Songs like Canzon in echo a 12 (arr. E. Crees for brass) by Giovanni Gabrieli
Based on a tempo of (+/- 10%) and a similar genre
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![Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: I. [Allegro] cover art](https://i.scdn.co/image/ab67616d00001e02f90d6525c5a62ca2c4975b93)
Dietrich Buxtehude
Sonata in A-Moll, BuxWV 272: Sonata in A...
89 bpm • G# min • 04:51 • -16.35db
14% Popularity • 41% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
14% Popularity • 41% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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Georg Philipp Telemann
Concerto for Recorder and Bassoon in F M...
89 bpm • E Maj • 04:25 • -21.93db
17% Popularity • 25% Danceability • 5% Energy • 36% Liveness
17% Instrumentalness • 20% Positiveness
17% Popularity • 25% Danceability • 5% Energy • 36% Liveness
17% Instrumentalness • 20% Positiveness
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Marin Marais
Pièces de viole, Livre 3 - Suite No. 7 ...
89 bpm • F# Maj • 02:27 • -26db
37% Popularity • 16% Danceability • 6% Energy • 25% Liveness
47% Instrumentalness • 14% Positiveness
37% Popularity • 16% Danceability • 6% Energy • 25% Liveness
47% Instrumentalness • 14% Positiveness
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Giovanni Gabrieli
Canzon Septimi Toni No. 1
89 bpm • D# Maj • 03:45 • -15.89db
1% Popularity • 31% Danceability • 12% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
1% Popularity • 31% Danceability • 12% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
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William Lawes
Pieces for 2 Lutes: III. Corant
90 bpm • A Maj • 01:46 • -31db
26% Popularity • 39% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 29% Positiveness
26% Popularity • 39% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 29% Positiveness
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Francesco Onofrio Manfredini
Concerto Grosso in A Minor, Op. 3, No. 2...
90 bpm • A min • 01:18 • -28db
38% Popularity • 32% Danceability • 3% Energy • 13% Liveness
49% Instrumentalness • 63% Positiveness
38% Popularity • 32% Danceability • 3% Energy • 13% Liveness
49% Instrumentalness • 63% Positiveness
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Jean-Baptiste Loeillet
Recorder Sonata in D Minor, Op. 2, No. 3...
90 bpm • C# min • 01:04 • -22db
14% Popularity • 45% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
14% Popularity • 45% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Cologne Chamber Orchestra
Concerto For 3 Harpsichords In C Major, ...
91 bpm • C Maj • 04:26 • -18db
34% Popularity • 34% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
34% Popularity • 34% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Johann Sebastian Bach
Concerto for Violin and Oboe in C Minor,...
87 bpm • C min • 05:19 • -23db
9% Popularity • 17% Danceability • 14% Energy • 53% Liveness
23% Instrumentalness • 17% Positiveness
9% Popularity • 17% Danceability • 14% Energy • 53% Liveness
23% Instrumentalness • 17% Positiveness
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Giovanni Gabrieli
Canzon in echo a 12 (arr. E. Crees for b...
89 bpm • F Maj • 03:25 • -22.56db
10% Popularity • 38% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
10% Popularity • 38% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
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Johann Pachelbel
Partie 5 en si bémol majeur: Courant
87 bpm • A Maj • 01:13 • -12.7db
8% Popularity • 39% Danceability • 17% Energy • 40% Liveness
0% Instrumentalness • 68% Positiveness
8% Popularity • 39% Danceability • 17% Energy • 40% Liveness
0% Instrumentalness • 68% Positiveness
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Eric Crees
Suite from West Side Story
87 bpm • D min • 02:40 • -23.02db
0% Popularity • 58% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 71% Positiveness
0% Popularity • 58% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 71% Positiveness
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Johann Christoph Pezel
Trumpet Sonata No. 71
91 bpm • C# Maj • 03:42 • -15.2db
8% Popularity • 28% Danceability • 21% Energy • 11% Liveness
86% Instrumentalness • 39% Positiveness
8% Popularity • 28% Danceability • 21% Energy • 11% Liveness
86% Instrumentalness • 39% Positiveness
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Marc-Antoine Charpentier
"Marche de triomphe et Second air de tro...
87 bpm • C# Maj • 02:30 • -8db
15% Popularity • 53% Danceability • 60% Energy • 8% Liveness
87% Instrumentalness • 56% Positiveness
15% Popularity • 53% Danceability • 60% Energy • 8% Liveness
87% Instrumentalness • 56% Positiveness
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George Frideric Handel
Handel: Music for the Royal Fireworks, H...
87 bpm • C# Maj • 02:13 • -8.97db
31% Popularity • 34% Danceability • 28% Energy • 18% Liveness
74% Instrumentalness • 34% Positiveness
31% Popularity • 34% Danceability • 28% Energy • 18% Liveness
74% Instrumentalness • 34% Positiveness
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Giovanni Gabrieli
Gabrieli, G: Sacrae symphoniae, Liber I:...
90 bpm • D min • 04:15 • -13.82db
3% Popularity • 21% Danceability • 24% Energy • 14% Liveness
85% Instrumentalness • 15% Positiveness
3% Popularity • 21% Danceability • 24% Energy • 14% Liveness
85% Instrumentalness • 15% Positiveness
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Carl Philipp Emanuel Bach
Oboe Concerto in E-Flat Major, Wq. 165, ...
92 bpm • C min • 07:02 • -22db
11% Popularity • 16% Danceability • 11% Energy • 16% Liveness
90% Instrumentalness • 7% Positiveness
11% Popularity • 16% Danceability • 11% Energy • 16% Liveness
90% Instrumentalness • 7% Positiveness
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AntonÃn Dvořák
Fanfare for the Opening of the National ...
86 bpm • C Maj • 02:23 • -16.79db
11% Popularity • 66% Danceability • 22% Energy • 10% Liveness
86% Instrumentalness • 45% Positiveness
11% Popularity • 66% Danceability • 22% Energy • 10% Liveness
86% Instrumentalness • 45% Positiveness
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Jean-Baptiste Lully
Le Divertissement Royal de Versailles, L...
86 bpm • C Maj • 01:54 • -15db
12% Popularity • 46% Danceability • 29% Energy • 14% Liveness
89% Instrumentalness • 24% Positiveness
12% Popularity • 46% Danceability • 29% Energy • 14% Liveness
89% Instrumentalness • 24% Positiveness
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Jean-Philippe Rameau
Pièces de Clavessin, Suite in E Minor: ...
92 bpm • D# min • 04:16 • -17db
13% Popularity • 19% Danceability • 42% Energy • 35% Liveness
73% Instrumentalness • 22% Positiveness
13% Popularity • 19% Danceability • 42% Energy • 35% Liveness
73% Instrumentalness • 22% Positiveness
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Johann Joachim Quantz
Flute Concerto in A Minor, QV 5:238: II....
92 bpm • A# Maj • 06:13 • -23db
13% Popularity • 20% Danceability • 4% Energy • 10% Liveness
70% Instrumentalness • 23% Positiveness
13% Popularity • 20% Danceability • 4% Energy • 10% Liveness
70% Instrumentalness • 23% Positiveness
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Giovanni Gabrieli
Canzoni et sonate (arr. E. Crees for bra...
87 bpm • G Maj • 03:59 • -26db
6% Popularity • 41% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 14% Positiveness
6% Popularity • 41% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 14% Positiveness
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Jeremiah Clarke
Suite in D Major: IV. The Prince of Denm...
92 bpm • C# Maj • 01:15 • -13.74db
12% Popularity • 54% Danceability • 14% Energy • 7% Liveness
69% Instrumentalness • 54% Positiveness
12% Popularity • 54% Danceability • 14% Energy • 7% Liveness
69% Instrumentalness • 54% Positiveness
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Johann Pachelbel
Partie 5 en si bémol majeur: Saraband
92 bpm • A Maj • 02:13 • -15.39db
14% Popularity • 17% Danceability • 12% Energy • 12% Liveness
10% Instrumentalness • 17% Positiveness
14% Popularity • 17% Danceability • 12% Energy • 12% Liveness
10% Instrumentalness • 17% Positiveness
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Antonio Caldara
Sonata da camera, Op. 2 No. 11: I. Prelu...
86 bpm • D# Maj • 03:14 • -21db
12% Popularity • 18% Danceability • 8% Energy • 10% Liveness
6% Instrumentalness • 20% Positiveness
12% Popularity • 18% Danceability • 8% Energy • 10% Liveness
6% Instrumentalness • 20% Positiveness
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Marc-Antoine Charpentier
A la venue de noël
92 bpm • C# min • 01:00 • -22.24db
25% Popularity • 46% Danceability • 17% Energy • 4% Liveness
54% Instrumentalness • 78% Positiveness
25% Popularity • 46% Danceability • 17% Energy • 4% Liveness
54% Instrumentalness • 78% Positiveness
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William Christie
Purcell : King Arthur : Act 5 Symphony
86 bpm • A# Maj • 01:45 • -29.68db
12% Popularity • 26% Danceability • 6% Energy • 17% Liveness
1% Instrumentalness • 29% Positiveness
12% Popularity • 26% Danceability • 6% Energy • 17% Liveness
1% Instrumentalness • 29% Positiveness
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Giovanni Gabrieli
Sacrae symphoniae (arr. T. Higgins for b...
87 bpm • C Maj • 04:19 • -13.92db
6% Popularity • 39% Danceability • 13% Energy • 6% Liveness
95% Instrumentalness • 26% Positiveness
6% Popularity • 39% Danceability • 13% Energy • 6% Liveness
95% Instrumentalness • 26% Positiveness
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William Boyce
Symphony No. 5 in D Major, Op. 2, "St. C...
93 bpm • C# Maj • 01:45 • -19.96db
40% Popularity • 53% Danceability • 15% Energy • 8% Liveness
96% Instrumentalness • 65% Positiveness
40% Popularity • 53% Danceability • 15% Energy • 8% Liveness
96% Instrumentalness • 65% Positiveness
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Dario Castello
Sonate concertate in stil moderno, Book ...
85 bpm • C# min • 04:43 • -15.76db
15% Popularity • 22% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
15% Popularity • 22% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Arcangelo Corelli
Concerto Grosso In C Minor, Op. 6, No. 3...
93 bpm • C min • 02:04 • -17.47db
35% Popularity • 54% Danceability • 17% Energy • 24% Liveness
1% Instrumentalness • 45% Positiveness
35% Popularity • 54% Danceability • 17% Energy • 24% Liveness
1% Instrumentalness • 45% Positiveness
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John Adson
Courtly Masquing Ayres: Nos. 5 & 6
93 bpm • D Maj • 01:22 • -21db
12% Popularity • 63% Danceability • 15% Energy • 15% Liveness
85% Instrumentalness • 70% Positiveness
12% Popularity • 63% Danceability • 15% Energy • 15% Liveness
85% Instrumentalness • 70% Positiveness
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Thomas Tallis
In Nomine
93 bpm • C# min • 02:45 • -29.04db
14% Popularity • 14% Danceability • 1% Energy • 12% Liveness
27% Instrumentalness • 7% Positiveness
14% Popularity • 14% Danceability • 1% Energy • 12% Liveness
27% Instrumentalness • 7% Positiveness
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Giovanni Gabrieli
Canzoni et sonate: Canzon No. 8 (arr. E....
91 bpm • A min • 04:24 • -21.02db
5% Popularity • 32% Danceability • 5% Energy • 4% Liveness
94% Instrumentalness • 8% Positiveness
5% Popularity • 32% Danceability • 5% Energy • 4% Liveness
94% Instrumentalness • 8% Positiveness
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Michel Corrette
"Concerto comique" No. 25 In G Minor "Le...
85 bpm • F# min • 03:59 • -18db
13% Popularity • 34% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 34% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Claudio Monteverdi
L'Orfeo, Ato primo: II. Lasciate i monti
85 bpm • G Maj • 02:37 • -19db
20% Popularity • 30% Danceability • 25% Energy • 27% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 30% Danceability • 25% Energy • 27% Liveness
0% Instrumentalness • 47% Positiveness
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George Frideric Handel
Concerto in B-Flat Major, Op.7, No.1: II...
85 bpm • C# min • 03:31 • -31.79db
14% Popularity • 9% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
14% Popularity • 9% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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John Adson
Courtly Masquing Ayres: No. 4
93 bpm • D Maj • 00:58 • -25.84db
16% Popularity • 64% Danceability • 10% Energy • 26% Liveness
95% Instrumentalness • 85% Positiveness
16% Popularity • 64% Danceability • 10% Energy • 26% Liveness
95% Instrumentalness • 85% Positiveness
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Heinrich Schütz
Herr, wenn ich nur dich habe, SWV 280
85 bpm • A min • 03:27 • -18db
23% Popularity • 23% Danceability • 11% Energy • 9% Liveness
51% Instrumentalness • 5% Positiveness
23% Popularity • 23% Danceability • 11% Energy • 9% Liveness
51% Instrumentalness • 5% Positiveness
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Giovanni Gabrieli
Gabrieli, G: Sacrae symphoniae, Liber I:...
86 bpm • A min • 03:24 • -26.89db
2% Popularity • 12% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
2% Popularity • 12% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Jean-Philippe Rameau
Dardanus Suite, RTC 35A, Act I: Rigaudon...
93 bpm • F# Maj • 03:58 • -20db
10% Popularity • 44% Danceability • 13% Energy • 18% Liveness
14% Instrumentalness • 38% Positiveness
10% Popularity • 44% Danceability • 13% Energy • 18% Liveness
14% Instrumentalness • 38% Positiveness
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Marin Marais
Pièces à deux violes du Premier Livre,...
85 bpm • C# min • 04:23 • -17.06db
12% Popularity • 14% Danceability • 16% Energy • 16% Liveness
3% Instrumentalness • 9% Positiveness
12% Popularity • 14% Danceability • 16% Energy • 16% Liveness
3% Instrumentalness • 9% Positiveness
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Léon Boëllmann
Suite Gothique, Op. 25: III. Prière à ...
84 bpm • G# Maj • 04:20 • -33.14db
8% Popularity • 8% Danceability • 0% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
8% Popularity • 8% Danceability • 0% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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William Brade
Suite: XVIII. Courant No. 52
94 bpm • F Maj • 01:32 • -21.4db
10% Popularity • 57% Danceability • 12% Energy • 20% Liveness
95% Instrumentalness • 48% Positiveness
10% Popularity • 57% Danceability • 12% Energy • 20% Liveness
95% Instrumentalness • 48% Positiveness
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Johann Sebastian Bach
Bach, JS: Trio Sonata No. 1 in E-Flat Ma...
84 bpm • D# Maj • 02:50 • -18.49db
12% Popularity • 20% Danceability • 28% Energy • 15% Liveness
2% Instrumentalness • 49% Positiveness
12% Popularity • 20% Danceability • 28% Energy • 15% Liveness
2% Instrumentalness • 49% Positiveness
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Giovanni Gabrieli
Sacrae symphoniae: Canzon septimi et oct...
92 bpm • C Maj • 02:39 • -18.34db
24% Popularity • 34% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
24% Popularity • 34% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
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William Boyce
Symphony in B-Flat Major, Op. 2 No. 1: I...
84 bpm • G min • 02:24 • -25db
34% Popularity • 30% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 17% Positiveness
34% Popularity • 30% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 17% Positiveness
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Tomaso Albinoni
Sonata a 5 in G Minor, Op. 2, No. 6: III...
94 bpm • G min • 01:09 • -23.91db
49% Popularity • 24% Danceability • 4% Energy • 15% Liveness
2% Instrumentalness • 21% Positiveness
49% Popularity • 24% Danceability • 4% Energy • 15% Liveness
2% Instrumentalness • 21% Positiveness
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Baldassare Galuppi
Concerto à 4 No. 1 in G Minor: III. All...
84 bpm • B min • 03:10 • -19.95db
13% Popularity • 40% Danceability • 12% Energy • 7% Liveness
19% Instrumentalness • 12% Positiveness
13% Popularity • 40% Danceability • 12% Energy • 7% Liveness
19% Instrumentalness • 12% Positiveness
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Thomas Simpson
Suite: VII. Courante No. 6
85 bpm • C Maj • 02:01 • -19.33db
9% Popularity • 57% Danceability • 23% Energy • 12% Liveness
91% Instrumentalness • 77% Positiveness
9% Popularity • 57% Danceability • 23% Energy • 12% Liveness
91% Instrumentalness • 77% Positiveness
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Claude Balbastre
Pièces de Clavecin, Livre I: XIII. La G...
84 bpm • G# Maj • 02:12 • -19.17db
11% Popularity • 31% Danceability • 53% Energy • 10% Liveness
84% Instrumentalness • 97% Positiveness
11% Popularity • 31% Danceability • 53% Energy • 10% Liveness
84% Instrumentalness • 97% Positiveness
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Giovanni Gabrieli
Canzoni et sonate: Canzon No. 17 (arr. E...
92 bpm • F Maj • 02:40 • -19db
12% Popularity • 32% Danceability • 10% Energy • 8% Liveness
89% Instrumentalness • 23% Positiveness
12% Popularity • 32% Danceability • 10% Energy • 8% Liveness
89% Instrumentalness • 23% Positiveness
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William Boyce
Symphony No. 4 in F Major: I. Allegro
94 bpm • E Maj • 03:14 • -18.72db
9% Popularity • 51% Danceability • 21% Energy • 31% Liveness
11% Instrumentalness • 78% Positiveness
9% Popularity • 51% Danceability • 21% Energy • 31% Liveness
11% Instrumentalness • 78% Positiveness
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Johann Friedrich Fasch
Trumpet Concerto in D Major, FWV L:D1: I...
94 bpm • G# Maj • 02:07 • -16db
23% Popularity • 52% Danceability • 32% Energy • 22% Liveness
94% Instrumentalness • 80% Positiveness
23% Popularity • 52% Danceability • 32% Energy • 22% Liveness
94% Instrumentalness • 80% Positiveness
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Élisabeth Jacquet de La Guerre
Chamber Sonata No. 4 in G Minor: I. Grav...
84 bpm • C# min • 01:23 • -14db
43% Popularity • 22% Danceability • 16% Energy • 14% Liveness
98% Instrumentalness • 6% Positiveness
43% Popularity • 22% Danceability • 16% Energy • 14% Liveness
98% Instrumentalness • 6% Positiveness
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Thomas Simpson
Suite: V. Intrada No. 2
85 bpm • C Maj • 01:29 • -20db
14% Popularity • 53% Danceability • 13% Energy • 8% Liveness
94% Instrumentalness • 47% Positiveness
14% Popularity • 53% Danceability • 13% Energy • 8% Liveness
94% Instrumentalness • 47% Positiveness
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François Couperin
Le Rossignol en Amour
84 bpm • C# Maj • 03:12 • -27db
8% Popularity • 29% Danceability • 2% Energy • 8% Liveness
67% Instrumentalness • 34% Positiveness
8% Popularity • 29% Danceability • 2% Energy • 8% Liveness
67% Instrumentalness • 34% Positiveness
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Giovanni Gabrieli
Canzoni et sonate (1615): Canzon XVI a 1...
92 bpm • D min • 03:13 • -21.8db
2% Popularity • 20% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
2% Popularity • 20% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Jordi Savall
Lachrimae Antiquae Novae
94 bpm • A min • 04:51 • -20.97db
5% Popularity • 13% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
5% Popularity • 13% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
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George Frideric Handel
Water Music, Suite No. 1, HWV 348: No. 6...
94 bpm • E Maj • 03:11 • -26.75db
31% Popularity • 12% Danceability • 3% Energy • 17% Liveness
91% Instrumentalness • 23% Positiveness
31% Popularity • 12% Danceability • 3% Energy • 17% Liveness
91% Instrumentalness • 23% Positiveness
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Johann Christoph Pezel
Trumpet Sonata No. 69
95 bpm • C# Maj • 03:20 • -16db
11% Popularity • 36% Danceability • 18% Energy • 42% Liveness
88% Instrumentalness • 64% Positiveness
11% Popularity • 36% Danceability • 18% Energy • 42% Liveness
88% Instrumentalness • 64% Positiveness
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Jean-Baptiste Lully
Le Bourgeois Gentilhomme, LWV 43: 2ème ...
84 bpm • G# Maj • 01:12 • -28.91db
19% Popularity • 64% Danceability • 3% Energy • 13% Liveness
83% Instrumentalness • 85% Positiveness
19% Popularity • 64% Danceability • 3% Energy • 13% Liveness
83% Instrumentalness • 85% Positiveness
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Johann Sebastian Bach
Sonata No. 2 In C Minor, BWV 526: 3. All...
84 bpm • C min • 04:13 • -24.06db
24% Popularity • 17% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 20% Positiveness
24% Popularity • 17% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 20% Positiveness
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Giovanni Gabrieli
Canzoni et sonate (arr. E. Crees for bra...
86 bpm • C Maj • 04:26 • -22.57db
2% Popularity • 32% Danceability • 7% Energy • 20% Liveness
90% Instrumentalness • 7% Positiveness
2% Popularity • 32% Danceability • 7% Energy • 20% Liveness
90% Instrumentalness • 7% Positiveness
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Jordi Savall
Battalia À 10: Lamento Der Verwundten M...
84 bpm • A# min • 02:24 • -30.13db
7% Popularity • 8% Danceability • 1% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
7% Popularity • 8% Danceability • 1% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Georg Philipp Telemann
Horn Concerto in D Major, TWV 51:D8: I. ...
95 bpm • C# Maj • 02:07 • -16db
9% Popularity • 50% Danceability • 24% Energy • 16% Liveness
56% Instrumentalness • 90% Positiveness
9% Popularity • 50% Danceability • 24% Energy • 16% Liveness
56% Instrumentalness • 90% Positiveness
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Le Concert Des Nations
Premier Concert: Prélude - Gravement (C...
84 bpm • F Maj • 02:39 • -16.37db
12% Popularity • 12% Danceability • 18% Energy • 12% Liveness
29% Instrumentalness • 18% Positiveness
12% Popularity • 12% Danceability • 18% Energy • 12% Liveness
29% Instrumentalness • 18% Positiveness
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Jean-Baptiste Lully
Le Bourgeois Gentilhomme, LWV 43: Canari...
84 bpm • D min • 01:16 • -20db
19% Popularity • 52% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 52% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Jean-Philippe Rameau
Suite Les Indes Galantes / Prologue: 3. ...
95 bpm • F min • 01:32 • -16.81db
20% Popularity • 58% Danceability • 19% Energy • 25% Liveness
90% Instrumentalness • 71% Positiveness
20% Popularity • 58% Danceability • 19% Energy • 25% Liveness
90% Instrumentalness • 71% Positiveness
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Giovanni Gabrieli
Sacrae symphoniae (arr. T. Higgins for b...
85 bpm • C Maj • 03:49 • -17.39db
7% Popularity • 30% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 12% Positiveness
7% Popularity • 30% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 12% Positiveness
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Jean-Marie Leclair
Violin Concerto in C Major, Op. 7 No. 3:...
83 bpm • B Maj • 06:26 • -18db
14% Popularity • 38% Danceability • 22% Energy • 20% Liveness
3% Instrumentalness • 64% Positiveness
14% Popularity • 38% Danceability • 22% Energy • 20% Liveness
3% Instrumentalness • 64% Positiveness
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Benedetto Marcello
Canzone "Se Morto Me Brami" (Arr. For Ob...
83 bpm • A# Maj • 04:01 • -21.29db
14% Popularity • 14% Danceability • 6% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
14% Popularity • 14% Danceability • 6% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
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Girolamo Fantini
Trumpet Sonata No. 3, "Detta del Niccoli...
83 bpm • C# Maj • 01:56 • -18db
10% Popularity • 39% Danceability • 9% Energy • 8% Liveness
95% Instrumentalness • 22% Positiveness
10% Popularity • 39% Danceability • 9% Energy • 8% Liveness
95% Instrumentalness • 22% Positiveness
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Giuseppe Torelli
Trumpet Concerto in D Major, G. 28: I. A...
95 bpm • G# Maj • 02:07 • -13db
37% Popularity • 55% Danceability • 23% Energy • 12% Liveness
86% Instrumentalness • 77% Positiveness
37% Popularity • 55% Danceability • 23% Energy • 12% Liveness
86% Instrumentalness • 77% Positiveness
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Thomas Simpson
Suite: VIII. Bleyers Armbarde No. 21
83 bpm • G Maj • 01:19 • -18.49db
13% Popularity • 48% Danceability • 13% Energy • 29% Liveness
82% Instrumentalness • 44% Positiveness
13% Popularity • 48% Danceability • 13% Energy • 29% Liveness
82% Instrumentalness • 44% Positiveness
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Giovanni Gabrieli
Canzon Primi Toni
85 bpm • C min • 03:22 • -15.92db
5% Popularity • 29% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
5% Popularity • 29% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
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Johann Sebastian Bach
Toccata and Fugue in D Minor, BWV 565 (A...
83 bpm • D min • 09:07 • -18.98db
1% Popularity • 26% Danceability • 15% Energy • 16% Liveness
85% Instrumentalness • 16% Positiveness
1% Popularity • 26% Danceability • 15% Energy • 16% Liveness
85% Instrumentalness • 16% Positiveness
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Peter Warlock
Capriol Suite: 3. Tordion
96 bpm • G min • 01:06 • -37db
35% Popularity • 59% Danceability • 1% Energy • 12% Liveness
45% Instrumentalness • 58% Positiveness
35% Popularity • 59% Danceability • 1% Energy • 12% Liveness
45% Instrumentalness • 58% Positiveness
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Maurizio Cazzati
Correnti e balletti, Op. 4: No. 33, Ciac...
96 bpm • C# Maj • 02:40 • -17.08db
16% Popularity • 45% Danceability • 26% Energy • 6% Liveness
1% Instrumentalness • 68% Positiveness
16% Popularity • 45% Danceability • 26% Energy • 6% Liveness
1% Instrumentalness • 68% Positiveness
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Arcangelo Corelli
Sonata in G Major, Op. 2, No. 12 (Ciacon...
83 bpm • F# Maj • 03:27 • -19.02db
8% Popularity • 18% Danceability • 14% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 18% Danceability • 14% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
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Georg Philipp Telemann
Saget der Tochter Zion, TWV 1:1235: I. S...
83 bpm • C# Maj • 01:37 • -19.51db
9% Popularity • 49% Danceability • 28% Energy • 10% Liveness
79% Instrumentalness • 41% Positiveness
9% Popularity • 49% Danceability • 28% Energy • 10% Liveness
79% Instrumentalness • 41% Positiveness
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Giovanni Gabrieli
Gabrieli, G: Sacrae symphoniae, Liber I:...
85 bpm • D min • 05:40 • -18.93db
3% Popularity • 17% Danceability • 16% Energy • 13% Liveness
48% Instrumentalness • 11% Positiveness
3% Popularity • 17% Danceability • 16% Energy • 13% Liveness
48% Instrumentalness • 11% Positiveness
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Claudio Monteverdi
Vespro della Beata Vergine, SV 206: Sona...
83 bpm • C Maj • 06:54 • -24.87db
8% Popularity • 27% Danceability • 7% Energy • 7% Liveness
22% Instrumentalness • 19% Positiveness
8% Popularity • 27% Danceability • 7% Energy • 7% Liveness
22% Instrumentalness • 19% Positiveness
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Frederick the Great
Flute Sonata in E Minor: I. Grave
83 bpm • D# min • 02:42 • -27db
24% Popularity • 23% Danceability • 2% Energy • 13% Liveness
93% Instrumentalness • 22% Positiveness
24% Popularity • 23% Danceability • 2% Energy • 13% Liveness
93% Instrumentalness • 22% Positiveness
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Girolamo Frescobaldi
Canzona seconda a canto solo "detta la B...
82 bpm • A min • 02:38 • -21db
23% Popularity • 32% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
23% Popularity • 32% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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William Christie
Purcell : King Arthur : Air
96 bpm • C min • 01:03 • -30db
35% Popularity • 43% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 43% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Jean-Baptiste Lully
Alceste, LWV 50: Rondeau de la Gloire (1...
82 bpm • A# Maj • 01:13 • -17db
12% Popularity • 44% Danceability • 31% Energy • 11% Liveness
92% Instrumentalness • 52% Positiveness
12% Popularity • 44% Danceability • 31% Energy • 11% Liveness
92% Instrumentalness • 52% Positiveness
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Giovanni Gabrieli
Canzon à 12 in Echo
84 bpm • A# Maj • 03:28 • -13.12db
4% Popularity • 40% Danceability • 13% Energy • 12% Liveness
94% Instrumentalness • 12% Positiveness
4% Popularity • 40% Danceability • 13% Energy • 12% Liveness
94% Instrumentalness • 12% Positiveness
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Claudio Monteverdi
Vespro della beata Vergine (1610): Conce...
82 bpm • G min • 04:53 • -22.01db
17% Popularity • 21% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 21% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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François Couperin
Second livre de pièces pour clavecin, O...
82 bpm • A Maj • 02:23 • -21db
10% Popularity • 20% Danceability • 34% Energy • 12% Liveness
97% Instrumentalness • 79% Positiveness
10% Popularity • 20% Danceability • 34% Energy • 12% Liveness
97% Instrumentalness • 79% Positiveness
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Johann Stamitz
Symphony in G Major, Op. 3 No. 1, WolS G...
82 bpm • C# Maj • 03:05 • -15db
12% Popularity • 50% Danceability • 29% Energy • 7% Liveness
85% Instrumentalness • 41% Positiveness
12% Popularity • 50% Danceability • 29% Energy • 7% Liveness
85% Instrumentalness • 41% Positiveness
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John Dowland
Lachrimae Antiquae from Lachrimae, or Se...
97 bpm • G min • 04:17 • -30db
15% Popularity • 12% Danceability • 1% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
15% Popularity • 12% Danceability • 1% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
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George Frideric Handel
Alcina: II. Musette
97 bpm • A Maj • 01:52 • -26.5db
16% Popularity • 38% Danceability • 2% Energy • 19% Liveness
18% Instrumentalness • 28% Positiveness
16% Popularity • 38% Danceability • 2% Energy • 19% Liveness
18% Instrumentalness • 28% Positiveness
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Giovanni Gabrieli
Canzon Noni Toni
95 bpm • G min • 03:13 • -14.72db
3% Popularity • 24% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
3% Popularity • 24% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Johann Sebastian Bach
Concerto for 2 Violins in D Minor, BWV 1...
97 bpm • F Maj • 06:24 • -20.41db
20% Popularity • 18% Danceability • 8% Energy • 35% Liveness
2% Instrumentalness • 12% Positiveness
20% Popularity • 18% Danceability • 8% Energy • 35% Liveness
2% Instrumentalness • 12% Positiveness
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William Boyce
Trio Sonata No. 1 in A Minor: II. Fuga
81 bpm • G# min • 01:36 • -24db
30% Popularity • 50% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
30% Popularity • 50% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Johann Jakob Froberger
Partita in A Minor, FbWV 628: I. Alleman...
81 bpm • D# min • 03:19 • -25db
12% Popularity • 25% Danceability • 12% Energy • 7% Liveness
2% Instrumentalness • 37% Positiveness
12% Popularity • 25% Danceability • 12% Energy • 7% Liveness
2% Instrumentalness • 37% Positiveness
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Jean-Baptiste Lully
Intermedes de Xerxes: Ouverture
98 bpm • F# Maj • 02:04 • -27db
20% Popularity • 27% Danceability • 5% Energy • 11% Liveness
20% Instrumentalness • 12% Positiveness
20% Popularity • 27% Danceability • 5% Energy • 11% Liveness
20% Instrumentalness • 12% Positiveness
