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Candles
Songs like
Candles
by
Beth Orton
Based on a tempo of (+/- 10%) and a similar genre
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Gemma Hayes
Sorrow Be Gone
129 bpm • A Maj • 02:29 • -20.99db
17% Popularity • 41% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Beth Orton
Pieces of Sky
129 bpm • G# min • 03:09 • -24.09db
10% Popularity • 41% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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The Be Good Tanyas
When Doves Cry
129 bpm • B min • 04:02 • -12db
45% Popularity • 84% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Rickie Lee Jones
Altar Boy
129 bpm • D min • 02:27 • -26.34db
18% Popularity • 53% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Martina Topley-Bird
Lying
130 bpm • B min • 03:49 • -16.39db
14% Popularity • 82% Danceability • 29% Energy • 11% Liveness
73% Instrumentalness • 83% Positiveness
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Kathleen Edwards
House Full Of Empty Rooms
130 bpm • B Maj • 03:01 • -13.49db
22% Popularity • 54% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Phosphorescent
Sun, Arise! (An Invocation, An Introduct...
130 bpm • C Maj • 03:09 • -14db
36% Popularity • 51% Danceability • 22% Energy • 10% Liveness
34% Instrumentalness • 11% Positiveness
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Beth Orton
Carmella
129 bpm • G Maj • 03:36 • -8.85db
16% Popularity • 55% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Jesca Hoop
Enemy
130 bpm • C# Maj • 03:26 • -12.55db
15% Popularity • 41% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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My Brightest Diamond
Apples
130 bpm • B Maj • 02:28 • -16.07db
0% Popularity • 72% Danceability • 48% Energy • 23% Liveness
11% Instrumentalness • 62% Positiveness
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John Grant
It's Easier
130 bpm • D# Maj • 04:38 • -7.09db
26% Popularity • 66% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Edie Brickell & New Bohemians
Me By The Sea
130 bpm • A# Maj • 03:04 • -14.51db
31% Popularity • 56% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Phosphorescent
The Mermaid Parade
130 bpm • F Maj • 04:22 • -10db
25% Popularity • 33% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Inara George
Mistress
130 bpm • G min • 04:39 • -8.92db
11% Popularity • 66% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Beth Orton
Candles
129 bpm • A min • 03:45 • -8.21db
13% Popularity • 45% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Lisa Germano
Way Below The Radio
130 bpm • E Maj • 04:14 • -11.66db
9% Popularity • 54% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Hem
Old Adam
127 bpm • D Maj • 02:41 • -9.82db
27% Popularity • 62% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Adem
Loro
130 bpm • F Maj • 04:39 • -13db
12% Popularity • 69% Danceability • 34% Energy • 12% Liveness
92% Instrumentalness • 60% Positiveness
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PJ Harvey
Hanging In The Wire
131 bpm • F Maj • 02:42 • -17.19db
29% Popularity • 72% Danceability • 43% Energy • 11% Liveness
36% Instrumentalness • 77% Positiveness
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Sharon Van Etten
I Always Fall Apart
131 bpm • C Maj • 03:20 • -10.02db
11% Popularity • 34% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Beth Orton
Paris Train
127 bpm • D Maj • 05:46 • -9.21db
23% Popularity • 30% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Basia Bulat
Why Can't It Be Mine
127 bpm • E Maj • 03:29 • -7.97db
17% Popularity • 79% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Kathleen Edwards
Going To Hell
131 bpm • A# min • 04:17 • -8.03db
11% Popularity • 41% Danceability • 55% Energy • 13% Liveness
12% Instrumentalness • 16% Positiveness
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Lucinda Williams
Steal Your Love
131 bpm • F Maj • 03:15 • -11.71db
36% Popularity • 52% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Thurston Moore
Benediction
131 bpm • A# Maj • 05:16 • -8.92db
24% Popularity • 52% Danceability • 48% Energy • 17% Liveness
79% Instrumentalness • 56% Positiveness
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Sera Cahoone
Anyway You Like
127 bpm • G# min • 04:13 • -8.55db
8% Popularity • 53% Danceability • 41% Energy • 29% Liveness
5% Instrumentalness • 10% Positiveness
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The Be Good Tanyas
Junkie Song
132 bpm • G Maj • 03:49 • -13db
40% Popularity • 47% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Beth Orton
Dolphins
126 bpm • D Maj • 04:17 • -8.21db
14% Popularity • 48% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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My Brightest Diamond
The Robin's Jar
126 bpm • E min • 03:20 • -10.25db
14% Popularity • 78% Danceability • 24% Energy • 11% Liveness
4% Instrumentalness • 51% Positiveness
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Jesca Hoop
Angel Mom
126 bpm • C# Maj • 05:05 • -12.76db
9% Popularity • 61% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Thurston Moore
Blood Never Lies
127 bpm • D Maj • 05:07 • -10.34db
13% Popularity • 38% Danceability • 41% Energy • 14% Liveness
91% Instrumentalness • 22% Positiveness
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The Swell Season
I Have Loved You Wrong
126 bpm • F# min • 05:04 • -13.95db
5% Popularity • 47% Danceability • 31% Energy • 16% Liveness
58% Instrumentalness • 22% Positiveness
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Indigo Girls
I'll Give You My Skin
132 bpm • E min • 03:32 • -8.51db
15% Popularity • 40% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Beth Orton
I Wasn't Born To Follow
126 bpm • C Maj • 04:01 • -11.26db
10% Popularity • 61% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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John Grant
It Doesn't Matter to Him
126 bpm • D Maj • 04:08 • -12.25db
6% Popularity • 71% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Dark Dark Dark
Wild Goose Chase
132 bpm • F Maj • 04:25 • -16db
22% Popularity • 41% Danceability • 6% Energy • 14% Liveness
3% Instrumentalness • 10% Positiveness
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Terry Callier
Love Can Do
126 bpm • D min • 03:29 • -17db
12% Popularity • 52% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Damien Jurado
Kansas City
133 bpm • D# min • 04:01 • -15.51db
16% Popularity • 37% Danceability • 31% Energy • 34% Liveness
1% Instrumentalness • 32% Positiveness
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Beck
Waking Light
125 bpm • G# Maj • 05:00 • -5.41db
38% Popularity • 28% Danceability • 54% Energy • 14% Liveness
1% Instrumentalness • 18% Positiveness
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Beth Orton
Rectify
126 bpm • C min • 02:26 • -20.52db
17% Popularity • 78% Danceability • 20% Energy • 11% Liveness
4% Instrumentalness • 46% Positiveness
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The Be Good Tanyas
Light Enough to Travel
126 bpm • G Maj • 04:58 • -9db
34% Popularity • 59% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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KT Tunstall
Waiting On The Heart
133 bpm • A min • 04:29 • -12.45db
12% Popularity • 38% Danceability • 31% Energy • 22% Liveness
1% Instrumentalness • 26% Positiveness
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Dark Dark Dark
The Great Mistake
125 bpm • B min • 05:27 • -12.72db
1% Popularity • 39% Danceability • 24% Energy • 12% Liveness
5% Instrumentalness • 7% Positiveness
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Cowboy Junkies
Come Calling (His Song)
125 bpm • C# min • 03:34 • -11.96db
35% Popularity • 62% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
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Hem
Horsey
125 bpm • B Maj • 03:34 • -13.26db
27% Popularity • 58% Danceability • 27% Energy • 9% Liveness
26% Instrumentalness • 24% Positiveness
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Beth Orton
How Far
126 bpm • G Maj • 04:27 • -9.77db
11% Popularity • 62% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
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The Be Good Tanyas
In Spite Of All The Damage
125 bpm • D Maj • 03:59 • -15.67db
42% Popularity • 67% Danceability • 19% Energy • 23% Liveness
1% Instrumentalness • 53% Positiveness
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Howe Gelb
Running Behind
134 bpm • G Maj • 02:24 • -17.11db
23% Popularity • 70% Danceability • 25% Energy • 11% Liveness
23% Instrumentalness • 30% Positiveness
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Lost In The Trees
Red
124 bpm • C Maj • 05:01 • -7.79db
12% Popularity • 48% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Sean Rowe
Time To Think
125 bpm • E Maj • 03:56 • -11.78db
10% Popularity • 49% Danceability • 20% Energy • 12% Liveness
4% Instrumentalness • 20% Positiveness
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Matthew E. White
Will You Love Me
124 bpm • C Maj • 04:22 • -13db
13% Popularity • 38% Danceability • 30% Energy • 15% Liveness
60% Instrumentalness • 44% Positiveness
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Beth Orton
A Place Aside
125 bpm • A Maj • 02:19 • -23.43db
17% Popularity • 56% Danceability • 8% Energy • 24% Liveness
1% Instrumentalness • 19% Positiveness
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My Brightest Diamond
Disappear
134 bpm • C min • 04:04 • -7.66db
12% Popularity • 66% Danceability • 65% Energy • 7% Liveness
75% Instrumentalness • 78% Positiveness
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Ed Harcourt
Come Into My Dreamland
134 bpm • D min • 04:35 • -13.82db
10% Popularity • 39% Danceability • 29% Energy • 8% Liveness
23% Instrumentalness • 17% Positiveness
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The Be Good Tanyas
In My Time Of Dying
134 bpm • C min • 03:46 • -10db
45% Popularity • 66% Danceability • 40% Energy • 10% Liveness
2% Instrumentalness • 74% Positiveness
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The Weather Station
Way It Is, Way It Could Be
124 bpm • F# min • 03:39 • -16db
19% Popularity • 62% Danceability • 27% Energy • 10% Liveness
7% Instrumentalness • 41% Positiveness
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Great Lake Swimmers
The Knife
124 bpm • D# Maj • 04:23 • -14.92db
0% Popularity • 68% Danceability • 37% Energy • 11% Liveness
4% Instrumentalness • 47% Positiveness
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Beth Orton
Pass in Time
134 bpm • B Maj • 07:17 • -10.25db
24% Popularity • 41% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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Broken Social Scene
Lover's Spit
124 bpm • C Maj • 07:34 • -11.05db
27% Popularity • 38% Danceability • 42% Energy • 10% Liveness
63% Instrumentalness • 5% Positiveness
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Valerie June
Somebody 2 Love
124 bpm • C# Maj • 03:46 • -11.99db
14% Popularity • 74% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Cowboy Junkies
Misguided Angel
135 bpm • G Maj • 04:52 • -19.46db
41% Popularity • 44% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Heather Nova
Ride
124 bpm • G min • 03:27 • -10.31db
24% Popularity • 47% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Giant Sand
Spiral
135 bpm • G Maj • 04:47 • -17.9db
8% Popularity • 41% Danceability • 22% Energy • 37% Liveness
5% Instrumentalness • 12% Positiveness
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Hem
He Came To Meet Me
135 bpm • B Maj • 04:25 • -12.63db
27% Popularity • 38% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Lambchop
Mr. Met
135 bpm • F# Maj • 07:12 • -17.19db
2% Popularity • 38% Danceability • 14% Energy • 9% Liveness
83% Instrumentalness • 24% Positiveness
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Edie Brickell & New Bohemians
Buffalo Ghost
135 bpm • F# min • 04:34 • -11.49db
31% Popularity • 61% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Keren Ann
Run with You
135 bpm • F min • 03:45 • -10.61db
19% Popularity • 31% Danceability • 39% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Sarabeth Tucek
Get Well Soon
136 bpm • F Maj • 04:00 • -14.99db
13% Popularity • 56% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Laura Gibson
Come By Storm
136 bpm • F Maj • 04:15 • -14db
9% Popularity • 46% Danceability • 20% Energy • 11% Liveness
72% Instrumentalness • 22% Positiveness
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Hem
Half Acre
123 bpm • F Maj • 03:23 • -10.66db
40% Popularity • 33% Danceability • 26% Energy • 18% Liveness
14% Instrumentalness • 16% Positiveness
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Gomez
We Haven't Turned Around
122 bpm • E Maj • 06:29 • -11db
38% Popularity • 40% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Beth Orton
Call Me the Breeze
122 bpm • B min • 03:52 • -11db
34% Popularity • 58% Danceability • 56% Energy • 10% Liveness
36% Instrumentalness • 26% Positiveness
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Markéta Irglová
Your Company
122 bpm • C Maj • 04:53 • -12.18db
17% Popularity • 52% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
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Damien Jurado
Metallic Cloud
136 bpm • F# Maj • 03:25 • -7db
28% Popularity • 44% Danceability • 56% Energy • 11% Liveness
2% Instrumentalness • 25% Positiveness
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Beck
Country Down
122 bpm • G Maj • 04:00 • -6.33db
39% Popularity • 65% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Jesca Hoop
Havoc in Heaven
122 bpm • G# min • 04:09 • -10.7db
12% Popularity • 70% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Emily Haines & The Soft Skeleton
Crowd Surf Off A Cliff
136 bpm • D min • 05:56 • -11.07db
22% Popularity • 37% Danceability • 30% Energy • 11% Liveness
30% Instrumentalness • 12% Positiveness
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Smoke Fairies
Eclipse Them All
122 bpm • C Maj • 04:05 • -11.09db
15% Popularity • 68% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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Edie Brickell & New Bohemians
Air Of December
122 bpm • B Maj • 05:57 • -15.3db
33% Popularity • 69% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Sera Cahoone
Worry All Your Life
122 bpm • D Maj • 04:14 • -11.44db
12% Popularity • 55% Danceability • 32% Energy • 12% Liveness
6% Instrumentalness • 22% Positiveness
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Amy LaVere
Rabbit
122 bpm • C Maj • 05:00 • -13.57db
8% Popularity • 35% Danceability • 30% Energy • 11% Liveness
19% Instrumentalness • 30% Positiveness
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Lost In The Trees
An Artist's Song
121 bpm • C Maj • 05:05 • -8.53db
10% Popularity • 43% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Martha Wainwright
Tower Of Song
137 bpm • A Maj • 03:44 • -9db
35% Popularity • 47% Danceability • 30% Energy • 76% Liveness
0% Instrumentalness • 26% Positiveness
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Thurston Moore
January
138 bpm • F Maj • 04:52 • -12db
9% Popularity • 32% Danceability • 44% Energy • 15% Liveness
86% Instrumentalness • 18% Positiveness
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Bert Jansch
Watch the Stars
137 bpm • C Maj • 02:54 • -7.38db
11% Popularity • 46% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Hem
Reservoir
138 bpm • A Maj • 03:21 • -10.82db
24% Popularity • 49% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Jesca Hoop
While You Were Away
138 bpm • C# min • 03:49 • -14.2db
8% Popularity • 33% Danceability • 15% Energy • 3% Liveness
0% Instrumentalness • 27% Positiveness
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Thao & Mirah
Folks
138 bpm • C Maj • 02:53 • -8.87db
21% Popularity • 55% Danceability • 48% Energy • 12% Liveness
22% Instrumentalness • 47% Positiveness
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The Be Good Tanyas
Scattered Leaves
121 bpm • C min • 04:44 • -11.83db
30% Popularity • 60% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
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My Brightest Diamond
Escape Routes
138 bpm • D min • 03:27 • -9.8db
13% Popularity • 61% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 41% Positiveness
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Cowboy Junkies
Mining For Gold
120 bpm • C# Maj • 01:32 • -21.52db
37% Popularity • 46% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Ron Sexsmith
There's A Rhythm
120 bpm • A Maj • 03:11 • -12.23db
28% Popularity • 48% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Kate McGarrigle
Winter Lady
120 bpm • G min • 03:19 • -18.32db
22% Popularity • 35% Danceability • 13% Energy • 69% Liveness
4% Instrumentalness • 11% Positiveness
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Basia Bulat
Go On
138 bpm • F# min • 03:28 • -5.71db
30% Popularity • 31% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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The Be Good Tanyas
Scattered Leaves
121 bpm • C min • 04:47 • -8.56db
38% Popularity • 62% Danceability • 47% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
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My Brightest Diamond
Workhorse
138 bpm • A min • 04:43 • -9db
13% Popularity • 66% Danceability • 51% Energy • 9% Liveness
37% Instrumentalness • 47% Positiveness
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Lambchop
Steve McQueen
139 bpm • G# Maj • 04:32 • -14.69db
23% Popularity • 53% Danceability • 32% Energy • 17% Liveness
50% Instrumentalness • 12% Positiveness
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Emily Jane White
Oh Katherine
120 bpm • D Maj • 04:25 • -12.17db
5% Popularity • 45% Danceability • 34% Energy • 12% Liveness
7% Instrumentalness • 16% Positiveness
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The Swell Season
Fantasy Man
120 bpm • B min • 05:06 • -11.73db
4% Popularity • 62% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Gemma Hayes
Ran For Miles
120 bpm • F# min • 04:32 • -11.39db
13% Popularity • 56% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
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Candles