Songs like Canto de Um Lugar by Marcelo Maia
Based on a tempo of (+/- 10%) and a similar genre
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Leo Testoni
Peppo Samba
170 bpm • F Maj • 05:18 • -11.92db
7% Popularity • 58% Danceability • 58% Energy • 11% Liveness
49% Instrumentalness • 29% Positiveness
7% Popularity • 58% Danceability • 58% Energy • 11% Liveness
49% Instrumentalness • 29% Positiveness
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Willie Stewart
Journey with Me
170 bpm • D min • 04:34 • -6.5db
18% Popularity • 51% Danceability • 79% Energy • 8% Liveness
89% Instrumentalness • 70% Positiveness
18% Popularity • 51% Danceability • 79% Energy • 8% Liveness
89% Instrumentalness • 70% Positiveness
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Marcelo Maia
Canto de Um Lugar
170 bpm • C# min • 02:56 • -17.06db
0% Popularity • 41% Danceability • 42% Energy • 13% Liveness
83% Instrumentalness • 62% Positiveness
0% Popularity • 41% Danceability • 42% Energy • 13% Liveness
83% Instrumentalness • 62% Positiveness
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Danilo Visco
Black Off
170 bpm • A min • 03:35 • -8.92db
22% Popularity • 47% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 47% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Bruce Saroyan
Chasing
171 bpm • G# Maj • 03:24 • -6.24db
19% Popularity • 62% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
19% Popularity • 62% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Lisa Marie Simmons
Another String Pulled from the Theory
170 bpm • G min • 06:42 • -11.43db
11% Popularity • 35% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 35% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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LPM Trio
Introducción
169 bpm • F Maj • 01:46 • -11.43db
13% Popularity • 39% Danceability • 53% Energy • 36% Liveness
82% Instrumentalness • 81% Positiveness
13% Popularity • 39% Danceability • 53% Energy • 36% Liveness
82% Instrumentalness • 81% Positiveness
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Vladimir Torres
A Gabriel Solo Le Gusta Bailar
171 bpm • D Maj • 05:13 • -12.93db
13% Popularity • 48% Danceability • 37% Energy • 18% Liveness
63% Instrumentalness • 50% Positiveness
13% Popularity • 48% Danceability • 37% Energy • 18% Liveness
63% Instrumentalness • 50% Positiveness
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Makimatrio
Reflexos
169 bpm • C min • 04:39 • -8.44db
0% Popularity • 35% Danceability • 64% Energy • 19% Liveness
13% Instrumentalness • 44% Positiveness
0% Popularity • 35% Danceability • 64% Energy • 19% Liveness
13% Instrumentalness • 44% Positiveness
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Ingrid Goldfeld
Maria Planeta
172 bpm • A min • 04:06 • -10.56db
0% Popularity • 66% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
0% Popularity • 66% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Taylor Eigsti
Actually
168 bpm • G# Maj • 05:32 • -8.82db
16% Popularity • 41% Danceability • 55% Energy • 11% Liveness
87% Instrumentalness • 24% Positiveness
16% Popularity • 41% Danceability • 55% Energy • 11% Liveness
87% Instrumentalness • 24% Positiveness
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Bump2Soul
Woo!
168 bpm • D Maj • 02:41 • -9.7db
24% Popularity • 69% Danceability • 59% Energy • 18% Liveness
80% Instrumentalness • 89% Positiveness
24% Popularity • 69% Danceability • 59% Energy • 18% Liveness
80% Instrumentalness • 89% Positiveness
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Caroleen
Nobody Knows - Full Mix
172 bpm • A# min • 03:37 • -6.17db
12% Popularity • 67% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
12% Popularity • 67% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
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Matteo Burci
Song for Mary
173 bpm • G Maj • 05:39 • -14.32db
17% Popularity • 32% Danceability • 40% Energy • 15% Liveness
89% Instrumentalness • 52% Positiveness
17% Popularity • 32% Danceability • 40% Energy • 15% Liveness
89% Instrumentalness • 52% Positiveness
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Janek Gwizdala
Ship To Shore
174 bpm • D Maj • 04:58 • -10.06db
14% Popularity • 58% Danceability • 54% Energy • 16% Liveness
89% Instrumentalness • 76% Positiveness
14% Popularity • 58% Danceability • 54% Energy • 16% Liveness
89% Instrumentalness • 76% Positiveness
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Itamar Zion
Medea Home
175 bpm • B min • 10:11 • -16.83db
16% Popularity • 42% Danceability • 38% Energy • 27% Liveness
9% Instrumentalness • 37% Positiveness
16% Popularity • 42% Danceability • 38% Energy • 27% Liveness
9% Instrumentalness • 37% Positiveness
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Bobby Rozario
Bangalore Breakdown
173 bpm • A Maj • 07:30 • -6.19db
18% Popularity • 43% Danceability • 81% Energy • 12% Liveness
19% Instrumentalness • 38% Positiveness
18% Popularity • 43% Danceability • 81% Energy • 12% Liveness
19% Instrumentalness • 38% Positiveness
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Bruce Saroyan
Enlightenment
165 bpm • C# Maj • 04:53 • -4.82db
19% Popularity • 46% Danceability • 90% Energy • 4% Liveness
4% Instrumentalness • 49% Positiveness
19% Popularity • 46% Danceability • 90% Energy • 4% Liveness
4% Instrumentalness • 49% Positiveness
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Ruy López Nussa y La Academia
Samurai
175 bpm • C Maj • 03:48 • -9.7db
17% Popularity • 46% Danceability • 70% Energy • 10% Liveness
72% Instrumentalness • 67% Positiveness
17% Popularity • 46% Danceability • 70% Energy • 10% Liveness
72% Instrumentalness • 67% Positiveness
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Peela
Try Again
175 bpm • C# Maj • 06:39 • -11.47db
14% Popularity • 37% Danceability • 57% Energy • 10% Liveness
64% Instrumentalness • 65% Positiveness
14% Popularity • 37% Danceability • 57% Energy • 10% Liveness
64% Instrumentalness • 65% Positiveness
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Rocc Sturdy
At My Own Pace
175 bpm • G Maj • 02:17 • -10db
11% Popularity • 42% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 42% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Eli Menezes
Daydreamer
176 bpm • D min • 04:45 • -9db
10% Popularity • 48% Danceability • 76% Energy • 14% Liveness
83% Instrumentalness • 64% Positiveness
10% Popularity • 48% Danceability • 76% Energy • 14% Liveness
83% Instrumentalness • 64% Positiveness
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Benson Kennedy
Stick
162 bpm • F# Maj • 03:44 • -13db
24% Popularity • 53% Danceability • 63% Energy • 16% Liveness
79% Instrumentalness • 78% Positiveness
24% Popularity • 53% Danceability • 63% Energy • 16% Liveness
79% Instrumentalness • 78% Positiveness
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Fabio Vitiello
Sweet Nineteenths
162 bpm • G Maj • 02:48 • -12db
15% Popularity • 49% Danceability • 54% Energy • 13% Liveness
29% Instrumentalness • 58% Positiveness
15% Popularity • 49% Danceability • 54% Energy • 13% Liveness
29% Instrumentalness • 58% Positiveness
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Marcelo Maia
Flor do Cerrado
178 bpm • C min • 05:21 • -14.33db
0% Popularity • 28% Danceability • 38% Energy • 16% Liveness
91% Instrumentalness • 35% Positiveness
0% Popularity • 28% Danceability • 38% Energy • 16% Liveness
91% Instrumentalness • 35% Positiveness
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Usein Bekirov
Sato
179 bpm • A# min • 04:01 • -10.03db
10% Popularity • 50% Danceability • 78% Energy • 15% Liveness
92% Instrumentalness • 48% Positiveness
10% Popularity • 50% Danceability • 78% Energy • 15% Liveness
92% Instrumentalness • 48% Positiveness
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Pablo Lapidusas
Ska-Cha
162 bpm • C min • 04:43 • -13.41db
27% Popularity • 42% Danceability • 48% Energy • 12% Liveness
84% Instrumentalness • 53% Positiveness
27% Popularity • 42% Danceability • 48% Energy • 12% Liveness
84% Instrumentalness • 53% Positiveness
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Dan Del Negro
Go Full Out!
179 bpm • G# Maj • 03:40 • -9.48db
8% Popularity • 55% Danceability • 52% Energy • 19% Liveness
30% Instrumentalness • 85% Positiveness
8% Popularity • 55% Danceability • 52% Energy • 19% Liveness
30% Instrumentalness • 85% Positiveness
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Samuel N. Williams
Cruising
180 bpm • A# min • 05:24 • -11.35db
14% Popularity • 45% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 45% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Serene Static
Where
180 bpm • D Maj • 01:16 • -9.18db
9% Popularity • 69% Danceability • 72% Energy • 17% Liveness
84% Instrumentalness • 82% Positiveness
9% Popularity • 69% Danceability • 72% Energy • 17% Liveness
84% Instrumentalness • 82% Positiveness
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Tranquil Beatsmith
say
180 bpm • G Maj • 01:13 • -11.51db
12% Popularity • 67% Danceability • 44% Energy • 12% Liveness
90% Instrumentalness • 60% Positiveness
12% Popularity • 67% Danceability • 44% Energy • 12% Liveness
90% Instrumentalness • 60% Positiveness
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Marcelo Maia
Picadeiro da Vida
160 bpm • C min • 04:22 • -8.03db
0% Popularity • 72% Danceability • 72% Energy • 12% Liveness
52% Instrumentalness • 77% Positiveness
0% Popularity • 72% Danceability • 72% Energy • 12% Liveness
52% Instrumentalness • 77% Positiveness
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Trifecta
Crime Spree
160 bpm • F min • 03:07 • -6.81db
11% Popularity • 56% Danceability • 86% Energy • 47% Liveness
88% Instrumentalness • 89% Positiveness
11% Popularity • 56% Danceability • 86% Energy • 47% Liveness
88% Instrumentalness • 89% Positiveness
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Meika
Lovers on the Run
160 bpm • G# Maj • 04:16 • -5.89db
5% Popularity • 35% Danceability • 72% Energy • 13% Liveness
87% Instrumentalness • 34% Positiveness
5% Popularity • 35% Danceability • 72% Energy • 13% Liveness
87% Instrumentalness • 34% Positiveness
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Susanne Alt
Rue Lepic
160 bpm • B min • 05:51 • -8.64db
10% Popularity • 63% Danceability • 56% Energy • 15% Liveness
9% Instrumentalness • 44% Positiveness
10% Popularity • 63% Danceability • 56% Energy • 15% Liveness
9% Instrumentalness • 44% Positiveness
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OTOOTO
This Love Is For You
159 bpm • C# Maj • 02:54 • -11.7db
11% Popularity • 31% Danceability • 40% Energy • 14% Liveness
30% Instrumentalness • 14% Positiveness
11% Popularity • 31% Danceability • 40% Energy • 14% Liveness
30% Instrumentalness • 14% Positiveness
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Tranquil Beatsmith
toc
180 bpm • E min • 01:13 • -10.63db
10% Popularity • 65% Danceability • 55% Energy • 12% Liveness
92% Instrumentalness • 49% Positiveness
10% Popularity • 65% Danceability • 55% Energy • 12% Liveness
92% Instrumentalness • 49% Positiveness
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Kenny Yard
Rhythm of the Rocking Street
160 bpm • F min • 02:36 • -13.4db
19% Popularity • 51% Danceability • 38% Energy • 14% Liveness
93% Instrumentalness • 52% Positiveness
19% Popularity • 51% Danceability • 38% Energy • 14% Liveness
93% Instrumentalness • 52% Positiveness
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Ruy López Nussa y La Academia
Human Nature
182 bpm • B min • 04:30 • -9.63db
17% Popularity • 47% Danceability • 78% Energy • 32% Liveness
23% Instrumentalness • 79% Positiveness
17% Popularity • 47% Danceability • 78% Energy • 32% Liveness
23% Instrumentalness • 79% Positiveness
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BRUUT!
Hive
158 bpm • C# Maj • 01:00 • -9.15db
18% Popularity • 43% Danceability • 73% Energy • 42% Liveness
7% Instrumentalness • 42% Positiveness
18% Popularity • 43% Danceability • 73% Energy • 42% Liveness
7% Instrumentalness • 42% Positiveness
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Regino Matimbe
Alegria de um Sonhador
157 bpm • G Maj • 03:15 • -9.66db
17% Popularity • 66% Danceability • 72% Energy • 36% Liveness
95% Instrumentalness • 71% Positiveness
17% Popularity • 66% Danceability • 72% Energy • 36% Liveness
95% Instrumentalness • 71% Positiveness
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Thiago Espirito Santo
Open Roads
184 bpm • A min • 06:49 • -6.86db
9% Popularity • 32% Danceability • 88% Energy • 6% Liveness
85% Instrumentalness • 34% Positiveness
9% Popularity • 32% Danceability • 88% Energy • 6% Liveness
85% Instrumentalness • 34% Positiveness
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Tranquil Beatsmith
retoc
180 bpm • G Maj • 01:13 • -9.36db
10% Popularity • 69% Danceability • 67% Energy • 15% Liveness
84% Instrumentalness • 77% Positiveness
10% Popularity • 69% Danceability • 67% Energy • 15% Liveness
84% Instrumentalness • 77% Positiveness
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Ronny Alvarez
Máximo
156 bpm • E min • 05:55 • -10.24db
18% Popularity • 45% Danceability • 61% Energy • 22% Liveness
81% Instrumentalness • 29% Positiveness
18% Popularity • 45% Danceability • 61% Energy • 22% Liveness
81% Instrumentalness • 29% Positiveness
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Everything Yes
Skrt Skrt
156 bpm • A Maj • 03:12 • -7.84db
24% Popularity • 52% Danceability • 69% Energy • 14% Liveness
88% Instrumentalness • 22% Positiveness
24% Popularity • 52% Danceability • 69% Energy • 14% Liveness
88% Instrumentalness • 22% Positiveness
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Glesnes/Medby Quintet
A Perfect Day
156 bpm • D# Maj • 06:31 • -8.77db
13% Popularity • 36% Danceability • 61% Energy • 10% Liveness
74% Instrumentalness • 24% Positiveness
13% Popularity • 36% Danceability • 61% Energy • 10% Liveness
74% Instrumentalness • 24% Positiveness
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FUMO
Hunter
156 bpm • C# Maj • 05:18 • -9.98db
10% Popularity • 42% Danceability • 66% Energy • 12% Liveness
90% Instrumentalness • 46% Positiveness
10% Popularity • 42% Danceability • 66% Energy • 12% Liveness
90% Instrumentalness • 46% Positiveness
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Marcelo Maia
Jiofele
155 bpm • A# min • 04:08 • -12.08db
0% Popularity • 58% Danceability • 50% Energy • 10% Liveness
58% Instrumentalness • 89% Positiveness
0% Popularity • 58% Danceability • 50% Energy • 10% Liveness
58% Instrumentalness • 89% Positiveness
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Janek Gwizdala
Night Watch
154 bpm • G min • 05:51 • -9.19db
8% Popularity • 53% Danceability • 59% Energy • 13% Liveness
74% Instrumentalness • 41% Positiveness
8% Popularity • 53% Danceability • 59% Energy • 13% Liveness
74% Instrumentalness • 41% Positiveness
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RAFAEL NASCIMENTO
Doce Presença
155 bpm • A# min • 04:13 • -9.37db
8% Popularity • 64% Danceability • 42% Energy • 12% Liveness
74% Instrumentalness • 41% Positiveness
8% Popularity • 64% Danceability • 42% Energy • 12% Liveness
74% Instrumentalness • 41% Positiveness
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Brilliant Success
おぼろげな歓喜
188 bpm • F min • 01:41 • -15.85db
15% Popularity • 29% Danceability • 61% Energy • 11% Liveness
96% Instrumentalness • 66% Positiveness
15% Popularity • 29% Danceability • 61% Energy • 11% Liveness
96% Instrumentalness • 66% Positiveness
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Bobby Rozario
Escaping Alcatraz
154 bpm • A Maj • 06:29 • -8.23db
19% Popularity • 44% Danceability • 84% Energy • 13% Liveness
84% Instrumentalness • 53% Positiveness
19% Popularity • 44% Danceability • 84% Energy • 13% Liveness
84% Instrumentalness • 53% Positiveness
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J.Tronix
iMazur
150 bpm • C min • 08:28 • -12.86db
8% Popularity • 30% Danceability • 43% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
8% Popularity • 30% Danceability • 43% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
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Marcelo Maia
Feira
152 bpm • A Maj • 05:30 • -10.12db
0% Popularity • 74% Danceability • 53% Energy • 6% Liveness
6% Instrumentalness • 70% Positiveness
0% Popularity • 74% Danceability • 53% Energy • 6% Liveness
6% Instrumentalness • 70% Positiveness
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Afropean
Du matin au soir
152 bpm • C Maj • 04:29 • -10.34db
0% Popularity • 66% Danceability • 55% Energy • 8% Liveness
50% Instrumentalness • 51% Positiveness
0% Popularity • 66% Danceability • 55% Energy • 8% Liveness
50% Instrumentalness • 51% Positiveness
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Michael Pipoquinha
Jazz Pipocado
150 bpm • F min • 08:23 • -8.49db
10% Popularity • 42% Danceability • 74% Energy • 9% Liveness
84% Instrumentalness • 54% Positiveness
10% Popularity • 42% Danceability • 74% Energy • 9% Liveness
84% Instrumentalness • 54% Positiveness
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Alliance
Maiden Voyage
150 bpm • A# Maj • 08:32 • -12.18db
34% Popularity • 44% Danceability • 40% Energy • 6% Liveness
46% Instrumentalness • 23% Positiveness
34% Popularity • 44% Danceability • 40% Energy • 6% Liveness
46% Instrumentalness • 23% Positiveness
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Ramon Valle
Puentes
150 bpm • B min • 05:57 • -14.19db
14% Popularity • 53% Danceability • 45% Energy • 10% Liveness
94% Instrumentalness • 63% Positiveness
14% Popularity • 53% Danceability • 45% Energy • 10% Liveness
94% Instrumentalness • 63% Positiveness
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Norteñojazz
Naima
150 bpm • G# Maj • 04:48 • -7.78db
16% Popularity • 54% Danceability • 71% Energy • 28% Liveness
73% Instrumentalness • 42% Positiveness
16% Popularity • 54% Danceability • 71% Energy • 28% Liveness
73% Instrumentalness • 42% Positiveness
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Marcelo Maia
Saudade do Guti - Versão Sem Baixo
150 bpm • D Maj • 03:52 • -12.29db
0% Popularity • 47% Danceability • 73% Energy • 8% Liveness
68% Instrumentalness • 57% Positiveness
0% Popularity • 47% Danceability • 73% Energy • 8% Liveness
68% Instrumentalness • 57% Positiveness
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LAINZ
Funk Oil
150 bpm • C# Maj • 05:20 • -10.93db
9% Popularity • 68% Danceability • 61% Energy • 11% Liveness
84% Instrumentalness • 78% Positiveness
9% Popularity • 68% Danceability • 61% Energy • 11% Liveness
84% Instrumentalness • 78% Positiveness
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Ohnarp JANSON
Challenging Uncertainty
150 bpm • D min • 10:11 • -21.48db
17% Popularity • 56% Danceability • 43% Energy • 9% Liveness
85% Instrumentalness • 61% Positiveness
17% Popularity • 56% Danceability • 43% Energy • 9% Liveness
85% Instrumentalness • 61% Positiveness
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Glesnes/Medby Quintet
Snow in June
148 bpm • F Maj • 06:15 • -9.34db
13% Popularity • 33% Danceability • 59% Energy • 11% Liveness
44% Instrumentalness • 17% Positiveness
13% Popularity • 33% Danceability • 59% Energy • 11% Liveness
44% Instrumentalness • 17% Positiveness
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Bálint Gyémánt
Pyramidion
148 bpm • F Maj • 06:43 • -15.1db
9% Popularity • 31% Danceability • 39% Energy • 6% Liveness
92% Instrumentalness • 38% Positiveness
9% Popularity • 31% Danceability • 39% Energy • 6% Liveness
92% Instrumentalness • 38% Positiveness
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HUMMUCIDE
Body Language, Pt. 2
148 bpm • B Maj • 03:27 • -9.1db
9% Popularity • 64% Danceability • 46% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
9% Popularity • 64% Danceability • 46% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
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Marcelo Maia
Estrelas
150 bpm • G Maj • 03:57 • -11.2db
0% Popularity • 56% Danceability • 79% Energy • 12% Liveness
7% Instrumentalness • 57% Positiveness
0% Popularity • 56% Danceability • 79% Energy • 12% Liveness
7% Instrumentalness • 57% Positiveness
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Norteñojazz
Elegant People
196 bpm • G min • 05:40 • -6.48db
20% Popularity • 48% Danceability • 83% Energy • 59% Liveness
55% Instrumentalness • 74% Positiveness
20% Popularity • 48% Danceability • 83% Energy • 59% Liveness
55% Instrumentalness • 74% Positiveness
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Benjamin Renoir
Arctic Symphony
147 bpm • D min • 02:00 • -15.84db
13% Popularity • 77% Danceability • 50% Energy • 16% Liveness
86% Instrumentalness • 84% Positiveness
13% Popularity • 77% Danceability • 50% Energy • 16% Liveness
86% Instrumentalness • 84% Positiveness
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Fluxcore 94
94 Saga
147 bpm • A# Maj • 09:49 • -8.5db
8% Popularity • 48% Danceability • 57% Energy • 10% Liveness
45% Instrumentalness • 46% Positiveness
8% Popularity • 48% Danceability • 57% Energy • 10% Liveness
45% Instrumentalness • 46% Positiveness
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Jun Miyake
Riverside cafe
146 bpm • C# Maj • 05:22 • -12.05db
9% Popularity • 42% Danceability • 70% Energy • 29% Liveness
52% Instrumentalness • 58% Positiveness
9% Popularity • 42% Danceability • 70% Energy • 29% Liveness
52% Instrumentalness • 58% Positiveness
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Regino Matimbe
Thank You Jehovah
146 bpm • D Maj • 06:09 • -10.67db
17% Popularity • 55% Danceability • 68% Energy • 8% Liveness
87% Instrumentalness • 57% Positiveness
17% Popularity • 55% Danceability • 68% Energy • 8% Liveness
87% Instrumentalness • 57% Positiveness
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Marcelo Maia
Saudade do Guti
150 bpm • D Maj • 03:51 • -11.75db
0% Popularity • 43% Danceability • 59% Energy • 21% Liveness
90% Instrumentalness • 30% Positiveness
0% Popularity • 43% Danceability • 59% Energy • 21% Liveness
90% Instrumentalness • 30% Positiveness
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OTOOTO
Tokin'
146 bpm • G# Maj • 05:43 • -9.56db
7% Popularity • 43% Danceability • 51% Energy • 23% Liveness
90% Instrumentalness • 16% Positiveness
7% Popularity • 43% Danceability • 51% Energy • 23% Liveness
90% Instrumentalness • 16% Positiveness
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Thiago Espirito Santo
Good Roots
145 bpm • A Maj • 05:05 • -6.74db
10% Popularity • 52% Danceability • 84% Energy • 16% Liveness
88% Instrumentalness • 83% Positiveness
10% Popularity • 52% Danceability • 84% Energy • 16% Liveness
88% Instrumentalness • 83% Positiveness
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We Hate The Sharkman
Petrichor
145 bpm • C min • 04:13 • -12.16db
8% Popularity • 31% Danceability • 30% Energy • 13% Liveness
93% Instrumentalness • 19% Positiveness
8% Popularity • 31% Danceability • 30% Energy • 13% Liveness
93% Instrumentalness • 19% Positiveness
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Trifecta
Wake Up Call
145 bpm • G# Maj • 03:46 • -7db
9% Popularity • 68% Danceability • 55% Energy • 33% Liveness
74% Instrumentalness • 62% Positiveness
9% Popularity • 68% Danceability • 55% Energy • 33% Liveness
74% Instrumentalness • 62% Positiveness
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Mathias Sandberg
Chicken Special
199 bpm • F min • 03:11 • -11.64db
15% Popularity • 52% Danceability • 32% Energy • 10% Liveness
92% Instrumentalness • 75% Positiveness
15% Popularity • 52% Danceability • 32% Energy • 10% Liveness
92% Instrumentalness • 75% Positiveness
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Marcelo Maia
Saudade Guti
150 bpm • G Maj • 05:14 • -12.1db
0% Popularity • 44% Danceability • 51% Energy • 11% Liveness
59% Instrumentalness • 55% Positiveness
0% Popularity • 44% Danceability • 51% Energy • 11% Liveness
59% Instrumentalness • 55% Positiveness
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David Rodgers
Arthur
144 bpm • F Maj • 05:23 • -15.55db
12% Popularity • 51% Danceability • 40% Energy • 10% Liveness
88% Instrumentalness • 36% Positiveness
12% Popularity • 51% Danceability • 40% Energy • 10% Liveness
88% Instrumentalness • 36% Positiveness
