Songs like Canzon decimanona detta la capriola a canto e basso, F 8.20a by Girolamo Frescobaldi
Based on a tempo of (+/- 10%) and a similar genre
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Dario Castello
Sonata Duodecima a 3 In A Minor
135 bpm • G# min • 07:58 • -17.46db
6% Popularity • 30% Danceability • 13% Energy • 11% Liveness
67% Instrumentalness • 5% Positiveness
6% Popularity • 30% Danceability • 13% Energy • 11% Liveness
67% Instrumentalness • 5% Positiveness
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Heinrich Ignaz Franz von Biber
Mystery (Rosary) Sonata No. 3, "The Nati...
135 bpm • C# Maj • 02:54 • -17.2db
14% Popularity • 48% Danceability • 16% Energy • 7% Liveness
20% Instrumentalness • 56% Positiveness
14% Popularity • 48% Danceability • 16% Energy • 7% Liveness
20% Instrumentalness • 56% Positiveness
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Louis Couperin
Suite à 3 violes
135 bpm • C min • 11:40 • -20.3db
9% Popularity • 18% Danceability • 12% Energy • 11% Liveness
76% Instrumentalness • 9% Positiveness
9% Popularity • 18% Danceability • 12% Energy • 11% Liveness
76% Instrumentalness • 9% Positiveness
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Thomas Morley
The Second Dirge Anthem: Man That Is Bor...
135 bpm • G# min • 05:31 • -21.31db
10% Popularity • 16% Danceability • 7% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 7% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
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Girolamo Frescobaldi
Canzona prima a 4, canto alto tenor bass...
135 bpm • G Maj • 02:18 • -16.23db
11% Popularity • 21% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
11% Popularity • 21% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
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Matthew Locke
Psyche, Act I Scene 1: Symphony of rusti...
135 bpm • C# min • 01:00 • -18.65db
19% Popularity • 58% Danceability • 31% Energy • 26% Liveness
56% Instrumentalness • 34% Positiveness
19% Popularity • 58% Danceability • 31% Energy • 26% Liveness
56% Instrumentalness • 34% Positiveness
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Andrea Falconieri
Corriente Dicha la Cuella
134 bpm • E Maj • 01:03 • -14.95db
32% Popularity • 70% Danceability • 36% Energy • 8% Liveness
97% Instrumentalness • 52% Positiveness
32% Popularity • 70% Danceability • 36% Energy • 8% Liveness
97% Instrumentalness • 52% Positiveness
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François Couperin
Pieces de clavecin, Book 2, 6th Ordre: L...
134 bpm • F Maj • 03:53 • -27db
14% Popularity • 29% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 61% Positiveness
14% Popularity • 29% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 61% Positiveness
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Orlande de Lassus
Io ti vorria contar, LV 658 (Transcr. fo...
136 bpm • B Maj • 01:22 • -23.12db
21% Popularity • 48% Danceability • 17% Energy • 10% Liveness
84% Instrumentalness • 42% Positiveness
21% Popularity • 48% Danceability • 17% Energy • 10% Liveness
84% Instrumentalness • 42% Positiveness
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Heinrich Schütz
Ich bin die Auferstehung und das Leben, ...
134 bpm • D min • 03:36 • -19.66db
18% Popularity • 21% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
18% Popularity • 21% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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Johannes Ockeghem
Missa Prolationum: Kyrie I
133 bpm • F Maj • 01:15 • -20db
33% Popularity • 17% Danceability • 14% Energy • 10% Liveness
51% Instrumentalness • 4% Positiveness
33% Popularity • 17% Danceability • 14% Energy • 10% Liveness
51% Instrumentalness • 4% Positiveness
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Thomas Morley
The Third Dirge Anthem: I Heard a Voice ...
133 bpm • G# min • 01:56 • -27.88db
34% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Carl Friedrich Abel
Arpeggiata (Prelude)
133 bpm • C# min • 02:27 • -32.7db
26% Popularity • 23% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
26% Popularity • 23% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Girolamo Frescobaldi
Toccata per spinetta e violino, F8.49
133 bpm • A min • 03:47 • -22.95db
5% Popularity • 24% Danceability • 8% Energy • 14% Liveness
42% Instrumentalness • 5% Positiveness
5% Popularity • 24% Danceability • 8% Energy • 14% Liveness
42% Instrumentalness • 5% Positiveness
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Bellerofonte Castaldi
Cappricci a 2 stromenti cioe Tiorba et T...
137 bpm • G Maj • 02:55 • -25.65db
5% Popularity • 42% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 51% Positiveness
5% Popularity • 42% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 51% Positiveness
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Nicola Matteis
The False Consonances of Musick, Aria I
137 bpm • F# Maj • 01:21 • -28.47db
29% Popularity • 47% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 65% Positiveness
29% Popularity • 47% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 65% Positiveness
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Henry Purcell
Fantasy Upon One Note
133 bpm • E Maj • 02:45 • -20db
14% Popularity • 19% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
14% Popularity • 19% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
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Orlande de Lassus
Si du malheur
138 bpm • D# min • 02:52 • -31db
29% Popularity • 15% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
29% Popularity • 15% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad pedes: ...
131 bpm • F min • 01:08 • -15db
29% Popularity • 27% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
29% Popularity • 27% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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Girolamo Frescobaldi
Canzona decimasettima a due bassi "detta...
138 bpm • G min • 03:52 • -22.8db
6% Popularity • 25% Danceability • 15% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
6% Popularity • 25% Danceability • 15% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Robert de Visée
Suite in E Minor: VI. Menuet
132 bpm • D min • 01:15 • -30db
25% Popularity • 40% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 38% Positiveness
25% Popularity • 40% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 38% Positiveness
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Nicola Matteis
Allegro
131 bpm • D# min • 02:01 • -17.55db
16% Popularity • 48% Danceability • 26% Energy • 29% Liveness
44% Instrumentalness • 80% Positiveness
16% Popularity • 48% Danceability • 26% Energy • 29% Liveness
44% Instrumentalness • 80% Positiveness
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Louis Couperin
Suite in A Minor: III. Courante La Migno...
131 bpm • G# min • 01:34 • -20db
30% Popularity • 31% Danceability • 17% Energy • 8% Liveness
7% Instrumentalness • 51% Positiveness
30% Popularity • 31% Danceability • 17% Energy • 8% Liveness
7% Instrumentalness • 51% Positiveness
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Marc-Antoine Charpentier
Charpentier: Sans frayeur dans ce bois, ...
139 bpm • F# Maj • 02:56 • -21db
16% Popularity • 33% Danceability • 9% Energy • 10% Liveness
4% Instrumentalness • 35% Positiveness
16% Popularity • 33% Danceability • 9% Energy • 10% Liveness
4% Instrumentalness • 35% Positiveness
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William Christie
Purcell : King Arthur : Overture to Act ...
140 bpm • C min • 01:53 • -23db
32% Popularity • 45% Danceability • 15% Energy • 59% Liveness
18% Instrumentalness • 67% Positiveness
32% Popularity • 45% Danceability • 15% Energy • 59% Liveness
18% Instrumentalness • 67% Positiveness
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James Oswald
A Sonata of Scots Tunes: II. Ettrick Ban...
131 bpm • C# Maj • 01:00 • -19.45db
23% Popularity • 30% Danceability • 7% Energy • 18% Liveness
51% Instrumentalness • 50% Positiveness
23% Popularity • 30% Danceability • 7% Energy • 18% Liveness
51% Instrumentalness • 50% Positiveness
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Jean-Baptiste Lully
Intermedes de Xerxes: Bourre pour les Ba...
140 bpm • F# Maj • 01:04 • -24db
48% Popularity • 52% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 34% Positiveness
48% Popularity • 52% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 34% Positiveness
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Girolamo Frescobaldi
A miei pianti al fine un dì, F7.32
130 bpm • G Maj • 01:27 • -23.58db
23% Popularity • 46% Danceability • 12% Energy • 30% Liveness
90% Instrumentalness • 73% Positiveness
23% Popularity • 46% Danceability • 12% Energy • 30% Liveness
90% Instrumentalness • 73% Positiveness
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Antonio de Cabezón
Diferencias sobre la Gallarda Milanesa (...
130 bpm • E Maj • 02:25 • -17db
23% Popularity • 26% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
23% Popularity • 26% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
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![Sonata III in G-Moll, Op. 2, BuxWV 261: Sonata III in G-Moll, Op. 2, BuxWV 261: III. Andante [Passacaglia] cover art](https://i.scdn.co/image/ab67616d00001e02f90d6525c5a62ca2c4975b93)
Dietrich Buxtehude
Sonata III in G-Moll, Op. 2, BuxWV 261: ...
130 bpm • F# min • 05:34 • -17.29db
9% Popularity • 30% Danceability • 17% Energy • 10% Liveness
73% Instrumentalness • 6% Positiveness
9% Popularity • 30% Danceability • 17% Energy • 10% Liveness
73% Instrumentalness • 6% Positiveness
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Giovanni Battista Sammartini
Sonata for 2 Recorders and Basso Continu...
140 bpm • C# min • 01:35 • -25.49db
31% Popularity • 42% Danceability • 4% Energy • 16% Liveness
88% Instrumentalness • 52% Positiveness
31% Popularity • 42% Danceability • 4% Energy • 16% Liveness
88% Instrumentalness • 52% Positiveness
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George Frideric Handel
Concerto grosso No. 2 in B-Flat Major, O...
130 bpm • F# min • 02:34 • -24.77db
9% Popularity • 17% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
9% Popularity • 17% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": IV. ...
129 bpm • E Maj • 01:38 • -25.63db
28% Popularity • 41% Danceability • 3% Energy • 9% Liveness
15% Instrumentalness • 21% Positiveness
28% Popularity • 41% Danceability • 3% Energy • 9% Liveness
15% Instrumentalness • 21% Positiveness
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Silvius Leopold Weiss
Lute Sonata No. 11 in D Minor: I. Fantas...
129 bpm • C# min • 01:33 • -29db
28% Popularity • 37% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
28% Popularity • 37% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
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Francesco Geminiani
Oboe Sonata No. 3: I. Adagio
129 bpm • D# min • 01:10 • -19.59db
27% Popularity • 24% Danceability • 6% Energy • 14% Liveness
97% Instrumentalness • 25% Positiveness
27% Popularity • 24% Danceability • 6% Energy • 14% Liveness
97% Instrumentalness • 25% Positiveness
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Luca Marenzio
Euridice, Prologo: Sinfonia a 5
129 bpm • F Maj • 01:37 • -27db
13% Popularity • 30% Danceability • 1% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 30% Danceability • 1% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Michael Haydn
Missa Tempore Quadragesimae, MH 553: Agn...
141 bpm • F# min • 03:23 • -19db
19% Popularity • 22% Danceability • 9% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
19% Popularity • 22% Danceability • 9% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
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Marin Marais
Alcyone Suite: Marche en rondeau
129 bpm • C# min • 01:37 • -16db
26% Popularity • 41% Danceability • 19% Energy • 8% Liveness
84% Instrumentalness • 36% Positiveness
26% Popularity • 41% Danceability • 19% Energy • 8% Liveness
84% Instrumentalness • 36% Positiveness
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Anthony Holborne
Galliard Heigh Ho Holiday
143 bpm • G# Maj • 01:30 • -22.35db
24% Popularity • 43% Danceability • 9% Energy • 14% Liveness
93% Instrumentalness • 70% Positiveness
24% Popularity • 43% Danceability • 9% Energy • 14% Liveness
93% Instrumentalness • 70% Positiveness
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Girolamo Frescobaldi
Capriccio Pastorale (Arr. by Samuil Fein...
142 bpm • G Maj • 01:10 • -38db
23% Popularity • 36% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 37% Positiveness
23% Popularity • 36% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 37% Positiveness
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Johann Jakob Froberger
Suite No. 12 in C Major, FbWV 612: II. C...
128 bpm • F# Maj • 01:46 • -17.69db
11% Popularity • 28% Danceability • 30% Energy • 14% Liveness
89% Instrumentalness • 44% Positiveness
11% Popularity • 28% Danceability • 30% Energy • 14% Liveness
89% Instrumentalness • 44% Positiveness
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Jean-Baptiste Lully
Les plaisirs: Sarabande
144 bpm • F# min • 02:11 • -34db
40% Popularity • 14% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
40% Popularity • 14% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
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Claudio Monteverdi
Monteverdi: Madrigals, Book 8: Ballo, SV...
127 bpm • A min • 03:06 • -18.62db
21% Popularity • 37% Danceability • 13% Energy • 11% Liveness
9% Instrumentalness • 36% Positiveness
21% Popularity • 37% Danceability • 13% Energy • 11% Liveness
9% Instrumentalness • 36% Positiveness
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Marin Marais
5e livre de viole: Chaconne
128 bpm • F# Maj • 03:13 • -22db
16% Popularity • 28% Danceability • 9% Energy • 10% Liveness
84% Instrumentalness • 30% Positiveness
16% Popularity • 28% Danceability • 9% Energy • 10% Liveness
84% Instrumentalness • 30% Positiveness
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Giacomo Carissimi
Jephte: Plorate, filii Israel
127 bpm • F# Maj • 05:00 • -24db
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Girolamo Frescobaldi
Frescobaldi: Messa sopra l'aria della mo...
127 bpm • G min • 01:40 • -26db
26% Popularity • 18% Danceability • 11% Energy • 13% Liveness
92% Instrumentalness • 10% Positiveness
26% Popularity • 18% Danceability • 11% Energy • 13% Liveness
92% Instrumentalness • 10% Positiveness
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Johann Jakob Froberger
Suite No. 12 in C Major, FbWV 612: I. Al...
143 bpm • F# Maj • 04:50 • -20db
9% Popularity • 32% Danceability • 10% Energy • 10% Liveness
11% Instrumentalness • 25% Positiveness
9% Popularity • 32% Danceability • 10% Energy • 10% Liveness
11% Instrumentalness • 25% Positiveness
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Giovanni Battista Fontana
18 Sonatas in 1, 2, 3 Parts: Sonata No. ...
127 bpm • C# Maj • 06:58 • -22db
11% Popularity • 28% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 28% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Oxford Camerata
Mass A 5: Kyrie
127 bpm • C min • 01:43 • -25.58db
26% Popularity • 20% Danceability • 10% Energy • 14% Liveness
13% Instrumentalness • 4% Positiveness
26% Popularity • 20% Danceability • 10% Energy • 14% Liveness
13% Instrumentalness • 4% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad pedes: ...
126 bpm • C min • 01:33 • -20.73db
20% Popularity • 35% Danceability • 4% Energy • 12% Liveness
1% Instrumentalness • 7% Positiveness
20% Popularity • 35% Danceability • 4% Energy • 12% Liveness
1% Instrumentalness • 7% Positiveness
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Antonio Caldara
Stabat Mater: I. Stabat Mater dolorosa
126 bpm • C# Maj • 01:38 • -21.97db
38% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
38% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Girolamo Frescobaldi
Canzona seconda a 2 canto e basso
144 bpm • C Maj • 03:35 • -21.91db
6% Popularity • 28% Danceability • 11% Energy • 10% Liveness
23% Instrumentalness • 52% Positiveness
6% Popularity • 28% Danceability • 11% Energy • 10% Liveness
23% Instrumentalness • 52% Positiveness
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Christoph Graupner
Partita GWV 150: IV. Sarabande
145 bpm • B min • 01:57 • -27db
13% Popularity • 27% Danceability • 13% Energy • 8% Liveness
93% Instrumentalness • 44% Positiveness
13% Popularity • 27% Danceability • 13% Energy • 8% Liveness
93% Instrumentalness • 44% Positiveness
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François Couperin
Couperin, F: Second Livre de pièces de ...
145 bpm • A Maj • 03:19 • -29db
25% Popularity • 22% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 47% Positiveness
25% Popularity • 22% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 47% Positiveness
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Cristobal de Morales
Officium defunctorum: Invitatorium: Anti...
125 bpm • F Maj • 03:10 • -25.36db
13% Popularity • 17% Danceability • 8% Energy • 11% Liveness
14% Instrumentalness • 5% Positiveness
13% Popularity • 17% Danceability • 8% Energy • 11% Liveness
14% Instrumentalness • 5% Positiveness
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Dietrich Buxtehude
Jesu, meines Lebens Leben in D Minor, Bu...
126 bpm • D min • 00:47 • -24db
15% Popularity • 23% Danceability • 7% Energy • 31% Liveness
20% Instrumentalness • 13% Positiveness
15% Popularity • 23% Danceability • 7% Energy • 31% Liveness
20% Instrumentalness • 13% Positiveness
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Diego Ortiz
Recercada tercera sobre tenores Italiano...
126 bpm • E Maj • 02:13 • -33db
15% Popularity • 40% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 58% Positiveness
15% Popularity • 40% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 58% Positiveness
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Girolamo Frescobaldi
Canzona ottava a basso solo "detta l’a...
127 bpm • G min • 03:07 • -22.14db
12% Popularity • 36% Danceability • 18% Energy • 22% Liveness
4% Instrumentalness • 49% Positiveness
12% Popularity • 36% Danceability • 18% Energy • 22% Liveness
4% Instrumentalness • 49% Positiveness
► Preview
Johann Pachelbel
Partie 5 en si bémol majeur: Gavotte - ...
125 bpm • A Maj • 02:25 • -15db
15% Popularity • 35% Danceability • 20% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 35% Danceability • 20% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
► Preview
Antoine Forqueray
Forqueray, A: Pièces de viole, Suite No...
126 bpm • C# min • 03:46 • -25db
11% Popularity • 31% Danceability • 20% Energy • 23% Liveness
92% Instrumentalness • 40% Positiveness
11% Popularity • 31% Danceability • 20% Energy • 23% Liveness
92% Instrumentalness • 40% Positiveness
► Preview
Giovanni Legrenzi
Ingemisco
146 bpm • C# min • 02:50 • -18.9db
10% Popularity • 13% Danceability • 10% Energy • 15% Liveness
6% Instrumentalness • 4% Positiveness
10% Popularity • 13% Danceability • 10% Energy • 15% Liveness
6% Instrumentalness • 4% Positiveness
► Preview
Claudio Monteverdi
Monteverdi: L'Orfeo, SV 318: Toccata
146 bpm • D Maj • 01:27 • -18.12db
30% Popularity • 39% Danceability • 21% Energy • 16% Liveness
1% Instrumentalness • 42% Positiveness
30% Popularity • 39% Danceability • 21% Energy • 16% Liveness
1% Instrumentalness • 42% Positiveness
► Preview
Johannes Ockeghem
Ma maistresse
125 bpm • F Maj • 05:32 • -23db
17% Popularity • 18% Danceability • 13% Energy • 12% Liveness
11% Instrumentalness • 5% Positiveness
17% Popularity • 18% Danceability • 13% Energy • 12% Liveness
11% Instrumentalness • 5% Positiveness
► Preview
Girolamo Frescobaldi
Canzona settima a basso solo "detta la s...
145 bpm • A min • 02:50 • -23db
6% Popularity • 28% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
6% Popularity • 28% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
► Preview
Carl Friedrich Abel
Sonata for violoncello and basso continu...
147 bpm • F# Maj • 01:58 • -18db
24% Popularity • 33% Danceability • 16% Energy • 13% Liveness
28% Instrumentalness • 66% Positiveness
24% Popularity • 33% Danceability • 16% Energy • 13% Liveness
28% Instrumentalness • 66% Positiveness
► Preview
Claudin de Sermisy
Tant que vivrai
124 bpm • G Maj • 01:22 • -32db
32% Popularity • 18% Danceability • 0% Energy • 15% Liveness
98% Instrumentalness • 36% Positiveness
32% Popularity • 18% Danceability • 0% Energy • 15% Liveness
98% Instrumentalness • 36% Positiveness
► Preview
Heinrich Ignaz Franz von Biber
Sonatae Violino Solo (1681): Sonata No. ...
124 bpm • C# min • 08:24 • -12.63db
10% Popularity • 34% Danceability • 25% Energy • 10% Liveness
22% Instrumentalness • 5% Positiveness
10% Popularity • 34% Danceability • 25% Energy • 10% Liveness
22% Instrumentalness • 5% Positiveness
► Preview
Henry Purcell
The Indian Queen, Z. 630 / Act III: Rond...
124 bpm • G# Maj • 01:41 • -18.22db
13% Popularity • 41% Danceability • 22% Energy • 9% Liveness
89% Instrumentalness • 47% Positiveness
13% Popularity • 41% Danceability • 22% Energy • 9% Liveness
89% Instrumentalness • 47% Positiveness
► Preview
Claudio Monteverdi
Madrigali guerrieri: No. 1, Sonnet by an...
123 bpm • G Maj • 09:54 • -18.68db
12% Popularity • 31% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 9% Positiveness
12% Popularity • 31% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Girolamo Frescobaldi
Toccate e partite d'intavolatura, Libro ...
125 bpm • A min • 03:48 • -17.69db
5% Popularity • 35% Danceability • 32% Energy • 8% Liveness
3% Instrumentalness • 54% Positiveness
5% Popularity • 35% Danceability • 32% Energy • 8% Liveness
3% Instrumentalness • 54% Positiveness
► Preview
Ennemond Gaultier
Suite in D Minor: VII. La poste
123 bpm • C min • 01:40 • -21.92db
24% Popularity • 37% Danceability • 23% Energy • 12% Liveness
83% Instrumentalness • 77% Positiveness
24% Popularity • 37% Danceability • 23% Energy • 12% Liveness
83% Instrumentalness • 77% Positiveness
► Preview
Dietrich Buxtehude
Gott hilf mir, denn das Wasser geht mir ...
148 bpm • C min • 01:46 • -28db
37% Popularity • 13% Danceability • 3% Energy • 18% Liveness
88% Instrumentalness • 4% Positiveness
37% Popularity • 13% Danceability • 3% Energy • 18% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Johann Heinrich Schmelzer
Sonatae unarum fidium: III. Gigue
123 bpm • G# Maj • 00:55 • -16.83db
21% Popularity • 55% Danceability • 36% Energy • 12% Liveness
53% Instrumentalness • 35% Positiveness
21% Popularity • 55% Danceability • 36% Energy • 12% Liveness
53% Instrumentalness • 35% Positiveness
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Michael Praetorius
Terpsichore*: Volte
149 bpm • C Maj • 01:30 • -13.7db
26% Popularity • 56% Danceability • 39% Energy • 10% Liveness
56% Instrumentalness • 47% Positiveness
26% Popularity • 56% Danceability • 39% Energy • 10% Liveness
56% Instrumentalness • 47% Positiveness
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Claudio Monteverdi
Vespro della Beata Vergine, SV 206: Hymn...
123 bpm • G Maj • 09:28 • -25.9db
17% Popularity • 20% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 6% Positiveness
17% Popularity • 20% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 6% Positiveness
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Baldassare Galuppi
Concerto primo in G Major: I. Andante - ...
122 bpm • G Maj • 02:08 • -17db
15% Popularity • 41% Danceability • 20% Energy • 12% Liveness
65% Instrumentalness • 37% Positiveness
15% Popularity • 41% Danceability • 20% Energy • 12% Liveness
65% Instrumentalness • 37% Positiveness
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Girolamo Frescobaldi
Recercari, et canzoni franzese fatte sop...
122 bpm • F min • 03:00 • -18.23db
0% Popularity • 45% Danceability • 38% Energy • 5% Liveness
60% Instrumentalness • 89% Positiveness
0% Popularity • 45% Danceability • 38% Energy • 5% Liveness
60% Instrumentalness • 89% Positiveness
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Dietrich Buxtehude
Gott hilf mir, denn das Wasser geht mir ...
123 bpm • D# Maj • 01:21 • -16.98db
18% Popularity • 26% Danceability • 22% Energy • 19% Liveness
1% Instrumentalness • 12% Positiveness
18% Popularity • 26% Danceability • 22% Energy • 19% Liveness
1% Instrumentalness • 12% Positiveness
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John Dowland
Mistresse Nichols Almand from Lachrimae,...
150 bpm • A# Maj • 01:23 • -24.25db
14% Popularity • 31% Danceability • 5% Energy • 14% Liveness
19% Instrumentalness • 74% Positiveness
14% Popularity • 31% Danceability • 5% Energy • 14% Liveness
19% Instrumentalness • 74% Positiveness
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Jean-Baptiste Lully
Roland, Opera, LWV 65: Acte I, scene 6: ...
122 bpm • C Maj • 04:44 • -19.01db
26% Popularity • 34% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 34% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Francesco Cavalli
Musiche sacre: No. 23, Canzon à 3
122 bpm • G# min • 05:31 • -18.68db
37% Popularity • 27% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
37% Popularity • 27% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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François Couperin
Couperin, F: Troisième Livre de pièces...
121 bpm • G# Maj • 06:09 • -31db
13% Popularity • 32% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 23% Positiveness
13% Popularity • 32% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 23% Positiveness
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William Boyce
Symphony No. 3 in C Major, Op. 2, "The C...
121 bpm • G# min • 01:49 • -27db
44% Popularity • 44% Danceability • 3% Energy • 15% Liveness
34% Instrumentalness • 52% Positiveness
44% Popularity • 44% Danceability • 3% Energy • 15% Liveness
34% Instrumentalness • 52% Positiveness
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Girolamo Frescobaldi
Corrente seconda
120 bpm • C Maj • 01:18 • -19.99db
5% Popularity • 51% Danceability • 22% Energy • 16% Liveness
92% Instrumentalness • 70% Positiveness
5% Popularity • 51% Danceability • 22% Energy • 16% Liveness
92% Instrumentalness • 70% Positiveness
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Antonio de Cabezón
Diferencias Sobre el Canto de "La Dama l...
152 bpm • D# min • 02:40 • -30.54db
17% Popularity • 29% Danceability • 7% Energy • 15% Liveness
75% Instrumentalness • 41% Positiveness
17% Popularity • 29% Danceability • 7% Energy • 15% Liveness
75% Instrumentalness • 41% Positiveness
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Jean-Baptiste Lully
Les plaisirs: Bourree pour les Coutisans
121 bpm • B min • 00:48 • -26db
28% Popularity • 68% Danceability • 8% Energy • 7% Liveness
41% Instrumentalness • 25% Positiveness
28% Popularity • 68% Danceability • 8% Energy • 7% Liveness
41% Instrumentalness • 25% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Confitebor: IV. Redemptionem ...
120 bpm • F# min • 01:00 • -17.77db
28% Popularity • 20% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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John Dowland
The King of Denmarks Galiard from Lachri...
120 bpm • D# Maj • 01:26 • -25.33db
25% Popularity • 50% Danceability • 6% Energy • 15% Liveness
75% Instrumentalness • 44% Positiveness
25% Popularity • 50% Danceability • 6% Energy • 15% Liveness
75% Instrumentalness • 44% Positiveness
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Guillaume Dufay
Se la face ay pale
120 bpm • D# Maj • 02:28 • -18db
25% Popularity • 23% Danceability • 15% Energy • 13% Liveness
95% Instrumentalness • 46% Positiveness
25% Popularity • 23% Danceability • 15% Energy • 13% Liveness
95% Instrumentalness • 46% Positiveness
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Girolamo Frescobaldi
Balletto (Arr. for Harp and Baroque Guit...
120 bpm • B Maj • 01:08 • -25db
24% Popularity • 47% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 20% Positiveness
24% Popularity • 47% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 20% Positiveness
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Hopkinson Smith
A Dream
119 bpm • G min • 04:03 • -23.94db
24% Popularity • 43% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 36% Positiveness
24% Popularity • 43% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 36% Positiveness
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Jean-Baptiste Lully
Les plaisirs: Gavotte pour les Suisses
121 bpm • A Maj • 01:11 • -34.79db
42% Popularity • 50% Danceability • 0% Energy • 9% Liveness
11% Instrumentalness • 22% Positiveness
42% Popularity • 50% Danceability • 0% Energy • 9% Liveness
11% Instrumentalness • 22% Positiveness
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Pietro Locatelli
Concerto Grosso in D Major, Op. 1, No. 5...
119 bpm • D Maj • 01:17 • -15db
52% Popularity • 40% Danceability • 12% Energy • 12% Liveness
10% Instrumentalness • 60% Positiveness
52% Popularity • 40% Danceability • 12% Energy • 12% Liveness
10% Instrumentalness • 60% Positiveness
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Marin Marais
Pièces de viole, Livre II No. 40: La po...
119 bpm • C# min • 01:34 • -16.77db
26% Popularity • 39% Danceability • 19% Energy • 11% Liveness
82% Instrumentalness • 62% Positiveness
26% Popularity • 39% Danceability • 19% Energy • 11% Liveness
82% Instrumentalness • 62% Positiveness
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John Dowland
Lachrimae or Seven Tears: XVII. Mr Thoma...
119 bpm • F# min • 01:22 • -18db
17% Popularity • 26% Danceability • 17% Energy • 11% Liveness
98% Instrumentalness • 21% Positiveness
17% Popularity • 26% Danceability • 17% Energy • 11% Liveness
98% Instrumentalness • 21% Positiveness
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Girolamo Frescobaldi
Capriccio di durezze
120 bpm • C# min • 03:27 • -23.83db
0% Popularity • 53% Danceability • 16% Energy • 11% Liveness
93% Instrumentalness • 33% Positiveness
0% Popularity • 53% Danceability • 16% Energy • 11% Liveness
93% Instrumentalness • 33% Positiveness
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Alessandro Piccinini
Corrente IX
154 bpm • F min • 01:13 • -21db
28% Popularity • 42% Danceability • 13% Energy • 10% Liveness
89% Instrumentalness • 42% Positiveness
28% Popularity • 42% Danceability • 13% Energy • 10% Liveness
89% Instrumentalness • 42% Positiveness
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Jean-Baptiste Lully
Alcidiane: Petite Chaconne
150 bpm • B Maj • 01:32 • -31db
39% Popularity • 27% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 29% Positiveness
39% Popularity • 27% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 29% Positiveness
