Songs like Can't Get There From Here - Remastered by R.E.M.
Based on a tempo of (+/- 10%) and a similar genre
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The Del Fuegos
Sound of Our Town
145 bpm • E Maj • 03:15 • -10.97db
5% Popularity • 47% Danceability • 84% Energy • 97% Liveness
0% Instrumentalness • 59% Positiveness
5% Popularity • 47% Danceability • 84% Energy • 97% Liveness
0% Instrumentalness • 59% Positiveness
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The Clash
Clampdown - Remastered
145 bpm • D Maj • 03:49 • -7.61db
49% Popularity • 68% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
49% Popularity • 68% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
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Big Dipper
All Going Out Together
145 bpm • C Maj • 03:01 • -5.09db
18% Popularity • 37% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
18% Popularity • 37% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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R.E.M.
Can't Get There From Here - 2010 Remaste...
145 bpm • E Maj • 03:39 • -4.36db
33% Popularity • 48% Danceability • 83% Energy • 12% Liveness
15% Instrumentalness • 78% Positiveness
33% Popularity • 48% Danceability • 83% Energy • 12% Liveness
15% Instrumentalness • 78% Positiveness
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Jellyfish
The King Is Half-Undressed
146 bpm • A# min • 03:46 • -10.79db
29% Popularity • 35% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 35% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Shoes
Too Late
146 bpm • E Maj • 02:43 • -8.28db
19% Popularity • 40% Danceability • 80% Energy • 10% Liveness
10% Instrumentalness • 87% Positiveness
19% Popularity • 40% Danceability • 80% Energy • 10% Liveness
10% Instrumentalness • 87% Positiveness
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Camper Van Beethoven
Take the Skinheads Bowling
146 bpm • C Maj • 02:32 • -11.51db
41% Popularity • 44% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
41% Popularity • 44% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Robyn Hitchcock & The Egyptians
If You Were A Priest
146 bpm • E Maj • 03:01 • -4.79db
12% Popularity • 36% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 36% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Frank Black
Calistan
146 bpm • F Maj • 03:22 • -7.05db
24% Popularity • 49% Danceability • 85% Energy • 23% Liveness
1% Instrumentalness • 73% Positiveness
24% Popularity • 49% Danceability • 85% Energy • 23% Liveness
1% Instrumentalness • 73% Positiveness
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The Lemonheads
Hannah & Gabi - Remastered
144 bpm • D Maj • 02:40 • -8.62db
30% Popularity • 42% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 42% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Echo & the Bunnymen
Back of Love
146 bpm • G Maj • 03:13 • -4.96db
38% Popularity • 40% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 40% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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The Police
Canary In A Coalmine
144 bpm • B min • 02:26 • -9.14db
55% Popularity • 81% Danceability • 77% Energy • 8% Liveness
1% Instrumentalness • 96% Positiveness
55% Popularity • 81% Danceability • 77% Energy • 8% Liveness
1% Instrumentalness • 96% Positiveness
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Tommy Keene
Places That Are Gone
144 bpm • F Maj • 03:53 • -6db
17% Popularity • 29% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 29% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Lou Reed
Hangin' 'Round
146 bpm • G Maj • 03:33 • -8db
45% Popularity • 61% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
45% Popularity • 61% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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R.E.M.
Texarkana
144 bpm • D Maj • 03:39 • -3.71db
44% Popularity • 38% Danceability • 84% Energy • 20% Liveness
34% Instrumentalness • 93% Positiveness
44% Popularity • 38% Danceability • 84% Energy • 20% Liveness
34% Instrumentalness • 93% Positiveness
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Guadalcanal Diary
Heathen Rage
146 bpm • A Maj • 03:01 • -10.43db
12% Popularity • 41% Danceability • 61% Energy • 13% Liveness
10% Instrumentalness • 60% Positiveness
12% Popularity • 41% Danceability • 61% Energy • 13% Liveness
10% Instrumentalness • 60% Positiveness
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Dumptruck
Going Nowhere
144 bpm • G Maj • 02:57 • -3.93db
13% Popularity • 38% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 38% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Morrissey
We Hate It When Our Friends Become Succe...
143 bpm • F# Maj • 02:28 • -5.11db
41% Popularity • 54% Danceability • 91% Energy • 9% Liveness
1% Instrumentalness • 86% Positiveness
41% Popularity • 54% Danceability • 91% Energy • 9% Liveness
1% Instrumentalness • 86% Positiveness
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Paul Westerberg
Dice Behind Your Shades
144 bpm • A min • 04:14 • -11db
21% Popularity • 53% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 53% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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The Judybats
Daylight
143 bpm • G Maj • 03:18 • -11.45db
16% Popularity • 41% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
16% Popularity • 41% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
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Lloyd Cole and the Commotions
Rich - Remastered
147 bpm • F# Maj • 04:24 • -11db
31% Popularity • 57% Danceability • 72% Energy • 17% Liveness
33% Instrumentalness • 84% Positiveness
31% Popularity • 57% Danceability • 72% Energy • 17% Liveness
33% Instrumentalness • 84% Positiveness
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Gin Blossoms
Lost Horizons
147 bpm • G Maj • 03:20 • -8.52db
32% Popularity • 52% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 52% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
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Game Theory
Erica's Word
143 bpm • G# Maj • 03:54 • -7.68db
21% Popularity • 55% Danceability • 81% Energy • 5% Liveness
2% Instrumentalness • 89% Positiveness
21% Popularity • 55% Danceability • 81% Energy • 5% Liveness
2% Instrumentalness • 89% Positiveness
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The The
Uncertain Smile
143 bpm • B min • 06:49 • -11.93db
49% Popularity • 60% Danceability • 76% Energy • 10% Liveness
59% Instrumentalness • 84% Positiveness
49% Popularity • 60% Danceability • 76% Energy • 10% Liveness
59% Instrumentalness • 84% Positiveness
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Paul Westerberg
Mannequin Shop
143 bpm • G Maj • 03:12 • -9.96db
12% Popularity • 64% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
12% Popularity • 64% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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The Judybats
Don't Drop the Baby
143 bpm • A min • 03:41 • -10.88db
11% Popularity • 38% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 38% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Ned's Atomic Dustbin
Grey Cell Green
143 bpm • A Maj • 03:45 • -11.32db
38% Popularity • 29% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
38% Popularity • 29% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Gin Blossoms
Mrs. Rita
143 bpm • E min • 04:25 • -9db
33% Popularity • 51% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 51% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Guadalcanal Diary
Where Angels Fear to Tread
143 bpm • G Maj • 03:13 • -8db
13% Popularity • 46% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 83% Positiveness
13% Popularity • 46% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 83% Positiveness
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The Clash
Lost in the Supermarket - Remastered
148 bpm • E Maj • 03:46 • -11.24db
60% Popularity • 61% Danceability • 63% Energy • 12% Liveness
1% Instrumentalness • 84% Positiveness
60% Popularity • 61% Danceability • 63% Energy • 12% Liveness
1% Instrumentalness • 84% Positiveness
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Bash & Pop
Never Aim to Please
142 bpm • B Maj • 04:08 • -5.08db
19% Popularity • 56% Danceability • 87% Energy • 10% Liveness
1% Instrumentalness • 90% Positiveness
19% Popularity • 56% Danceability • 87% Energy • 10% Liveness
1% Instrumentalness • 90% Positiveness
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Soul Asylum
Summer of Drugs (2022 Remaster)
142 bpm • E Maj • 04:07 • -6.32db
22% Popularity • 42% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 42% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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The Bongos
The Bulrushes
142 bpm • E min • 02:36 • -4.03db
16% Popularity • 46% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 46% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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The Long Ryders
Lights Of Downtown
148 bpm • E Maj • 03:11 • -6.69db
15% Popularity • 50% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 50% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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Guadalcanal Diary
Pillow Talk
148 bpm • A Maj • 02:00 • -8.66db
11% Popularity • 43% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 43% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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10,000 Maniacs
Scorpio Rising
148 bpm • A Maj • 03:14 • -5.81db
23% Popularity • 38% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 38% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Robyn Hitchcock & The Egyptians
Madonna Of The Wasps
141 bpm • D Maj • 03:05 • -11.38db
30% Popularity • 38% Danceability • 84% Energy • 33% Liveness
1% Instrumentalness • 56% Positiveness
30% Popularity • 38% Danceability • 84% Energy • 33% Liveness
1% Instrumentalness • 56% Positiveness
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The Connells
Inside My Head
149 bpm • A Maj • 03:12 • -12.54db
12% Popularity • 62% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 62% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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The Who
The Real Me
149 bpm • F min • 03:20 • -7db
44% Popularity • 49% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
44% Popularity • 49% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
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The Call
Oklahoma
141 bpm • A Maj • 04:19 • -10.83db
8% Popularity • 43% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 43% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Guadalcanal Diary
Trail of Tears
141 bpm • E min • 02:27 • -9.35db
24% Popularity • 50% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 50% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
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The Lemonheads
The Great Big No
141 bpm • A Maj • 02:51 • -10db
33% Popularity • 35% Danceability • 80% Energy • 25% Liveness
0% Instrumentalness • 63% Positiveness
33% Popularity • 35% Danceability • 80% Energy • 25% Liveness
0% Instrumentalness • 63% Positiveness
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DEVO
Beautiful World
149 bpm • E Maj • 03:35 • -13db
37% Popularity • 64% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
37% Popularity • 64% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Jellyfish
Baby's Coming Back
141 bpm • C# Maj • 02:57 • -10.11db
33% Popularity • 65% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
33% Popularity • 65% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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Buffalo Tom
Sodajerk
141 bpm • G Maj • 04:26 • -8.72db
31% Popularity • 52% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 52% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Dumptruck
Back Where I Belong
150 bpm • F# min • 04:02 • -7db
10% Popularity • 24% Danceability • 79% Energy • 11% Liveness
3% Instrumentalness • 50% Positiveness
10% Popularity • 24% Danceability • 79% Energy • 11% Liveness
3% Instrumentalness • 50% Positiveness
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Paul Westerberg
Knockin on Mine
150 bpm • E min • 03:44 • -5.37db
23% Popularity • 53% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
23% Popularity • 53% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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The Jam
Start!
139 bpm • C Maj • 02:29 • -8.9db
50% Popularity • 63% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
50% Popularity • 63% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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DEVO
Freedom of Choice
140 bpm • C Maj • 03:28 • -13db
39% Popularity • 84% Danceability • 87% Energy • 6% Liveness
1% Instrumentalness • 96% Positiveness
39% Popularity • 84% Danceability • 87% Energy • 6% Liveness
1% Instrumentalness • 96% Positiveness
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Love and Rockets
All in My Mind
140 bpm • C Maj • 04:43 • -7db
34% Popularity • 44% Danceability • 80% Energy • 52% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 44% Danceability • 80% Energy • 52% Liveness
0% Instrumentalness • 45% Positiveness
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Miracle Legion
Snacks and Candy
151 bpm • D Maj • 04:00 • -8.58db
14% Popularity • 49% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 49% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
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Guadalcanal Diary
Get over It
151 bpm • G Maj • 02:55 • -7.61db
10% Popularity • 56% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 67% Positiveness
10% Popularity • 56% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 67% Positiveness
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Echo & the Bunnymen
The Cutter
139 bpm • G Maj • 03:52 • -5db
51% Popularity • 47% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
51% Popularity • 47% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Golden Smog
Red Headed Stepchild
139 bpm • D Maj • 03:08 • -5.96db
14% Popularity • 56% Danceability • 97% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 56% Danceability • 97% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
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Lloyd Cole and the Commotions
Rattlesnakes
152 bpm • A Maj • 03:27 • -9.95db
47% Popularity • 46% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
47% Popularity • 46% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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The Jesus and Mary Chain
Head On
139 bpm • C Maj • 04:11 • -5db
46% Popularity • 56% Danceability • 87% Energy • 9% Liveness
24% Instrumentalness • 52% Positiveness
46% Popularity • 56% Danceability • 87% Energy • 9% Liveness
24% Instrumentalness • 52% Positiveness
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Miracle Legion
The Backyard
139 bpm • G Maj • 04:03 • -8db
30% Popularity • 54% Danceability • 84% Energy • 32% Liveness
3% Instrumentalness • 94% Positiveness
30% Popularity • 54% Danceability • 84% Energy • 32% Liveness
3% Instrumentalness • 94% Positiveness
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Toad The Wet Sprocket
Fall Down
152 bpm • C Maj • 03:22 • -7db
50% Popularity • 47% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
50% Popularity • 47% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
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Echo & the Bunnymen
Rescue
139 bpm • D Maj • 04:26 • -5.45db
34% Popularity • 57% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
34% Popularity • 57% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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The Connells
Sat Nite (USA)
138 bpm • F Maj • 03:47 • -11.21db
11% Popularity • 58% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
11% Popularity • 58% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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Lloyd Cole and the Commotions
Lost Weekend
138 bpm • A Maj • 03:15 • -10.17db
51% Popularity • 59% Danceability • 73% Energy • 9% Liveness
2% Instrumentalness • 78% Positiveness
51% Popularity • 59% Danceability • 73% Energy • 9% Liveness
2% Instrumentalness • 78% Positiveness
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Bob Mould
Dreaming, I Am
152 bpm • G# min • 04:16 • -10.31db
14% Popularity • 53% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 53% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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The Three O'Clock
Jet Fighter
138 bpm • A Maj • 03:29 • -7.02db
22% Popularity • 51% Danceability • 90% Energy • 3% Liveness
0% Instrumentalness • 93% Positiveness
22% Popularity • 51% Danceability • 90% Energy • 3% Liveness
0% Instrumentalness • 93% Positiveness
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Warren Zevon
Even A Dog Can Shake Hands
152 bpm • F Maj • 03:26 • -10.13db
19% Popularity • 48% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
19% Popularity • 48% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
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The Jam
David Watts - 1997 Remaster
152 bpm • A Maj • 02:54 • -10.63db
41% Popularity • 52% Danceability • 65% Energy • 9% Liveness
2% Instrumentalness • 79% Positiveness
41% Popularity • 52% Danceability • 65% Energy • 9% Liveness
2% Instrumentalness • 79% Positiveness
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Let's Active
Every Word Means No
138 bpm • E Maj • 02:53 • -11.28db
35% Popularity • 48% Danceability • 84% Energy • 11% Liveness
2% Instrumentalness • 83% Positiveness
35% Popularity • 48% Danceability • 84% Energy • 11% Liveness
2% Instrumentalness • 83% Positiveness
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Supergrass
Time
138 bpm • A Maj • 03:10 • -8.4db
32% Popularity • 59% Danceability • 55% Energy • 10% Liveness
52% Instrumentalness • 62% Positiveness
32% Popularity • 59% Danceability • 55% Energy • 10% Liveness
52% Instrumentalness • 62% Positiveness
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Blondie
Hanging On The Telephone - Remastered
152 bpm • F min • 02:22 • -5.77db
57% Popularity • 50% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
57% Popularity • 50% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
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Buffalo Tom
Tree House
138 bpm • G Maj • 04:15 • -8.15db
21% Popularity • 28% Danceability • 95% Energy • 78% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 28% Danceability • 95% Energy • 78% Liveness
0% Instrumentalness • 34% Positiveness
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The Cult
Love Removal Machine
138 bpm • G Maj • 04:18 • -7db
54% Popularity • 32% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
54% Popularity • 32% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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The Connells
Fine Tuning
153 bpm • C Maj • 03:19 • -10.15db
14% Popularity • 61% Danceability • 60% Energy • 12% Liveness
1% Instrumentalness • 79% Positiveness
14% Popularity • 61% Danceability • 60% Energy • 12% Liveness
1% Instrumentalness • 79% Positiveness
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Trip Shakespeare
Two Wheeler, Four Wheeler
137 bpm • F# min • 02:49 • -6.05db
9% Popularity • 61% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 83% Positiveness
9% Popularity • 61% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 83% Positiveness
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The Feelies
The High Road
153 bpm • G Maj • 04:22 • -7.03db
12% Popularity • 55% Danceability • 84% Energy • 8% Liveness
84% Instrumentalness • 96% Positiveness
12% Popularity • 55% Danceability • 84% Energy • 8% Liveness
84% Instrumentalness • 96% Positiveness
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Echo & the Bunnymen
Never Stop
137 bpm • D Maj • 04:45 • -12.43db
37% Popularity • 64% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
37% Popularity • 64% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
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Julian Cope
Hanging Out And Hung Up On The Line
153 bpm • A Maj • 04:43 • -9.36db
12% Popularity • 38% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 38% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
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Haircut 100
Love Plus One
137 bpm • C Maj • 03:32 • -14.51db
52% Popularity • 79% Danceability • 52% Energy • 10% Liveness
55% Instrumentalness • 96% Positiveness
52% Popularity • 79% Danceability • 52% Energy • 10% Liveness
55% Instrumentalness • 96% Positiveness
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The Lemonheads
If I Could Talk I'd Tell You
137 bpm • A Maj • 02:50 • -6db
43% Popularity • 50% Danceability • 91% Energy • 10% Liveness
4% Instrumentalness • 70% Positiveness
43% Popularity • 50% Danceability • 91% Energy • 10% Liveness
4% Instrumentalness • 70% Positiveness
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Paul Westerberg
Dyslexic Heart
137 bpm • C Maj • 04:31 • -5.06db
43% Popularity • 64% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
43% Popularity • 64% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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James
Ring The Bells
154 bpm • C Maj • 04:44 • -8db
41% Popularity • 46% Danceability • 92% Energy • 8% Liveness
1% Instrumentalness • 52% Positiveness
41% Popularity • 46% Danceability • 92% Energy • 8% Liveness
1% Instrumentalness • 52% Positiveness
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New Order
Love Vigilantes - 2015 Remaster
136 bpm • G Maj • 04:19 • -5.99db
48% Popularity • 55% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
48% Popularity • 55% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Echo & the Bunnymen
Silver
136 bpm • D Maj • 03:19 • -3.84db
37% Popularity • 48% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
37% Popularity • 48% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Bodeans
Pick Up the Pieces
136 bpm • A Maj • 03:23 • -16.54db
18% Popularity • 74% Danceability • 39% Energy • 11% Liveness
2% Instrumentalness • 64% Positiveness
18% Popularity • 74% Danceability • 39% Energy • 11% Liveness
2% Instrumentalness • 64% Positiveness
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The Lemonheads
Rudderless - Remastered
136 bpm • A Maj • 03:19 • -7.41db
34% Popularity • 55% Danceability • 93% Energy • 44% Liveness
0% Instrumentalness • 68% Positiveness
34% Popularity • 55% Danceability • 93% Energy • 44% Liveness
0% Instrumentalness • 68% Positiveness
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The Connells
Slackjawed
136 bpm • A Maj • 04:00 • -7.17db
25% Popularity • 41% Danceability • 76% Energy • 25% Liveness
9% Instrumentalness • 41% Positiveness
25% Popularity • 41% Danceability • 76% Energy • 25% Liveness
9% Instrumentalness • 41% Positiveness
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Paul Westerberg
Lookin' Out Forever
137 bpm • E min • 03:43 • -4db
20% Popularity • 39% Danceability • 92% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
20% Popularity • 39% Danceability • 92% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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The Plimsouls
A Million Miles Away
155 bpm • E min • 03:35 • -10.18db
30% Popularity • 40% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 40% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Hindu Love Gods
Battleship Chains
135 bpm • B Maj • 03:07 • -9.22db
14% Popularity • 56% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 56% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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The Judybats
She Lives (In a Time of Her Own)
155 bpm • E min • 04:06 • -10.7db
9% Popularity • 32% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 32% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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NRBQ
Me and the Boys
155 bpm • A Maj • 03:30 • -9.08db
30% Popularity • 40% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 40% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Billy Bragg
Greetings to the New Brunette
135 bpm • G# Maj • 03:31 • -4.31db
35% Popularity • 58% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
35% Popularity • 58% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Too Much Joy
Crush Story
135 bpm • A Maj • 04:01 • -9.98db
18% Popularity • 61% Danceability • 92% Energy • 2% Liveness
0% Instrumentalness • 37% Positiveness
18% Popularity • 61% Danceability • 92% Energy • 2% Liveness
0% Instrumentalness • 37% Positiveness
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Pete Townshend
Slit Skirts
135 bpm • G Maj • 04:53 • -13db
36% Popularity • 52% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
36% Popularity • 52% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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The House of Love
I Don't Know Why I Love You
135 bpm • B Maj • 03:29 • -10.72db
39% Popularity • 51% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
39% Popularity • 51% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
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Squalls
Na, Na, Na, Na
135 bpm • D Maj • 03:14 • -3.96db
12% Popularity • 52% Danceability • 76% Energy • 32% Liveness
51% Instrumentalness • 39% Positiveness
12% Popularity • 52% Danceability • 76% Energy • 32% Liveness
51% Instrumentalness • 39% Positiveness
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The B-52's
Roam
135 bpm • A Maj • 04:55 • -5.55db
58% Popularity • 64% Danceability • 94% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
58% Popularity • 64% Danceability • 94% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
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Let's Active
Room With A View
135 bpm • F# min • 03:50 • -11.4db
14% Popularity • 73% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
14% Popularity • 73% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
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Freedy Johnston
On the Way Out
135 bpm • F min • 02:48 • -6db
21% Popularity • 51% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 51% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
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The Go-Go's
Turn To You
156 bpm • D Maj • 03:51 • -8db
33% Popularity • 48% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
33% Popularity • 48% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness