Songs like Canto de Ossanha by Baden Powell
Based on a tempo of (+/- 10%) and a similar genre
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3 Na Massa
Enladeirada
90 bpm • F# min • 03:47 • -6db
23% Popularity • 62% Danceability • 80% Energy • 8% Liveness
1% Instrumentalness • 92% Positiveness
23% Popularity • 62% Danceability • 80% Energy • 8% Liveness
1% Instrumentalness • 92% Positiveness
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Ruspo
Brasília é Luísa
90 bpm • C Maj • 04:16 • -9.25db
14% Popularity • 73% Danceability • 46% Energy • 38% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 73% Danceability • 46% Energy • 38% Liveness
0% Instrumentalness • 68% Positiveness
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Baden Powell
Canto de Ossanha
90 bpm • G min • 04:15 • -15.82db
39% Popularity • 58% Danceability • 40% Energy • 24% Liveness
1% Instrumentalness • 52% Positiveness
39% Popularity • 58% Danceability • 40% Energy • 24% Liveness
1% Instrumentalness • 52% Positiveness
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Os Incríveis
Vendedor de Bananas
90 bpm • G Maj • 03:45 • -7db
36% Popularity • 75% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
36% Popularity • 75% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
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Orlandivo
Onde Anda O Meu Amor
90 bpm • F min • 03:42 • -13.43db
28% Popularity • 63% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
28% Popularity • 63% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
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Yamandu Costa
El Negro del Blanco
90 bpm • C Maj • 06:23 • -10db
11% Popularity • 44% Danceability • 41% Energy • 13% Liveness
81% Instrumentalness • 35% Positiveness
11% Popularity • 44% Danceability • 41% Energy • 13% Liveness
81% Instrumentalness • 35% Positiveness
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Betinho
Planta Baixa
90 bpm • A min • 02:20 • -6.91db
17% Popularity • 54% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
17% Popularity • 54% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Jose Mauro
Exaltação e Lamento do Último Rei
90 bpm • F# min • 03:42 • -11db
15% Popularity • 24% Danceability • 59% Energy • 46% Liveness
0% Instrumentalness • 45% Positiveness
15% Popularity • 24% Danceability • 59% Energy • 46% Liveness
0% Instrumentalness • 45% Positiveness
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Sylvia Telles
Samba Torto
90 bpm • F Maj • 01:56 • -19db
17% Popularity • 74% Danceability • 12% Energy • 23% Liveness
0% Instrumentalness • 77% Positiveness
17% Popularity • 74% Danceability • 12% Energy • 23% Liveness
0% Instrumentalness • 77% Positiveness
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Nazaré Pereira
Caixa de Sol
90 bpm • B min • 03:27 • -14.2db
11% Popularity • 48% Danceability • 49% Energy • 11% Liveness
7% Instrumentalness • 72% Positiveness
11% Popularity • 48% Danceability • 49% Energy • 11% Liveness
7% Instrumentalness • 72% Positiveness
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Sebastiao Tapajós
Feitiço da Vila
90 bpm • F# min • 02:28 • -17.63db
25% Popularity • 66% Danceability • 39% Energy • 22% Liveness
87% Instrumentalness • 75% Positiveness
25% Popularity • 66% Danceability • 39% Energy • 22% Liveness
87% Instrumentalness • 75% Positiveness
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Claudya
Com Mais De 30
91 bpm • C Maj • 02:42 • -6.75db
38% Popularity • 66% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
38% Popularity • 66% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Jorge Ben Jor
Mas, Que Nada!
89 bpm • D min • 02:59 • -8.65db
59% Popularity • 51% Danceability • 51% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
59% Popularity • 51% Danceability • 51% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
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Jose Mauro
Obnoxius
90 bpm • D min • 03:50 • -10db
27% Popularity • 41% Danceability • 53% Energy • 44% Liveness
0% Instrumentalness • 47% Positiveness
27% Popularity • 41% Danceability • 53% Energy • 44% Liveness
0% Instrumentalness • 47% Positiveness
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Ary Barroso
La Vem a Baiana
91 bpm • G min • 02:09 • -14db
41% Popularity • 46% Danceability • 32% Energy • 11% Liveness
89% Instrumentalness • 54% Positiveness
41% Popularity • 46% Danceability • 32% Energy • 11% Liveness
89% Instrumentalness • 54% Positiveness
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Os Brazoes
Carolina, Carol Bela
91 bpm • A# min • 02:06 • -6.89db
41% Popularity • 65% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 93% Positiveness
41% Popularity • 65% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 93% Positiveness
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Ed Lincoln
Um Samba Gostoso
91 bpm • A# Maj • 02:01 • -10.82db
42% Popularity • 56% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
42% Popularity • 56% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
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Claudya
Garra
91 bpm • G min • 02:18 • -9db
18% Popularity • 51% Danceability • 45% Energy • 31% Liveness
2% Instrumentalness • 86% Positiveness
18% Popularity • 51% Danceability • 45% Energy • 31% Liveness
2% Instrumentalness • 86% Positiveness
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Juca Chaves
Chapéu de Palha Com Peninha Preta
91 bpm • G# min • 02:54 • -19.72db
8% Popularity • 64% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 64% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Claudia
Deixa o Morro Cantar
89 bpm • A# min • 02:32 • -15db
23% Popularity • 66% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
23% Popularity • 66% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Os Originais Do Samba
Falador Passa Mal
89 bpm • F min • 03:09 • -6.47db
24% Popularity • 79% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
24% Popularity • 79% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Salinas
Tenha Fé, Pois Amanhã um Lindo Dia Vai...
91 bpm • G min • 02:36 • -13.92db
42% Popularity • 78% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
42% Popularity • 78% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Os Mutantes
A Minha Menina
91 bpm • G Maj • 04:44 • -3.2db
49% Popularity • 46% Danceability • 93% Energy • 48% Liveness
0% Instrumentalness • 44% Positiveness
49% Popularity • 46% Danceability • 93% Energy • 48% Liveness
0% Instrumentalness • 44% Positiveness
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Rosinha De Valença
O Samba da Minha Terra
89 bpm • F# min • 02:14 • -9.01db
40% Popularity • 71% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
40% Popularity • 71% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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Sérgio Ricardo
Conversação de Paz
89 bpm • B Maj • 03:22 • -11.07db
19% Popularity • 62% Danceability • 60% Energy • 54% Liveness
0% Instrumentalness • 86% Positiveness
19% Popularity • 62% Danceability • 60% Energy • 54% Liveness
0% Instrumentalness • 86% Positiveness
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Grupo Fundo De Quintal
Te Gosto
89 bpm • D min • 03:17 • -11db
44% Popularity • 65% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
44% Popularity • 65% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Os Originais Do Samba
Falador Passa Mal
89 bpm • F min • 03:10 • -11.15db
52% Popularity • 79% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
52% Popularity • 79% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Clementina De Jesus
Canto II
92 bpm • C# Maj • 03:27 • -9.31db
24% Popularity • 78% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
24% Popularity • 78% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Sérgio Sampaio
Sinceramente
92 bpm • E min • 01:18 • -11.25db
49% Popularity • 71% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
49% Popularity • 71% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Johnny Alf
Rapaz de Bem
88 bpm • F Maj • 02:29 • -6.01db
24% Popularity • 57% Danceability • 50% Energy • 43% Liveness
0% Instrumentalness • 58% Positiveness
24% Popularity • 57% Danceability • 50% Energy • 43% Liveness
0% Instrumentalness • 58% Positiveness
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Nelson Cavaquinho
Caminhando
92 bpm • D min • 02:11 • -11db
36% Popularity • 76% Danceability • 52% Energy • 10% Liveness
94% Instrumentalness • 96% Positiveness
36% Popularity • 76% Danceability • 52% Energy • 10% Liveness
94% Instrumentalness • 96% Positiveness
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Sebastiao Tapajós
Escola de Samba
92 bpm • C# Maj • 02:41 • -15.37db
9% Popularity • 54% Danceability • 68% Energy • 6% Liveness
73% Instrumentalness • 45% Positiveness
9% Popularity • 54% Danceability • 68% Energy • 6% Liveness
73% Instrumentalness • 45% Positiveness
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Geovana
Maitá
92 bpm • G Maj • 02:29 • -8.78db
27% Popularity • 72% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
27% Popularity • 72% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Baden Powell
Canto De Ossanha
92 bpm • A Maj • 06:51 • -18.59db
30% Popularity • 42% Danceability • 32% Energy • 12% Liveness
84% Instrumentalness • 54% Positiveness
30% Popularity • 42% Danceability • 32% Energy • 12% Liveness
84% Instrumentalness • 54% Positiveness
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Itamar Assumpção
Lambuzada de Dendê
92 bpm • E Maj • 02:54 • -9.19db
35% Popularity • 86% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
35% Popularity • 86% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Rio 65 Trio
Deve Ser Bonito
88 bpm • G Maj • 02:14 • -15db
36% Popularity • 59% Danceability • 45% Energy • 10% Liveness
96% Instrumentalness • 83% Positiveness
36% Popularity • 59% Danceability • 45% Energy • 10% Liveness
96% Instrumentalness • 83% Positiveness
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Juca Chaves
Take Me Back To Piauí
92 bpm • F min • 03:16 • -13db
37% Popularity • 67% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
37% Popularity • 67% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Tamba 4
Chant Of Ossanha (Canto de Ossanha)
92 bpm • E Maj • 05:03 • -15db
27% Popularity • 52% Danceability • 37% Energy • 6% Liveness
81% Instrumentalness • 61% Positiveness
27% Popularity • 52% Danceability • 37% Energy • 6% Liveness
81% Instrumentalness • 61% Positiveness
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Luli
Ballero
92 bpm • C Maj • 02:48 • -7.14db
15% Popularity • 58% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
15% Popularity • 58% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Johnny Alf
Kaô, Xangô
88 bpm • C Maj • 02:11 • -10.08db
33% Popularity • 54% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
33% Popularity • 54% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Martinho Da Vila
Claustrofobia
88 bpm • B min • 03:21 • -15.32db
15% Popularity • 52% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
15% Popularity • 52% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Naná Vasconcelos e Itamar Assumpção
Leonor
92 bpm • C# min • 05:20 • -18db
23% Popularity • 80% Danceability • 35% Energy • 14% Liveness
4% Instrumentalness • 91% Positiveness
23% Popularity • 80% Danceability • 35% Energy • 14% Liveness
4% Instrumentalness • 91% Positiveness
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Orlandivo
Ondo Anda a Meu Amor
88 bpm • F min • 03:42 • -12db
32% Popularity • 69% Danceability • 66% Energy • 24% Liveness
9% Instrumentalness • 96% Positiveness
32% Popularity • 69% Danceability • 66% Energy • 24% Liveness
9% Instrumentalness • 96% Positiveness
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The Ipanemas
Samba pra Mim Mesmo
92 bpm • A min • 04:41 • -8.85db
39% Popularity • 70% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
39% Popularity • 70% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Piri
Reza Brava
92 bpm • C Maj • 03:09 • -11.65db
9% Popularity • 52% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
9% Popularity • 52% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Sérgio Sampaio
Até outro dia
87 bpm • G Maj • 03:37 • -13db
25% Popularity • 60% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
25% Popularity • 60% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Graveola
Insensatez: a Mulher Que Fez
92 bpm • D# Maj • 02:23 • -11.2db
40% Popularity • 78% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
40% Popularity • 78% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Os Mutantes
She's My Shoo Shoo (A Minha Menina)
93 bpm • C Maj • 02:53 • -8.44db
33% Popularity • 66% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 66% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Bebeto
Neguinho poeta
93 bpm • E min • 03:08 • -13.49db
19% Popularity • 63% Danceability • 49% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 63% Danceability • 49% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
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Baden Powell
Garota De Ipanema
93 bpm • F Maj • 02:59 • -19.58db
19% Popularity • 49% Danceability • 25% Energy • 12% Liveness
83% Instrumentalness • 60% Positiveness
19% Popularity • 49% Danceability • 25% Energy • 12% Liveness
83% Instrumentalness • 60% Positiveness
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Helio Matheus
Mais Kriola
87 bpm • F Maj • 04:18 • -11.16db
28% Popularity • 67% Danceability • 70% Energy • 9% Liveness
33% Instrumentalness • 85% Positiveness
28% Popularity • 67% Danceability • 70% Energy • 9% Liveness
33% Instrumentalness • 85% Positiveness
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Sylvia Telles
Dindi
93 bpm • C min • 02:45 • -28.76db
19% Popularity • 32% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
19% Popularity • 32% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Lia de Itamaracá
Meus Cabelos Brancos
93 bpm • C# min • 03:04 • -13.57db
28% Popularity • 62% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
28% Popularity • 62% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Metá Metá
Vias de Fato
93 bpm • E min • 03:49 • -7db
31% Popularity • 48% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
31% Popularity • 48% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Guinga
Catavento e Girassol
87 bpm • A min • 05:05 • -14db
22% Popularity • 54% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 49% Positiveness
22% Popularity • 54% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 49% Positiveness
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Douglas Germano
Lama
87 bpm • G min • 01:44 • -14db
54% Popularity • 66% Danceability • 29% Energy • 11% Liveness
31% Instrumentalness • 74% Positiveness
54% Popularity • 66% Danceability • 29% Energy • 11% Liveness
31% Instrumentalness • 74% Positiveness
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Arthur Verocai
Sylvia
93 bpm • D min • 03:03 • -15db
44% Popularity • 39% Danceability • 52% Energy • 13% Liveness
95% Instrumentalness • 76% Positiveness
44% Popularity • 39% Danceability • 52% Energy • 13% Liveness
95% Instrumentalness • 76% Positiveness
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Os Originais Do Samba
Tenha Fé, Pois Amanhã um Lindo Dia Vai...
93 bpm • F Maj • 02:47 • -8.65db
56% Popularity • 77% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
56% Popularity • 77% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Nelson Cavaquinho
A Flor e o Espinho
87 bpm • D min • 02:42 • -13.08db
44% Popularity • 55% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 92% Positiveness
44% Popularity • 55% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 92% Positiveness
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Bossacucanova
Deixa pra Lá
87 bpm • A min • 03:46 • -4.46db
50% Popularity • 72% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
50% Popularity • 72% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Dom Salvador & Abolição
Samba do Malandrinho
93 bpm • A# min • 02:25 • -10db
24% Popularity • 63% Danceability • 69% Energy • 10% Liveness
23% Instrumentalness • 96% Positiveness
24% Popularity • 63% Danceability • 69% Energy • 10% Liveness
23% Instrumentalness • 96% Positiveness
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Evinha
Que Bandeira
93 bpm • C# Maj • 02:29 • -11db
51% Popularity • 76% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
51% Popularity • 76% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
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Metá Metá
Alakorô
87 bpm • D# min • 04:25 • -10.12db
6% Popularity • 77% Danceability • 48% Energy • 9% Liveness
23% Instrumentalness • 96% Positiveness
6% Popularity • 77% Danceability • 48% Energy • 9% Liveness
23% Instrumentalness • 96% Positiveness
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Cartola
Alvorada
93 bpm • C# Maj • 02:38 • -10.29db
58% Popularity • 71% Danceability • 42% Energy • 25% Liveness
0% Instrumentalness • 85% Positiveness
58% Popularity • 71% Danceability • 42% Energy • 25% Liveness
0% Instrumentalness • 85% Positiveness
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Novos Baianos
Dagmar
93 bpm • A min • 02:34 • -8.8db
18% Popularity • 50% Danceability • 80% Energy • 8% Liveness
25% Instrumentalness • 71% Positiveness
18% Popularity • 50% Danceability • 80% Energy • 8% Liveness
25% Instrumentalness • 71% Positiveness
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Aracy de Almeida
Batucada Surgiu
94 bpm • E min • 02:18 • -8db
23% Popularity • 64% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 64% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
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Orlandivo
Tudo Jóia
94 bpm • C Maj • 03:36 • -7db
12% Popularity • 81% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 81% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Vinícius de Moraes
Broto Maroto
94 bpm • F Maj • 01:33 • -8.77db
18% Popularity • 66% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
18% Popularity • 66% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Metá Metá
Umbigada
94 bpm • E Maj • 03:30 • -12.36db
23% Popularity • 57% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 57% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Thiago França
Cumbia Cumbia
94 bpm • F min • 03:27 • -7.75db
25% Popularity • 89% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
25% Popularity • 89% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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Ed Lincoln
O Amor que eu Guardei
86 bpm • D min • 02:06 • -10.59db
41% Popularity • 59% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
41% Popularity • 59% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Baden Powell
Conversa Comigo Mesmo
86 bpm • A# min • 07:34 • -10db
22% Popularity • 33% Danceability • 78% Energy • 9% Liveness
90% Instrumentalness • 80% Positiveness
22% Popularity • 33% Danceability • 78% Energy • 9% Liveness
90% Instrumentalness • 80% Positiveness
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Meicio Askanasy, José Prates, Ivan de Paula
Maracatú da D Santa
94 bpm • E min • 03:26 • -8.76db
11% Popularity • 65% Danceability • 46% Energy • 36% Liveness
3% Instrumentalness • 27% Positiveness
11% Popularity • 65% Danceability • 46% Energy • 36% Liveness
3% Instrumentalness • 27% Positiveness
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Franko Xavier
Antes pouco que nenhum
86 bpm • E min • 03:05 • -10.29db
27% Popularity • 59% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
27% Popularity • 59% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Quarteto Em Cy
Tem Mais Samba
86 bpm • A# min • 02:15 • -7.68db
15% Popularity • 66% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 66% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Serginho Meriti
Bons Momentos
95 bpm • D min • 02:22 • -13.18db
38% Popularity • 72% Danceability • 48% Energy • 37% Liveness
0% Instrumentalness • 87% Positiveness
38% Popularity • 72% Danceability • 48% Energy • 37% Liveness
0% Instrumentalness • 87% Positiveness
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Thiago França
Obá Iná
95 bpm • C# min • 04:38 • -8.2db
21% Popularity • 53% Danceability • 54% Energy • 10% Liveness
58% Instrumentalness • 63% Positiveness
21% Popularity • 53% Danceability • 54% Energy • 10% Liveness
58% Instrumentalness • 63% Positiveness
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Baden Powell
Lamento de Éxu
86 bpm • A Maj • 06:05 • -26.44db
15% Popularity • 30% Danceability • 13% Energy • 16% Liveness
85% Instrumentalness • 16% Positiveness
15% Popularity • 30% Danceability • 13% Energy • 16% Liveness
85% Instrumentalness • 16% Positiveness
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Di Melo
Se O Mundo Acabasse Em Mel
95 bpm • G Maj • 03:06 • -7.88db
37% Popularity • 73% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 73% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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Antonio Carlos & Jocafi
Glorioso Santo Antonio
95 bpm • B min • 03:43 • -9.44db
32% Popularity • 65% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 65% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Luiz Melodia
Mistério da raça
95 bpm • B min • 03:07 • -9db
38% Popularity • 56% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 56% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
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Serginho Meriti
Bons momentos
95 bpm • D min • 02:27 • -14.92db
30% Popularity • 70% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
30% Popularity • 70% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
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Joao Donato
Tim-Dom-Dom
95 bpm • F Maj • 02:47 • -14.98db
29% Popularity • 68% Danceability • 58% Energy • 9% Liveness
86% Instrumentalness • 88% Positiveness
29% Popularity • 68% Danceability • 58% Energy • 9% Liveness
86% Instrumentalness • 88% Positiveness
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Baden Powell
Violão Vadio
86 bpm • C# Maj • 04:35 • -9.72db
9% Popularity • 42% Danceability • 34% Energy • 10% Liveness
6% Instrumentalness • 22% Positiveness
9% Popularity • 42% Danceability • 34% Energy • 10% Liveness
6% Instrumentalness • 22% Positiveness
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Sessa
Grandeza
95 bpm • B Maj • 02:58 • -13.29db
33% Popularity • 68% Danceability • 27% Energy • 11% Liveness
8% Instrumentalness • 56% Positiveness
33% Popularity • 68% Danceability • 27% Energy • 11% Liveness
8% Instrumentalness • 56% Positiveness
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Antonio Carlos & Jocafi
Deus o Salve
95 bpm • F Maj • 02:18 • -8.14db
20% Popularity • 70% Danceability • 87% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
20% Popularity • 70% Danceability • 87% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
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Otto
Dias de Janeiro
95 bpm • E min • 05:42 • -10db
36% Popularity • 65% Danceability • 77% Energy • 7% Liveness
28% Instrumentalness • 45% Positiveness
36% Popularity • 65% Danceability • 77% Energy • 7% Liveness
28% Instrumentalness • 45% Positiveness
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Arthur Verocai
Tudo de Bom
95 bpm • C# Maj • 03:35 • -11db
29% Popularity • 70% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 70% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Di Melo
Pernalonga
95 bpm • E min • 02:43 • -10.16db
41% Popularity • 85% Danceability • 77% Energy • 9% Liveness
1% Instrumentalness • 85% Positiveness
41% Popularity • 85% Danceability • 77% Energy • 9% Liveness
1% Instrumentalness • 85% Positiveness
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Johnny Alf
Despedida De Mangueira
85 bpm • A min • 03:06 • -10db
32% Popularity • 58% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
32% Popularity • 58% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
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Baden Powell
Saudade Da Bahia
95 bpm • A# min • 02:24 • -13.12db
21% Popularity • 67% Danceability • 66% Energy • 16% Liveness
10% Instrumentalness • 92% Positiveness
21% Popularity • 67% Danceability • 66% Energy • 16% Liveness
10% Instrumentalness • 92% Positiveness
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João Bosco
A Nível De...
95 bpm • E min • 03:40 • -11.3db
43% Popularity • 63% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
43% Popularity • 63% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Zé Keti
Favelado
85 bpm • D Maj • 01:40 • -13db
45% Popularity • 54% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
45% Popularity • 54% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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Ubiratan Marques
Maracatu do Congo
85 bpm • G Maj • 04:22 • -8.22db
24% Popularity • 72% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
24% Popularity • 72% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Deodato
Bebê
95 bpm • C# Maj • 02:28 • -11.55db
23% Popularity • 46% Danceability • 57% Energy • 18% Liveness
12% Instrumentalness • 35% Positiveness
23% Popularity • 46% Danceability • 57% Energy • 18% Liveness
12% Instrumentalness • 35% Positiveness
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Jackson Do Pandeiro
Capoeira mata um
96 bpm • D# min • 03:01 • -8.54db
37% Popularity • 78% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 78% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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Baden Powell
Consolação
95 bpm • A# Maj • 02:28 • -22.7db
42% Popularity • 49% Danceability • 23% Energy • 13% Liveness
94% Instrumentalness • 84% Positiveness
42% Popularity • 49% Danceability • 23% Energy • 13% Liveness
94% Instrumentalness • 84% Positiveness
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Os Mutantes
Baby
85 bpm • G Maj • 03:02 • -6.52db
35% Popularity • 35% Danceability • 62% Energy • 25% Liveness
28% Instrumentalness • 31% Positiveness
35% Popularity • 35% Danceability • 62% Energy • 25% Liveness
28% Instrumentalness • 31% Positiveness
