight Carol
Songs like
Candlelight Carol
by
John Rutter
Based on a tempo of (+/- 10%) and a similar genre
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Francis Poulenc
Quatre petites prières de Saint Franço...
97 bpm • A# Maj • 02:33 • -29.13db
10% Popularity • 13% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Hubert Parry
The Procession Of The Queen - March from...
97 bpm • C Maj • 03:47 • -19db
9% Popularity • 17% Danceability • 14% Energy • 15% Liveness
87% Instrumentalness • 15% Positiveness
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William Boyce
Boyce: Symphony No. 1 in B flat Major - ...
97 bpm • A# Maj • 02:35 • -19db
18% Popularity • 42% Danceability • 24% Energy • 53% Liveness
92% Instrumentalness • 91% Positiveness
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Gabriel Fauré
Mater, Maria gratiae, Op. 47, No. 2
96 bpm • D# Maj • 02:54 • -21.81db
13% Popularity • 23% Danceability • 10% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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John Rutter
Requiem: The Lord is my shepherd
96 bpm • F Maj • 05:08 • -32.28db
9% Popularity • 15% Danceability • 2% Energy • 10% Liveness
52% Instrumentalness • 3% Positiveness
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Herbert Brewer
Magnificat in D Major
95 bpm • D Maj • 03:59 • -24.78db
9% Popularity • 20% Danceability • 10% Energy • 20% Liveness
95% Instrumentalness • 4% Positiveness
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Francesco Soriano
Nihil tibi
96 bpm • E Maj • 01:10 • -26db
47% Popularity • 30% Danceability • 4% Energy • 6% Liveness
99% Instrumentalness • 7% Positiveness
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Hubert Parry
Jerusalem: And did those feet in ancient...
96 bpm • D Maj • 02:32 • -19.23db
21% Popularity • 13% Danceability • 17% Energy • 9% Liveness
65% Instrumentalness • 7% Positiveness
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Accentus
Drömmarna
99 bpm • D# Maj • 01:45 • -29.36db
28% Popularity • 17% Danceability • 6% Energy • 9% Liveness
17% Instrumentalness • 5% Positiveness
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Henry Purcell
Trumpet Voluntary
95 bpm • D# Maj • 03:04 • -10.32db
10% Popularity • 30% Danceability • 18% Energy • 17% Liveness
89% Instrumentalness • 7% Positiveness
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AntonÃn Dvořák
Going Home
99 bpm • D# Maj • 04:13 • -13.01db
18% Popularity • 14% Danceability • 30% Energy • 9% Liveness
98% Instrumentalness • 8% Positiveness
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John Rutter
Suite: O, Waly Waly
95 bpm • G Maj • 03:53 • -32.5db
21% Popularity • 12% Danceability • 4% Energy • 9% Liveness
68% Instrumentalness • 8% Positiveness
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Thomas Morley
Sing We and Chant It
95 bpm • G Maj • 01:36 • -17.23db
15% Popularity • 54% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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Claudio Monteverdi
Beatus vir, SV 268
99 bpm • C Maj • 08:32 • -23.63db
14% Popularity • 24% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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The Chapel Choir of Pembroke College, Cambridge
Walford Davies: A Short Requiem - De pro...
94 bpm • D Maj • 02:09 • -34.59db
32% Popularity • 20% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Henry Purcell
Trumpet Tune in C Major, ZT 697 (Arr. fo...
99 bpm • D Maj • 02:39 • -22.29db
27% Popularity • 25% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 10% Positiveness
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Georg Philipp Telemann
Air de trompette
94 bpm • C Maj • 00:57 • -16db
30% Popularity • 46% Danceability • 22% Energy • 9% Liveness
97% Instrumentalness • 46% Positiveness
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John Rutter
A Clare Benediction
94 bpm • D# Maj • 02:57 • -29.01db
14% Popularity • 50% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 22% Positiveness
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Hans Leo Hassler
Verbum caro factum est
94 bpm • G Maj • 02:56 • -21db
14% Popularity • 17% Danceability • 10% Energy • 6% Liveness
24% Instrumentalness • 8% Positiveness
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Lodovico Grossi da Viadana
Exultate Justi!
94 bpm • A Maj • 02:11 • -18db
14% Popularity • 26% Danceability • 24% Energy • 12% Liveness
74% Instrumentalness • 19% Positiveness
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William Daman
Southwell "Lord Jesus, Think on Me"
101 bpm • E min • 02:26 • -23db
24% Popularity • 20% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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The Cathedral Singers
Ave Verum Corpus, K. 618
93 bpm • D Maj • 03:27 • -21db
38% Popularity • 11% Danceability • 10% Energy • 10% Liveness
84% Instrumentalness • 3% Positiveness
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The Singers - Minnesota Choral Artists
Set Me as a Seal
101 bpm • D Maj • 02:58 • -30db
27% Popularity • 17% Danceability • 5% Energy • 14% Liveness
11% Instrumentalness • 8% Positiveness
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John Rutter
Requiem: III. Pie Jesu
94 bpm • F Maj • 04:10 • -35.7db
20% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Eliza Gilkyson
Requiem (Arr. Johnson)
101 bpm • A# Maj • 03:44 • -23db
19% Popularity • 27% Danceability • 7% Energy • 10% Liveness
46% Instrumentalness • 7% Positiveness
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Negrasálmur
Go down Moses
102 bpm • B min • 01:52 • -20.1db
14% Popularity • 26% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 22% Positiveness
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Johannes Brahms
Der 13. Psalm, Op. 27
93 bpm • G Maj • 05:08 • -22.07db
14% Popularity • 16% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Heinrich Kaminski
Psalm 130: Ich Harre auf den Herren
92 bpm • A# Maj • 01:08 • -27.74db
35% Popularity • 25% Danceability • 5% Energy • 9% Liveness
17% Instrumentalness • 6% Positiveness
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Giovanni Gabrieli
Sacrae symphoniae: Canzon septimi et oct...
92 bpm • C Maj • 02:39 • -18.34db
26% Popularity • 34% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
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John Rutter
Lord, make me an instrument of thy peace
101 bpm • E Maj • 02:59 • -25.01db
14% Popularity • 16% Danceability • 3% Energy • 8% Liveness
66% Instrumentalness • 4% Positiveness
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Blackburn Cathedral Choir
Brewer: Magnificat in D
92 bpm • D Maj • 03:55 • -20db
8% Popularity • 22% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Hubert Parry
Hymn: Jerusalem
103 bpm • D Maj • 02:41 • -23.09db
15% Popularity • 15% Danceability • 11% Energy • 28% Liveness
97% Instrumentalness • 14% Positiveness
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Nordic Chamber Choir - Nicol Matt
Se Per Havervi, Oime
92 bpm • C# Maj • 04:26 • -29db
9% Popularity • 13% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
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Charles Villiers Stanford
The Bluebird
91 bpm • B Maj • 03:13 • -28db
25% Popularity • 17% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Owain Park
O Send Out Thy Light
91 bpm • B Maj • 02:33 • -24.18db
17% Popularity • 17% Danceability • 4% Energy • 15% Liveness
89% Instrumentalness • 3% Positiveness
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John Rutter
All things bright and beautiful
93 bpm • F Maj • 02:48 • -21.86db
29% Popularity • 16% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
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The Tallis Scholars
Tallis: Sancte Deus - 1. Sancte Deus
104 bpm • A min • 01:46 • -23.94db
37% Popularity • 25% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Maurice Ravel
Sonatine, M. 40: II. Mouvement de menuet...
91 bpm • C# Maj • 03:20 • -22.21db
18% Popularity • 17% Danceability • 6% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Hans Leo Hassler
O Haupt voll Blut und Wunden
104 bpm • D Maj • 04:27 • -25.63db
13% Popularity • 22% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
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Traditional
She's like the swallow
104 bpm • C min • 03:18 • -29.25db
8% Popularity • 18% Danceability • 4% Energy • 6% Liveness
5% Instrumentalness • 4% Positiveness
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Jonathan Dove
The Passing of the Year: No. 5. Ah, Sun-...
104 bpm • F# Maj • 02:13 • -24db
23% Popularity • 16% Danceability • 6% Energy • 8% Liveness
63% Instrumentalness • 4% Positiveness
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John Rutter
5 Childhood Lyrics: V. Sing a song of si...
93 bpm • D Maj • 01:50 • -21.99db
8% Popularity • 56% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Thomas Dorsey
Precious Lord (Arr. for Choir by Arnold ...
104 bpm • A# Maj • 03:31 • -20.61db
27% Popularity • 17% Danceability • 10% Energy • 17% Liveness
6% Instrumentalness • 4% Positiveness
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Joseph Haydn
Te Deum, Hob. XXIIIc:2
104 bpm • C Maj • 08:21 • -19.64db
18% Popularity • 35% Danceability • 23% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
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Cantus
Lift Thine Eyes
90 bpm • D Maj • 02:07 • -26db
10% Popularity • 14% Danceability • 7% Energy • 9% Liveness
7% Instrumentalness • 7% Positiveness
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Dublin Welsh Male Voice Choir
All Through the Night/Ar Hyd Y Nos
105 bpm • E Maj • 02:17 • -30.46db
23% Popularity • 24% Danceability • 6% Energy • 10% Liveness
32% Instrumentalness • 15% Positiveness
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Westminster Williamson Voices
Tantum Ergo
105 bpm • F min • 01:21 • -35db
33% Popularity • 28% Danceability • 4% Energy • 8% Liveness
30% Instrumentalness • 6% Positiveness
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John Rutter
A Clare Benediction
92 bpm • E Maj • 02:54 • -17.61db
8% Popularity • 35% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Johannes Brahms
In stiller Nacht
90 bpm • D Maj • 02:06 • -31db
17% Popularity • 19% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Thomas Morley
Burial Service: III. Thou Knowest, Lord,...
105 bpm • G min • 01:42 • -26db
17% Popularity • 20% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 4% Positiveness
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Cantus
E'en So, Lord Jesus, Quickly Come
90 bpm • D# min • 02:32 • -22db
9% Popularity • 23% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Dale Warland Singers
Requiem - Herbert Howells: I. Salvator M...
89 bpm • G Maj • 01:54 • -35.07db
13% Popularity • 17% Danceability • 2% Energy • 6% Liveness
22% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
Nocturnes: III. Sure On This Shining Nig...
105 bpm • C# Maj • 04:57 • -25.61db
23% Popularity • 16% Danceability • 3% Energy • 18% Liveness
26% Instrumentalness • 4% Positiveness
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John Rutter
Sans Day Carol
92 bpm • D# Maj • 03:41 • -26.44db
7% Popularity • 16% Danceability • 9% Energy • 10% Liveness
8% Instrumentalness • 12% Positiveness
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Johannes Brahms
Seven Songs, Op. 62: III. Waldesnacht
105 bpm • D Maj • 05:40 • -30.17db
10% Popularity • 15% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
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Majorstua Kammerkor & Tore Erik Mohn
Identity & The Ground
89 bpm • G# Maj • 06:13 • -26.74db
19% Popularity • 10% Danceability • 3% Energy • 20% Liveness
50% Instrumentalness • 3% Positiveness
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Thomas Morley
Balletts to Five Voyces, Book 1: Now is ...
106 bpm • A Maj • 02:03 • -22.92db
5% Popularity • 52% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Amy Beach
Peace I Leave With You
89 bpm • D# Maj • 01:30 • -32.18db
27% Popularity • 17% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Rivertree Singers Festival Chorus
Jubilate Deo: V. Bendecid su nombre
89 bpm • G Maj • 06:31 • -16.76db
10% Popularity • 11% Danceability • 23% Energy • 14% Liveness
63% Instrumentalness • 10% Positiveness
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John Rutter
A Gaelic Blessing
91 bpm • A Maj • 01:32 • -28.6db
19% Popularity • 47% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 12% Positiveness
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Johannes Brahms
Ein deutsches Requiem (A German Requiem)...
106 bpm • D# Maj • 05:28 • -17.47db
13% Popularity • 20% Danceability • 16% Energy • 9% Liveness
42% Instrumentalness • 5% Positiveness
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Dale Warland Singers
Mass - Frank Martin: III. Credo
106 bpm • A min • 05:45 • -29db
8% Popularity • 17% Danceability • 5% Energy • 30% Liveness
21% Instrumentalness • 4% Positiveness
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Henry Purcell
Hear my prayer, O Lord, Z. 14
88 bpm • C min • 02:37 • -25.29db
17% Popularity • 18% Danceability • 14% Energy • 9% Liveness
70% Instrumentalness • 3% Positiveness
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AntonÃn Dvořák
Mass in D Major, Op. 86 / Gloria: IIa. G...
88 bpm • D Maj • 02:32 • -17.05db
11% Popularity • 16% Danceability • 23% Energy • 13% Liveness
6% Instrumentalness • 13% Positiveness
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Robert Lucas Pearsall
Sing we and chaunt it
107 bpm • C# min • 01:56 • -25db
33% Popularity • 26% Danceability • 19% Energy • 12% Liveness
18% Instrumentalness • 22% Positiveness
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John Rutter
The Sprig of Thyme: No. 1. The bold gren...
104 bpm • F min • 03:02 • -29.27db
8% Popularity • 19% Danceability • 2% Energy • 10% Liveness
4% Instrumentalness • 14% Positiveness
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Edward Elgar
The Apostles, Op. 49: The Spirit of the ...
88 bpm • G# Maj • 07:39 • -24.62db
10% Popularity • 10% Danceability • 4% Energy • 11% Liveness
39% Instrumentalness • 3% Positiveness
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Hubert Parry
Jerusalem
88 bpm • D Maj • 02:51 • -16.16db
14% Popularity • 14% Danceability • 26% Energy • 10% Liveness
83% Instrumentalness • 26% Positiveness
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Richard Farrant
Hide not thou thy face
88 bpm • C# Maj • 01:20 • -26.82db
15% Popularity • 21% Danceability • 7% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
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George Dyson
Magnificat in F Major (1)
88 bpm • G min • 03:42 • -33db
9% Popularity • 12% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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Dale Warland Singers
Requiem - Herbert Howells: III. Requiem ...
87 bpm • E min • 03:23 • -41db
31% Popularity • 9% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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John Rutter
Feel the Spirit: V. Ev'ry time I feel th...
104 bpm • C Maj • 04:33 • -19.17db
10% Popularity • 40% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Thomas Tallis
Tunes for Archbishop Parker's Psalter: N...
87 bpm • A min • 03:47 • -20.07db
15% Popularity • 20% Danceability • 12% Energy • 12% Liveness
29% Instrumentalness • 10% Positiveness
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Théodore Dubois
Adoramus te, Christe
108 bpm • C Maj • 01:40 • -30db
30% Popularity • 19% Danceability • 1% Energy • 6% Liveness
85% Instrumentalness • 4% Positiveness
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John Bennet
Weep, Oh Mine Eyes
87 bpm • A# min • 02:39 • -23db
22% Popularity • 14% Danceability • 10% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
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Nordic Chamber Choir - Nicol Matt
Veni, Sancte Spiritus
87 bpm • A Maj • 02:32 • -18.4db
13% Popularity • 20% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Francis Poulenc
Ave verum corpus, FP 154: Ave verum corp...
87 bpm • A min • 02:26 • -27.91db
11% Popularity • 16% Danceability • 2% Energy • 7% Liveness
7% Instrumentalness • 6% Positiveness
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John Rutter
Requiem: I. Requiem aeternam
104 bpm • G Maj • 06:09 • -25.77db
16% Popularity • 18% Danceability • 4% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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Georgy Sviridov
Christmas Troparion (Inexpressible Wonde...
87 bpm • C# Maj • 01:23 • -25db
27% Popularity • 20% Danceability • 8% Energy • 17% Liveness
66% Instrumentalness • 4% Positiveness
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Phoenix Chamber Choir
Hark I Hear the Harps Eternal
87 bpm • C Maj • 02:10 • -21db
16% Popularity • 31% Danceability • 16% Energy • 15% Liveness
5% Instrumentalness • 19% Positiveness
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Jacobus Gallus
Pueri concinite
87 bpm • F Maj • 01:51 • -25db
36% Popularity • 14% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
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The Concordia Choir
Beautiful Savior
86 bpm • D Maj • 03:53 • -25.27db
19% Popularity • 18% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Maurice Duruflé
4 Motets on Gregorian Themes, Op. 10: Ub...
87 bpm • D# Maj • 02:30 • -25.5db
16% Popularity • 20% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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John Rutter
Open thou mine eyes
107 bpm • F# Maj • 02:41 • -27.52db
24% Popularity • 24% Danceability • 6% Energy • 8% Liveness
7% Instrumentalness • 3% Positiveness
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Dmitry Bortniansky
Cherubic Hymn, No. 7
86 bpm • D Maj • 04:00 • -22db
15% Popularity • 23% Danceability • 7% Energy • 9% Liveness
72% Instrumentalness • 4% Positiveness
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William Boyce
Symphony No. 1 in B-Flat Major, Op. 2, "...
86 bpm • A Maj • 02:55 • -23.37db
40% Popularity • 43% Danceability • 13% Energy • 25% Liveness
93% Instrumentalness • 69% Positiveness
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Jacobus Gallus
Pater noster
86 bpm • G# Maj • 04:26 • -27db
18% Popularity • 12% Danceability • 8% Energy • 8% Liveness
52% Instrumentalness • 8% Positiveness
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George Shearing
Songs and Sonnets from Shakespeare: I. L...
109 bpm • C# min • 03:02 • -25.62db
9% Popularity • 31% Danceability • 6% Energy • 12% Liveness
11% Instrumentalness • 5% Positiveness
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Antonio Vivaldi
Gloria in excelsis Deo
110 bpm • D Maj • 02:48 • -21db
23% Popularity • 42% Danceability • 13% Energy • 9% Liveness
57% Instrumentalness • 15% Positiveness
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John Rutter
As the bridegroom to his chosen
86 bpm • D# Maj • 03:26 • -26.96db
8% Popularity • 21% Danceability • 4% Energy • 11% Liveness
26% Instrumentalness • 12% Positiveness
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Benedictines of Mary, Queen of Apostles
Duo Seraphim
86 bpm • F# Maj • 03:06 • -16db
24% Popularity • 16% Danceability • 22% Energy • 9% Liveness
97% Instrumentalness • 13% Positiveness
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Millikin University Choir
Stetit Angelus
86 bpm • A min • 04:38 • -24db
29% Popularity • 12% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Hans Leo Hassler
Dixit Maria ad angelum
110 bpm • G Maj • 02:20 • -26.38db
22% Popularity • 22% Danceability • 8% Energy • 11% Liveness
48% Instrumentalness • 17% Positiveness
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University Of Pretoria Camerata
Tykus Tykus
86 bpm • D# Maj • 04:28 • -22.86db
19% Popularity • 17% Danceability • 12% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
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John Tavener
Mother of God
86 bpm • F Maj • 03:01 • -28.8db
10% Popularity • 22% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Steve Dobrogosz
Mass: VI. Agnus Dei
86 bpm • C Maj • 06:39 • -20.51db
11% Popularity • 18% Danceability • 6% Energy • 11% Liveness
8% Instrumentalness • 4% Positiveness
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Kevin Puts
If I Were A Swan
85 bpm • C# Maj • 06:22 • -24db
9% Popularity • 16% Danceability • 13% Energy • 9% Liveness
82% Instrumentalness • 3% Positiveness
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Pavel Chesnokov
Spaseniye sodelal, Op. 25 No. 5: Spaseni...
85 bpm • D Maj • 03:46 • -24.32db
15% Popularity • 9% Danceability • 4% Energy • 9% Liveness
11% Instrumentalness • 4% Positiveness
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The University Of Utah Singers
Sure On This Shining Night
111 bpm • C# Maj • 04:49 • -20.07db
20% Popularity • 19% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
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John Rutter
Thy perfect love
85 bpm • E Maj • 02:49 • -24.42db
6% Popularity • 20% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Candlelight Carol