Songs like Cannon by Self
Based on a tempo of (+/- 10%) and a similar genre
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Pain
One-Legged Girl
164 bpm • F Maj • 05:28 • -6.55db
14% Popularity • 34% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 34% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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Ween
I'll Be Your Jonny on the Spot
164 bpm • F# min • 02:00 • -6.85db
40% Popularity • 51% Danceability • 95% Energy • 21% Liveness
86% Instrumentalness • 65% Positiveness
40% Popularity • 51% Danceability • 95% Energy • 21% Liveness
86% Instrumentalness • 65% Positiveness
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Plumtree
Why Won't You Stop?
165 bpm • D Maj • 02:58 • -11.16db
21% Popularity • 46% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
21% Popularity • 46% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Self
Sophomore Jinx
165 bpm • A min • 05:12 • -8.81db
19% Popularity • 62% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 62% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Cats Millionaire
Exclusive Royal Canterlot Wedding Playse...
165 bpm • G Maj • 02:28 • -9db
28% Popularity • 50% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
28% Popularity • 50% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
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Joe Hawley
Crazy Food
163 bpm • B min • 03:00 • -9db
37% Popularity • 43% Danceability • 79% Energy • 35% Liveness
18% Instrumentalness • 58% Positiveness
37% Popularity • 43% Danceability • 79% Energy • 35% Liveness
18% Instrumentalness • 58% Positiveness
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Drive45
I'm at the Beach Today
165 bpm • C Maj • 04:19 • -5.52db
24% Popularity • 57% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
24% Popularity • 57% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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The Aquabats!
The Shark Fighter!
165 bpm • C Maj • 02:56 • -4.46db
39% Popularity • 44% Danceability • 95% Energy • 44% Liveness
0% Instrumentalness • 54% Positiveness
39% Popularity • 44% Danceability • 95% Energy • 44% Liveness
0% Instrumentalness • 54% Positiveness
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Crying
War of Attrition
165 bpm • D Maj • 02:23 • -5.52db
13% Popularity • 16% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 16% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 51% Positiveness
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The Garden
All Access
165 bpm • A Maj • 02:23 • -5.05db
45% Popularity • 71% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
45% Popularity • 71% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
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Jack Conte
Passenger Seat
165 bpm • F min • 02:57 • -7.78db
18% Popularity • 42% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
18% Popularity • 42% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Skybox
Silly Things People Say
165 bpm • G Maj • 02:14 • -7.39db
9% Popularity • 37% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 37% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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The Unicorns
Les Os
166 bpm • G Maj • 03:32 • -8db
34% Popularity • 36% Danceability • 76% Energy • 10% Liveness
42% Instrumentalness • 76% Positiveness
34% Popularity • 36% Danceability • 76% Energy • 10% Liveness
42% Instrumentalness • 76% Positiveness
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The Paper Chase
The House Is Alive and The House Is Hung...
162 bpm • E min • 05:06 • -9.23db
23% Popularity • 47% Danceability • 78% Energy • 44% Liveness
0% Instrumentalness • 58% Positiveness
23% Popularity • 47% Danceability • 78% Energy • 44% Liveness
0% Instrumentalness • 58% Positiveness
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Rinse & Repeat
Shake My Hand, Look in My Eyes
166 bpm • G Maj • 02:18 • -8.07db
21% Popularity • 41% Danceability • 92% Energy • 18% Liveness
60% Instrumentalness • 54% Positiveness
21% Popularity • 41% Danceability • 92% Energy • 18% Liveness
60% Instrumentalness • 54% Positiveness
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CAKE
Wheels
161 bpm • E min • 03:18 • -6.84db
47% Popularity • 70% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
47% Popularity • 70% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Jack Conte
Like a Match
166 bpm • B Maj • 03:11 • -4db
19% Popularity • 30% Danceability • 87% Energy • 54% Liveness
0% Instrumentalness • 35% Positiveness
19% Popularity • 30% Danceability • 87% Energy • 54% Liveness
0% Instrumentalness • 35% Positiveness
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Tally Hall
Greener
162 bpm • E Maj • 03:43 • -4.88db
48% Popularity • 56% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
48% Popularity • 56% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Plumtree
Open The Window
161 bpm • E Maj • 02:46 • -9.91db
21% Popularity • 42% Danceability • 82% Energy • 7% Liveness
83% Instrumentalness • 72% Positiveness
21% Popularity • 42% Danceability • 82% Energy • 7% Liveness
83% Instrumentalness • 72% Positiveness
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The Teeth
The Trumpets Blared
167 bpm • E min • 02:59 • -3.31db
19% Popularity • 32% Danceability • 94% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 32% Danceability • 94% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
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Tub Ring
The Charasmatic Smile
167 bpm • F min • 03:00 • -5.7db
20% Popularity • 62% Danceability • 83% Energy • 12% Liveness
2% Instrumentalness • 69% Positiveness
20% Popularity • 62% Danceability • 83% Energy • 12% Liveness
2% Instrumentalness • 69% Positiveness
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Self
Ordinaire
161 bpm • F min • 03:22 • -4.49db
19% Popularity • 48% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 87% Positiveness
19% Popularity • 48% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 87% Positiveness
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The New Pornographers
The Electric Version
167 bpm • A Maj • 02:53 • -3.07db
33% Popularity • 53% Danceability • 99% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 53% Danceability • 99% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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ARTHUR
Wow Fuck
160 bpm • A# min • 01:32 • -9.05db
19% Popularity • 86% Danceability • 70% Energy • 13% Liveness
1% Instrumentalness • 83% Positiveness
19% Popularity • 86% Danceability • 70% Energy • 13% Liveness
1% Instrumentalness • 83% Positiveness
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Plumtree
Racing Gloves
167 bpm • C Maj • 04:22 • -9.89db
27% Popularity • 39% Danceability • 86% Energy • 10% Liveness
5% Instrumentalness • 47% Positiveness
27% Popularity • 39% Danceability • 86% Energy • 10% Liveness
5% Instrumentalness • 47% Positiveness
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Billy Cobb
I Hate You More Than I Hate the News (An...
160 bpm • D Maj • 03:54 • -10.12db
14% Popularity • 46% Danceability • 52% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
14% Popularity • 46% Danceability • 52% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
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Mook
Hooded Hawks
160 bpm • E Maj • 02:32 • -8.9db
34% Popularity • 72% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
34% Popularity • 72% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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1 Trait Danger
Unique
168 bpm • B min • 02:51 • -7.27db
14% Popularity • 63% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
14% Popularity • 63% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
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Tub Ring
Friends And Enemies
160 bpm • A min • 03:27 • -5.77db
15% Popularity • 41% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
15% Popularity • 41% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Joe Hawley
Bring Her Along
160 bpm • D min • 02:14 • -8db
38% Popularity • 49% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 65% Positiveness
38% Popularity • 49% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 65% Positiveness
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Self
Subconscious Life
160 bpm • D Maj • 03:12 • -6.95db
12% Popularity • 72% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 72% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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12 RODS
Kaboom
160 bpm • A min • 04:00 • -4.84db
18% Popularity • 53% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
18% Popularity • 53% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
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Crying
Olde World
159 bpm • C# Maj • 02:09 • -5db
28% Popularity • 43% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
28% Popularity • 43% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
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1 Trait Danger
Saturday's for the Boys (Saturday Is for...
160 bpm • C Maj • 05:11 • -8.53db
24% Popularity • 65% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 24% Positiveness
24% Popularity • 65% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 24% Positiveness
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Enon
Disposable Parts
159 bpm • F# Maj • 01:54 • -4db
37% Popularity • 66% Danceability • 96% Energy • 65% Liveness
2% Instrumentalness • 98% Positiveness
37% Popularity • 66% Danceability • 96% Energy • 65% Liveness
2% Instrumentalness • 98% Positiveness
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Tub Ring
Seven Exodus
168 bpm • G min • 02:52 • -6.2db
33% Popularity • 63% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 63% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Self
So Low
168 bpm • G Maj • 04:11 • -7.07db
21% Popularity • 51% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
21% Popularity • 51% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Mike Krol
Like a Star
169 bpm • G Maj • 01:33 • -6.39db
44% Popularity • 40% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
44% Popularity • 40% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
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Oingo Boingo
You Really Got Me
159 bpm • E min • 04:37 • -12.95db
43% Popularity • 69% Danceability • 84% Energy • 13% Liveness
5% Instrumentalness • 85% Positiveness
43% Popularity • 69% Danceability • 84% Energy • 13% Liveness
5% Instrumentalness • 85% Positiveness
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Bryan Scary
Imitation of the Sky
159 bpm • G# Maj • 04:03 • -5db
26% Popularity • 38% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
26% Popularity • 38% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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12 RODS
The Stupidest Boy
169 bpm • E Maj • 05:17 • -5.34db
24% Popularity • 32% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
24% Popularity • 32% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Atom And His Package
I’m Downright Amazed At What I Can Des...
170 bpm • C Maj • 02:26 • -5.39db
27% Popularity • 56% Danceability • 93% Energy • 8% Liveness
1% Instrumentalness • 56% Positiveness
27% Popularity • 56% Danceability • 93% Energy • 8% Liveness
1% Instrumentalness • 56% Positiveness
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Sidney Gish
Buckets of Fun
170 bpm • D Maj • 01:45 • -9.26db
34% Popularity • 59% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
34% Popularity • 59% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Mike Krol
Locker
169 bpm • C Maj • 01:40 • -5.73db
21% Popularity • 43% Danceability • 80% Energy • 51% Liveness
0% Instrumentalness • 62% Positiveness
21% Popularity • 43% Danceability • 80% Energy • 51% Liveness
0% Instrumentalness • 62% Positiveness
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Rinse & Repeat
Noise Inside My Ear
170 bpm • A# min • 02:43 • -10.31db
21% Popularity • 59% Danceability • 81% Energy • 43% Liveness
31% Instrumentalness • 72% Positiveness
21% Popularity • 59% Danceability • 81% Energy • 43% Liveness
31% Instrumentalness • 72% Positiveness
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Enon
Salty
158 bpm • D Maj • 02:27 • -4.87db
20% Popularity • 43% Danceability • 93% Energy • 21% Liveness
12% Instrumentalness • 27% Positiveness
20% Popularity • 43% Danceability • 93% Energy • 21% Liveness
12% Instrumentalness • 27% Positiveness
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The Paper Chase
The Kids Will Grow Up To Be Assholes
158 bpm • B min • 05:00 • -6.07db
21% Popularity • 36% Danceability • 83% Energy • 58% Liveness
0% Instrumentalness • 45% Positiveness
21% Popularity • 36% Danceability • 83% Energy • 58% Liveness
0% Instrumentalness • 45% Positiveness
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Ozma
Domino Effect
158 bpm • G# Maj • 03:30 • -7.05db
32% Popularity • 20% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 20% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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OK Go
Hello, My Treacherous Friends
158 bpm • C Maj • 02:59 • -7.41db
26% Popularity • 54% Danceability • 74% Energy • 35% Liveness
1% Instrumentalness • 54% Positiveness
26% Popularity • 54% Danceability • 74% Energy • 35% Liveness
1% Instrumentalness • 54% Positiveness
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Bryan Scary
Son of Stab
171 bpm • A# Maj • 03:35 • -5.22db
16% Popularity • 33% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
16% Popularity • 33% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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The Moldy Peaches
Little Bunny Foo Foo
158 bpm • A Maj • 01:18 • -8db
35% Popularity • 55% Danceability • 40% Energy • 45% Liveness
1% Instrumentalness • 79% Positiveness
35% Popularity • 55% Danceability • 40% Energy • 45% Liveness
1% Instrumentalness • 79% Positiveness
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Enon
Pleasure and Privilege
170 bpm • A min • 01:58 • -4.2db
20% Popularity • 37% Danceability • 98% Energy • 33% Liveness
0% Instrumentalness • 65% Positiveness
20% Popularity • 37% Danceability • 98% Energy • 33% Liveness
0% Instrumentalness • 65% Positiveness
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Crying
Rat Baby
158 bpm • D# Maj • 01:56 • -5.72db
19% Popularity • 41% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
19% Popularity • 41% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
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Self
Kill The Barflies
157 bpm • A Maj • 04:16 • -4.5db
14% Popularity • 45% Danceability • 97% Energy • 8% Liveness
40% Instrumentalness • 46% Positiveness
14% Popularity • 45% Danceability • 97% Energy • 8% Liveness
40% Instrumentalness • 46% Positiveness
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Oingo Boingo
Perfect System
157 bpm • D Maj • 03:46 • -11db
38% Popularity • 73% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
38% Popularity • 73% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
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Ozma
Rocks
171 bpm • C# Maj • 01:57 • -3.92db
21% Popularity • 21% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 21% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Mike Krol
Grade School Love
171 bpm • A# min • 01:37 • -5.68db
30% Popularity • 33% Danceability • 84% Energy • 26% Liveness
1% Instrumentalness • 26% Positiveness
30% Popularity • 33% Danceability • 84% Energy • 26% Liveness
1% Instrumentalness • 26% Positiveness
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Plumtree
Aquarius
157 bpm • C Maj • 03:36 • -9.29db
23% Popularity • 48% Danceability • 80% Energy • 26% Liveness
2% Instrumentalness • 62% Positiveness
23% Popularity • 48% Danceability • 80% Energy • 26% Liveness
2% Instrumentalness • 62% Positiveness
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Tub Ring
Touching The Enemy
172 bpm • F# Maj • 02:37 • -7.17db
14% Popularity • 74% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 74% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Self
Sassy Britches
172 bpm • C Maj • 05:04 • -11.22db
9% Popularity • 58% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 58% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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John Congleton and the Nighty Nite
Who Could Love You Lucille?
156 bpm • A Maj • 03:46 • -7.92db
14% Popularity • 59% Danceability • 66% Energy • 57% Liveness
11% Instrumentalness • 71% Positiveness
14% Popularity • 59% Danceability • 66% Energy • 57% Liveness
11% Instrumentalness • 71% Positiveness
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Joe Hawley
Go to Bed
156 bpm • F min • 05:19 • -8db
34% Popularity • 66% Danceability • 65% Energy • 18% Liveness
46% Instrumentalness • 84% Positiveness
34% Popularity • 66% Danceability • 65% Energy • 18% Liveness
46% Instrumentalness • 84% Positiveness
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The Paper Chase
The Most Important Part Of Your Body
156 bpm • D Maj • 05:41 • -7.7db
21% Popularity • 54% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 54% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Jack Conte
Gulf
173 bpm • E min • 03:27 • -9.04db
18% Popularity • 44% Danceability • 80% Energy • 5% Liveness
15% Instrumentalness • 36% Positiveness
18% Popularity • 44% Danceability • 80% Energy • 5% Liveness
15% Instrumentalness • 36% Positiveness
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Neutral Milk Hotel
Song Against Sex
173 bpm • A# Maj • 03:41 • -10.19db
33% Popularity • 24% Danceability • 70% Energy • 15% Liveness
62% Instrumentalness • 68% Positiveness
33% Popularity • 24% Danceability • 70% Energy • 15% Liveness
62% Instrumentalness • 68% Positiveness
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Bryan Scary
The Purple Rocket
155 bpm • G min • 04:16 • -6.24db
16% Popularity • 35% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
16% Popularity • 35% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
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Mike Krol
Cease and Desist
155 bpm • A Maj • 02:32 • -5.74db
25% Popularity • 44% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 44% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
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Foresight
I Make Too Many Mistakes
155 bpm • C Maj • 02:24 • -8.99db
23% Popularity • 54% Danceability • 70% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
23% Popularity • 54% Danceability • 70% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
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Mono Puff
Hello Hello
155 bpm • A# min • 03:14 • -15.35db
2% Popularity • 66% Danceability • 48% Energy • 12% Liveness
91% Instrumentalness • 74% Positiveness
2% Popularity • 66% Danceability • 48% Energy • 12% Liveness
91% Instrumentalness • 74% Positiveness
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Cojum Dip
4-LOM
155 bpm • A# min • 04:41 • -5.69db
30% Popularity • 42% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
30% Popularity • 42% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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John Congleton and the Nighty Nite
Animal Rites
155 bpm • C Maj • 03:51 • -3.18db
21% Popularity • 47% Danceability • 90% Energy • 56% Liveness
0% Instrumentalness • 55% Positiveness
21% Popularity • 47% Danceability • 90% Energy • 56% Liveness
0% Instrumentalness • 55% Positiveness
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Tub Ring
Feed The Rapture
155 bpm • F min • 02:27 • -6.51db
13% Popularity • 57% Danceability • 90% Energy • 44% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 57% Danceability • 90% Energy • 44% Liveness
0% Instrumentalness • 44% Positiveness
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Skybox
The Caravan Cabaret
155 bpm • A# Maj • 02:55 • -6.22db
9% Popularity • 44% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
9% Popularity • 44% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
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Rinse & Repeat
Ants
155 bpm • C# Maj • 05:20 • -10.82db
13% Popularity • 61% Danceability • 87% Energy • 39% Liveness
1% Instrumentalness • 22% Positiveness
13% Popularity • 61% Danceability • 87% Energy • 39% Liveness
1% Instrumentalness • 22% Positiveness
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The Paper Chase
You're One of Them Aren't You?
155 bpm • A Maj • 03:06 • -8db
36% Popularity • 47% Danceability • 70% Energy • 68% Liveness
0% Instrumentalness • 44% Positiveness
36% Popularity • 47% Danceability • 70% Energy • 68% Liveness
0% Instrumentalness • 44% Positiveness
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Jack Conte
Push
174 bpm • C# Maj • 02:11 • -5.61db
27% Popularity • 53% Danceability • 74% Energy • 52% Liveness
0% Instrumentalness • 65% Positiveness
27% Popularity • 53% Danceability • 74% Energy • 52% Liveness
0% Instrumentalness • 65% Positiveness
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AJJ
Cody's Theme
154 bpm • C Maj • 02:03 • -5db
34% Popularity • 38% Danceability • 93% Energy • 70% Liveness
21% Instrumentalness • 55% Positiveness
34% Popularity • 38% Danceability • 93% Energy • 70% Liveness
21% Instrumentalness • 55% Positiveness
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Tally Hall
Cannibal
155 bpm • D Maj • 03:28 • -6.85db
58% Popularity • 50% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
58% Popularity • 50% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Crying
Bloom
154 bpm • D Maj • 01:31 • -5.42db
18% Popularity • 47% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
18% Popularity • 47% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
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Oingo Boingo
On The Outside
154 bpm • F min • 03:51 • -11.8db
38% Popularity • 72% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
38% Popularity • 72% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Ben Folds Five
Army
175 bpm • C# Maj • 03:23 • -8.28db
43% Popularity • 44% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
43% Popularity • 44% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Tub Ring
Time for Me
154 bpm • C# Maj • 03:10 • -6.85db
26% Popularity • 62% Danceability • 76% Energy • 21% Liveness
53% Instrumentalness • 40% Positiveness
26% Popularity • 62% Danceability • 76% Energy • 21% Liveness
53% Instrumentalness • 40% Positiveness
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The Unicorns
The Clap
154 bpm • D Maj • 01:26 • -6.56db
28% Popularity • 32% Danceability • 90% Energy • 32% Liveness
54% Instrumentalness • 11% Positiveness
28% Popularity • 32% Danceability • 90% Energy • 32% Liveness
54% Instrumentalness • 11% Positiveness
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Ozma
Shooting Stars
154 bpm • F# Maj • 04:07 • -6db
25% Popularity • 21% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
25% Popularity • 21% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Self
Cater to Your Ego
175 bpm • F Maj • 01:58 • -7.89db
13% Popularity • 42% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 42% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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The Paper Chase
You Will Never Take Me Alive
153 bpm • A Maj • 04:15 • -11.79db
24% Popularity • 60% Danceability • 33% Energy • 68% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 60% Danceability • 33% Energy • 68% Liveness
0% Instrumentalness • 60% Positiveness
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Mono Puff
Back-Stabbing Liar
153 bpm • G Maj • 02:35 • -4.15db
2% Popularity • 50% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
2% Popularity • 50% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Miracle Musical
Black Rainbows
152 bpm • G Maj • 02:29 • -8.09db
55% Popularity • 75% Danceability • 77% Energy • 9% Liveness
59% Instrumentalness • 92% Positiveness
55% Popularity • 75% Danceability • 77% Energy • 9% Liveness
59% Instrumentalness • 92% Positiveness
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Crying
Easy Flight
152 bpm • E Maj • 02:14 • -5.05db
17% Popularity • 23% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
17% Popularity • 23% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
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Ozma
Turtleneck Coverup
153 bpm • C# min • 03:45 • -5.11db
19% Popularity • 43% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
19% Popularity • 43% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Self
Superstar
176 bpm • A Maj • 02:31 • -7.05db
15% Popularity • 56% Danceability • 70% Energy • 9% Liveness
3% Instrumentalness • 66% Positiveness
15% Popularity • 56% Danceability • 70% Energy • 9% Liveness
3% Instrumentalness • 66% Positiveness
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The Paper Chase
Wait Until I Get My Hands On You
152 bpm • G Maj • 05:52 • -8.1db
27% Popularity • 52% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 52% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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The Aquabats!
Chemical Bomb
151 bpm • C# min • 03:08 • -8db
37% Popularity • 57% Danceability • 62% Energy • 29% Liveness
0% Instrumentalness • 75% Positiveness
37% Popularity • 57% Danceability • 62% Energy • 29% Liveness
0% Instrumentalness • 75% Positiveness
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Ween
Shamemaker
151 bpm • G Maj • 02:38 • -3.61db
3% Popularity • 63% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 98% Positiveness
3% Popularity • 63% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 98% Positiveness
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Enon
Diamond Raft
151 bpm • E Maj • 02:21 • -8.4db
16% Popularity • 58% Danceability • 56% Energy • 7% Liveness
67% Instrumentalness • 88% Positiveness
16% Popularity • 58% Danceability • 56% Energy • 7% Liveness
67% Instrumentalness • 88% Positiveness
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Ozma
Battlescars
177 bpm • A# min • 08:38 • -9.23db
22% Popularity • 26% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
22% Popularity • 26% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Self
Lucid Anne
178 bpm • A Maj • 03:02 • -8.87db
15% Popularity • 59% Danceability • 70% Energy • 24% Liveness
1% Instrumentalness • 75% Positiveness
15% Popularity • 59% Danceability • 70% Energy • 24% Liveness
1% Instrumentalness • 75% Positiveness
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The Teeth
Walk Like a Clown
151 bpm • C# min • 03:07 • -3.97db
15% Popularity • 36% Danceability • 93% Energy • 52% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 36% Danceability • 93% Energy • 52% Liveness
0% Instrumentalness • 57% Positiveness
