Songs like Canzona quinta detta tromboncina a basso solo in C Major, F. 8.06a by Girolamo Frescobaldi
Based on a tempo of (+/- 10%) and a similar genre
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Antonio Caldara
Sinfonia No. 6 in G minor (arrangement o...
99 bpm • D Maj • 04:49 • -23.65db
15% Popularity • 30% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 30% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Lucas Ruiz de Ribayaz
Luz y norte musical: Pabanas
99 bpm • C# Maj • 02:20 • -35db
10% Popularity • 26% Danceability • 1% Energy • 23% Liveness
97% Instrumentalness • 24% Positiveness
10% Popularity • 26% Danceability • 1% Energy • 23% Liveness
97% Instrumentalness • 24% Positiveness
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Jean-Baptiste Lully
Alcidiane: Ouverture
98 bpm • F# min • 01:37 • -26db
44% Popularity • 41% Danceability • 5% Energy • 7% Liveness
57% Instrumentalness • 38% Positiveness
44% Popularity • 41% Danceability • 5% Energy • 7% Liveness
57% Instrumentalness • 38% Positiveness
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Niccolò Jommelli
Requiem, Kyrie: II. Christe eleison
98 bpm • D# Maj • 01:07 • -27.43db
36% Popularity • 18% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
36% Popularity • 18% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Girolamo Frescobaldi
Se l'aura spira
100 bpm • G min • 01:59 • -27db
3% Popularity • 34% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
3% Popularity • 34% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Francesco Corbetta
Partie de Chaconne en ut majeur
98 bpm • B Maj • 02:38 • -24.94db
13% Popularity • 39% Danceability • 11% Energy • 13% Liveness
87% Instrumentalness • 41% Positiveness
13% Popularity • 39% Danceability • 11% Energy • 13% Liveness
87% Instrumentalness • 41% Positiveness
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Henry Purcell
Fantasias and In Nomines: Fantazia I in ...
98 bpm • C# min • 02:36 • -22.03db
19% Popularity • 23% Danceability • 7% Energy • 10% Liveness
70% Instrumentalness • 28% Positiveness
19% Popularity • 23% Danceability • 7% Energy • 10% Liveness
70% Instrumentalness • 28% Positiveness
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Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: Ad pedes. ...
98 bpm • C min • 00:59 • -21db
25% Popularity • 20% Danceability • 5% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
25% Popularity • 20% Danceability • 5% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
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Christopher Tye
In Nomine No. 20, 'Crye'
98 bpm • C# min • 01:54 • -24.23db
29% Popularity • 20% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 22% Positiveness
29% Popularity • 20% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 22% Positiveness
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William Byrd
Who made thee, Hob, forsake the Plough?
101 bpm • G# Maj • 01:12 • -15.09db
19% Popularity • 41% Danceability • 19% Energy • 10% Liveness
6% Instrumentalness • 74% Positiveness
19% Popularity • 41% Danceability • 19% Energy • 10% Liveness
6% Instrumentalness • 74% Positiveness
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António Pereira da Costa
Concerto V in G Minor: III. Grave
97 bpm • A# Maj • 01:36 • -21.14db
8% Popularity • 22% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 14% Positiveness
8% Popularity • 22% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 14% Positiveness
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John Dowland
Lachrimae or Seven Tears: XIV. The Earl ...
97 bpm • C# min • 01:17 • -19.45db
25% Popularity • 32% Danceability • 11% Energy • 23% Liveness
96% Instrumentalness • 50% Positiveness
25% Popularity • 32% Danceability • 11% Energy • 23% Liveness
96% Instrumentalness • 50% Positiveness
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Carl Friedrich Abel
Viola da gamba Sonata in D Major, A2:50:...
97 bpm • C# Maj • 01:57 • -16.56db
17% Popularity • 51% Danceability • 30% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
17% Popularity • 51% Danceability • 30% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
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Antoine Forqueray
Forqueray, A: Pièces de viole, Suite No...
101 bpm • G Maj • 04:40 • -24db
12% Popularity • 22% Danceability • 25% Energy • 24% Liveness
92% Instrumentalness • 40% Positiveness
12% Popularity • 22% Danceability • 25% Energy • 24% Liveness
92% Instrumentalness • 40% Positiveness
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Matthew Locke
Psyche, Act I: Overture
97 bpm • C# Maj • 02:16 • -13db
13% Popularity • 23% Danceability • 31% Energy • 19% Liveness
88% Instrumentalness • 52% Positiveness
13% Popularity • 23% Danceability • 31% Energy • 19% Liveness
88% Instrumentalness • 52% Positiveness
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Dietrich Buxtehude
Trio Sonata in D Major, BuxWV 267
97 bpm • D Maj • 08:18 • -29db
9% Popularity • 22% Danceability • 8% Energy • 12% Liveness
3% Instrumentalness • 28% Positiveness
9% Popularity • 22% Danceability • 8% Energy • 12% Liveness
3% Instrumentalness • 28% Positiveness
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Salomone Rossi
Sinfonie et gagliarde, Libro 1: Gagliard...
97 bpm • D# min • 01:11 • -22.18db
27% Popularity • 36% Danceability • 15% Energy • 12% Liveness
89% Instrumentalness • 75% Positiveness
27% Popularity • 36% Danceability • 15% Energy • 12% Liveness
89% Instrumentalness • 75% Positiveness
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John Dowland
Lachrimae or Seven Tears: I. Lachrimae a...
97 bpm • G# min • 04:02 • -23.24db
12% Popularity • 12% Danceability • 4% Energy • 16% Liveness
90% Instrumentalness • 6% Positiveness
12% Popularity • 12% Danceability • 4% Energy • 16% Liveness
90% Instrumentalness • 6% Positiveness
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Johann Sebastian Bach
Die Kunst der Fuge, BWV 1080: XII. Contr...
97 bpm • F# min • 03:54 • -21.08db
11% Popularity • 28% Danceability • 12% Energy • 10% Liveness
62% Instrumentalness • 31% Positiveness
11% Popularity • 28% Danceability • 12% Energy • 10% Liveness
62% Instrumentalness • 31% Positiveness
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Alessandro Scarlatti
Cello Sonata No. 3 in C Major: III. Amor...
101 bpm • C Maj • 01:55 • -25.81db
15% Popularity • 23% Danceability • 4% Energy • 11% Liveness
86% Instrumentalness • 16% Positiveness
15% Popularity • 23% Danceability • 4% Energy • 11% Liveness
86% Instrumentalness • 16% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: I. Prélude
101 bpm • C Maj • 01:19 • -15.77db
16% Popularity • 44% Danceability • 44% Energy • 46% Liveness
89% Instrumentalness • 77% Positiveness
16% Popularity • 44% Danceability • 44% Energy • 46% Liveness
89% Instrumentalness • 77% Positiveness
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Dietrich Buxtehude
Sonata in A-Moll, BuxWV 272: Sonata in A...
101 bpm • E Maj • 00:51 • -16.48db
22% Popularity • 22% Danceability • 12% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
22% Popularity • 22% Danceability • 12% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
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Godfrey Finger
A Ground in D Minor for Recorder
102 bpm • D Maj • 03:20 • -27db
9% Popularity • 33% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 22% Positiveness
9% Popularity • 33% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 22% Positiveness
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John Dowland
Lachrimae Antiquae from Lachrimae, or Se...
97 bpm • G min • 04:17 • -30db
15% Popularity • 12% Danceability • 1% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
15% Popularity • 12% Danceability • 1% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
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Barbara Strozzi
Primo libro de' madrigali, Op. 1: Volano...
96 bpm • D min • 04:21 • -17.21db
9% Popularity • 26% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 26% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Giovanni Battista Bassani
Sonata a tre in re maggiore: II. Adagio
102 bpm • C# Maj • 01:25 • -26db
14% Popularity • 19% Danceability • 3% Energy • 17% Liveness
26% Instrumentalness • 5% Positiveness
14% Popularity • 19% Danceability • 3% Energy • 17% Liveness
26% Instrumentalness • 5% Positiveness
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Robert Ballard
Entrée de Luths
96 bpm • D min • 03:12 • -34db
15% Popularity • 42% Danceability • 5% Energy • 8% Liveness
98% Instrumentalness • 11% Positiveness
15% Popularity • 42% Danceability • 5% Energy • 8% Liveness
98% Instrumentalness • 11% Positiveness
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Dietrich Buxtehude
Sonata in D-Dur, BuxWV 267: Sonata in D-...
101 bpm • C# Maj • 01:51 • -20.05db
9% Popularity • 34% Danceability • 20% Energy • 12% Liveness
3% Instrumentalness • 76% Positiveness
9% Popularity • 34% Danceability • 20% Energy • 12% Liveness
3% Instrumentalness • 76% Positiveness
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Thomas Tallis
A Solfing Song
96 bpm • E Maj • 02:52 • -28.82db
24% Popularity • 17% Danceability • 1% Energy • 14% Liveness
85% Instrumentalness • 16% Positiveness
24% Popularity • 17% Danceability • 1% Energy • 14% Liveness
85% Instrumentalness • 16% Positiveness
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John Dowland
Captaine Piper his Galiard
101 bpm • F min • 02:55 • -22.55db
10% Popularity • 36% Danceability • 6% Energy • 13% Liveness
29% Instrumentalness • 25% Positiveness
10% Popularity • 36% Danceability • 6% Energy • 13% Liveness
29% Instrumentalness • 25% Positiveness
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Alonso Mudarra
Tres libros de musica en cifras para vih...
96 bpm • F# Maj • 01:34 • -22.59db
16% Popularity • 15% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 25% Positiveness
16% Popularity • 15% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 25% Positiveness
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William Byrd
Byrd: Christe redemptor a 4
95 bpm • A# Maj • 02:58 • -26.8db
12% Popularity • 14% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
12% Popularity • 14% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
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Emilio de' Cavalieri
Prima die Lectio prima: V. Plorans plora...
103 bpm • F# Maj • 01:45 • -17.17db
15% Popularity • 25% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 25% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
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Crato B?er
Aria Sunamithica
103 bpm • G min • 05:19 • -18.27db
9% Popularity • 32% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 32% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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Heinrich Schütz
Auferstehungshistorie, SWV 50: (Introitu...
103 bpm • F# Maj • 01:29 • -19.23db
19% Popularity • 20% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
19% Popularity • 20% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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John Dowland
M. Buctons his Galiard (Susanna Galliard...
101 bpm • F min • 01:31 • -26.29db
27% Popularity • 34% Danceability • 3% Energy • 12% Liveness
60% Instrumentalness • 25% Positiveness
27% Popularity • 34% Danceability • 3% Energy • 12% Liveness
60% Instrumentalness • 25% Positiveness
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Maurizio Cazzati
Ciaccona, Op. 23
95 bpm • C# Maj • 03:07 • -18db
16% Popularity • 49% Danceability • 24% Energy • 10% Liveness
30% Instrumentalness • 69% Positiveness
16% Popularity • 49% Danceability • 24% Energy • 10% Liveness
30% Instrumentalness • 69% Positiveness
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Anónimo
Pasión: Omnes Vidéntes. Alto Y Bajo,...
103 bpm • A Maj • 03:29 • -14.68db
9% Popularity • 34% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 34% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Michael Haydn
Missa Quadragesimalis, MH 552: Dona nobi...
103 bpm • G# min • 02:05 • -20.05db
19% Popularity • 25% Danceability • 10% Energy • 22% Liveness
13% Instrumentalness • 19% Positiveness
19% Popularity • 25% Danceability • 10% Energy • 22% Liveness
13% Instrumentalness • 19% Positiveness
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Girolamo Frescobaldi
Arie musicali, Book 1, F 7: No. 23, Con ...
103 bpm • G Maj • 01:16 • -17.75db
0% Popularity • 27% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 27% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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William Lawes
Lawes: Aire, for Lyra Viol, VdGS No. 462
103 bpm • G min • 02:15 • -26db
10% Popularity • 33% Danceability • 2% Energy • 16% Liveness
6% Instrumentalness • 35% Positiveness
10% Popularity • 33% Danceability • 2% Energy • 16% Liveness
6% Instrumentalness • 35% Positiveness
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John Dowland
Prelude, P. 98
103 bpm • F min • 01:06 • -23.87db
27% Popularity • 36% Danceability • 15% Energy • 9% Liveness
88% Instrumentalness • 68% Positiveness
27% Popularity • 36% Danceability • 15% Energy • 9% Liveness
88% Instrumentalness • 68% Positiveness
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Diego Ortiz
Recercadas del Trattado de Glosas: Recer...
95 bpm • D min • 01:42 • -27.15db
29% Popularity • 24% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 21% Positiveness
29% Popularity • 24% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 21% Positiveness
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Robert de Visée
Suite in A Major: I. Prelude
103 bpm • G Maj • 01:20 • -29.96db
23% Popularity • 36% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 12% Positiveness
23% Popularity • 36% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 12% Positiveness
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Carl Friedrich Abel
Viola da Gamba Suite in D Minor: I. Arpe...
95 bpm • C# min • 02:03 • -35db
37% Popularity • 18% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
37% Popularity • 18% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Claudio Monteverdi
Monteverdi: Ottavo libro di madrigali "G...
95 bpm • A min • 03:43 • -23.91db
8% Popularity • 38% Danceability • 2% Energy • 13% Liveness
4% Instrumentalness • 19% Positiveness
8% Popularity • 38% Danceability • 2% Energy • 13% Liveness
4% Instrumentalness • 19% Positiveness
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Orazio Benevoli
Missa si Deus pro nobis, a 16 voci: I. K...
94 bpm • C Maj • 04:44 • -19.22db
17% Popularity • 11% Danceability • 13% Energy • 18% Liveness
89% Instrumentalness • 6% Positiveness
17% Popularity • 11% Danceability • 13% Energy • 18% Liveness
89% Instrumentalness • 6% Positiveness
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Heinrich Isaac
Innsbruck, ich muss dich lassen
94 bpm • F Maj • 04:46 • -24.89db
12% Popularity • 16% Danceability • 2% Energy • 7% Liveness
7% Instrumentalness • 10% Positiveness
12% Popularity • 16% Danceability • 2% Energy • 7% Liveness
7% Instrumentalness • 10% Positiveness
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Diego Ortiz
Recercada No. 1: Recercada primera
104 bpm • D min • 01:14 • -27.06db
24% Popularity • 46% Danceability • 25% Energy • 10% Liveness
99% Instrumentalness • 37% Positiveness
24% Popularity • 46% Danceability • 25% Energy • 10% Liveness
99% Instrumentalness • 37% Positiveness
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Henri Le Bailly
Passacalle, La Folie
104 bpm • G min • 03:53 • -22db
10% Popularity • 26% Danceability • 6% Energy • 8% Liveness
2% Instrumentalness • 12% Positiveness
10% Popularity • 26% Danceability • 6% Energy • 8% Liveness
2% Instrumentalness • 12% Positiveness
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Girolamo Frescobaldi
Se l'onde, ohime
94 bpm • C Maj • 03:30 • -27.41db
0% Popularity • 25% Danceability • 4% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 25% Danceability • 4% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
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Henri Desmarets
Te Deum "de Lyon": III. Te gloriosus apo...
104 bpm • A# Maj • 01:38 • -19.35db
13% Popularity • 37% Danceability • 12% Energy • 20% Liveness
1% Instrumentalness • 53% Positiveness
13% Popularity • 37% Danceability • 12% Energy • 20% Liveness
1% Instrumentalness • 53% Positiveness
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Claudio Monteverdi
Madrigali amorosi: No. 9, Canzonetta by ...
104 bpm • C Maj • 01:25 • -29db
40% Popularity • 26% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
40% Popularity • 26% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Andrea Falconieri
Ciaconna
94 bpm • C Maj • 03:28 • -17db
17% Popularity • 55% Danceability • 22% Energy • 20% Liveness
93% Instrumentalness • 78% Positiveness
17% Popularity • 55% Danceability • 22% Energy • 20% Liveness
93% Instrumentalness • 78% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad genua: ...
94 bpm • F min • 01:15 • -25.85db
29% Popularity • 38% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 11% Positiveness
29% Popularity • 38% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 11% Positiveness
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Matthew Locke
Fantasy For 2 Trebles And Bass
105 bpm • B Maj • 04:11 • -22.76db
28% Popularity • 17% Danceability • 5% Energy • 12% Liveness
62% Instrumentalness • 5% Positiveness
28% Popularity • 17% Danceability • 5% Energy • 12% Liveness
62% Instrumentalness • 5% Positiveness
► Preview
Girolamo Frescobaldi
Dunque dovro, "Aria di Romanesca"
104 bpm • G min • 03:49 • -27.98db
0% Popularity • 27% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
0% Popularity • 27% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Jacques Champion de Chambonnières
Pavane L'entretien des Dieux
105 bpm • G# Maj • 06:04 • -20.69db
8% Popularity • 15% Danceability • 6% Energy • 27% Liveness
88% Instrumentalness • 4% Positiveness
8% Popularity • 15% Danceability • 6% Energy • 27% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Clément Janequin
Au joly jeu
105 bpm • C Maj • 01:38 • -28db
38% Popularity • 32% Danceability • 2% Energy • 13% Liveness
82% Instrumentalness • 59% Positiveness
38% Popularity • 32% Danceability • 2% Energy • 13% Liveness
82% Instrumentalness • 59% Positiveness
► Preview
Johann Sebastian Bach
Johannes-Passion, BWV 245.1: 30. Aria: E...
105 bpm • A# min • 04:54 • -27.76db
30% Popularity • 19% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
30% Popularity • 19% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Jacques Gallot
Folies d'Espagne
93 bpm • G# min • 06:10 • -30db
13% Popularity • 41% Danceability • 4% Energy • 11% Liveness
72% Instrumentalness • 12% Positiveness
13% Popularity • 41% Danceability • 4% Energy • 11% Liveness
72% Instrumentalness • 12% Positiveness
► Preview
The Choir of Magdalen College, Oxford
I will exalt Thee
93 bpm • A min • 03:31 • -25.61db
21% Popularity • 23% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
21% Popularity • 23% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Barbara Strozzi
Diporti di Euterpe, Op. 7: Lagrime mie
105 bpm • D# min • 09:48 • -25db
10% Popularity • 31% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
10% Popularity • 31% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Antonio Caldara
Sinfonia Nо. 2 in do maggiore (Il batti...
105 bpm • C Maj • 01:27 • -13db
31% Popularity • 53% Danceability • 47% Energy • 8% Liveness
96% Instrumentalness • 13% Positiveness
31% Popularity • 53% Danceability • 47% Energy • 8% Liveness
96% Instrumentalness • 13% Positiveness
► Preview
Carlo Calvi
Espanoletta
93 bpm • G# min • 03:55 • -30.74db
11% Popularity • 42% Danceability • 2% Energy • 12% Liveness
83% Instrumentalness • 27% Positiveness
11% Popularity • 42% Danceability • 2% Energy • 12% Liveness
83% Instrumentalness • 27% Positiveness
► Preview
Nicola Matteis
Preludio I
105 bpm • F# Maj • 01:25 • -16db
22% Popularity • 26% Danceability • 18% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
22% Popularity • 26% Danceability • 18% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
► Preview
Arcangelo Corelli
Sonata da chiesa a tre in F Major, Op. 1...
105 bpm • D# Maj • 01:32 • -18.44db
14% Popularity • 31% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 31% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
► Preview
Girolamo Frescobaldi
Corrente quarta - A miei pianti
105 bpm • G Maj • 05:04 • -26.03db
0% Popularity • 44% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
0% Popularity • 44% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
► Preview
Hanneke van Proosdij
Suite in d minor - Allemande la Loureuse
105 bpm • C Maj • 03:13 • -28.31db
9% Popularity • 31% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 31% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
► Preview
Thomas Morley
Canzonets to Three Voyces: XI. O Fly Not
105 bpm • B Maj • 01:18 • -18.31db
18% Popularity • 40% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 50% Positiveness
18% Popularity • 40% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 50% Positiveness
► Preview
Thomas Tallis
In Nomine
93 bpm • C# min • 02:45 • -29.04db
14% Popularity • 14% Danceability • 1% Energy • 12% Liveness
27% Instrumentalness • 7% Positiveness
14% Popularity • 14% Danceability • 1% Energy • 12% Liveness
27% Instrumentalness • 7% Positiveness
► Preview
Michael Praetorius
Terpsichore*: Ballet des coqs
106 bpm • C Maj • 02:06 • -14.79db
20% Popularity • 46% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
20% Popularity • 46% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
► Preview
Matthew Locke
Suite No. 1 in G Minor: IV. Saraband
93 bpm • F# min • 00:59 • -16.86db
20% Popularity • 42% Danceability • 21% Energy • 9% Liveness
2% Instrumentalness • 34% Positiveness
20% Popularity • 42% Danceability • 21% Energy • 9% Liveness
2% Instrumentalness • 34% Positiveness
► Preview
Josquin des Prez
Mille regretz
93 bpm • A min • 01:56 • -30db
32% Popularity • 21% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
32% Popularity • 21% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
ensemble tresonare
O Bone Jesu
106 bpm • D min • 03:51 • -22.18db
8% Popularity • 26% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 26% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
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Robert de Visée
De Visée: Pièces de théorbe et de lut...
106 bpm • C# min • 01:13 • -26.08db
19% Popularity • 51% Danceability • 18% Energy • 7% Liveness
76% Instrumentalness • 51% Positiveness
19% Popularity • 51% Danceability • 18% Energy • 7% Liveness
76% Instrumentalness • 51% Positiveness
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Marc-Antoine Charpentier
Médée, H. 491, Prologue: Canaries
93 bpm • G min • 01:06 • -21.09db
16% Popularity • 33% Danceability • 7% Energy • 58% Liveness
0% Instrumentalness • 68% Positiveness
16% Popularity • 33% Danceability • 7% Energy • 58% Liveness
0% Instrumentalness • 68% Positiveness
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Girolamo Frescobaldi
Begli occhi io non prouo, F7.18
93 bpm • G min • 02:45 • -21db
7% Popularity • 35% Danceability • 8% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
7% Popularity • 35% Danceability • 8% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
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Michel Corrette
Noel Symphony No. 4 in D Minor: I. Une j...
106 bpm • C# min • 01:42 • -20db
42% Popularity • 32% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
42% Popularity • 32% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Alonso Mudarra
Tiento
106 bpm • F Maj • 01:45 • -35db
30% Popularity • 40% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
30% Popularity • 40% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
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Anónimo
Pasión: Fodérunt Manus Meas. Tenor S...
92 bpm • D Maj • 03:02 • -15.14db
11% Popularity • 38% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 38% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
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Giovanni Gabrieli
Sacrae symphoniae: Canzon septimi et oct...
92 bpm • C Maj • 02:39 • -18.34db
25% Popularity • 34% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
25% Popularity • 34% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
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Giovanni Salvatore
Versi sopra la messa che si canta nelle ...
92 bpm • C# Maj • 01:12 • -25.33db
11% Popularity • 24% Danceability • 6% Energy • 14% Liveness
59% Instrumentalness • 11% Positiveness
11% Popularity • 24% Danceability • 6% Energy • 14% Liveness
59% Instrumentalness • 11% Positiveness
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George Frideric Handel
Nisi Dominus, HWV 238: Cum dederit
92 bpm • B Maj • 01:26 • -25.81db
13% Popularity • 31% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
13% Popularity • 31% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
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John Dowland
The Earle of Essex Galiard from Lachrima...
107 bpm • F min • 01:30 • -23db
22% Popularity • 44% Danceability • 10% Energy • 10% Liveness
84% Instrumentalness • 47% Positiveness
22% Popularity • 44% Danceability • 10% Energy • 10% Liveness
84% Instrumentalness • 47% Positiveness
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Girolamo Frescobaldi
Frescobaldi: Arie musicali, Libro 1: No....
107 bpm • B min • 02:29 • -13.97db
21% Popularity • 39% Danceability • 27% Energy • 57% Liveness
0% Instrumentalness • 43% Positiveness
21% Popularity • 39% Danceability • 27% Energy • 57% Liveness
0% Instrumentalness • 43% Positiveness
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Tarquinio Merula
Op.12, No.4: Canzon La Treccia
107 bpm • G# min • 04:56 • -18db
23% Popularity • 28% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 28% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Giovanni Felice Sances
Lagrimosa beltà
107 bpm • G Maj • 03:33 • -25db
11% Popularity • 27% Danceability • 4% Energy • 8% Liveness
1% Instrumentalness • 14% Positiveness
11% Popularity • 27% Danceability • 4% Energy • 8% Liveness
1% Instrumentalness • 14% Positiveness
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Andrea Falconieri
La soave melodia
91 bpm • E min • 01:50 • -35db
16% Popularity • 24% Danceability • 3% Energy • 7% Liveness
79% Instrumentalness • 28% Positiveness
16% Popularity • 24% Danceability • 3% Energy • 7% Liveness
79% Instrumentalness • 28% Positiveness
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George Frideric Handel
Serse, HWV 40, Act I Scene 2: Recitativo...
91 bpm • C min • 02:06 • -29.29db
7% Popularity • 22% Danceability • 3% Energy • 71% Liveness
0% Instrumentalness • 26% Positiveness
7% Popularity • 22% Danceability • 3% Energy • 71% Liveness
0% Instrumentalness • 26% Positiveness
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Alexander Agricola
De tous biens plaine I
91 bpm • F min • 01:34 • -25.12db
9% Popularity • 23% Danceability • 3% Energy • 14% Liveness
91% Instrumentalness • 67% Positiveness
9% Popularity • 23% Danceability • 3% Energy • 14% Liveness
91% Instrumentalness • 67% Positiveness
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Girolamo Frescobaldi
Messa Della Domenica: Canzon Dopo la Pis...
91 bpm • C# min • 02:23 • -26.11db
11% Popularity • 18% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 28% Positiveness
11% Popularity • 18% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 28% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": V. A...
91 bpm • F# min • 01:32 • -19db
28% Popularity • 57% Danceability • 18% Energy • 19% Liveness
90% Instrumentalness • 26% Positiveness
28% Popularity • 57% Danceability • 18% Energy • 19% Liveness
90% Instrumentalness • 26% Positiveness
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Matthew Locke
Suite No. 1 in G Minor: III. Courante
91 bpm • A Maj • 01:10 • -19db
15% Popularity • 29% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
15% Popularity • 29% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Claudio Monteverdi
Ahi che si parte il mio bel sol adorno: ...
108 bpm • B Maj • 04:56 • -20.12db
16% Popularity • 35% Danceability • 10% Energy • 13% Liveness
1% Instrumentalness • 36% Positiveness
16% Popularity • 35% Danceability • 10% Energy • 13% Liveness
1% Instrumentalness • 36% Positiveness
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John Taverner
In Nomine
108 bpm • E Maj • 02:25 • -32db
30% Popularity • 16% Danceability • 0% Energy • 22% Liveness
50% Instrumentalness • 7% Positiveness
30% Popularity • 16% Danceability • 0% Energy • 22% Liveness
50% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
Aria
108 bpm • C Maj • 03:55 • -44.2db
18% Popularity • 31% Danceability • 0% Energy • 10% Liveness
57% Instrumentalness • 10% Positiveness
18% Popularity • 31% Danceability • 0% Energy • 10% Liveness
57% Instrumentalness • 10% Positiveness
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Girolamo Frescobaldi
Missa sopra l'aria della monica: Gloria
91 bpm • G# min • 04:41 • -12.98db
0% Popularity • 14% Danceability • 23% Energy • 32% Liveness
0% Instrumentalness • 9% Positiveness
0% Popularity • 14% Danceability • 23% Energy • 32% Liveness
0% Instrumentalness • 9% Positiveness
