Songs like Canon and Gigue in D Major, P. 37: 1. Canon by Johann Pachelbel
Based on a tempo of (+/- 10%) and a similar genre
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Yann Tiersen
Comptine d'un autre été, l'après-midi
101 bpm • E min • 02:20 • -15.38db
74% Popularity • 48% Danceability • 19% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
74% Popularity • 48% Danceability • 19% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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London Concert Orchestra
Trumpet Voluntary
101 bpm • D Maj • 02:54 • -11db
27% Popularity • 33% Danceability • 15% Energy • 31% Liveness
73% Instrumentalness • 32% Positiveness
27% Popularity • 33% Danceability • 15% Energy • 31% Liveness
73% Instrumentalness • 32% Positiveness
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Maurice Ravel
Ravel: Pavane pour une infante défunte,...
101 bpm • E min • 07:11 • -24.87db
29% Popularity • 56% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 12% Positiveness
29% Popularity • 56% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 12% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: XIII. L...
101 bpm • G Maj • 02:49 • -34db
31% Popularity • 15% Danceability • 5% Energy • 10% Liveness
43% Instrumentalness • 5% Positiveness
31% Popularity • 15% Danceability • 5% Energy • 10% Liveness
43% Instrumentalness • 5% Positiveness
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Sigvaldi Kaldalóns
Ave MarÃa (Arr. VÃkingur Ólafsson) - ...
101 bpm • D# Maj • 03:36 • -33.14db
61% Popularity • 33% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
61% Popularity • 33% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
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Yuja Wang
Wallfisch: Lamorma
100 bpm • G Maj • 03:05 • -21db
33% Popularity • 18% Danceability • 7% Energy • 22% Liveness
91% Instrumentalness • 7% Positiveness
33% Popularity • 18% Danceability • 7% Energy • 22% Liveness
91% Instrumentalness • 7% Positiveness
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Johann Pachelbel
Canon and Gigue in D Major, P. 37: 1. Ca...
101 bpm • D Maj • 04:53 • -18.37db
15% Popularity • 27% Danceability • 15% Energy • 9% Liveness
93% Instrumentalness • 27% Positiveness
15% Popularity • 27% Danceability • 15% Energy • 9% Liveness
93% Instrumentalness • 27% Positiveness
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Katherine Jenkins
The Flower Duet
102 bpm • B Maj • 03:50 • -12.97db
55% Popularity • 32% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
55% Popularity • 32% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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VÃkingur Ólafsson
Prelude in G Major
102 bpm • G Maj • 03:54 • -34.4db
58% Popularity • 31% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 24% Positiveness
58% Popularity • 31% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 24% Positiveness
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AntonÃn Dvořák
Songs My Mother Taught Me, Op. 55, No. 4...
102 bpm • D Maj • 02:44 • -17.69db
28% Popularity • 25% Danceability • 15% Energy • 13% Liveness
53% Instrumentalness • 7% Positiveness
28% Popularity • 25% Danceability • 15% Energy • 13% Liveness
53% Instrumentalness • 7% Positiveness
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Hollywood Symphony Orchestra
Pachelbel - Canon In D
102 bpm • D Maj • 04:51 • -22db
44% Popularity • 21% Danceability • 14% Energy • 37% Liveness
84% Instrumentalness • 16% Positiveness
44% Popularity • 21% Danceability • 14% Energy • 37% Liveness
84% Instrumentalness • 16% Positiveness
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Martin Bloch
Schumann - Traumerei
99 bpm • F Maj • 02:59 • -27db
35% Popularity • 52% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 37% Positiveness
35% Popularity • 52% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 37% Positiveness
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Johann Pachelbel
Canon and Gigue in D Major, P. 37: I. Ca...
100 bpm • C# Maj • 04:28 • -18.56db
23% Popularity • 23% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
23% Popularity • 23% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Baroque Festival Orchestra
Autumn (L'Automno) Op.8 No.3 Major: Alle...
104 bpm • F Maj • 05:06 • -24db
53% Popularity • 53% Danceability • 3% Energy • 12% Liveness
62% Instrumentalness • 22% Positiveness
53% Popularity • 53% Danceability • 3% Energy • 12% Liveness
62% Instrumentalness • 22% Positiveness
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Canone di Pachelbel
Canone di Pachelbel - piano
104 bpm • D Maj • 04:24 • -16.92db
25% Popularity • 61% Danceability • 21% Energy • 11% Liveness
88% Instrumentalness • 31% Positiveness
25% Popularity • 61% Danceability • 21% Energy • 11% Liveness
88% Instrumentalness • 31% Positiveness
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Ludwig van Beethoven
Symphony No. 5 in C Minor, Op. 67: I. Al...
98 bpm • C min • 07:22 • -15.61db
62% Popularity • 25% Danceability • 32% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
62% Popularity • 25% Danceability • 32% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
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Glenn Morrison
Chopin Nocturne Opus 9 No 1
98 bpm • C# Maj • 06:22 • -17db
30% Popularity • 42% Danceability • 10% Energy • 9% Liveness
93% Instrumentalness • 12% Positiveness
30% Popularity • 42% Danceability • 10% Energy • 9% Liveness
93% Instrumentalness • 12% Positiveness
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Roman Hoffstetter
String Quartet in F Major, Op. 3, No. 5,...
104 bpm • C Maj • 05:43 • -24db
28% Popularity • 31% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 31% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Johann Pachelbel
Partie 4 en mi mineur: Sonata adagio
103 bpm • D# min • 01:31 • -12.81db
15% Popularity • 23% Danceability • 22% Energy • 10% Liveness
7% Instrumentalness • 5% Positiveness
15% Popularity • 23% Danceability • 22% Energy • 10% Liveness
7% Instrumentalness • 5% Positiveness
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Baroque Festival Orchestra
The Four Seasons (Concerti Op.8 Nos.1-4)...
98 bpm • E Maj • 03:26 • -22db
56% Popularity • 46% Danceability • 4% Energy • 10% Liveness
56% Instrumentalness • 39% Positiveness
56% Popularity • 46% Danceability • 4% Energy • 10% Liveness
56% Instrumentalness • 39% Positiveness
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Henry Purcell
Abdelazer, Z.570: 2. Rondeau
97 bpm • C# min • 01:38 • -20db
48% Popularity • 37% Danceability • 5% Energy • 11% Liveness
52% Instrumentalness • 48% Positiveness
48% Popularity • 37% Danceability • 5% Energy • 11% Liveness
52% Instrumentalness • 48% Positiveness
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Ralph Vaughan Williams
Sir John in Love: Fantasia on Greensleev...
105 bpm • C min • 05:01 • -26db
27% Popularity • 15% Danceability • 8% Energy • 9% Liveness
63% Instrumentalness • 11% Positiveness
27% Popularity • 15% Danceability • 8% Energy • 9% Liveness
63% Instrumentalness • 11% Positiveness
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Léo Delibes
Sylvia: Act III: Divertissement: Variati...
97 bpm • D# Maj • 01:15 • -23db
61% Popularity • 35% Danceability • 6% Energy • 21% Liveness
93% Instrumentalness • 42% Positiveness
61% Popularity • 35% Danceability • 6% Energy • 21% Liveness
93% Instrumentalness • 42% Positiveness
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The Jane Austen Era
Menuet No. 5, Op. 11
105 bpm • A Maj • 03:35 • -24.99db
36% Popularity • 46% Danceability • 6% Energy • 11% Liveness
87% Instrumentalness • 55% Positiveness
36% Popularity • 46% Danceability • 6% Energy • 11% Liveness
87% Instrumentalness • 55% Positiveness
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George Frideric Handel
Rinaldo, HWV 7a, Act II, Scene 4: Lascia...
97 bpm • B Maj • 05:00 • -26.68db
47% Popularity • 13% Danceability • 2% Energy • 8% Liveness
37% Instrumentalness • 6% Positiveness
47% Popularity • 13% Danceability • 2% Energy • 8% Liveness
37% Instrumentalness • 6% Positiveness
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Georgs Pelēcis
Concertino bianco: 1. Con intenerimento
97 bpm • C Maj • 06:17 • -26db
50% Popularity • 30% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 19% Positiveness
50% Popularity • 30% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 19% Positiveness
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Oskar Merikanto
Kesaillan idylli (Summer Night's Idyll),...
97 bpm • F Maj • 01:18 • -34db
40% Popularity • 17% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
40% Popularity • 17% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
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Luigi Boccherini
Minuet from String Quintet in E, Op. 13,...
106 bpm • A Maj • 03:40 • -31.65db
16% Popularity • 37% Danceability • 1% Energy • 19% Liveness
69% Instrumentalness • 18% Positiveness
16% Popularity • 37% Danceability • 1% Energy • 19% Liveness
69% Instrumentalness • 18% Positiveness
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Karl Jenkins
Palladio
106 bpm • D min • 02:55 • -22.48db
34% Popularity • 40% Danceability • 9% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
34% Popularity • 40% Danceability • 9% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
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Johann Pachelbel
Magnificat Fugue Quinti Toni X, P323
96 bpm • F Maj • 01:19 • -24.59db
7% Popularity • 22% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 36% Positiveness
7% Popularity • 22% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 36% Positiveness
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George Frideric Handel
Water Music Suite No. 1 in F Major, HWV ...
106 bpm • C# min • 02:13 • -24.2db
36% Popularity • 20% Danceability • 4% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
36% Popularity • 20% Danceability • 4% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
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Joseph Haydn
String Quartet No. 62 in C Major, Op. 76...
106 bpm • G Maj • 07:42 • -28db
48% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
48% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
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Remo Giazotto
Adagio for Strings and Organ in G Minor ...
96 bpm • C min • 03:31 • -16.76db
13% Popularity • 18% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
13% Popularity • 18% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
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![6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] cover art](https://i.scdn.co/image/ab67616d00001e02b75259b5803e04a1d46dc211)
Franz Liszt
6 Chants polonais, S. 480: No. 2, Frühl...
96 bpm • G min • 02:11 • -35.91db
63% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 16% Positiveness
63% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 16% Positiveness
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N. Walewska
Humoresque
96 bpm • G Maj • 03:27 • -20.91db
17% Popularity • 21% Danceability • 7% Energy • 10% Liveness
32% Instrumentalness • 22% Positiveness
17% Popularity • 21% Danceability • 7% Energy • 10% Liveness
32% Instrumentalness • 22% Positiveness
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Karoly Botvay
The 4 Seasons: Violin Concerto in F majo...
107 bpm • F Maj • 05:22 • -24db
39% Popularity • 43% Danceability • 3% Energy • 15% Liveness
30% Instrumentalness • 18% Positiveness
39% Popularity • 43% Danceability • 3% Energy • 15% Liveness
30% Instrumentalness • 18% Positiveness
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George Frideric Handel
Zadok the Priest (Coronation Anthem No. ...
96 bpm • C# Maj • 05:23 • -15.76db
36% Popularity • 37% Danceability • 18% Energy • 8% Liveness
2% Instrumentalness • 15% Positiveness
36% Popularity • 37% Danceability • 18% Energy • 8% Liveness
2% Instrumentalness • 15% Positiveness
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Camille Saint-Saëns
Danse Macabre, Op. 40, R.171
107 bpm • G min • 07:22 • -23.9db
58% Popularity • 37% Danceability • 13% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
58% Popularity • 37% Danceability • 13% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
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Jules Massenet
Thaïs: Méditation (Arr. for Violin and...
95 bpm • D Maj • 04:59 • -16db
33% Popularity • 18% Danceability • 16% Energy • 11% Liveness
48% Instrumentalness • 4% Positiveness
33% Popularity • 18% Danceability • 16% Energy • 11% Liveness
48% Instrumentalness • 4% Positiveness
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Edward Elgar
Salut d'amour, Op. 12
95 bpm • E Maj • 02:54 • -22db
50% Popularity • 17% Danceability • 13% Energy • 13% Liveness
4% Instrumentalness • 5% Positiveness
50% Popularity • 17% Danceability • 13% Energy • 13% Liveness
4% Instrumentalness • 5% Positiveness
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Johannes Brahms
Hungarian Dance No. 5 in G Minor, WoO 1,...
107 bpm • F# min • 02:30 • -18.67db
50% Popularity • 35% Danceability • 5% Energy • 23% Liveness
15% Instrumentalness • 30% Positiveness
50% Popularity • 35% Danceability • 5% Energy • 23% Liveness
15% Instrumentalness • 30% Positiveness
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AntonÃn Dvořák
Dvořák: 4 Romantic Pieces, Op. 75, B. ...
107 bpm • A# Maj • 03:17 • -26db
31% Popularity • 16% Danceability • 5% Energy • 13% Liveness
4% Instrumentalness • 8% Positiveness
31% Popularity • 16% Danceability • 5% Energy • 13% Liveness
4% Instrumentalness • 8% Positiveness
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Karoly Botvay
The 4 Seasons: Violin Concerto in E majo...
95 bpm • E Maj • 03:37 • -16.07db
50% Popularity • 45% Danceability • 14% Energy • 19% Liveness
87% Instrumentalness • 28% Positiveness
50% Popularity • 45% Danceability • 14% Energy • 19% Liveness
87% Instrumentalness • 28% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
95 bpm • C Maj • 01:40 • -37db
56% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
56% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
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Johann Pachelbel
Christus, der ist mein Leben, P. 376
95 bpm • A# min • 01:33 • -27.23db
3% Popularity • 14% Danceability • 1% Energy • 14% Liveness
91% Instrumentalness • 28% Positiveness
3% Popularity • 14% Danceability • 1% Energy • 14% Liveness
91% Instrumentalness • 28% Positiveness
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Philip Glass
The Truman Show: Truman Sleeps - Short V...
95 bpm • G# Maj • 02:40 • -29.74db
51% Popularity • 27% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
51% Popularity • 27% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 2: VI. Waltz 2
108 bpm • C min • 03:13 • -18.31db
63% Popularity • 32% Danceability • 18% Energy • 8% Liveness
90% Instrumentalness • 36% Positiveness
63% Popularity • 32% Danceability • 18% Energy • 8% Liveness
90% Instrumentalness • 36% Positiveness
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The Violin Sisters
Minuet in G
108 bpm • G Maj • 02:19 • -11.66db
33% Popularity • 53% Danceability • 20% Energy • 9% Liveness
39% Instrumentalness • 36% Positiveness
33% Popularity • 53% Danceability • 20% Energy • 9% Liveness
39% Instrumentalness • 36% Positiveness
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Michael Nyman
Nyman: The Heart Asks Pleasure First
108 bpm • A min • 03:39 • -24db
31% Popularity • 17% Danceability • 7% Energy • 10% Liveness
79% Instrumentalness • 11% Positiveness
31% Popularity • 17% Danceability • 7% Energy • 10% Liveness
79% Instrumentalness • 11% Positiveness
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Camille Saint-Saëns
Le Cygne
94 bpm • G Maj • 03:34 • -26.63db
58% Popularity • 12% Danceability • 6% Energy • 15% Liveness
91% Instrumentalness • 4% Positiveness
58% Popularity • 12% Danceability • 6% Energy • 15% Liveness
91% Instrumentalness • 4% Positiveness
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César Franck
Violin Sonata in A major, FWV 8: IV. All...
94 bpm • A Maj • 06:04 • -18.62db
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
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Johann Strauss II
On the Beautiful Blue Danube, Op. 314
94 bpm • D Maj • 10:05 • -22.92db
34% Popularity • 29% Danceability • 4% Energy • 9% Liveness
81% Instrumentalness • 18% Positiveness
34% Popularity • 29% Danceability • 4% Energy • 9% Liveness
81% Instrumentalness • 18% Positiveness
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Academy of St. Martin in the Fields
Peer Gynt Suite No.2 op. 55 Solveig's So...
93 bpm • A min • 05:14 • -32db
32% Popularity • 11% Danceability • 2% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
32% Popularity • 11% Danceability • 2% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Johann Pachelbel
Christ lag in Todesbanden: Versus I
109 bpm • D min • 02:19 • -15.19db
17% Popularity • 26% Danceability • 26% Energy • 13% Liveness
9% Instrumentalness • 21% Positiveness
17% Popularity • 26% Danceability • 26% Energy • 13% Liveness
9% Instrumentalness • 21% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: IV. Solve...
110 bpm • A min • 05:00 • -32db
38% Popularity • 16% Danceability • 2% Energy • 8% Liveness
22% Instrumentalness • 4% Positiveness
38% Popularity • 16% Danceability • 2% Energy • 8% Liveness
22% Instrumentalness • 4% Positiveness
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Luigi Boccherini
Quintet in E Major, Op. 11, No. 5, G.275...
93 bpm • A Maj • 03:42 • -28.24db
18% Popularity • 43% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 43% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Ludwig van Beethoven
Beethoven: Piano Sonata No. 14 in C-Shar...
93 bpm • C# min • 04:49 • -35db
33% Popularity • 29% Danceability • 1% Energy • 16% Liveness
82% Instrumentalness • 10% Positiveness
33% Popularity • 29% Danceability • 1% Energy • 16% Liveness
82% Instrumentalness • 10% Positiveness
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Claude Debussy
Debussy / Arr. Roelens: Suite bergamasqu...
93 bpm • C# Maj • 04:40 • -30db
25% Popularity • 17% Danceability • 3% Energy • 9% Liveness
6% Instrumentalness • 7% Positiveness
25% Popularity • 17% Danceability • 3% Energy • 9% Liveness
6% Instrumentalness • 7% Positiveness
► Preview
Ottorino Respighi
Bach - 3 chorales, P. 167: No. 3. Andant...
110 bpm • D# Maj • 05:08 • -31.82db
52% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
52% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
► Preview
Christian Desire Langlade
Divertissement
92 bpm • G Maj • 02:16 • -14.57db
46% Popularity • 38% Danceability • 32% Energy • 21% Liveness
94% Instrumentalness • 61% Positiveness
46% Popularity • 38% Danceability • 32% Energy • 21% Liveness
94% Instrumentalness • 61% Positiveness
► Preview
Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
92 bpm • E Maj • 07:05 • -20.75db
51% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
51% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
► Preview
Edvard Grieg
Lyric Pieces, Book 1, Op. 12: Arietta
111 bpm • D# Maj • 01:23 • -31db
63% Popularity • 43% Danceability • 2% Energy • 27% Liveness
94% Instrumentalness • 35% Positiveness
63% Popularity • 43% Danceability • 2% Energy • 27% Liveness
94% Instrumentalness • 35% Positiveness
► Preview
George Frideric Handel
Messiah, HWV 56, Part I: Pastoral Sympho...
92 bpm • C Maj • 03:47 • -29db
51% Popularity • 11% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
51% Popularity • 11% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Luigi Boccherini
Boccherini / Arr. Paillard: String Quint...
111 bpm • A Maj • 03:03 • -19.48db
27% Popularity • 43% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 60% Positiveness
27% Popularity • 43% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 60% Positiveness
► Preview
Niccolò Paganini
Paganini: 24 Caprices, Op. 1: No. 24 in ...
111 bpm • A min • 04:28 • -17.63db
57% Popularity • 46% Danceability • 13% Energy • 4% Liveness
27% Instrumentalness • 43% Positiveness
57% Popularity • 46% Danceability • 13% Energy • 4% Liveness
27% Instrumentalness • 43% Positiveness
► Preview
Jules Massenet
Thaïs: Méditation
91 bpm • D Maj • 06:01 • -29.86db
28% Popularity • 11% Danceability • 3% Energy • 18% Liveness
47% Instrumentalness • 4% Positiveness
28% Popularity • 11% Danceability • 3% Energy • 18% Liveness
47% Instrumentalness • 4% Positiveness
► Preview
Gerald Finzi
Lo, the full, final sacrifice, Op. 26: A...
112 bpm • E Maj • 02:40 • -25.09db
51% Popularity • 20% Danceability • 9% Energy • 15% Liveness
92% Instrumentalness • 7% Positiveness
51% Popularity • 20% Danceability • 9% Energy • 15% Liveness
92% Instrumentalness • 7% Positiveness
► Preview
Maria Theresia von Paradis
Sicilienne (Arr. by Söllscher)
112 bpm • F Maj • 03:08 • -27.69db
45% Popularity • 27% Danceability • 2% Energy • 11% Liveness
83% Instrumentalness • 8% Positiveness
45% Popularity • 27% Danceability • 2% Energy • 11% Liveness
83% Instrumentalness • 8% Positiveness
► Preview
Brian Crain
Song for Sienna
91 bpm • G Maj • 04:04 • -15db
52% Popularity • 22% Danceability • 23% Energy • 11% Liveness
87% Instrumentalness • 17% Positiveness
52% Popularity • 22% Danceability • 23% Energy • 11% Liveness
87% Instrumentalness • 17% Positiveness
► Preview
Edward Elgar
Nimrod From Enigma Variations
112 bpm • D# Maj • 03:46 • -19.98db
40% Popularity • 16% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
40% Popularity • 16% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Florian Christl
Schumann Variation (on a Theme from Pian...
112 bpm • C Maj • 02:30 • -19.78db
41% Popularity • 52% Danceability • 10% Energy • 8% Liveness
92% Instrumentalness • 13% Positiveness
41% Popularity • 52% Danceability • 10% Energy • 8% Liveness
92% Instrumentalness • 13% Positiveness
► Preview
Léo Delibes
Le roi s'amuse: Pavane
91 bpm • A# Maj • 01:28 • -34db
62% Popularity • 20% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 24% Positiveness
62% Popularity • 20% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 24% Positiveness
► Preview
Johann Pachelbel
Pachebel: Canon
112 bpm • D Maj • 04:08 • -19.83db
22% Popularity • 34% Danceability • 22% Energy • 17% Liveness
30% Instrumentalness • 40% Positiveness
22% Popularity • 34% Danceability • 22% Energy • 17% Liveness
30% Instrumentalness • 40% Positiveness
► Preview
Camille Saint-Saëns
Saint-Saëns: Le carnaval des animaux, R...
91 bpm • G Maj • 03:25 • -28db
41% Popularity • 10% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
41% Popularity • 10% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Erik Satie
Gymnopédie No. 3
90 bpm • G Maj • 03:47 • -19.09db
18% Popularity • 11% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
18% Popularity • 11% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Edward Elgar
Op. 12: Salut D'amour in E Major
91 bpm • D Maj • 02:35 • -13db
19% Popularity • 18% Danceability • 25% Energy • 11% Liveness
47% Instrumentalness • 20% Positiveness
19% Popularity • 18% Danceability • 25% Energy • 11% Liveness
47% Instrumentalness • 20% Positiveness
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Claude Debussy
Claire de Lune
90 bpm • C# Maj • 04:21 • -29db
35% Popularity • 10% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
35% Popularity • 10% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
La traviata / Act I: Libiamo ne'lieti ca...
113 bpm • A# Maj • 02:55 • -17.69db
59% Popularity • 42% Danceability • 21% Energy • 68% Liveness
0% Instrumentalness • 28% Positiveness
59% Popularity • 42% Danceability • 21% Energy • 68% Liveness
0% Instrumentalness • 28% Positiveness
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Johann Pachelbel
Partie 3 en mi bémol majeur: Sonata all...
113 bpm • D Maj • 01:10 • -14.64db
29% Popularity • 50% Danceability • 21% Energy • 20% Liveness
14% Instrumentalness • 78% Positiveness
29% Popularity • 50% Danceability • 21% Energy • 20% Liveness
14% Instrumentalness • 78% Positiveness
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Iona Brown
Xerxes: Largo
114 bpm • F Maj • 04:50 • -13.06db
8% Popularity • 17% Danceability • 16% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 16% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Tanya Roos
Andante for Violin and Piano in G Major
114 bpm • G Maj • 03:25 • -10.21db
9% Popularity • 32% Danceability • 24% Energy • 22% Liveness
1% Instrumentalness • 21% Positiveness
9% Popularity • 32% Danceability • 24% Energy • 22% Liveness
1% Instrumentalness • 21% Positiveness
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Jules Massenet
Thaïs: Meditation
114 bpm • D Maj • 05:41 • -16.99db
12% Popularity • 19% Danceability • 17% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
12% Popularity • 19% Danceability • 17% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Puccini: Gianni Schicchi, Act 1: "O mio ...
89 bpm • G# Maj • 02:01 • -14db
46% Popularity • 29% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
46% Popularity • 29% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
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Slovak Philharmonic
Orchestersuite in D Major, BWV 1068: II....
114 bpm • D Maj • 05:00 • -19.15db
27% Popularity • 18% Danceability • 18% Energy • 17% Liveness
88% Instrumentalness • 9% Positiveness
27% Popularity • 18% Danceability • 18% Energy • 17% Liveness
88% Instrumentalness • 9% Positiveness
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Johann Pachelbel
Partie 5 en si bémol majeur: Aria
114 bpm • E Maj • 01:22 • -13.67db
31% Popularity • 59% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 59% Positiveness
31% Popularity • 59% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 59% Positiveness
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AntonÃn Dvořák
Dvorák: Rusalka, Op. 114, B. 203, Act I...
89 bpm • F# Maj • 05:44 • -24.24db
22% Popularity • 22% Danceability • 7% Energy • 8% Liveness
78% Instrumentalness • 5% Positiveness
22% Popularity • 22% Danceability • 7% Energy • 8% Liveness
78% Instrumentalness • 5% Positiveness
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Arash Safaian
Adagietto
89 bpm • G Maj • 02:22 • -33.27db
56% Popularity • 31% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 11% Positiveness
56% Popularity • 31% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 11% Positiveness
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Luigi Boccherini
String Quintet No. 60 in C Major, Op. 30...
89 bpm • G Maj • 02:19 • -17.77db
39% Popularity • 50% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
39% Popularity • 50% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
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Johannes Brahms
Waltz in A flat major, Op.39 No. 15
89 bpm • A Maj • 01:47 • -20db
50% Popularity • 22% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
50% Popularity • 22% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
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Charles Gounod
Ave Maria: Arr. from Bach's Prelude No. ...
89 bpm • C Maj • 05:30 • -22.93db
27% Popularity • 10% Danceability • 6% Energy • 6% Liveness
88% Instrumentalness • 6% Positiveness
27% Popularity • 10% Danceability • 6% Energy • 6% Liveness
88% Instrumentalness • 6% Positiveness
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Johann Pachelbel
Partie 2 en ut mineur: Aria
114 bpm • B min • 00:57 • -16.44db
31% Popularity • 32% Danceability • 7% Energy • 20% Liveness
14% Instrumentalness • 34% Positiveness
31% Popularity • 32% Danceability • 7% Energy • 20% Liveness
14% Instrumentalness • 34% Positiveness
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Léo Delibes
Coppelia: Act I - Valse
89 bpm • D# Maj • 02:21 • -26.69db
55% Popularity • 20% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 19% Positiveness
55% Popularity • 20% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 19% Positiveness
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Winter Flowers
Bach-Badinerie Orchestral Suite No.2
115 bpm • B min • 01:28 • -18.77db
34% Popularity • 51% Danceability • 30% Energy • 13% Liveness
82% Instrumentalness • 39% Positiveness
34% Popularity • 51% Danceability • 30% Energy • 13% Liveness
82% Instrumentalness • 39% Positiveness
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Camille Saint-Saëns
Carnival of the Animals: The Swan
89 bpm • G Maj • 02:58 • -29.24db
17% Popularity • 10% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
17% Popularity • 10% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Ralph Vaughan Williams
Fantasia on Greensleeves
89 bpm • C min • 04:15 • -26.89db
41% Popularity • 13% Danceability • 7% Energy • 40% Liveness
88% Instrumentalness • 12% Positiveness
41% Popularity • 13% Danceability • 7% Energy • 40% Liveness
88% Instrumentalness • 12% Positiveness
► Preview
Sergei Rachmaninoff
Rhapsody on a Theme of Paganini, Op. 43:...
88 bpm • C# Maj • 02:54 • -23.84db
55% Popularity • 20% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
55% Popularity • 20% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
► Preview
Johann Pachelbel
Canon and Gigue in D Major for Violin, C...
114 bpm • D Maj • 02:40 • -21.26db
10% Popularity • 34% Danceability • 8% Energy • 10% Liveness
64% Instrumentalness • 26% Positiveness
10% Popularity • 34% Danceability • 8% Energy • 10% Liveness
64% Instrumentalness • 26% Positiveness
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Franz Liszt
La campanella in G-Sharp Minor
88 bpm • G# min • 04:47 • -22.17db
51% Popularity • 28% Danceability • 29% Energy • 8% Liveness
89% Instrumentalness • 51% Positiveness
51% Popularity • 28% Danceability • 29% Energy • 8% Liveness
89% Instrumentalness • 51% Positiveness
