Songs like Can't Wait - Outtake from 'Time Out Of Mind' Sessions, Version 1 by Bob Dylan
Based on a tempo of (+/- 10%) and a similar genre
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Bruce Springsteen
It's Hard to Be a Saint in the City
138 bpm • A Maj • 03:16 • -9.3db
39% Popularity • 52% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
39% Popularity • 52% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Jackson Browne
These Days
138 bpm • F Maj • 04:44 • -11db
57% Popularity • 47% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
57% Popularity • 47% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Warren Zevon
The Hula Hula Boys - 2007 Remaster
138 bpm • G Maj • 03:02 • -11db
36% Popularity • 66% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
36% Popularity • 66% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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John Prine
Down by the Side of the Road
138 bpm • G Maj • 05:03 • -16.7db
15% Popularity • 60% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
15% Popularity • 60% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Bob Dylan
Can't Wait - Outtake from 'Time Out Of M...
138 bpm • G# Maj • 05:42 • -9.1db
21% Popularity • 64% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 64% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Graham Nash
Wild Tales
137 bpm • G Maj • 02:20 • -15.22db
30% Popularity • 66% Danceability • 54% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
30% Popularity • 66% Danceability • 54% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
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Gram Parsons
We'll Sweep out the Ashes in the Morning...
137 bpm • F Maj • 03:14 • -9.06db
28% Popularity • 58% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
28% Popularity • 58% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Jackson Browne
Take It Easy
138 bpm • G Maj • 03:51 • -10db
48% Popularity • 53% Danceability • 56% Energy • 50% Liveness
0% Instrumentalness • 37% Positiveness
48% Popularity • 53% Danceability • 56% Energy • 50% Liveness
0% Instrumentalness • 37% Positiveness
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Canned Heat
Sugar Bee
137 bpm • A Maj • 02:39 • -10.09db
37% Popularity • 60% Danceability • 62% Energy • 33% Liveness
25% Instrumentalness • 92% Positiveness
37% Popularity • 60% Danceability • 62% Energy • 33% Liveness
25% Instrumentalness • 92% Positiveness
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Warren Zevon
Hasten Down the Wind
139 bpm • E Maj • 02:32 • -11.5db
45% Popularity • 42% Danceability • 30% Energy • 14% Liveness
41% Instrumentalness • 30% Positiveness
45% Popularity • 42% Danceability • 30% Energy • 14% Liveness
41% Instrumentalness • 30% Positiveness
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John Prine
People Puttin' People Down
137 bpm • B Maj • 02:46 • -21.19db
11% Popularity • 62% Danceability • 21% Energy • 9% Liveness
26% Instrumentalness • 41% Positiveness
11% Popularity • 62% Danceability • 21% Energy • 9% Liveness
26% Instrumentalness • 41% Positiveness
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George Harrison
Run of the Mill (2014 Remaster)
137 bpm • D Maj • 02:51 • -8db
50% Popularity • 54% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 82% Positiveness
50% Popularity • 54% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 82% Positiveness
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Traveling Wilburys
Congratulations
139 bpm • C Maj • 03:29 • -7db
44% Popularity • 61% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
44% Popularity • 61% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Nick Lowe
I'm a Mess
136 bpm • G Maj • 03:10 • -10.21db
20% Popularity • 65% Danceability • 32% Energy • 9% Liveness
11% Instrumentalness • 32% Positiveness
20% Popularity • 65% Danceability • 32% Energy • 9% Liveness
11% Instrumentalness • 32% Positiveness
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Paul Simon
The Boy In the Bubble
136 bpm • D Maj • 03:59 • -7.85db
51% Popularity • 62% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
51% Popularity • 62% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Warren Zevon
The Rosarita Beach Cafe
140 bpm • C Maj • 04:09 • -11.53db
27% Popularity • 54% Danceability • 34% Energy • 10% Liveness
2% Instrumentalness • 46% Positiveness
27% Popularity • 54% Danceability • 34% Energy • 10% Liveness
2% Instrumentalness • 46% Positiveness
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Ronnie Wood
Mystifies Me
136 bpm • A Maj • 03:19 • -11.47db
30% Popularity • 39% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 39% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Justin Townes Earle
Trouble Is
136 bpm • G Maj • 03:22 • -9.65db
41% Popularity • 72% Danceability • 67% Energy • 10% Liveness
5% Instrumentalness • 90% Positiveness
41% Popularity • 72% Danceability • 67% Energy • 10% Liveness
5% Instrumentalness • 90% Positiveness
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Bob Dylan
God Knows - Outtake from 'Oh Mercy' sess...
140 bpm • F# min • 03:05 • -6db
17% Popularity • 67% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 67% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
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Yusuf / Cat Stevens
Trouble
140 bpm • F# Maj • 02:52 • -15.08db
57% Popularity • 54% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
57% Popularity • 54% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Loudon Wainwright III
Uptown
136 bpm • F min • 02:42 • -11.24db
7% Popularity • 48% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
7% Popularity • 48% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Gram Parsons
I Can't Dance - 2006 Remaster
135 bpm • E Maj • 02:24 • -6.79db
30% Popularity • 76% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 98% Positiveness
30% Popularity • 76% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 98% Positiveness
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The Flying Burrito Brothers
Colorado
135 bpm • B Maj • 04:52 • -13db
34% Popularity • 46% Danceability • 43% Energy • 20% Liveness
13% Instrumentalness • 38% Positiveness
34% Popularity • 46% Danceability • 43% Energy • 20% Liveness
13% Instrumentalness • 38% Positiveness
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John Prine
Clay Pigeons
141 bpm • A# Maj • 04:27 • -15.95db
55% Popularity • 58% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
55% Popularity • 58% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Tim Buckley
Make It Right
135 bpm • F min • 04:20 • -7db
25% Popularity • 52% Danceability • 72% Energy • 24% Liveness
1% Instrumentalness • 91% Positiveness
25% Popularity • 52% Danceability • 72% Energy • 24% Liveness
1% Instrumentalness • 91% Positiveness
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Bob Dylan
When I Paint My Masterpiece - Demo
141 bpm • G# Maj • 03:53 • -9.8db
31% Popularity • 52% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
31% Popularity • 52% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Little
Easy to Slip
141 bpm • G Maj • 03:21 • -8.01db
40% Popularity • 44% Danceability • 72% Energy • 44% Liveness
1% Instrumentalness • 44% Positiveness
40% Popularity • 44% Danceability • 72% Energy • 44% Liveness
1% Instrumentalness • 44% Positiveness
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Cat Power
Stuck Inside of Mobile with the Memphis ...
141 bpm • E Maj • 06:53 • -7db
29% Popularity • 45% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
29% Popularity • 45% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
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Allman Brothers Band
Don't Want You No More
135 bpm • A# Maj • 02:24 • -11.58db
51% Popularity • 43% Danceability • 64% Energy • 60% Liveness
94% Instrumentalness • 74% Positiveness
51% Popularity • 43% Danceability • 64% Energy • 60% Liveness
94% Instrumentalness • 74% Positiveness
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John Prine
Hello in There
135 bpm • C Maj • 04:32 • -17db
47% Popularity • 59% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 25% Positiveness
47% Popularity • 59% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 25% Positiveness
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Linda Ronstadt
Willin'
141 bpm • E Maj • 03:02 • -10.81db
46% Popularity • 52% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
46% Popularity • 52% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Bob Dylan
Million Miles
135 bpm • F# Maj • 05:52 • -14.12db
30% Popularity • 42% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
30% Popularity • 42% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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The Rolling Stones
Following The River
141 bpm • G Maj • 04:51 • -5.84db
26% Popularity • 29% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
26% Popularity • 29% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Faces
Love Lives Here
135 bpm • A# Maj • 03:06 • -9.93db
35% Popularity • 51% Danceability • 43% Energy • 8% Liveness
38% Instrumentalness • 40% Positiveness
35% Popularity • 51% Danceability • 43% Energy • 8% Liveness
38% Instrumentalness • 40% Positiveness
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Allman Brothers Band
Trouble No More
141 bpm • A min • 03:47 • -11db
48% Popularity • 56% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
48% Popularity • 56% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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The Flying Burrito Brothers
I Shall Be Released
134 bpm • F# Maj • 01:33 • -16.66db
39% Popularity • 59% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 25% Positiveness
39% Popularity • 59% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 25% Positiveness
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Nick Lowe
12-Step Program (To Quit You Babe)
142 bpm • C Maj • 03:16 • -7.39db
14% Popularity • 79% Danceability • 72% Energy • 8% Liveness
1% Instrumentalness • 94% Positiveness
14% Popularity • 79% Danceability • 72% Energy • 8% Liveness
1% Instrumentalness • 94% Positiveness
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Bob Dylan
Can't Wait
142 bpm • C# Maj • 05:46 • -12.05db
28% Popularity • 57% Danceability • 56% Energy • 8% Liveness
1% Instrumentalness • 65% Positiveness
28% Popularity • 57% Danceability • 56% Energy • 8% Liveness
1% Instrumentalness • 65% Positiveness
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Joan Baez
Silver Dagger
142 bpm • D# min • 02:32 • -15.57db
39% Popularity • 42% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
39% Popularity • 42% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Justin Townes Earle
Can't Hardly Wait
134 bpm • A Maj • 02:48 • -6.53db
47% Popularity • 60% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
47% Popularity • 60% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Warren Zevon
The French Inhaler
142 bpm • D# Maj • 03:32 • -10.67db
21% Popularity • 40% Danceability • 36% Energy • 17% Liveness
1% Instrumentalness • 51% Positiveness
21% Popularity • 40% Danceability • 36% Energy • 17% Liveness
1% Instrumentalness • 51% Positiveness
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Derek & The Dominos
Little Wing
134 bpm • F# min • 05:33 • -4db
41% Popularity • 28% Danceability • 81% Energy • 36% Liveness
1% Instrumentalness • 61% Positiveness
41% Popularity • 28% Danceability • 81% Energy • 36% Liveness
1% Instrumentalness • 61% Positiveness
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George Harrison
Absolutely Sweet Marie - Live at Madison...
133 bpm • F# Maj • 04:29 • -8.69db
30% Popularity • 56% Danceability • 89% Energy • 99% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 56% Danceability • 89% Energy • 99% Liveness
0% Instrumentalness • 44% Positiveness
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Bob Dylan
Shooting Star
134 bpm • E Maj • 03:13 • -12db
34% Popularity • 54% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
34% Popularity • 54% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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John Doe
Pressing On
143 bpm • E Maj • 05:54 • -7.28db
19% Popularity • 40% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
19% Popularity • 40% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Justin Townes Earle
Ain't Waitin'
134 bpm • A Maj • 02:16 • -6.87db
49% Popularity • 71% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
49% Popularity • 71% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Warren Zevon
Studebaker
134 bpm • G Maj • 02:26 • -13.06db
32% Popularity • 52% Danceability • 29% Energy • 11% Liveness
3% Instrumentalness • 50% Positiveness
32% Popularity • 52% Danceability • 29% Energy • 11% Liveness
3% Instrumentalness • 50% Positiveness
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Crosby, Stills & Nash
Shadow Captain
143 bpm • E Maj • 04:34 • -16.4db
37% Popularity • 62% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
37% Popularity • 62% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
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Traveling Wilburys
The Devil's Been Busy
133 bpm • G Maj • 03:18 • -5db
43% Popularity • 55% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
43% Popularity • 55% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Cream
Sitting On Top Of The World
133 bpm • G Maj • 04:58 • -12.93db
45% Popularity • 38% Danceability • 36% Energy • 7% Liveness
39% Instrumentalness • 50% Positiveness
45% Popularity • 38% Danceability • 36% Energy • 7% Liveness
39% Instrumentalness • 50% Positiveness
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Dire Straits
Wild West End
133 bpm • D Maj • 04:41 • -12.09db
63% Popularity • 79% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
63% Popularity • 79% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Justin Townes Earle
Champagne Corolla
133 bpm • C# Maj • 03:38 • -8.58db
47% Popularity • 62% Danceability • 64% Energy • 11% Liveness
2% Instrumentalness • 78% Positiveness
47% Popularity • 62% Danceability • 64% Energy • 11% Liveness
2% Instrumentalness • 78% Positiveness
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John Martyn
Goin' Down To Memphis
133 bpm • B min • 03:09 • -8db
13% Popularity • 38% Danceability • 55% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
13% Popularity • 38% Danceability • 55% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
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Loudon Wainwright III
Guru
133 bpm • G Maj • 02:16 • -11.23db
8% Popularity • 50% Danceability • 62% Energy • 97% Liveness
0% Instrumentalness • 81% Positiveness
8% Popularity • 50% Danceability • 62% Energy • 97% Liveness
0% Instrumentalness • 81% Positiveness
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Leonard Cohen
Chelsea Hotel #2
132 bpm • F Maj • 03:06 • -20.18db
54% Popularity • 52% Danceability • 6% Energy • 10% Liveness
6% Instrumentalness • 24% Positiveness
54% Popularity • 52% Danceability • 6% Energy • 10% Liveness
6% Instrumentalness • 24% Positiveness
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The Rolling Stones
You Got The Silver
144 bpm • F Maj • 02:50 • -11.12db
45% Popularity • 47% Danceability • 37% Energy • 14% Liveness
3% Instrumentalness • 54% Positiveness
45% Popularity • 47% Danceability • 37% Energy • 14% Liveness
3% Instrumentalness • 54% Positiveness
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Paul Simon
Papa Hobo
144 bpm • C Maj • 02:35 • -17.02db
32% Popularity • 50% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
32% Popularity • 50% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
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Bruce Springsteen
Open All Night
144 bpm • F# Maj • 02:53 • -12.46db
38% Popularity • 65% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
38% Popularity • 65% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
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John Martyn
Winin’ Boy Blues
133 bpm • D Maj • 02:20 • -8.87db
20% Popularity • 57% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 57% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Jefferson Airplane
It's No Secret
132 bpm • D# Maj • 02:37 • -9db
34% Popularity • 57% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 57% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Gene Clark
From a Silver Phial
144 bpm • G Maj • 03:40 • -11.14db
25% Popularity • 50% Danceability • 41% Energy • 8% Liveness
3% Instrumentalness • 42% Positiveness
25% Popularity • 50% Danceability • 41% Energy • 8% Liveness
3% Instrumentalness • 42% Positiveness
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Billy Bragg
At My Window Sad And Lonely
145 bpm • A Maj • 03:27 • -8db
34% Popularity • 43% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 43% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Eric Clapton
Sign Language
132 bpm • E min • 02:56 • -12.94db
30% Popularity • 66% Danceability • 59% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 66% Danceability • 59% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
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John Prine
Angel from Montgomery
132 bpm • C Maj • 03:44 • -14.23db
54% Popularity • 62% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
54% Popularity • 62% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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John Martyn
The Easy Blues
133 bpm • F Maj • 03:21 • -13db
34% Popularity • 53% Danceability • 43% Energy • 9% Liveness
3% Instrumentalness • 52% Positiveness
34% Popularity • 53% Danceability • 43% Energy • 9% Liveness
3% Instrumentalness • 52% Positiveness
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Buffalo Springfield
Rock & Roll Woman
145 bpm • A min • 02:45 • -14db
46% Popularity • 41% Danceability • 64% Energy • 35% Liveness
2% Instrumentalness • 57% Positiveness
46% Popularity • 41% Danceability • 64% Energy • 35% Liveness
2% Instrumentalness • 57% Positiveness
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Nick Lowe
14 Days
145 bpm • G Maj • 02:57 • -11.19db
9% Popularity • 52% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
9% Popularity • 52% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Graham Nash
Simple Man
131 bpm • C Maj • 02:18 • -14.81db
37% Popularity • 41% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
37% Popularity • 41% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Warren Zevon
Desperados Under the Eaves
145 bpm • F Maj • 03:43 • -9.14db
27% Popularity • 39% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 39% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Gillian Welch
Wrecking Ball
145 bpm • C Maj • 04:56 • -9db
24% Popularity • 47% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 47% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Lou Reed
Romeo Had Juliette
131 bpm • A Maj • 03:10 • -13.07db
44% Popularity • 55% Danceability • 71% Energy • 79% Liveness
15% Instrumentalness • 88% Positiveness
44% Popularity • 55% Danceability • 71% Energy • 79% Liveness
15% Instrumentalness • 88% Positiveness
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Little Feat
Brides of Jesus
131 bpm • C Maj • 03:23 • -14.08db
17% Popularity • 36% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
17% Popularity • 36% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Paul Simon
Paranoia Blues (Unreleased Version)
131 bpm • F# Maj • 03:14 • -12.23db
28% Popularity • 62% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
28% Popularity • 62% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
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Loudon Wainwright III
The Man Who Couldn't Cry
130 bpm • D Maj • 06:15 • -13.96db
27% Popularity • 69% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 69% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Joan Baez
It's All Over Now, Baby Blue
130 bpm • E min • 03:26 • -15db
37% Popularity • 62% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
37% Popularity • 62% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Faces
Flags and Banners
146 bpm • G Maj • 02:02 • -8db
31% Popularity • 40% Danceability • 64% Energy • 26% Liveness
3% Instrumentalness • 64% Positiveness
31% Popularity • 40% Danceability • 64% Energy • 26% Liveness
3% Instrumentalness • 64% Positiveness
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Lou Reed
Hangin' 'Round
146 bpm • G Maj • 03:33 • -8db
45% Popularity • 61% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
45% Popularity • 61% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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The Flying Burrito Brothers
Wild Horses
130 bpm • G Maj • 06:20 • -12.2db
43% Popularity • 52% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
43% Popularity • 52% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Yusuf / Cat Stevens
Hard Headed Woman
147 bpm • C Maj • 03:46 • -12.48db
54% Popularity • 48% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
54% Popularity • 48% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Loudon Wainwright III
Hometeam Crowd
130 bpm • A Maj • 01:49 • -13.31db
15% Popularity • 72% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 72% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Joan Baez
I Pity The Poor Immigrant
130 bpm • C Maj • 04:27 • -6.52db
15% Popularity • 46% Danceability • 88% Energy • 88% Liveness
2% Instrumentalness • 66% Positiveness
15% Popularity • 46% Danceability • 88% Energy • 88% Liveness
2% Instrumentalness • 66% Positiveness
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John Hiatt
What Do We Do Now
130 bpm • D Maj • 02:58 • -10.81db
45% Popularity • 62% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
45% Popularity • 62% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Janis Joplin
Get It While You Can
147 bpm • F Maj • 03:23 • -9.63db
47% Popularity • 39% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
47% Popularity • 39% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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The Flying Burrito Brothers
Sin City
129 bpm • D# Maj • 04:09 • -15.09db
37% Popularity • 34% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
37% Popularity • 34% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Gram Parsons
How Much I've Lied - 2002 Remaster
129 bpm • F Maj • 02:29 • -8.6db
26% Popularity • 57% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 62% Positiveness
26% Popularity • 57% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 62% Positiveness
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Bob Dylan
Isis
148 bpm • D# Maj • 06:58 • -7db
44% Popularity • 52% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
44% Popularity • 52% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
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Jethro Tull
Wond'ring Aloud
148 bpm • A# Maj • 01:53 • -16.61db
58% Popularity • 58% Danceability • 20% Energy • 59% Liveness
1% Instrumentalness • 67% Positiveness
58% Popularity • 58% Danceability • 20% Energy • 59% Liveness
1% Instrumentalness • 67% Positiveness
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The Band
Forever Young - Concert Version
128 bpm • D Maj • 05:51 • -7.1db
33% Popularity • 29% Danceability • 86% Energy • 65% Liveness
1% Instrumentalness • 53% Positiveness
33% Popularity • 29% Danceability • 86% Energy • 65% Liveness
1% Instrumentalness • 53% Positiveness
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Crazy Horse
I Don't Want to Talk About It
128 bpm • G Maj • 05:18 • -12db
36% Popularity • 51% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
36% Popularity • 51% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Little
Tripe Face Boogie
149 bpm • A Maj • 03:15 • -6.78db
28% Popularity • 40% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
28% Popularity • 40% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Gram Parsons
Return of the Grievous Angel - 2006 Rema...
129 bpm • A# Maj • 04:26 • -8.67db
42% Popularity • 63% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
42% Popularity • 63% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Bob Dylan
Delia
149 bpm • D Maj • 05:39 • -13.82db
25% Popularity • 55% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 55% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Crosby, Stills & Nash
Lady of the Island - 2005 Remaster
128 bpm • F min • 02:36 • -24.37db
37% Popularity • 44% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
37% Popularity • 44% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Billy Bragg
Ingrid Bergman
128 bpm • E Maj • 01:50 • -14.51db
42% Popularity • 64% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
42% Popularity • 64% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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John Hiatt
Adios to California
149 bpm • B min • 03:47 • -11db
52% Popularity • 55% Danceability • 49% Energy • 11% Liveness
2% Instrumentalness • 44% Positiveness
52% Popularity • 55% Danceability • 49% Energy • 11% Liveness
2% Instrumentalness • 44% Positiveness
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Boz Scaggs
Now You're Gone
128 bpm • A Maj • 03:49 • -10.41db
17% Popularity • 55% Danceability • 42% Energy • 76% Liveness
0% Instrumentalness • 73% Positiveness
17% Popularity • 55% Danceability • 42% Energy • 76% Liveness
0% Instrumentalness • 73% Positiveness
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Gram Parsons
Another Side of This Life
129 bpm • D Maj • 02:40 • -10.8db
15% Popularity • 59% Danceability • 47% Energy • 15% Liveness
20% Instrumentalness • 63% Positiveness
15% Popularity • 59% Danceability • 47% Energy • 15% Liveness
20% Instrumentalness • 63% Positiveness
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Bob Dylan
Mozambique
128 bpm • G Maj • 03:00 • -8.19db
44% Popularity • 73% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
44% Popularity • 73% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness