Songs like Cantata No.147: Herz und Mund und Tat und Leben: Chorale: Jesu bleibet meine Freude - studio by The Sixteen
Based on a tempo of (+/- 10%) and a similar genre
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Charles Gounod
Gounod: St. Cecilia Mass in G Major: IV....
83 bpm • F Maj • 05:29 • -24.78db
12% Popularity • 8% Danceability • 5% Energy • 12% Liveness
48% Instrumentalness • 4% Positiveness
12% Popularity • 8% Danceability • 5% Energy • 12% Liveness
48% Instrumentalness • 4% Positiveness
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The Sixteen
Ne timeas Maria
83 bpm • A# Maj • 03:12 • -23db
20% Popularity • 13% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
20% Popularity • 13% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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William Byrd
Ave verum corpus - (Motet)
83 bpm • G min • 04:24 • -26.53db
20% Popularity • 10% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 10% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Vespers of 1610, Magnificat (High): Quia...
83 bpm • F Maj • 01:05 • -20.19db
11% Popularity • 21% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
11% Popularity • 21% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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César Franck
Panis angelicus
83 bpm • A Maj • 03:27 • -31.92db
17% Popularity • 11% Danceability • 1% Energy • 10% Liveness
10% Instrumentalness • 4% Positiveness
17% Popularity • 11% Danceability • 1% Energy • 10% Liveness
10% Instrumentalness • 4% Positiveness
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The Hilliard Ensemble
"Mille Regretz" (Després)
83 bpm • B Maj • 02:03 • -26db
22% Popularity • 21% Danceability • 6% Energy • 12% Liveness
3% Instrumentalness • 3% Positiveness
22% Popularity • 21% Danceability • 6% Energy • 12% Liveness
3% Instrumentalness • 3% Positiveness
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John Ireland
Greater Love Hath No Man
83 bpm • D Maj • 05:46 • -23.28db
14% Popularity • 10% Danceability • 11% Energy • 12% Liveness
20% Instrumentalness • 3% Positiveness
14% Popularity • 10% Danceability • 11% Energy • 12% Liveness
20% Instrumentalness • 3% Positiveness
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John Dowland
Flow, my tears
83 bpm • A# min • 05:10 • -25.77db
13% Popularity • 15% Danceability • 7% Energy • 14% Liveness
36% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 7% Energy • 14% Liveness
36% Instrumentalness • 4% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: II. "Te Deum laudamus"
83 bpm • C# Maj • 01:04 • -19.05db
29% Popularity • 36% Danceability • 13% Energy • 16% Liveness
52% Instrumentalness • 53% Positiveness
29% Popularity • 36% Danceability • 13% Energy • 16% Liveness
52% Instrumentalness • 53% Positiveness
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The Sixteen
Cantata No.147: Herz und Mund und Tat un...
83 bpm • F# Maj • 02:47 • -22.01db
17% Popularity • 12% Danceability • 8% Energy • 16% Liveness
93% Instrumentalness • 22% Positiveness
17% Popularity • 12% Danceability • 8% Energy • 16% Liveness
93% Instrumentalness • 22% Positiveness
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Giovanni Pierluigi da Palestrina
Super flumina Babylonis
83 bpm • G min • 03:24 • -29.84db
12% Popularity • 9% Danceability • 6% Energy • 8% Liveness
41% Instrumentalness • 3% Positiveness
12% Popularity • 9% Danceability • 6% Energy • 8% Liveness
41% Instrumentalness • 3% Positiveness
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André Campra
Messe de requiem: I. Requiem
82 bpm • D# Maj • 06:27 • -18db
14% Popularity • 12% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 10% Positiveness
14% Popularity • 12% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 10% Positiveness
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Agostino Steffani
Stabat Mater: Stabat Mater dolorosa
82 bpm • F# min • 01:56 • -26db
17% Popularity • 15% Danceability • 3% Energy • 9% Liveness
21% Instrumentalness • 4% Positiveness
17% Popularity • 15% Danceability • 3% Energy • 9% Liveness
21% Instrumentalness • 4% Positiveness
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John Dowland
Now, O Now I Needs Must Part
83 bpm • G Maj • 05:07 • -19db
12% Popularity • 19% Danceability • 9% Energy • 8% Liveness
41% Instrumentalness • 17% Positiveness
12% Popularity • 19% Danceability • 9% Energy • 8% Liveness
41% Instrumentalness • 17% Positiveness
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Gabriel Fauré
Requiem: In Paradisum - Live
82 bpm • D Maj • 03:04 • -29.19db
22% Popularity • 26% Danceability • 3% Energy • 5% Liveness
23% Instrumentalness • 3% Positiveness
22% Popularity • 26% Danceability • 3% Energy • 5% Liveness
23% Instrumentalness • 3% Positiveness
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Marc-Antoine Charpentier
Prelude from Te Deum
84 bpm • C# Maj • 01:26 • -10.31db
23% Popularity • 61% Danceability • 36% Energy • 8% Liveness
30% Instrumentalness • 63% Positiveness
23% Popularity • 61% Danceability • 36% Energy • 8% Liveness
30% Instrumentalness • 63% Positiveness
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Giovanni Pierluigi da Palestrina
Salve Regina: Salve Regina
82 bpm • C min • 06:22 • -24db
22% Popularity • 9% Danceability • 14% Energy • 8% Liveness
2% Instrumentalness • 3% Positiveness
22% Popularity • 9% Danceability • 14% Energy • 8% Liveness
2% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
Vesperae solennes de confessore in C, K....
82 bpm • F Maj • 05:11 • -28db
24% Popularity • 10% Danceability • 6% Energy • 9% Liveness
50% Instrumentalness • 4% Positiveness
24% Popularity • 10% Danceability • 6% Energy • 9% Liveness
50% Instrumentalness • 4% Positiveness
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George Frideric Handel
Rinaldo, HWV 7b: Act II Scene 4: Aria: L...
84 bpm • E Maj • 06:03 • -26db
35% Popularity • 25% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
35% Popularity • 25% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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William Byrd
Byrd: Mass for Five Voices - 01. Kyrie
84 bpm • C# Maj • 01:35 • -24db
24% Popularity • 17% Danceability • 16% Energy • 7% Liveness
32% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 16% Energy • 7% Liveness
32% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Psalm 42, Op. 42, MWV A15: Coro "Wie der...
82 bpm • F Maj • 06:19 • -21.49db
14% Popularity • 8% Danceability • 9% Energy • 10% Liveness
60% Instrumentalness • 4% Positiveness
14% Popularity • 8% Danceability • 9% Energy • 10% Liveness
60% Instrumentalness • 4% Positiveness
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Benjamin Britten
A Hymn to The Virgin
82 bpm • A min • 03:40 • -29.2db
16% Popularity • 9% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 3% Positiveness
16% Popularity • 9% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 3% Positiveness
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Jean-Philippe Rameau
Suite Les Boréades, RCT 31: 9. Entrée ...
84 bpm • C Maj • 03:36 • -28.58db
14% Popularity • 10% Danceability • 3% Energy • 11% Liveness
52% Instrumentalness • 10% Positiveness
14% Popularity • 10% Danceability • 3% Energy • 11% Liveness
52% Instrumentalness • 10% Positiveness
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Wolfgang Amadeus Mozart
Vesperae solennes de confessore, K. 339:...
82 bpm • F Maj • 04:16 • -25.91db
51% Popularity • 11% Danceability • 4% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
51% Popularity • 11% Danceability • 4% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
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George Frideric Handel
Dixit Dominus, HWV 232: 8. De torrente i...
82 bpm • B min • 03:35 • -23.37db
13% Popularity • 11% Danceability • 9% Energy • 17% Liveness
1% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 9% Energy • 17% Liveness
1% Instrumentalness • 4% Positiveness
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John Taverner
Mother of God Here I Stand
84 bpm • F# Maj • 03:10 • -41db
20% Popularity • 8% Danceability • 1% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
20% Popularity • 8% Danceability • 1% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
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Arcangelo Corelli
Oboe Concerto in A Major (arr. J. Barbir...
82 bpm • F Maj • 02:27 • -29.76db
40% Popularity • 17% Danceability • 4% Energy • 13% Liveness
85% Instrumentalness • 10% Positiveness
40% Popularity • 17% Danceability • 4% Energy • 13% Liveness
85% Instrumentalness • 10% Positiveness
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Claudio Monteverdi
Vespers of 1610: Lauda Jerusalem (High)
84 bpm • C Maj • 04:12 • -22.78db
11% Popularity • 24% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
11% Popularity • 24% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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The Tallis Scholars
Palestrina: Missa Papae Marcelli - 1c. K...
84 bpm • B Maj • 01:15 • -18.5db
38% Popularity • 21% Danceability • 30% Energy • 7% Liveness
91% Instrumentalness • 25% Positiveness
38% Popularity • 21% Danceability • 30% Energy • 7% Liveness
91% Instrumentalness • 25% Positiveness
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Christoph Willibald Gluck
Gluck: Orfeo ed Euridice, Wq. 30, Act 3:...
82 bpm • C# Maj • 03:47 • -20.11db
22% Popularity • 36% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
22% Popularity • 36% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Orlande de Lassus
Osculetur me osculo oris sui
82 bpm • A min • 02:38 • -23.79db
16% Popularity • 16% Danceability • 16% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 16% Danceability • 16% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
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Herbert Howells
Like as the Hart
82 bpm • C Maj • 06:33 • -29db
14% Popularity • 8% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
14% Popularity • 8% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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William Byrd
Ave verum corpus
84 bpm • A min • 04:07 • -27.68db
22% Popularity • 9% Danceability • 5% Energy • 8% Liveness
55% Instrumentalness • 4% Positiveness
22% Popularity • 9% Danceability • 5% Energy • 8% Liveness
55% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Vespers of 1610, Magnificat (High): Susc...
82 bpm • A# Maj • 01:18 • -23.89db
11% Popularity • 15% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
11% Popularity • 15% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Wolfgang Amadeus Mozart
Mass in C Major, K. 317 "Coronation": VI...
81 bpm • C Maj • 06:55 • -20.5db
15% Popularity • 16% Danceability • 6% Energy • 7% Liveness
1% Instrumentalness • 5% Positiveness
15% Popularity • 16% Danceability • 6% Energy • 7% Liveness
1% Instrumentalness • 5% Positiveness
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Francis Poulenc
Quatre petites prières de Saint Franço...
81 bpm • E Maj • 01:22 • -29.32db
18% Popularity • 17% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Hör mein Bitten, WoO 15
81 bpm • G Maj • 09:53 • -20.66db
10% Popularity • 18% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
10% Popularity • 18% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
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George Frideric Handel
Dixit Dominus, HWV 232: Virgam virtutis ...
81 bpm • A Maj • 02:48 • -24.71db
18% Popularity • 33% Danceability • 6% Energy • 27% Liveness
0% Instrumentalness • 51% Positiveness
18% Popularity • 33% Danceability • 6% Energy • 27% Liveness
0% Instrumentalness • 51% Positiveness
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Thomas Tallis
O nata lux
81 bpm • A# min • 01:49 • -29.21db
15% Popularity • 22% Danceability • 6% Energy • 12% Liveness
26% Instrumentalness • 6% Positiveness
15% Popularity • 22% Danceability • 6% Energy • 12% Liveness
26% Instrumentalness • 6% Positiveness
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Heinrich Schütz
Herr, wenn ich nur dich habe, SWV 280
85 bpm • A min • 03:27 • -18db
24% Popularity • 23% Danceability • 11% Energy • 9% Liveness
51% Instrumentalness • 5% Positiveness
24% Popularity • 23% Danceability • 11% Energy • 9% Liveness
51% Instrumentalness • 5% Positiveness
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Antonio Vivaldi
Nulla in Mundo Pax Sincera, RV 630
85 bpm • D# Maj • 05:54 • -20.57db
14% Popularity • 26% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
14% Popularity • 26% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Claudio Monteverdi
Vespers of 1610: Laetatus sum
81 bpm • G min • 06:31 • -21.42db
15% Popularity • 17% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 17% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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César Franck
Franck / Arr. Sandré: Mass, Op. 12, FWV...
85 bpm • A Maj • 04:54 • -20db
12% Popularity • 18% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
12% Popularity • 18% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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William Walton
Set Me As A Seal Upon Thine Heart
81 bpm • D Maj • 03:26 • -28.76db
10% Popularity • 8% Danceability • 6% Energy • 7% Liveness
1% Instrumentalness • 3% Positiveness
10% Popularity • 8% Danceability • 6% Energy • 7% Liveness
1% Instrumentalness • 3% Positiveness
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Otto Nicolai
Herr, auf dich traue ich (Psalm 31)
81 bpm • D# Maj • 09:32 • -25.69db
13% Popularity • 11% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Amy Beach
Peace I Leave with You
81 bpm • D# Maj • 01:39 • -27db
30% Popularity • 24% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Benjamin Britten
A Hymn to the Virgin
81 bpm • E Maj • 02:43 • -27db
18% Popularity • 15% Danceability • 4% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
18% Popularity • 15% Danceability • 4% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Palestrina: Missa Papae Marcelli - 1a. K...
81 bpm • B Maj • 01:36 • -25.57db
42% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
42% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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James MacMillan
A Child's Prayer
85 bpm • E min • 04:12 • -26.78db
11% Popularity • 11% Danceability • 6% Energy • 9% Liveness
14% Instrumentalness • 3% Positiveness
11% Popularity • 11% Danceability • 6% Energy • 9% Liveness
14% Instrumentalness • 3% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act II, Scene...
86 bpm • F# Maj • 06:21 • -24db
15% Popularity • 19% Danceability • 5% Energy • 12% Liveness
14% Instrumentalness • 4% Positiveness
15% Popularity • 19% Danceability • 5% Energy • 12% Liveness
14% Instrumentalness • 4% Positiveness
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Antonio Lotti
Crucifixus (8vv)
86 bpm • C min • 03:40 • -22db
15% Popularity • 10% Danceability • 20% Energy • 25% Liveness
23% Instrumentalness • 3% Positiveness
15% Popularity • 10% Danceability • 20% Energy • 25% Liveness
23% Instrumentalness • 3% Positiveness
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Thomas Campion
Never Weather-beaten Sail
80 bpm • G Maj • 02:38 • -24db
19% Popularity • 23% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 23% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Gabriel Fauré
Requiem, Op. 48: Offertory
86 bpm • D Maj • 08:25 • -26.55db
17% Popularity • 9% Danceability • 5% Energy • 9% Liveness
48% Instrumentalness • 3% Positiveness
17% Popularity • 9% Danceability • 5% Energy • 9% Liveness
48% Instrumentalness • 3% Positiveness
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Margaret Rizza
Ave Generosa
86 bpm • D Maj • 06:11 • -25.47db
15% Popularity • 12% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
15% Popularity • 12% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
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Claudio Monteverdi
Vespers of 1610, Magnificat (High): Magn...
80 bpm • A# Maj • 00:42 • -20.45db
11% Popularity • 23% Danceability • 10% Energy • 6% Liveness
14% Instrumentalness • 3% Positiveness
11% Popularity • 23% Danceability • 10% Energy • 6% Liveness
14% Instrumentalness • 3% Positiveness
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Antonio Caldara
Il trionfo dell'innocenza: "Vanne pentit...
80 bpm • A Maj • 08:45 • -24db
18% Popularity • 22% Danceability • 5% Energy • 13% Liveness
3% Instrumentalness • 7% Positiveness
18% Popularity • 22% Danceability • 5% Energy • 13% Liveness
3% Instrumentalness • 7% Positiveness
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Marc-Antoine Charpentier
Prelude from 'Te Deum', H.146
80 bpm • D Maj • 01:21 • -15.16db
20% Popularity • 39% Danceability • 22% Energy • 17% Liveness
82% Instrumentalness • 42% Positiveness
20% Popularity • 39% Danceability • 22% Energy • 17% Liveness
82% Instrumentalness • 42% Positiveness
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Thomas Tallis
If Ye Love Me
80 bpm • B Maj • 02:11 • -21.78db
14% Popularity • 22% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 22% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Gabriel Fauré
Requiem, Op. 48: Pie Jesu
80 bpm • A# Maj • 03:34 • -28db
21% Popularity • 13% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
21% Popularity • 13% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Giovanni Battista Pergolesi
Stabat Mater, P. 77: I. Stabat Mater dol...
80 bpm • F min • 04:38 • -28.71db
42% Popularity • 18% Danceability • 5% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
42% Popularity • 18% Danceability • 5% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
► Preview
William Boyce
Symphony No. 1 in B-Flat Major, Op. 2, "...
86 bpm • A Maj • 02:55 • -23.37db
40% Popularity • 43% Danceability • 13% Energy • 25% Liveness
93% Instrumentalness • 69% Positiveness
40% Popularity • 43% Danceability • 13% Energy • 25% Liveness
93% Instrumentalness • 69% Positiveness
► Preview
Franz Schubert
Mass No. 2 in G Major, D. 167: I. Kyrie
86 bpm • G Maj • 03:35 • -25.19db
11% Popularity • 23% Danceability • 8% Energy • 12% Liveness
15% Instrumentalness • 15% Positiveness
11% Popularity • 23% Danceability • 8% Energy • 12% Liveness
15% Instrumentalness • 15% Positiveness
► Preview
Marc-Antoine Charpentier
Te Deum, H. 146: I. Prélude
86 bpm • C Maj • 01:37 • -18.4db
14% Popularity • 39% Danceability • 24% Energy • 20% Liveness
76% Instrumentalness • 15% Positiveness
14% Popularity • 39% Danceability • 24% Energy • 20% Liveness
76% Instrumentalness • 15% Positiveness
► Preview
Antonio Vivaldi
Gloria: Gratias agimus tibi
80 bpm • D# Maj • 01:15 • -14db
30% Popularity • 26% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
30% Popularity • 26% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Gabriel Fauré
Requiem: Offertorium - Live
80 bpm • D Maj • 07:20 • -29.66db
19% Popularity • 8% Danceability • 3% Energy • 8% Liveness
6% Instrumentalness • 4% Positiveness
19% Popularity • 8% Danceability • 3% Energy • 8% Liveness
6% Instrumentalness • 4% Positiveness
► Preview
Dmitry Bortniansky
Cherubic Hymn, No. 7
86 bpm • D Maj • 04:00 • -22db
15% Popularity • 23% Danceability • 7% Energy • 9% Liveness
72% Instrumentalness • 4% Positiveness
15% Popularity • 23% Danceability • 7% Energy • 9% Liveness
72% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Mozart: Vesperae solennes de confessore,...
80 bpm • F Maj • 05:24 • -21.88db
9% Popularity • 11% Danceability • 8% Energy • 17% Liveness
4% Instrumentalness • 4% Positiveness
9% Popularity • 11% Danceability • 8% Energy • 17% Liveness
4% Instrumentalness • 4% Positiveness
► Preview
George Frideric Handel
Ode for the Birthday of Queen Anne, HWV ...
86 bpm • C# Maj • 03:01 • -21db
16% Popularity • 14% Danceability • 13% Energy • 20% Liveness
12% Instrumentalness • 13% Positiveness
16% Popularity • 14% Danceability • 13% Energy • 20% Liveness
12% Instrumentalness • 13% Positiveness
► Preview
Musica Amphion
Motet Jesu Meine Freude (Bwv 227)
80 bpm • D# min • 01:15 • -22.18db
31% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
31% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Giovanni Battista Pergolesi
Stabat Mater, P. 77: III. O quam tristis
80 bpm • G min • 02:33 • -23.72db
40% Popularity • 14% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
40% Popularity • 14% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Franz Schubert
Gott ist mein Hirt, D. 706
80 bpm • B min • 04:44 • -30db
29% Popularity • 12% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
29% Popularity • 12% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Johann Sebastian Bach
Mass in B Minor, BWV 232: Sanctus & Bene...
80 bpm • C# Maj • 04:49 • -19.03db
10% Popularity • 23% Danceability • 26% Energy • 30% Liveness
8% Instrumentalness • 37% Positiveness
10% Popularity • 23% Danceability • 26% Energy • 30% Liveness
8% Instrumentalness • 37% Positiveness
► Preview
Anton Bruckner
Pange lingua, WAB 33
79 bpm • A min • 04:46 • -31db
27% Popularity • 15% Danceability • 2% Energy • 7% Liveness
1% Instrumentalness • 3% Positiveness
27% Popularity • 15% Danceability • 2% Energy • 7% Liveness
1% Instrumentalness • 3% Positiveness
► Preview
William Byrd
Non, Nobis Domine
79 bpm • D Maj • 01:18 • -34.99db
25% Popularity • 28% Danceability • 1% Energy • 6% Liveness
97% Instrumentalness • 5% Positiveness
25% Popularity • 28% Danceability • 1% Energy • 6% Liveness
97% Instrumentalness • 5% Positiveness
► Preview
Wolfgang Amadeus Mozart
Mozart: Ave verum corpus, K. 618
79 bpm • A Maj • 02:41 • -21.23db
22% Popularity • 18% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
22% Popularity • 18% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Francis Poulenc
Quatre Motets pour un temps de pénitenc...
87 bpm • G Maj • 03:58 • -26.46db
11% Popularity • 16% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
11% Popularity • 16% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
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Claudio Monteverdi
Vespers of 1610: Nisi Dominus
87 bpm • A# Maj • 04:48 • -19.84db
16% Popularity • 15% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
16% Popularity • 15% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Giovanni Pierluigi da Palestrina
Missa Hodie Christus natus est - Credo
79 bpm • A# Maj • 06:49 • -25.31db
5% Popularity • 10% Danceability • 12% Energy • 33% Liveness
0% Instrumentalness • 6% Positiveness
5% Popularity • 10% Danceability • 12% Energy • 33% Liveness
0% Instrumentalness • 6% Positiveness
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Edward Bairstow
Blessed City Heavenly Salem
87 bpm • F min • 09:05 • -27.32db
10% Popularity • 9% Danceability • 5% Energy • 23% Liveness
33% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 5% Energy • 23% Liveness
33% Instrumentalness • 4% Positiveness
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William Byrd
Emendemus in melius
79 bpm • A Maj • 03:58 • -21.56db
15% Popularity • 9% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
15% Popularity • 9% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
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Tomás Luis de Victoria
O magnum mysterium: O Magnum Mysterium
87 bpm • A min • 04:27 • -25.77db
18% Popularity • 9% Danceability • 12% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
18% Popularity • 9% Danceability • 12% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
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Robert Parsons
Ave Maria
87 bpm • G# Maj • 04:37 • -26.03db
12% Popularity • 10% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 10% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Vespers of 1610: Pulchra es
87 bpm • G Maj • 03:58 • -31.05db
15% Popularity • 20% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
15% Popularity • 20% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
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Giovanni Pierluigi da Palestrina
Song of Songs - Trahe me post te
87 bpm • C min • 03:24 • -25.08db
5% Popularity • 16% Danceability • 12% Energy • 8% Liveness
4% Instrumentalness • 6% Positiveness
5% Popularity • 16% Danceability • 12% Energy • 8% Liveness
4% Instrumentalness • 6% Positiveness
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Franz Schubert
Deutsche Messe, D. 872: I. Zum Eingang. ...
79 bpm • F Maj • 04:34 • -24db
12% Popularity • 16% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Cantique de Jean Racine, Op. 11 (Arr. Ru...
87 bpm • C# Maj • 04:15 • -19db
23% Popularity • 17% Danceability • 15% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
23% Popularity • 17% Danceability • 15% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater: 2. Cujus animam
79 bpm • G Maj • 02:11 • -21db
25% Popularity • 39% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
25% Popularity • 39% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Antonio Vivaldi
Gloria: Domine Fili unigenite
79 bpm • E Maj • 02:02 • -20db
30% Popularity • 28% Danceability • 25% Energy • 22% Liveness
6% Instrumentalness • 41% Positiveness
30% Popularity • 28% Danceability • 25% Energy • 22% Liveness
6% Instrumentalness • 41% Positiveness
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Claudio Monteverdi
Vespers of 1610, Magnificat (High): Quia...
87 bpm • D min • 01:13 • -23.75db
11% Popularity • 23% Danceability • 5% Energy • 29% Liveness
79% Instrumentalness • 33% Positiveness
11% Popularity • 23% Danceability • 5% Energy • 29% Liveness
79% Instrumentalness • 33% Positiveness
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George Frideric Handel
Esther, HWV 50a: O Jordan, Jordan, Sacre...
88 bpm • F# min • 06:48 • -26.77db
25% Popularity • 24% Danceability • 3% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
25% Popularity • 24% Danceability • 3% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Thomas Tallis
If Ye Love Me
79 bpm • F Maj • 02:28 • -34.11db
31% Popularity • 16% Danceability • 6% Energy • 11% Liveness
5% Instrumentalness • 6% Positiveness
31% Popularity • 16% Danceability • 6% Energy • 11% Liveness
5% Instrumentalness • 6% Positiveness
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Gabriel Fauré
Fauré: Cantique de Jean Racine, Op. 11
79 bpm • C# Maj • 04:53 • -22.46db
29% Popularity • 13% Danceability • 6% Energy • 17% Liveness
95% Instrumentalness • 4% Positiveness
29% Popularity • 13% Danceability • 6% Energy • 17% Liveness
95% Instrumentalness • 4% Positiveness
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Giovanni Pierluigi da Palestrina
Song of Songs - Nigra sum sed formosa
79 bpm • C min • 03:40 • -26.25db
6% Popularity • 11% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
6% Popularity • 11% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Charles Wood
O Thou the Central Orb
88 bpm • G# Maj • 04:09 • -19db
12% Popularity • 9% Danceability • 18% Energy • 8% Liveness
64% Instrumentalness • 4% Positiveness
12% Popularity • 9% Danceability • 18% Energy • 8% Liveness
64% Instrumentalness • 4% Positiveness
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Samuel Scheidt
Surrexit Christus hodie
79 bpm • G min • 01:18 • -19db
32% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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George Frideric Handel
Handel: Eternal Source Of Light Divine (...
78 bpm • C# Maj • 03:53 • -20db
29% Popularity • 12% Danceability • 8% Energy • 10% Liveness
67% Instrumentalness • 5% Positiveness
29% Popularity • 12% Danceability • 8% Energy • 10% Liveness
67% Instrumentalness • 5% Positiveness
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Claudio Monteverdi
Vespro della Beata Vergine, SV 206: VIII...
88 bpm • A# Maj • 04:35 • -19.91db
13% Popularity • 23% Danceability • 13% Energy • 11% Liveness
4% Instrumentalness • 15% Positiveness
13% Popularity • 23% Danceability • 13% Energy • 11% Liveness
4% Instrumentalness • 15% Positiveness
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William Byrd
Byrd: Ave Verum Corpus
88 bpm • G# min • 04:10 • -26.88db
21% Popularity • 9% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
21% Popularity • 9% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
