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Can’t Do Much
Songs like
Can’t Do Much
by
Waxahatchee
Based on a tempo of (+/- 10%) and a similar genre
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Wild Pink
The Wind Was Like A Train
112 bpm • C Maj • 02:38 • -9.71db
30% Popularity • 61% Danceability • 58% Energy • 11% Liveness
45% Instrumentalness • 56% Positiveness
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Valley Queen
Hold on You
112 bpm • E Maj • 04:57 • -7.81db
36% Popularity • 59% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Jenny Lewis
Run Devil Run
112 bpm • D Maj • 01:08 • -13.57db
22% Popularity • 49% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Lola Kirke
Mama
112 bpm • G# Maj • 04:53 • -8.21db
9% Popularity • 62% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Waxahatchee
Can’t Do Much
112 bpm • A# Maj • 03:44 • -9.49db
50% Popularity • 59% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Lydia Loveless
Never
112 bpm • B min • 04:17 • -8.79db
8% Popularity • 63% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 57% Positiveness
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Father John Misty
One of Us Cannot Be Wrong
112 bpm • B min • 07:32 • -3.53db
31% Popularity • 39% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Bonny Light Horseman
Deep In Love
112 bpm • F Maj • 05:09 • -8db
55% Popularity • 62% Danceability • 56% Energy • 12% Liveness
40% Instrumentalness • 34% Positiveness
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Hem
When I Was Drinking
112 bpm • E Maj • 03:44 • -13.72db
30% Popularity • 31% Danceability • 27% Energy • 10% Liveness
2% Instrumentalness • 26% Positiveness
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Dawes
Didn't Fix Me
112 bpm • F# min • 05:32 • -8.64db
27% Popularity • 55% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Esther Rose
How Many Times
111 bpm • C Maj • 04:07 • -4.69db
12% Popularity • 63% Danceability • 71% Energy • 3% Liveness
0% Instrumentalness • 81% Positiveness
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Karl Blau
That's How I Got to Memphis
111 bpm • E Maj • 04:03 • -9.43db
27% Popularity • 50% Danceability • 63% Energy • 25% Liveness
87% Instrumentalness • 48% Positiveness
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Sharon Van Etten
Like I Used To - Acoustic Version
113 bpm • E Maj • 04:01 • -7.19db
33% Popularity • 64% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Father John Misty
Everything Is Free - Recorded at Spotify...
111 bpm • G Maj • 04:25 • -13.51db
45% Popularity • 51% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Sunflower Bean
Harvest Moon
113 bpm • D Maj • 03:50 • -12.11db
41% Popularity • 53% Danceability • 30% Energy • 15% Liveness
4% Instrumentalness • 28% Positiveness
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The Building
Have to Forgive
113 bpm • C# min • 05:04 • -10.81db
17% Popularity • 57% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
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Bonny Light Horseman
Buzzin' Fly
111 bpm • F Maj • 05:37 • -5.44db
28% Popularity • 64% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Joan Shelley
High On The Mountain
113 bpm • A# Maj • 03:49 • -10.36db
18% Popularity • 41% Danceability • 21% Energy • 10% Liveness
3% Instrumentalness • 33% Positiveness
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Kacy & Clayton
I'm Unfamiliar
111 bpm • G min • 01:59 • -9db
22% Popularity • 64% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Sharon Van Etten
Like I Used To
111 bpm • E Maj • 04:23 • -5.16db
49% Popularity • 53% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
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The Felice Brothers
Jazz on the Autobahn
113 bpm • D Maj • 04:32 • -7.68db
40% Popularity • 60% Danceability • 68% Energy • 19% Liveness
1% Instrumentalness • 82% Positiveness
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Jenny Lewis
On the Line
111 bpm • D Maj • 03:48 • -5.74db
24% Popularity • 54% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Waxahatchee
Blue, Pt. 2
114 bpm • B min • 02:19 • -14db
43% Popularity • 77% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Whitney
Strange Overtones
110 bpm • D Maj • 03:26 • -10db
39% Popularity • 73% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Kacy & Clayton
Your Mind's Walking Out
113 bpm • D# Maj • 02:33 • -8db
22% Popularity • 59% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Wild Pink
Oversharers Anonymous
114 bpm • E Maj • 04:50 • -8.89db
20% Popularity • 67% Danceability • 57% Energy • 27% Liveness
71% Instrumentalness • 53% Positiveness
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Hurray For The Riff Raff
Alibi
114 bpm • A Maj • 02:48 • -8.51db
39% Popularity • 64% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Blitzen Trapper
Holy Smokes Future Jokes
110 bpm • E min • 04:58 • -10.87db
23% Popularity • 72% Danceability • 58% Energy • 9% Liveness
22% Instrumentalness • 51% Positiveness
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Waxahatchee
Arkadelphia
110 bpm • A Maj • 04:50 • -14.42db
38% Popularity • 72% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Kym Register + Meltdown Rodeo
Another Reason
114 bpm • C# Maj • 04:59 • -8.62db
11% Popularity • 59% Danceability • 52% Energy • 12% Liveness
1% Instrumentalness • 7% Positiveness
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H.C. McEntire
River's Jaw
114 bpm • B min • 04:34 • -9.28db
10% Popularity • 61% Danceability • 48% Energy • 12% Liveness
29% Instrumentalness • 56% Positiveness
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Damien Jurado
Birds Tricked into the Trees
114 bpm • A# Maj • 02:14 • -8.56db
21% Popularity • 66% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Lucy Dacus
Forever Half Mast
110 bpm • A Maj • 04:02 • -10.31db
35% Popularity • 62% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Jess Williamson
Wind on Tin
110 bpm • A min • 03:06 • -9.02db
30% Popularity • 58% Danceability • 45% Energy • 13% Liveness
14% Instrumentalness • 30% Positiveness
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Waxahatchee
Recite Remorse
114 bpm • A Maj • 04:38 • -6.77db
34% Popularity • 23% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Courtney Barnett
I’ll Be Your Mirror
110 bpm • A# Maj • 02:27 • -11db
36% Popularity • 70% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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The Shins
Gone for Good - 2023 Remaster
114 bpm • C Maj • 03:12 • -4.47db
51% Popularity • 61% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Valley Queen
Puritan
115 bpm • A Maj • 03:54 • -6.48db
22% Popularity • 66% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Tanya Davis
Eulogy for You and Me
114 bpm • A# Maj • 04:11 • -9.83db
47% Popularity • 78% Danceability • 51% Energy • 11% Liveness
3% Instrumentalness • 84% Positiveness
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Dawes
Good Luck With Whatever
115 bpm • G Maj • 04:45 • -7.87db
23% Popularity • 71% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 27% Positiveness
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Erin Rae
Love Like Before
115 bpm • C Maj • 03:28 • -12.19db
32% Popularity • 84% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Esther Rose
Blue on Blue
115 bpm • D# Maj • 02:34 • -5.49db
12% Popularity • 64% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Waxahatchee
Bored
115 bpm • A Maj • 02:55 • -3.57db
57% Popularity • 61% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Kevin Morby
Provisions
109 bpm • E Maj • 05:36 • -10.29db
20% Popularity • 61% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Fruit Bats
Gullwing Doors
116 bpm • C Maj • 04:35 • -10.39db
16% Popularity • 54% Danceability • 48% Energy • 12% Liveness
8% Instrumentalness • 20% Positiveness
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Anna St. Louis
Understand
116 bpm • G Maj • 04:32 • -9db
18% Popularity • 44% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Wynonna
Other Side
116 bpm • D Maj • 04:13 • -12.53db
21% Popularity • 74% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Erin Rae
True Love's Face
116 bpm • A Maj • 03:20 • -6.25db
22% Popularity • 58% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 46% Positiveness
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Waxahatchee
Evil Spawn
115 bpm • C min • 03:12 • -4.83db
58% Popularity • 66% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Charlotte Cornfield
Headlines
116 bpm • D# Maj • 03:41 • -6.72db
14% Popularity • 70% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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S.G. Goodman
If It Ain't Me Babe
116 bpm • E min • 05:08 • -9.66db
25% Popularity • 55% Danceability • 47% Energy • 11% Liveness
2% Instrumentalness • 22% Positiveness
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Better Oblivion Community Center
Dylan Thomas
116 bpm • D Maj • 03:36 • -8db
54% Popularity • 59% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Kacy & Clayton
Last Burning Ember
108 bpm • A Maj • 03:11 • -9.61db
13% Popularity • 61% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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Hiss Golden Messenger
Caledonia, My Love
117 bpm • F Maj • 03:00 • -16.86db
49% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Waxahatchee
Ice Cold
116 bpm • A Maj • 03:30 • -2.54db
56% Popularity • 52% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 31% Positiveness
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Chatham County Line
Strange Fascination
107 bpm • D# Maj • 04:18 • -17.15db
30% Popularity • 56% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
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Molly Sarlé
Human
107 bpm • C Maj • 03:54 • -8.76db
39% Popularity • 56% Danceability • 42% Energy • 10% Liveness
37% Instrumentalness • 72% Positiveness
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Kevin Morby
Bittersweet, TN
107 bpm • C Maj • 04:13 • -9.02db
38% Popularity • 55% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Nadia Reid
High & Lonely
117 bpm • G# Maj • 03:40 • -9.6db
14% Popularity • 32% Danceability • 40% Energy • 12% Liveness
8% Instrumentalness • 28% Positiveness
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Indigo De Souza
Hold U
107 bpm • A min • 04:16 • -11.47db
48% Popularity • 84% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Waxahatchee
Witches
116 bpm • B Maj • 02:48 • -8.98db
41% Popularity • 63% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Cassandra Jenkins
Hard Drive
107 bpm • A Maj • 05:27 • -11.46db
33% Popularity • 59% Danceability • 63% Energy • 7% Liveness
57% Instrumentalness • 56% Positiveness
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Woods
Strange to Explain
107 bpm • C Maj • 03:34 • -8.84db
19% Popularity • 66% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Jenny Lewis
Wasted Youth
107 bpm • C Maj • 04:13 • -8db
30% Popularity • 59% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Jennifer Castle
Texas
118 bpm • A Maj • 03:18 • -12.87db
19% Popularity • 62% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Perfume Genius
On the Floor
118 bpm • A Maj • 05:03 • -6db
45% Popularity • 41% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
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Waxahatchee
Slow You Down
108 bpm • F Maj • 01:48 • -13.93db
50% Popularity • 55% Danceability • 16% Energy • 10% Liveness
9% Instrumentalness • 18% Positiveness
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Blake Mills
Wintersong
118 bpm • G min • 04:16 • -8.22db
39% Popularity • 47% Danceability • 76% Energy • 14% Liveness
5% Instrumentalness • 74% Positiveness
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Erin Durant
Highway Blue
118 bpm • C Maj • 03:57 • -15.53db
11% Popularity • 52% Danceability • 20% Energy • 11% Liveness
4% Instrumentalness • 23% Positiveness
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Tristen
A Case of You
118 bpm • C# Maj • 04:20 • -10db
26% Popularity • 82% Danceability • 58% Energy • 12% Liveness
4% Instrumentalness • 75% Positiveness
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Hiss Golden Messenger
My Wing
118 bpm • A Maj • 04:26 • -8.53db
26% Popularity • 56% Danceability • 74% Energy • 51% Liveness
2% Instrumentalness • 52% Positiveness
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Yola
Shady Grove
106 bpm • B Maj • 02:42 • -8.06db
33% Popularity • 54% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Waxahatchee
Blue
117 bpm • D Maj • 02:06 • -12.42db
19% Popularity • 72% Danceability • 25% Energy • 12% Liveness
22% Instrumentalness • 24% Positiveness
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Steve Gunn
Wild Mountain Thyme
106 bpm • C# Maj • 04:46 • -14db
27% Popularity • 44% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Jimbo Mathus
Poor Lost Souls
106 bpm • A Maj • 04:16 • -5.02db
23% Popularity • 45% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Margo Price
Stone Me
106 bpm • C Maj • 03:09 • -5.17db
29% Popularity • 66% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
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Fruit Bats
Cub Pilot
106 bpm • G Maj • 03:31 • -10.29db
33% Popularity • 64% Danceability • 49% Energy • 8% Liveness
17% Instrumentalness • 51% Positiveness
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Sarah Jarosz
Empty Square
106 bpm • F Maj • 03:20 • -8.2db
19% Popularity • 73% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
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Waxahatchee
Never Been Wrong
117 bpm • F Maj • 03:12 • -4.88db
34% Popularity • 40% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Erin Rae
Putting On Airs
119 bpm • E Maj • 04:40 • -11.36db
27% Popularity • 61% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
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Margaret Glaspy
Without Him
106 bpm • G Maj • 03:37 • -8.74db
7% Popularity • 74% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Blake Mills
It'll All Work Out
119 bpm • A Maj • 04:28 • -8db
38% Popularity • 76% Danceability • 44% Energy • 11% Liveness
15% Instrumentalness • 57% Positiveness
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Justin Townes Earle
Frightened By The Sound
119 bpm • B min • 03:45 • -11.67db
36% Popularity • 66% Danceability • 46% Energy • 12% Liveness
4% Instrumentalness • 62% Positiveness
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Bedouine
Dusty Eyes
119 bpm • E Maj • 04:37 • -11.82db
38% Popularity • 49% Danceability • 27% Energy • 18% Liveness
2% Instrumentalness • 36% Positiveness
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Waxahatchee
War
118 bpm • C Maj • 03:10 • -8.53db
37% Popularity • 60% Danceability • 69% Energy • 11% Liveness
1% Instrumentalness • 57% Positiveness
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Better Oblivion Community Center
Sleepwalkin'
119 bpm • C# min • 03:12 • -7.51db
46% Popularity • 40% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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Father John Misty
Well, You Can Do It Without Me
105 bpm • C min • 02:43 • -7db
57% Popularity • 83% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Erin Rae
Bad Mind
119 bpm • B Maj • 05:14 • -16.06db
25% Popularity • 68% Danceability • 30% Energy • 9% Liveness
18% Instrumentalness • 17% Positiveness
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Sun June
Singing
105 bpm • A Maj • 03:00 • -7.36db
21% Popularity • 62% Danceability • 55% Energy • 35% Liveness
6% Instrumentalness • 32% Positiveness
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Nathaniel Rateliff
There Is A War [Kevin Morby & Sam Cohen]
120 bpm • G Maj • 03:42 • -7.4db
31% Popularity • 56% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Waxahatchee
Light of a Clear Blue Morning
118 bpm • G Maj • 04:38 • -10db
41% Popularity • 66% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Ratboys
Morning Zoo
120 bpm • F# Maj • 03:10 • -6.48db
43% Popularity • 48% Danceability • 63% Energy • 11% Liveness
17% Instrumentalness • 66% Positiveness
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Father John Misty
Goodbye Mr. Blue
105 bpm • D Maj • 05:00 • -8.79db
54% Popularity • 51% Danceability • 47% Energy • 12% Liveness
61% Instrumentalness • 48% Positiveness
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Samantha Crain
Bloomsday
120 bpm • G# Maj • 03:19 • -6.57db
39% Popularity • 46% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Fleet Foxes
Jara
120 bpm • C Maj • 04:09 • -9.12db
33% Popularity • 59% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Lucius
Right Down The Line
120 bpm • C# min • 03:55 • -8.08db
46% Popularity • 80% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Waxahatchee
Tomorrow
119 bpm • E Maj • 02:43 • -6.01db
32% Popularity • 60% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Fruit Bats
Eagles Below Us
120 bpm • C Maj • 03:36 • -8.87db
31% Popularity • 63% Danceability • 74% Energy • 14% Liveness
32% Instrumentalness • 57% Positiveness
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Father John Misty
Funtimes in Babylon
105 bpm • E Maj • 03:39 • -8db
47% Popularity • 56% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Hurray For The Riff Raff
POINTED AT THE SUN
120 bpm • D Maj • 03:32 • -5.97db
27% Popularity • 47% Danceability • 54% Energy • 38% Liveness
0% Instrumentalness • 33% Positiveness
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Can’t Do Much