Songs like Can't Look Back - Acoustic by Mat Kearney
Based on a tempo of (+/- 10%) and a similar genre
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VELVET MOON
Balcony
126 bpm • F Maj • 04:13 • -7db
19% Popularity • 70% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
19% Popularity • 70% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Mat Kearney
Can't Look Back
126 bpm • G Maj • 03:57 • -6.98db
37% Popularity • 68% Danceability • 73% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
37% Popularity • 68% Danceability • 73% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
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Katie Ruvane
True
126 bpm • D Maj • 04:23 • -11.64db
23% Popularity • 60% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 60% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Craig Cardiff
Emm & May
126 bpm • D# Maj • 02:36 • -15.07db
11% Popularity • 78% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 78% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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The Strumbellas
Greatest Enemy - Acoustic
126 bpm • E Maj • 02:55 • -8.96db
17% Popularity • 55% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 55% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Jill Andrews
Drive Away With You
126 bpm • D Maj • 04:18 • -8db
21% Popularity • 52% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 52% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 32% Positiveness
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Craig Stickland
Starlit Afternoon
126 bpm • G# Maj • 03:33 • -10.73db
40% Popularity • 58% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
40% Popularity • 58% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Matt Nathanson
Who's Gonna Ride Your Wild Horses
126 bpm • F Maj • 05:12 • -8.9db
11% Popularity • 51% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 51% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Mat Kearney
Can't Look Back - Acoustic
126 bpm • G Maj • 03:50 • -8.35db
16% Popularity • 68% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
16% Popularity • 68% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Eric Hutchinson
Right Where I'm Supposed to Be
127 bpm • B min • 04:08 • -6.37db
16% Popularity • 59% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 59% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Steelings
Moments
127 bpm • G Maj • 03:07 • -9.05db
10% Popularity • 62% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 62% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 41% Positiveness
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Christian Lopez
Who You Really Are
127 bpm • C# Maj • 04:28 • -6.14db
19% Popularity • 54% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
19% Popularity • 54% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Ivan & Alyosha
Coming Alive
125 bpm • G Maj • 04:57 • -5.57db
20% Popularity • 57% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 57% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Graham Colton
Where You Wanna Go
125 bpm • F Maj • 03:24 • -7db
26% Popularity • 60% Danceability • 80% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 60% Danceability • 80% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
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Jon Bryant
I Don't Know How
127 bpm • C Maj • 03:46 • -8db
18% Popularity • 61% Danceability • 71% Energy • 35% Liveness
2% Instrumentalness • 57% Positiveness
18% Popularity • 61% Danceability • 71% Energy • 35% Liveness
2% Instrumentalness • 57% Positiveness
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Wilder Woods
Religion
125 bpm • G# Maj • 03:35 • -7.76db
34% Popularity • 65% Danceability • 29% Energy • 25% Liveness
0% Instrumentalness • 37% Positiveness
34% Popularity • 65% Danceability • 29% Energy • 25% Liveness
0% Instrumentalness • 37% Positiveness
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Ingrid Michaelson
Build It Up
125 bpm • C Maj • 03:48 • -11db
26% Popularity • 41% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
26% Popularity • 41% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
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Eldar Kedem
For the One
124 bpm • F Maj • 01:52 • -12db
37% Popularity • 44% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
37% Popularity • 44% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Roo Panes
My Sweet Refuge
128 bpm • C Maj • 04:41 • -12.58db
38% Popularity • 45% Danceability • 33% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
38% Popularity • 45% Danceability • 33% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
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AHI
The Architect's Hand
124 bpm • G Maj • 03:45 • -7.09db
15% Popularity • 72% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 72% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Milahroy
The Rush
128 bpm • B Maj • 03:33 • -6.46db
12% Popularity • 73% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
12% Popularity • 73% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Hush Kids
Spend My Time
128 bpm • C Maj • 03:10 • -9.48db
31% Popularity • 64% Danceability • 52% Energy • 13% Liveness
1% Instrumentalness • 20% Positiveness
31% Popularity • 64% Danceability • 52% Energy • 13% Liveness
1% Instrumentalness • 20% Positiveness
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Adam Simons
Strawberry Moon
124 bpm • C# Maj • 04:10 • -10.07db
14% Popularity • 58% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
14% Popularity • 58% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Ben Wagner
Blessed Midwest
124 bpm • E Maj • 03:16 • -7.64db
18% Popularity • 64% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 64% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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The National Parks
Open Skies (Wildflower)
124 bpm • G Maj • 03:42 • -10.28db
31% Popularity • 61% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 61% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Songcraft
Would You Love Me If We Stayed Like This...
124 bpm • G Maj • 03:47 • -9.16db
16% Popularity • 61% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 61% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 26% Positiveness
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Joseph The Spouse
Messiah Moon - This Is Us
129 bpm • A# Maj • 04:51 • -8.91db
18% Popularity • 42% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
18% Popularity • 42% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Alex O'aiza
How Your Love Feels
123 bpm • B Maj • 03:34 • -7.37db
37% Popularity • 68% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 68% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Axel Flóvent
No One's Gonna Love You
129 bpm • C# Maj • 03:52 • -14db
37% Popularity • 41% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
37% Popularity • 41% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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David Francisco
January Love
129 bpm • D Maj • 03:45 • -5.81db
21% Popularity • 73% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
21% Popularity • 73% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Ten Towers
Lottery
123 bpm • D Maj • 03:01 • -9.14db
29% Popularity • 85% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 85% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Overcoats
The Fight - Reprise
129 bpm • E Maj • 04:04 • -7.92db
10% Popularity • 57% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
10% Popularity • 57% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Wilder Woods
sink our love now (work tape)
129 bpm • E Maj • 04:06 • -7db
38% Popularity • 47% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 30% Positiveness
38% Popularity • 47% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 30% Positiveness
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Celine Cairo
I Don't Wanna Dance
130 bpm • E Maj • 03:56 • -9db
17% Popularity • 57% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
17% Popularity • 57% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
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Chase McBride
Hello Ramona
130 bpm • D Maj • 03:46 • -11.38db
41% Popularity • 76% Danceability • 32% Energy • 15% Liveness
8% Instrumentalness • 71% Positiveness
41% Popularity • 76% Danceability • 32% Energy • 15% Liveness
8% Instrumentalness • 71% Positiveness
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Geographer
Get There Soon
130 bpm • C Maj • 03:41 • -12.18db
32% Popularity • 63% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
32% Popularity • 63% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Matthew Schwanke
Burning Daylight
130 bpm • G# Maj • 03:51 • -8.77db
10% Popularity • 70% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 70% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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B.J. Smith
Perfect You
130 bpm • F# min • 02:55 • -10.3db
8% Popularity • 78% Danceability • 41% Energy • 10% Liveness
62% Instrumentalness • 63% Positiveness
8% Popularity • 78% Danceability • 41% Energy • 10% Liveness
62% Instrumentalness • 63% Positiveness
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Layup
Shake It All Loose
130 bpm • B Maj • 02:23 • -6.22db
18% Popularity • 74% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
18% Popularity • 74% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Wild Rivers
A Week Ago
130 bpm • D# Maj • 02:43 • -5.72db
46% Popularity • 78% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 88% Positiveness
46% Popularity • 78% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 88% Positiveness
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Dalton Day
Believe Me
122 bpm • E min • 03:49 • -10.76db
16% Popularity • 57% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
16% Popularity • 57% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Jon Foreman
Inheritance
122 bpm • E Maj • 04:54 • -7.4db
37% Popularity • 57% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
37% Popularity • 57% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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The Goo Goo Dolls
Fearless
122 bpm • B Maj • 03:40 • -5.53db
37% Popularity • 68% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 68% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Plastic Hotels
Everything's Changing
130 bpm • G Maj • 03:25 • -14db
12% Popularity • 34% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
12% Popularity • 34% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Humming House
Miss You When You're Gone
122 bpm • G Maj • 03:33 • -5.07db
9% Popularity • 73% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 73% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Wild Rivers
Weatherman
122 bpm • F Maj • 03:05 • -9db
54% Popularity • 73% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
54% Popularity • 73% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Sonny Cleveland
Bring It on Back
122 bpm • A min • 04:34 • -9.31db
32% Popularity • 70% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
32% Popularity • 70% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Craig Cardiff
Yellowknife
131 bpm • C# min • 03:01 • -13.22db
13% Popularity • 51% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
13% Popularity • 51% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
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Brendan James
Day by Day
122 bpm • A# Maj • 03:10 • -8.55db
13% Popularity • 70% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 70% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Mabes
Danny
122 bpm • A Maj • 04:21 • -6.9db
14% Popularity • 46% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
14% Popularity • 46% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Daniel Pearson
The Open Sea
131 bpm • A Maj • 04:55 • -14.31db
41% Popularity • 58% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
41% Popularity • 58% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Tow'rs
No Place to Fall
121 bpm • D Maj • 03:08 • -21.94db
22% Popularity • 57% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 57% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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The Revivalists
To Love Somebody - Made In Muscle Shoals
121 bpm • A# Maj • 04:44 • -9db
41% Popularity • 55% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 55% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Phillip Phillips
Home
121 bpm • C Maj • 03:30 • -6.04db
71% Popularity • 61% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
71% Popularity • 61% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Stephen Babcock
Be With You
121 bpm • F Maj • 02:57 • -8.66db
10% Popularity • 72% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
10% Popularity • 72% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Luke Dick
Giant
120 bpm • G Maj • 02:09 • -13.12db
16% Popularity • 46% Danceability • 44% Energy • 11% Liveness
51% Instrumentalness • 17% Positiveness
16% Popularity • 46% Danceability • 44% Energy • 11% Liveness
51% Instrumentalness • 17% Positiveness
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Roses & Revolutions
Sugar, We're Goin' Down
132 bpm • B min • 03:29 • -10.43db
30% Popularity • 69% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
30% Popularity • 69% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Mat Kearney
Fire & Rain - Live Unplugged
132 bpm • E Maj • 04:14 • -7.1db
16% Popularity • 49% Danceability • 87% Energy • 97% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 49% Danceability • 87% Energy • 97% Liveness
0% Instrumentalness • 22% Positiveness
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Ed Patrick
You In My Life
132 bpm • B Maj • 03:37 • -16.57db
44% Popularity • 56% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 34% Positiveness
44% Popularity • 56% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 34% Positiveness
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Henry Jamison
Still Life
132 bpm • E Maj • 03:48 • -8.74db
37% Popularity • 52% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
37% Popularity • 52% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Graham Colton
Place Where I Begin
132 bpm • G Maj • 02:44 • -6.91db
25% Popularity • 66% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
25% Popularity • 66% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Matt Wertz
Feels so Right
132 bpm • F# Maj • 02:25 • -4.96db
34% Popularity • 46% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 46% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
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Secret Nation
Love You Well
120 bpm • C Maj • 04:16 • -13.12db
33% Popularity • 51% Danceability • 62% Energy • 7% Liveness
45% Instrumentalness • 6% Positiveness
33% Popularity • 51% Danceability • 62% Energy • 7% Liveness
45% Instrumentalness • 6% Positiveness
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Camino
Better Than Me
120 bpm • F# Maj • 03:32 • -9.96db
21% Popularity • 69% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
21% Popularity • 69% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Alyssa Garcia
Loved Actually
120 bpm • C# Maj • 02:58 • -7.48db
14% Popularity • 68% Danceability • 54% Energy • 46% Liveness
0% Instrumentalness • 65% Positiveness
14% Popularity • 68% Danceability • 54% Energy • 46% Liveness
0% Instrumentalness • 65% Positiveness
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James Mclean
Covered in Light
132 bpm • G# Maj • 03:07 • -7.71db
18% Popularity • 42% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 42% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Sean C Kennedy
Hasty Boy
120 bpm • C# Maj • 03:49 • -7.45db
9% Popularity • 74% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 74% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Thad Cockrell
Swingin'
120 bpm • C Maj • 05:47 • -6.02db
26% Popularity • 66% Danceability • 82% Energy • 10% Liveness
1% Instrumentalness • 49% Positiveness
26% Popularity • 66% Danceability • 82% Energy • 10% Liveness
1% Instrumentalness • 49% Positiveness
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Spectre Jones
Fire in the Dust
120 bpm • C# Maj • 04:33 • -11.56db
14% Popularity • 62% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 62% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Ryland James
Water
120 bpm • A# min • 03:05 • -4.52db
29% Popularity • 84% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
29% Popularity • 84% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Mat Kearney
Save Me - Bonus Track
120 bpm • G Maj • 03:23 • -6.88db
39% Popularity • 60% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
39% Popularity • 60% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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Matthew John Finch
Soon We’ll Be Home
120 bpm • C Maj • 04:03 • -9.88db
10% Popularity • 66% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 66% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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JoÃe
The Other Side Of Heartbreak
120 bpm • E Maj • 03:50 • -14.72db
10% Popularity • 30% Danceability • 35% Energy • 11% Liveness
30% Instrumentalness • 4% Positiveness
10% Popularity • 30% Danceability • 35% Energy • 11% Liveness
30% Instrumentalness • 4% Positiveness
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VANYO
Look Alive
120 bpm • F Maj • 03:33 • -10.81db
12% Popularity • 62% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
12% Popularity • 62% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Colouring
Fading - Acoustic
120 bpm • C# Maj • 03:16 • -6.7db
12% Popularity • 41% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 41% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Donna Missal
Hurt By You - Stripped
119 bpm • D Maj • 04:05 • -13.73db
11% Popularity • 48% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 48% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Mat Kearney
Kings & Queens - Live Unplugged
132 bpm • F Maj • 03:21 • -6.77db
16% Popularity • 50% Danceability • 77% Energy • 92% Liveness
0% Instrumentalness • 41% Positiveness
16% Popularity • 50% Danceability • 77% Energy • 92% Liveness
0% Instrumentalness • 41% Positiveness
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Brian Bulger
Golden
133 bpm • E Maj • 05:28 • -14.71db
31% Popularity • 58% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 58% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Wilder Woods
Go Ahead
133 bpm • C# Maj • 04:07 • -5.57db
35% Popularity • 65% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 65% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Ray LaMontagne
We'll Make It Through
119 bpm • F Maj • 06:01 • -12db
48% Popularity • 50% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
48% Popularity • 50% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Ben Kweller
Just for Kids
133 bpm • C Maj • 04:14 • -8.65db
19% Popularity • 69% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
19% Popularity • 69% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
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Cassette Deck
Clean Rain
134 bpm • D Maj • 03:27 • -9.1db
14% Popularity • 58% Danceability • 32% Energy • 41% Liveness
0% Instrumentalness • 21% Positiveness
14% Popularity • 58% Danceability • 32% Energy • 41% Liveness
0% Instrumentalness • 21% Positiveness
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Mat Kearney
Dancing In the Dark - Live at Electric L...
133 bpm • C min • 03:57 • -18.2db
14% Popularity • 62% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
14% Popularity • 62% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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The National Parks
UFO
134 bpm • G Maj • 03:44 • -9.97db
22% Popularity • 52% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 13% Positiveness
22% Popularity • 52% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 13% Positiveness
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Beta Radio
Don't Leave Me Behind
119 bpm • G# Maj • 03:19 • -9.46db
32% Popularity • 46% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
32% Popularity • 46% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Belle Mt.
Famous Son
118 bpm • C Maj • 03:00 • -5.89db
21% Popularity • 72% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
21% Popularity • 72% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
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LULLANAS
Don't Say
118 bpm • C# Maj • 03:24 • -10.96db
37% Popularity • 59% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 59% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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The Head And The Heart
Glory of Music II
118 bpm • D Maj • 04:41 • -5.37db
30% Popularity • 70% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 70% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 60% Positiveness
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Mat Kearney
Still The One - Bonus Track
133 bpm • D Maj • 03:39 • -8.62db
31% Popularity • 50% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 50% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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VELVET MOON
Wicked One
118 bpm • B min • 04:10 • -8db
23% Popularity • 74% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
23% Popularity • 74% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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VISITANTS
Better Than Two
118 bpm • E Maj • 03:21 • -10.79db
18% Popularity • 68% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 68% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Jon Bryant
Talk
118 bpm • C Maj • 03:49 • -10.65db
32% Popularity • 59% Danceability • 41% Energy • 39% Liveness
0% Instrumentalness • 40% Positiveness
32% Popularity • 59% Danceability • 41% Energy • 39% Liveness
0% Instrumentalness • 40% Positiveness
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Lucie Silvas
Home Truths
118 bpm • C min • 03:37 • -8.91db
25% Popularity • 63% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 63% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Ade Mai
I Love You More
135 bpm • B min • 03:22 • -11db
19% Popularity • 54% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 54% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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BURNS
Elevate Me
135 bpm • A# min • 02:41 • -9.31db
38% Popularity • 63% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 63% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Cody Francis
Old Pen
135 bpm • D Maj • 03:35 • -8.94db
35% Popularity • 68% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
35% Popularity • 68% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Neon Trees
Used To Like - Acoustic
135 bpm • C Maj • 04:25 • -4.12db
28% Popularity • 64% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 64% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Luke Sital-Singh
Honest Man
117 bpm • C# Maj • 04:00 • -11.38db
29% Popularity • 55% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 55% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
