Songs like Can't Stop by Gosh Da Reel
Based on a tempo of (+/- 10%) and a similar genre
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Volker Milch
Pretentious Punk (Remix)
126 bpm • D Maj • 02:30 • -11db
19% Popularity • 66% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
19% Popularity • 66% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Gosh Da Reel
Can't Stop
126 bpm • D Maj • 04:41 • -8.42db
0% Popularity • 79% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
0% Popularity • 79% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Mr. Oddzo
Wonderland
125 bpm • A min • 03:12 • -10.41db
12% Popularity • 75% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 75% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Teddy Head
Forget About Me
125 bpm • A Maj • 05:20 • -4.67db
33% Popularity • 50% Danceability • 95% Energy • 9% Liveness
74% Instrumentalness • 35% Positiveness
33% Popularity • 50% Danceability • 95% Energy • 9% Liveness
74% Instrumentalness • 35% Positiveness
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Don Gramur
The Prologue
127 bpm • G# min • 01:00 • -11.12db
25% Popularity • 81% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
25% Popularity • 81% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Coastal Town
Summer Sundays
125 bpm • G Maj • 03:56 • -8.94db
19% Popularity • 62% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
19% Popularity • 62% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
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JoosTVD
The Buzz
125 bpm • C Maj • 03:14 • -7.86db
8% Popularity • 77% Danceability • 80% Energy • 12% Liveness
6% Instrumentalness • 95% Positiveness
8% Popularity • 77% Danceability • 80% Energy • 12% Liveness
6% Instrumentalness • 95% Positiveness
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Gosh Da Reel
Sing a Song
125 bpm • B min • 03:37 • -6.23db
0% Popularity • 64% Danceability • 79% Energy • 59% Liveness
0% Instrumentalness • 60% Positiveness
0% Popularity • 64% Danceability • 79% Energy • 59% Liveness
0% Instrumentalness • 60% Positiveness
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House Of Seb
Departure
125 bpm • C min • 04:12 • -15.86db
11% Popularity • 80% Danceability • 47% Energy • 12% Liveness
46% Instrumentalness • 51% Positiveness
11% Popularity • 80% Danceability • 47% Energy • 12% Liveness
46% Instrumentalness • 51% Positiveness
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Electro House
Full House
125 bpm • C# Maj • 03:12 • -8.66db
10% Popularity • 66% Danceability • 92% Energy • 12% Liveness
88% Instrumentalness • 57% Positiveness
10% Popularity • 66% Danceability • 92% Energy • 12% Liveness
88% Instrumentalness • 57% Positiveness
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Elion Melody
Who Do You Love?
125 bpm • E Maj • 03:26 • -7.55db
8% Popularity • 67% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
8% Popularity • 67% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Volker Milch
Emotion
127 bpm • C Maj • 02:03 • -9.8db
23% Popularity • 59% Danceability • 82% Energy • 25% Liveness
25% Instrumentalness • 58% Positiveness
23% Popularity • 59% Danceability • 82% Energy • 25% Liveness
25% Instrumentalness • 58% Positiveness
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Quillo
The Wait Is Over Now
125 bpm • C# min • 02:45 • -10.87db
14% Popularity • 67% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 67% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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Fox Nigon
Mister Fear
125 bpm • G Maj • 05:21 • -6.49db
10% Popularity • 61% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 61% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Jay D
Swipe Right
125 bpm • G Maj • 03:50 • -13.45db
13% Popularity • 82% Danceability • 59% Energy • 7% Liveness
74% Instrumentalness • 94% Positiveness
13% Popularity • 82% Danceability • 59% Energy • 7% Liveness
74% Instrumentalness • 94% Positiveness
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Gosh Da Reel
Chasing My Dream
125 bpm • G# min • 03:52 • -8.13db
0% Popularity • 73% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 73% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 18% Positiveness
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Robert Haley
Shadow Syndromes
127 bpm • B min • 03:28 • -7.87db
8% Popularity • 48% Danceability • 88% Energy • 8% Liveness
71% Instrumentalness • 44% Positiveness
8% Popularity • 48% Danceability • 88% Energy • 8% Liveness
71% Instrumentalness • 44% Positiveness
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Elton Adams
LITTLE MISS TORNADO
125 bpm • D Maj • 03:22 • -6.57db
30% Popularity • 65% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
30% Popularity • 65% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Elion Melody
Comfortable
125 bpm • C Maj • 03:04 • -13.64db
20% Popularity • 65% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
20% Popularity • 65% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Srv-musicmaker
The Game of Life
128 bpm • B Maj • 02:50 • -5db
32% Popularity • 41% Danceability • 98% Energy • 71% Liveness
0% Instrumentalness • 46% Positiveness
32% Popularity • 41% Danceability • 98% Energy • 71% Liveness
0% Instrumentalness • 46% Positiveness
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Natural Blues
Leave You in the Morning (Single Version...
124 bpm • G Maj • 03:21 • -5.12db
31% Popularity • 61% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
31% Popularity • 61% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
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Gosh Da Reel
With You
125 bpm • F# min • 06:01 • -7.18db
0% Popularity • 77% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
0% Popularity • 77% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Izakman
Cyber Love
124 bpm • B Maj • 03:10 • -7db
25% Popularity • 57% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
25% Popularity • 57% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Brian Wapole
Shadow Dance
128 bpm • G Maj • 03:37 • -8.47db
13% Popularity • 52% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 52% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Dax & Atragun
Color of Our Love
128 bpm • D# Maj • 04:15 • -9.06db
8% Popularity • 55% Danceability • 82% Energy • 32% Liveness
4% Instrumentalness • 56% Positiveness
8% Popularity • 55% Danceability • 82% Energy • 32% Liveness
4% Instrumentalness • 56% Positiveness
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Dorian Whisper
Imperfect Moments
128 bpm • G# min • 03:25 • -10.62db
14% Popularity • 64% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 64% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
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Postindustrial Poets
It Didn't Feel Like the End of the World
124 bpm • G Maj • 02:37 • -5db
28% Popularity • 54% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
28% Popularity • 54% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Sarah D'Innocenti
I Dare You
124 bpm • D Maj • 03:27 • -7.24db
16% Popularity • 55% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
16% Popularity • 55% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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SOUTHDOGROCK
The Street
128 bpm • A# min • 03:29 • -9.92db
24% Popularity • 63% Danceability • 78% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 63% Danceability • 78% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
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Jordan Tally
Butter Knife
128 bpm • E Maj • 02:24 • -7.97db
28% Popularity • 74% Danceability • 58% Energy • 37% Liveness
0% Instrumentalness • 83% Positiveness
28% Popularity • 74% Danceability • 58% Energy • 37% Liveness
0% Instrumentalness • 83% Positiveness
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lifelines
The House Between Two Lakes
124 bpm • C Maj • 03:23 • -5.14db
15% Popularity • 60% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
15% Popularity • 60% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Old Man Metaphor
Like a Dog
124 bpm • E min • 03:23 • -8.57db
11% Popularity • 79% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
11% Popularity • 79% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Postindustrial Poets
I Gave You My Disease
128 bpm • G# Maj • 03:07 • -5.64db
22% Popularity • 62% Danceability • 73% Energy • 50% Liveness
2% Instrumentalness • 58% Positiveness
22% Popularity • 62% Danceability • 73% Energy • 50% Liveness
2% Instrumentalness • 58% Positiveness
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Forwardman
Sleepwalk
129 bpm • F# min • 03:53 • -16.99db
16% Popularity • 58% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 58% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
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Rhett Repko
My Love Will Stay
123 bpm • B min • 02:56 • -5.47db
11% Popularity • 60% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 60% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Dorian Whisper
And the Days After
123 bpm • A# Maj • 03:00 • -14.9db
20% Popularity • 70% Danceability • 46% Energy • 32% Liveness
12% Instrumentalness • 82% Positiveness
20% Popularity • 70% Danceability • 46% Energy • 32% Liveness
12% Instrumentalness • 82% Positiveness
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Telamor
Run with You
123 bpm • A Maj • 03:18 • -6.71db
10% Popularity • 66% Danceability • 68% Energy • 56% Liveness
63% Instrumentalness • 58% Positiveness
10% Popularity • 66% Danceability • 68% Energy • 56% Liveness
63% Instrumentalness • 58% Positiveness
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ALESSIA RAISI
I'm on Fire
123 bpm • C Maj • 03:15 • -7.76db
20% Popularity • 59% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 59% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
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Fox Nigon
God Lives in Hell
123 bpm • A# min • 04:37 • -5.47db
10% Popularity • 60% Danceability • 67% Energy • 16% Liveness
2% Instrumentalness • 38% Positiveness
10% Popularity • 60% Danceability • 67% Energy • 16% Liveness
2% Instrumentalness • 38% Positiveness
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Forwardman
Plan C
129 bpm • G# Maj • 03:12 • -10.18db
22% Popularity • 67% Danceability • 60% Energy • 12% Liveness
1% Instrumentalness • 78% Positiveness
22% Popularity • 67% Danceability • 60% Energy • 12% Liveness
1% Instrumentalness • 78% Positiveness
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Extra Time
Where Is The Light
123 bpm • D Maj • 04:40 • -6.95db
33% Popularity • 32% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
33% Popularity • 32% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Mosheh Koke
Late Nights Alone
129 bpm • C# Maj • 02:20 • -5db
19% Popularity • 56% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 56% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Darren Burdis
Scars On Your Memories
123 bpm • D Maj • 03:14 • -11.59db
25% Popularity • 42% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 42% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Charles Connolly
Europe in the Summertime
130 bpm • F min • 03:04 • -6.32db
31% Popularity • 59% Danceability • 78% Energy • 73% Liveness
0% Instrumentalness • 82% Positiveness
31% Popularity • 59% Danceability • 78% Energy • 73% Liveness
0% Instrumentalness • 82% Positiveness
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VuyK
In Memory Of - Radio Edit
130 bpm • C# Maj • 04:31 • -6.47db
9% Popularity • 52% Danceability • 55% Energy • 66% Liveness
32% Instrumentalness • 36% Positiveness
9% Popularity • 52% Danceability • 55% Energy • 66% Liveness
32% Instrumentalness • 36% Positiveness
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Electro House
Midnight Run
130 bpm • D min • 03:04 • -10.3db
13% Popularity • 60% Danceability • 62% Energy • 44% Liveness
84% Instrumentalness • 58% Positiveness
13% Popularity • 60% Danceability • 62% Energy • 44% Liveness
84% Instrumentalness • 58% Positiveness
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Don Gramur
Shine Shine
130 bpm • C# Maj • 04:31 • -5.81db
16% Popularity • 71% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 71% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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TRIGGERRUN
2 Tha Flo'
130 bpm • A# Maj • 02:32 • -5db
9% Popularity • 69% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 23% Positiveness
9% Popularity • 69% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 23% Positiveness
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Rice
Juice
130 bpm • F# min • 02:14 • -8.76db
9% Popularity • 87% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 87% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
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MORISDOWN
Prestige
130 bpm • G# Maj • 03:00 • -8.08db
23% Popularity • 79% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 79% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Gosh Da Reel
Moses Chunga
130 bpm • C Maj • 03:43 • -7.81db
0% Popularity • 86% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 86% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
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Jimmy Churry
Happy Place
130 bpm • G Maj • 03:51 • -7.31db
27% Popularity • 74% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 95% Positiveness
27% Popularity • 74% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 95% Positiveness
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Andrea De Beatboxer
Praying for Love
130 bpm • E min • 03:15 • -9.2db
0% Popularity • 74% Danceability • 65% Energy • 57% Liveness
0% Instrumentalness • 55% Positiveness
0% Popularity • 74% Danceability • 65% Energy • 57% Liveness
0% Instrumentalness • 55% Positiveness
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AudioGust
Can't Turn Away
130 bpm • A min • 04:05 • -16.47db
25% Popularity • 57% Danceability • 32% Energy • 16% Liveness
4% Instrumentalness • 27% Positiveness
25% Popularity • 57% Danceability • 32% Energy • 16% Liveness
4% Instrumentalness • 27% Positiveness
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Chris Russell
Bullet To The Head
130 bpm • D Maj • 01:38 • -5.18db
12% Popularity • 42% Danceability • 86% Energy • 12% Liveness
93% Instrumentalness • 74% Positiveness
12% Popularity • 42% Danceability • 86% Energy • 12% Liveness
93% Instrumentalness • 74% Positiveness
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Káss
Slip & Slide
130 bpm • A# min • 03:47 • -6.47db
25% Popularity • 77% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
25% Popularity • 77% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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VuyK
Soulmate
130 bpm • D Maj • 03:47 • -6.39db
9% Popularity • 60% Danceability • 66% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 60% Danceability • 66% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
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Gosh Da Reel
Hakuna Matata
130 bpm • C Maj • 03:57 • -5.78db
0% Popularity • 64% Danceability • 73% Energy • 44% Liveness
0% Instrumentalness • 32% Positiveness
0% Popularity • 64% Danceability • 73% Energy • 44% Liveness
0% Instrumentalness • 32% Positiveness
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Bobby Kuzak
Smooth
130 bpm • A min • 03:03 • -7.13db
26% Popularity • 84% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
26% Popularity • 84% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Dorian Whisper
Good Days and Bad Days
130 bpm • C Maj • 02:59 • -13.81db
14% Popularity • 72% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 72% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Princess
You are faithful
130 bpm • G# Maj • 04:33 • -5.65db
35% Popularity • 52% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 52% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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WPK
Rolling Down
130 bpm • C# Maj • 02:14 • -8.75db
9% Popularity • 80% Danceability • 41% Energy • 12% Liveness
7% Instrumentalness • 38% Positiveness
9% Popularity • 80% Danceability • 41% Energy • 12% Liveness
7% Instrumentalness • 38% Positiveness
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J.H.M
If Only
122 bpm • C# Maj • 03:51 • -9.93db
30% Popularity • 48% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
30% Popularity • 48% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Gosh Da Reel
Blessings
130 bpm • C Maj • 03:32 • -8.22db
0% Popularity • 88% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
0% Popularity • 88% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Modern Angel
I'll Quit Everything
130 bpm • D Maj • 03:14 • -10db
24% Popularity • 56% Danceability • 69% Energy • 45% Liveness
1% Instrumentalness • 34% Positiveness
24% Popularity • 56% Danceability • 69% Energy • 45% Liveness
1% Instrumentalness • 34% Positiveness
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The Star Prairie Project
Music Is Gnosis
122 bpm • C# min • 05:22 • -6.38db
46% Popularity • 58% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
46% Popularity • 58% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Stefan West
Slow Down World
130 bpm • G# Maj • 03:46 • -3.84db
27% Popularity • 61% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 69% Positiveness
27% Popularity • 61% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 69% Positiveness
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KMGKillswitch
Only Just Lovers
122 bpm • G# min • 03:37 • -13.3db
14% Popularity • 73% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
14% Popularity • 73% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Mosheh Koke
Worried Bout Nothin'
122 bpm • A# min • 02:05 • -4.73db
9% Popularity • 72% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
9% Popularity • 72% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Ponzzi
Waste not Want not
131 bpm • E min • 03:42 • -10.84db
11% Popularity • 59% Danceability • 53% Energy • 64% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 59% Danceability • 53% Energy • 64% Liveness
0% Instrumentalness • 48% Positiveness
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Kelsie Kimberlin
We Are The Promise
131 bpm • D min • 04:51 • -5.55db
34% Popularity • 54% Danceability • 64% Energy • 46% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 54% Danceability • 64% Energy • 46% Liveness
0% Instrumentalness • 38% Positiveness
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Gosh Da Reel
Love Yourself
121 bpm • C Maj • 02:22 • -6.67db
0% Popularity • 71% Danceability • 69% Energy • 68% Liveness
0% Instrumentalness • 64% Positiveness
0% Popularity • 71% Danceability • 69% Energy • 68% Liveness
0% Instrumentalness • 64% Positiveness
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The Mighty Fallen
Black Light
121 bpm • A Maj • 07:28 • -7.12db
11% Popularity • 23% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
11% Popularity • 23% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
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Dancing in Jerusalem
No Glimpse
121 bpm • C Maj • 03:14 • -14.31db
25% Popularity • 52% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 56% Positiveness
25% Popularity • 52% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 56% Positiveness
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Collateral Trip
Two Friends
121 bpm • G Maj • 03:10 • -7.63db
23% Popularity • 48% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
23% Popularity • 48% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Amaury Laurent Bernier
Groundhog May
132 bpm • B min • 02:48 • -8.48db
17% Popularity • 65% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 65% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Dirk Scarlett
The Lenz
132 bpm • C Maj • 04:40 • -8.99db
19% Popularity • 59% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
19% Popularity • 59% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
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Rich Allen
By My Side
132 bpm • C Maj • 05:19 • -8.12db
15% Popularity • 48% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
15% Popularity • 48% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Sanguine
Close Your Eyes - 2023 Remaster
132 bpm • F Maj • 02:14 • -7.78db
25% Popularity • 45% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
25% Popularity • 45% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Moses Atlas Gold
Settings of the Board Walk
132 bpm • A min • 06:24 • -9.09db
14% Popularity • 69% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
14% Popularity • 69% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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InRegalia
Rock This House
132 bpm • D Maj • 04:36 • -6.13db
13% Popularity • 54% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 54% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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The Bind
Swells
132 bpm • A Maj • 04:25 • -12.67db
12% Popularity • 70% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 70% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Berenice
Go & Fly
132 bpm • F Maj • 02:28 • -16db
7% Popularity • 57% Danceability • 53% Energy • 11% Liveness
5% Instrumentalness • 41% Positiveness
7% Popularity • 57% Danceability • 53% Energy • 11% Liveness
5% Instrumentalness • 41% Positiveness
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The Blindfold Experience
Fly Again - Acoustic
120 bpm • D Maj • 03:45 • -9db
31% Popularity • 55% Danceability • 39% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
31% Popularity • 55% Danceability • 39% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
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ABMAN
Summertime
120 bpm • B min • 01:23 • -4db
18% Popularity • 77% Danceability • 93% Energy • 63% Liveness
65% Instrumentalness • 32% Positiveness
18% Popularity • 77% Danceability • 93% Energy • 63% Liveness
65% Instrumentalness • 32% Positiveness
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Postindustrial Poets
That's When You Blew My Mind
132 bpm • G Maj • 03:29 • -5db
23% Popularity • 47% Danceability • 88% Energy • 6% Liveness
2% Instrumentalness • 25% Positiveness
23% Popularity • 47% Danceability • 88% Energy • 6% Liveness
2% Instrumentalness • 25% Positiveness
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Hausers
Tokyo
120 bpm • F Maj • 03:21 • -6.26db
9% Popularity • 47% Danceability • 82% Energy • 28% Liveness
21% Instrumentalness • 73% Positiveness
9% Popularity • 47% Danceability • 82% Energy • 28% Liveness
21% Instrumentalness • 73% Positiveness
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Rice
Blog It
120 bpm • C# min • 01:36 • -5.5db
26% Popularity • 76% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
26% Popularity • 76% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
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Natural Blues
I Can’t Breathe
120 bpm • A Maj • 02:55 • -5.9db
37% Popularity • 70% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
37% Popularity • 70% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Dolour
Baby You're a Faker
120 bpm • E min • 03:32 • -5.84db
15% Popularity • 66% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
15% Popularity • 66% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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Ancient Machine
Separate Ways
120 bpm • G Maj • 04:45 • -9.2db
33% Popularity • 45% Danceability • 44% Energy • 11% Liveness
23% Instrumentalness • 26% Positiveness
33% Popularity • 45% Danceability • 44% Energy • 11% Liveness
23% Instrumentalness • 26% Positiveness
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Elion Melody
Red Mercedes
120 bpm • E Maj • 03:13 • -7.69db
20% Popularity • 82% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 82% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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J.H.M
Can't Stop
120 bpm • D Maj • 03:52 • -6.97db
13% Popularity • 56% Danceability • 95% Energy • 47% Liveness
12% Instrumentalness • 41% Positiveness
13% Popularity • 56% Danceability • 95% Energy • 47% Liveness
12% Instrumentalness • 41% Positiveness
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Roderiko Pop
Saru Syndrome
120 bpm • C Maj • 03:43 • -10db
19% Popularity • 64% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
19% Popularity • 64% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Zitro
Mature Response
120 bpm • A# min • 03:06 • -10.35db
12% Popularity • 80% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
12% Popularity • 80% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Atem S
The Problem Is
120 bpm • C Maj • 03:57 • -7.4db
22% Popularity • 60% Danceability • 90% Energy • 24% Liveness
7% Instrumentalness • 41% Positiveness
22% Popularity • 60% Danceability • 90% Energy • 24% Liveness
7% Instrumentalness • 41% Positiveness
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The D.O.O.D.
SUBTERFUGE
120 bpm • E min • 04:20 • -4.63db
30% Popularity • 46% Danceability • 97% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
30% Popularity • 46% Danceability • 97% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Chenél No.1
Shoot for the Stars
120 bpm • D Maj • 04:12 • -8.31db
14% Popularity • 65% Danceability • 48% Energy • 6% Liveness
4% Instrumentalness • 43% Positiveness
14% Popularity • 65% Danceability • 48% Energy • 6% Liveness
4% Instrumentalness • 43% Positiveness
