Songs like Can't You Line 'Em by James Wilson
Based on a tempo of (+/- 10%) and a similar genre
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Alec Wilder
Wilder: Suite No. 2 for Horn, Tuba, and ...
78 bpm • A# min • 03:21 • -28.84db
0% Popularity • 10% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 5% Positiveness
0% Popularity • 10% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 5% Positiveness
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James Wilson
Can't You Line 'Em
78 bpm • E Maj • 01:53 • -17.11db
1% Popularity • 59% Danceability • 28% Energy • 47% Liveness
1% Instrumentalness • 52% Positiveness
1% Popularity • 59% Danceability • 28% Energy • 47% Liveness
1% Instrumentalness • 52% Positiveness
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Odetta
I've Been Livin' with the Blues
78 bpm • G# Maj • 02:41 • -4.51db
11% Popularity • 65% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
11% Popularity • 65% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Raymond Scott
Handle With Care - 1942
77 bpm • G# Maj • 02:17 • -13.79db
15% Popularity • 68% Danceability • 44% Energy • 12% Liveness
94% Instrumentalness • 82% Positiveness
15% Popularity • 68% Danceability • 44% Energy • 12% Liveness
94% Instrumentalness • 82% Positiveness
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Matty O ' Neil
Don't Sell Daddy Any More Whiskey
77 bpm • F Maj • 03:14 • -12.24db
8% Popularity • 43% Danceability • 18% Energy • 44% Liveness
0% Instrumentalness • 56% Positiveness
8% Popularity • 43% Danceability • 18% Energy • 44% Liveness
0% Instrumentalness • 56% Positiveness
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Big Jay Mercer
Bermudas
79 bpm • F# Maj • 01:51 • -7.88db
11% Popularity • 46% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 46% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 97% Positiveness
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Robert Nighthawk
My Sweet Lovin' Woman
77 bpm • G Maj • 02:50 • -12db
9% Popularity • 63% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
9% Popularity • 63% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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AkaMikeBerry
Up Up
77 bpm • F# min • 02:40 • -5.47db
0% Popularity • 64% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 64% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Jan Bach
Bach: Oompah Suite for Tuba and Horn: II...
77 bpm • G min • 03:03 • -24.57db
0% Popularity • 39% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 21% Positiveness
0% Popularity • 39% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 21% Positiveness
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James Wilson
Home at Last
77 bpm • D# Maj • 03:42 • -10.79db
0% Popularity • 33% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 33% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Johnny Horton
Seven Come Eleven
77 bpm • G# Maj • 02:17 • -6.13db
22% Popularity • 60% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
22% Popularity • 60% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
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Tracy Freshour
Single Ticket
77 bpm • F# min • 03:38 • -11.56db
22% Popularity • 66% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
22% Popularity • 66% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Memphis Jug Band
On the Road Again
76 bpm • C Maj • 02:50 • -14db
11% Popularity • 63% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 63% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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AkaMikeBerry
Whatever
80 bpm • D Maj • 04:02 • -4.81db
0% Popularity • 66% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 64% Positiveness
0% Popularity • 66% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 64% Positiveness
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Mickey Baker
Riverboat
76 bpm • C Maj • 02:32 • -6.76db
14% Popularity • 44% Danceability • 76% Energy • 9% Liveness
88% Instrumentalness • 75% Positiveness
14% Popularity • 44% Danceability • 76% Energy • 9% Liveness
88% Instrumentalness • 75% Positiveness
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Sandra Antoinette
Baby Baby Baby
76 bpm • C Maj • 04:13 • -13.11db
25% Popularity • 45% Danceability • 44% Energy • 29% Liveness
82% Instrumentalness • 63% Positiveness
25% Popularity • 45% Danceability • 44% Energy • 29% Liveness
82% Instrumentalness • 63% Positiveness
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Victoria Spivey
Dope Head Blues
80 bpm • C Maj • 03:15 • -12db
10% Popularity • 74% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 74% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Jim Kweskin
Three Songs - A Look at the Ragtime Era ...
80 bpm • D Maj • 03:22 • -10.3db
12% Popularity • 58% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
12% Popularity • 58% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Michael Monroe
Television Evening
81 bpm • A min • 01:44 • -18.76db
0% Popularity • 53% Danceability • 17% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
0% Popularity • 53% Danceability • 17% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
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James Wilson
Put Your Trust in God
75 bpm • A# Maj • 04:08 • -10.01db
0% Popularity • 45% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
0% Popularity • 45% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Sister Gertrude Morgan
New Jerusalem
81 bpm • G# min • 02:23 • -17.13db
12% Popularity • 75% Danceability • 24% Energy • 38% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 75% Danceability • 24% Energy • 38% Liveness
0% Instrumentalness • 53% Positiveness
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Merl Lindsay
Your Troubles Are My Troubles
80 bpm • C# Maj • 02:57 • -12.85db
10% Popularity • 65% Danceability • 25% Energy • 20% Liveness
11% Instrumentalness • 41% Positiveness
10% Popularity • 65% Danceability • 25% Energy • 20% Liveness
11% Instrumentalness • 41% Positiveness
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AkaMikeBerry
Nah
75 bpm • F# min • 05:07 • -4.66db
0% Popularity • 73% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
0% Popularity • 73% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Jessie Mae Hemphill
Honey Bee
82 bpm • C# Maj • 05:33 • -16.62db
1% Popularity • 75% Danceability • 9% Energy • 11% Liveness
3% Instrumentalness • 38% Positiveness
1% Popularity • 75% Danceability • 9% Energy • 11% Liveness
3% Instrumentalness • 38% Positiveness
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Slim Gaillard
Cement Mixer
81 bpm • G Maj • 07:12 • -15.58db
8% Popularity • 56% Danceability • 45% Energy • 20% Liveness
2% Instrumentalness • 55% Positiveness
8% Popularity • 56% Danceability • 45% Energy • 20% Liveness
2% Instrumentalness • 55% Positiveness
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Frank Bridge
String Quartet in E Minor, "Bologna": I....
82 bpm • G Maj • 09:28 • -21.9db
0% Popularity • 20% Danceability • 10% Energy • 15% Liveness
60% Instrumentalness • 7% Positiveness
0% Popularity • 20% Danceability • 10% Energy • 15% Liveness
60% Instrumentalness • 7% Positiveness
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Chuck Berry
Low Feeling
82 bpm • D Maj • 03:07 • -15.53db
12% Popularity • 50% Danceability • 35% Energy • 12% Liveness
75% Instrumentalness • 46% Positiveness
12% Popularity • 50% Danceability • 35% Energy • 12% Liveness
75% Instrumentalness • 46% Positiveness
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Blind Blake
Too Tight
82 bpm • D Maj • 02:35 • -17.81db
15% Popularity • 54% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 54% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Odetta
Gonna Take My Time
83 bpm • A min • 02:03 • -4.35db
14% Popularity • 64% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
14% Popularity • 64% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
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Roy Wood
Mustard
73 bpm • A min • 01:30 • -11.48db
7% Popularity • 54% Danceability • 40% Energy • 81% Liveness
14% Instrumentalness • 83% Positiveness
7% Popularity • 54% Danceability • 40% Energy • 81% Liveness
14% Instrumentalness • 83% Positiveness
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Cowboy Copas
In The Jailhouse Now
83 bpm • B min • 02:27 • -9.48db
10% Popularity • 69% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
10% Popularity • 69% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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James Wilson
Our God Lives Forever
73 bpm • C Maj • 03:44 • -7.65db
0% Popularity • 45% Danceability • 44% Energy • 11% Liveness
14% Instrumentalness • 21% Positiveness
0% Popularity • 45% Danceability • 44% Energy • 11% Liveness
14% Instrumentalness • 21% Positiveness
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Chuck Berry
No Money Down
74 bpm • D min • 03:05 • -14.7db
15% Popularity • 50% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
15% Popularity • 50% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Arthur "Big Boy" Crudup
Boogie In The Morning
83 bpm • C Maj • 02:36 • -12.44db
12% Popularity • 56% Danceability • 72% Energy • 20% Liveness
2% Instrumentalness • 95% Positiveness
12% Popularity • 56% Danceability • 72% Energy • 20% Liveness
2% Instrumentalness • 95% Positiveness
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Johnny Dyer
Evan's Shuffle
84 bpm • F Maj • 01:05 • -8.49db
11% Popularity • 75% Danceability • 30% Energy • 11% Liveness
60% Instrumentalness • 71% Positiveness
11% Popularity • 75% Danceability • 30% Energy • 11% Liveness
60% Instrumentalness • 71% Positiveness
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Charlie Feathers
If you were mine to loose
84 bpm • E Maj • 02:23 • -14.13db
13% Popularity • 59% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
13% Popularity • 59% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Andrew Lewinter
Sonata for Horn & Piano: II. Andante
73 bpm • D min • 04:48 • -25.16db
0% Popularity • 22% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 13% Positiveness
0% Popularity • 22% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 13% Positiveness
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Elmore James
I Need You
84 bpm • D Maj • 02:54 • -12.5db
9% Popularity • 54% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 54% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Chinary Ung
Singing Inside Aura (Chamber Version)
72 bpm • D min • 14:32 • -23.7db
0% Popularity • 16% Danceability • 10% Energy • 8% Liveness
4% Instrumentalness • 5% Positiveness
0% Popularity • 16% Danceability • 10% Energy • 8% Liveness
4% Instrumentalness • 5% Positiveness
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Chris Barber
Reckless Blues
72 bpm • C# Maj • 02:46 • -9.5db
10% Popularity • 50% Danceability • 27% Energy • 54% Liveness
16% Instrumentalness • 49% Positiveness
10% Popularity • 50% Danceability • 27% Energy • 54% Liveness
16% Instrumentalness • 49% Positiveness
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Lowell Fulson
Crying Blues (Street Walking Woman)
84 bpm • C Maj • 02:23 • -15.98db
18% Popularity • 59% Danceability • 24% Energy • 10% Liveness
15% Instrumentalness • 44% Positiveness
18% Popularity • 59% Danceability • 24% Energy • 10% Liveness
15% Instrumentalness • 44% Positiveness
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Alan Reese
Burying Stonewall’s Arm
85 bpm • C# min • 01:09 • -18.45db
0% Popularity • 74% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
0% Popularity • 74% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Slim Harpo
There's Nothing as Sweet as Making Up
72 bpm • G Maj • 03:08 • -13.21db
9% Popularity • 56% Danceability • 18% Energy • 17% Liveness
66% Instrumentalness • 35% Positiveness
9% Popularity • 56% Danceability • 18% Energy • 17% Liveness
66% Instrumentalness • 35% Positiveness
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Magic Sam
Roll Your Money Maker
85 bpm • D Maj • 02:48 • -10.85db
8% Popularity • 40% Danceability • 56% Energy • 9% Liveness
7% Instrumentalness • 89% Positiveness
8% Popularity • 40% Danceability • 56% Energy • 9% Liveness
7% Instrumentalness • 89% Positiveness
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James Wilson
Pearl and Unicorn, Op. 20: IV. Andantino
85 bpm • B min • 04:57 • -25.93db
0% Popularity • 32% Danceability • 9% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
0% Popularity • 32% Danceability • 9% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
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Dave Dudley
Hillbilly Wolf
85 bpm • A# Maj • 02:02 • -12.96db
17% Popularity • 70% Danceability • 50% Energy • 9% Liveness
1% Instrumentalness • 86% Positiveness
17% Popularity • 70% Danceability • 50% Energy • 9% Liveness
1% Instrumentalness • 86% Positiveness
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Frank Bridge
String Quartet in E Minor, "Bologna": II...
85 bpm • F min • 09:17 • -23.53db
0% Popularity • 10% Danceability • 6% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
0% Popularity • 10% Danceability • 6% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
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Billy Boy Arnold
Baby Jane
85 bpm • A min • 02:43 • -8.08db
10% Popularity • 69% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 69% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Ernest Tubb
My Hillbilly Baby
85 bpm • D Maj • 02:24 • -9.26db
9% Popularity • 68% Danceability • 33% Energy • 59% Liveness
0% Instrumentalness • 83% Positiveness
9% Popularity • 68% Danceability • 33% Energy • 59% Liveness
0% Instrumentalness • 83% Positiveness
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AkaMikeBerry
Money
85 bpm • D# Maj • 04:56 • -6.52db
0% Popularity • 75% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 36% Positiveness
0% Popularity • 75% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 36% Positiveness
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Red Foley
Deep Blues
71 bpm • D Maj • 02:24 • -15.48db
10% Popularity • 62% Danceability • 19% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 62% Danceability • 19% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Lightnin' Hopkins
Just Sittin Down Thinkin'
85 bpm • A# Maj • 02:35 • -4db
12% Popularity • 47% Danceability • 70% Energy • 32% Liveness
89% Instrumentalness • 66% Positiveness
12% Popularity • 47% Danceability • 70% Energy • 32% Liveness
89% Instrumentalness • 66% Positiveness
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Sugar Pie DeSanto
Nickel and Dime
85 bpm • D# Maj • 01:52 • -6.65db
11% Popularity • 61% Danceability • 75% Energy • 6% Liveness
4% Instrumentalness • 87% Positiveness
11% Popularity • 61% Danceability • 75% Energy • 6% Liveness
4% Instrumentalness • 87% Positiveness
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Linda Manning
Our World of Rock and Roll
85 bpm • C Maj • 03:11 • -12.62db
16% Popularity • 58% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
16% Popularity • 58% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Ruth Brown
Please Don't Freeze
85 bpm • G min • 02:30 • -13.85db
12% Popularity • 69% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
12% Popularity • 69% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Jumpin'up
Hi-Ho Sylvester
86 bpm • C# Maj • 02:26 • -11.56db
10% Popularity • 56% Danceability • 50% Energy • 36% Liveness
89% Instrumentalness • 82% Positiveness
10% Popularity • 56% Danceability • 50% Energy • 36% Liveness
89% Instrumentalness • 82% Positiveness
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![Fair Maiden [George Peele] cover art](https://i.scdn.co/image/ab67616d00001e02a7ed67e89df74e52d9701eed)
James Wilson
Fair Maiden [George Peele]
86 bpm • F# min • 03:09 • -34.16db
0% Popularity • 19% Danceability • 2% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
0% Popularity • 19% Danceability • 2% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
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Solomon Burke
I Need You Tonight
71 bpm • D# Maj • 02:44 • -4.31db
8% Popularity • 50% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 50% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Frank Bridge
Novelletten: III. Allegro vivo
86 bpm • C min • 04:09 • -17.68db
0% Popularity • 25% Danceability • 14% Energy • 16% Liveness
51% Instrumentalness • 20% Positiveness
0% Popularity • 25% Danceability • 14% Energy • 16% Liveness
51% Instrumentalness • 20% Positiveness
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Texas Jim Robertson
You Are My Sunshaine
87 bpm • C# min • 03:38 • -22.66db
11% Popularity • 46% Danceability • 20% Energy • 12% Liveness
4% Instrumentalness • 33% Positiveness
11% Popularity • 46% Danceability • 20% Energy • 12% Liveness
4% Instrumentalness • 33% Positiveness
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Jan Bach
Bach: Oompah Suite for Tuba and Horn: VI...
70 bpm • G Maj • 03:24 • -20.1db
0% Popularity • 44% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
0% Popularity • 44% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
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Josh White
Baby, Won't You Doodle-Doo-Doo
87 bpm • F# Maj • 03:00 • -15.98db
2% Popularity • 64% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
2% Popularity • 64% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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James Wilson
Pearl and Unicorn, Op. 20: I. Lively
86 bpm • E min • 08:46 • -26.85db
0% Popularity • 23% Danceability • 5% Energy • 9% Liveness
64% Instrumentalness • 4% Positiveness
0% Popularity • 23% Danceability • 5% Energy • 9% Liveness
64% Instrumentalness • 4% Positiveness
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Lee Dorsey
Give Me You
87 bpm • C Maj • 02:27 • -8.85db
13% Popularity • 57% Danceability • 41% Energy • 36% Liveness
0% Instrumentalness • 75% Positiveness
13% Popularity • 57% Danceability • 41% Energy • 36% Liveness
0% Instrumentalness • 75% Positiveness
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George Balch Wilson
Cornices, Architraves and Friezes for So...
87 bpm • C# Maj • 06:50 • -23.11db
0% Popularity • 31% Danceability • 4% Energy • 7% Liveness
80% Instrumentalness • 3% Positiveness
0% Popularity • 31% Danceability • 4% Energy • 7% Liveness
80% Instrumentalness • 3% Positiveness
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Faron Young
When Two Worlds Collide
87 bpm • D Maj • 02:41 • -13.4db
9% Popularity • 48% Danceability • 26% Energy • 78% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 48% Danceability • 26% Energy • 78% Liveness
0% Instrumentalness • 45% Positiveness
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Jan Bach
Bach: Oompah Suite for Tuba and Horn: V....
70 bpm • A min • 01:59 • -28.26db
0% Popularity • 12% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
0% Popularity • 12% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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Sister Rosetta Tharpe
There Is Something Within Me
88 bpm • D# Maj • 02:26 • -13.4db
4% Popularity • 65% Danceability • 21% Energy • 19% Liveness
1% Instrumentalness • 68% Positiveness
4% Popularity • 65% Danceability • 21% Energy • 19% Liveness
1% Instrumentalness • 68% Positiveness
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Clarence "Frogman" Henry
Cheatin' traces
88 bpm • G Maj • 02:37 • -14.74db
15% Popularity • 50% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
15% Popularity • 50% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Juke Boy Bonner
Jumpin' With Juke Boy
88 bpm • E Maj • 01:42 • -11.63db
8% Popularity • 69% Danceability • 59% Energy • 28% Liveness
80% Instrumentalness • 85% Positiveness
8% Popularity • 69% Danceability • 59% Energy • 28% Liveness
80% Instrumentalness • 85% Positiveness
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Merle Travis
Guitar Rag
88 bpm • E Maj • 01:44 • -8.08db
9% Popularity • 78% Danceability • 46% Energy • 41% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 78% Danceability • 46% Energy • 41% Liveness
0% Instrumentalness • 80% Positiveness
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The Golden Gate Quartet
Hush!
88 bpm • F# Maj • 03:13 • -14.57db
9% Popularity • 84% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 84% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Roger Kellaway
Kellaway: Dance of the Ocean Breeze
88 bpm • F Maj • 05:44 • -19.65db
0% Popularity • 33% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 23% Positiveness
0% Popularity • 33% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 23% Positiveness
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Joe and the Hornets
Loosing That Stuff
89 bpm • G Maj • 02:00 • -8.31db
12% Popularity • 66% Danceability • 87% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 66% Danceability • 87% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
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Sister Rosetta Tharpe
Ninety-Nine and a Half Won't Do
89 bpm • G Maj • 02:00 • -11.91db
17% Popularity • 59% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
17% Popularity • 59% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Louis Jordan
Junco Partner
89 bpm • G# min • 02:42 • -12.01db
10% Popularity • 72% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
10% Popularity • 72% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Ray Charles
(Night Time Is) The Right Time
68 bpm • D# Maj • 03:43 • -5.54db
25% Popularity • 50% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
25% Popularity • 50% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Vince and the Sun Boppers
Wait a Minute Baby
89 bpm • C Maj • 02:01 • -6.98db
10% Popularity • 76% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 76% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
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Jan Bach
Bach: Oompah Suite for Tuba and Horn: I....
68 bpm • G min • 02:49 • -22.38db
0% Popularity • 25% Danceability • 2% Energy • 14% Liveness
93% Instrumentalness • 5% Positiveness
0% Popularity • 25% Danceability • 2% Energy • 14% Liveness
93% Instrumentalness • 5% Positiveness
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Wynonie Harris
Down Boy Down
90 bpm • C Maj • 02:29 • -7.19db
9% Popularity • 57% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
9% Popularity • 57% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
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The Four Tops
Kiss Me Baby
90 bpm • C# Maj • 02:07 • -7.27db
16% Popularity • 58% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
16% Popularity • 58% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
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T.V. Slim
Flatfoot Sam - Remastered 1995
90 bpm • F# Maj • 02:08 • -7.74db
10% Popularity • 75% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
10% Popularity • 75% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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James Wilson
John 14 Verse 6
90 bpm • G# min • 04:54 • -7.51db
0% Popularity • 72% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
0% Popularity • 72% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Chuck Berry
Wee Wee Hours (blues)
68 bpm • C# Maj • 03:01 • -13.74db
11% Popularity • 67% Danceability • 41% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
11% Popularity • 67% Danceability • 41% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
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Trygve Madsen
Madsen: Divertimento for Horn, Tuba and ...
68 bpm • F Maj • 03:11 • -25.37db
0% Popularity • 26% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
0% Popularity • 26% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
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AkaMikeBerry
Moneyfirst Interlude
90 bpm • C Maj • 02:09 • -3.94db
0% Popularity • 47% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
0% Popularity • 47% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
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Bunk Johnson
2.19 Blues
90 bpm • A# Maj • 03:15 • -10db
10% Popularity • 54% Danceability • 40% Energy • 21% Liveness
92% Instrumentalness • 65% Positiveness
10% Popularity • 54% Danceability • 40% Energy • 21% Liveness
92% Instrumentalness • 65% Positiveness
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Sugar Pie DeSanto
Flippin and a Floppin - Remastered
90 bpm • C Maj • 02:12 • -7.02db
8% Popularity • 56% Danceability • 84% Energy • 66% Liveness
0% Instrumentalness • 95% Positiveness
8% Popularity • 56% Danceability • 84% Energy • 66% Liveness
0% Instrumentalness • 95% Positiveness
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The Howard Morrison Quartet
Tumbling Tumble Weeds
90 bpm • A# Maj • 02:51 • -12.84db
8% Popularity • 51% Danceability • 30% Energy • 12% Liveness
5% Instrumentalness • 27% Positiveness
8% Popularity • 51% Danceability • 30% Energy • 12% Liveness
5% Instrumentalness • 27% Positiveness
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Louis Jordan
You’re Much Too Fat
91 bpm • C Maj • 02:45 • -9.74db
9% Popularity • 66% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
9% Popularity • 66% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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Trygve Madsen
Madsen: Divertimento for Horn, Tuba and ...
68 bpm • D Maj • 03:21 • -24.81db
0% Popularity • 30% Danceability • 2% Energy • 11% Liveness
97% Instrumentalness • 8% Positiveness
0% Popularity • 30% Danceability • 2% Energy • 11% Liveness
97% Instrumentalness • 8% Positiveness
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Chuck Berry
21 Blues
67 bpm • C min • 02:12 • -10.83db
9% Popularity • 64% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 64% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
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Texas Jim Robertson
It Makes No Difference Now
91 bpm • F Maj • 03:24 • -21.25db
9% Popularity • 52% Danceability • 18% Energy • 16% Liveness
3% Instrumentalness • 33% Positiveness
9% Popularity • 52% Danceability • 18% Energy • 16% Liveness
3% Instrumentalness • 33% Positiveness
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Roy Orbison
Tryin' to Get to You - Alternate / Remas...
91 bpm • D Maj • 02:40 • -8.37db
9% Popularity • 59% Danceability • 48% Energy • 20% Liveness
3% Instrumentalness • 79% Positiveness
9% Popularity • 59% Danceability • 48% Energy • 20% Liveness
3% Instrumentalness • 79% Positiveness
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AkaMikeBerry
I Wanna Get Moneyfirst
92 bpm • A# min • 03:07 • -4.81db
0% Popularity • 34% Danceability • 83% Energy • 69% Liveness
0% Instrumentalness • 54% Positiveness
0% Popularity • 34% Danceability • 83% Energy • 69% Liveness
0% Instrumentalness • 54% Positiveness
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John T. Webster 111
Gotta Make Love to You
92 bpm • G# Maj • 01:45 • -9.03db
9% Popularity • 55% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 55% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Blind Willie Johnson
Can't Nobody Hide from God
92 bpm • G min • 03:31 • -20.89db
14% Popularity • 57% Danceability • 14% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
14% Popularity • 57% Danceability • 14% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
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Blind Boy Fuller
I Crave My Pig Meat
93 bpm • F Maj • 02:51 • -13.28db
10% Popularity • 62% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 62% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
