Songs like Canzoni overo sonate concertate per chiesa e camera, libro terzo, Op. 12: Ciaccona by Tarquinio Merula
Based on a tempo of (+/- 10%) and a similar genre
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Jordi Savall
Variations Sur O Soñjal (Gwerz Breton /...
93 bpm • E min • 04:27 • -31.12db
14% Popularity • 18% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 13% Positiveness
14% Popularity • 18% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 13% Positiveness
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Josquin des Prez
Mille regretz
93 bpm • A min • 01:56 • -30db
32% Popularity • 21% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
32% Popularity • 21% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
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Tarquinio Merula
Canzoni overo sonate concertate per chie...
93 bpm • C Maj • 02:44 • -18db
21% Popularity • 53% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
21% Popularity • 53% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Heinrich Ignaz Franz von Biber
Harmonia Artificioso Ariosa, Partia V in...
94 bpm • F# min • 04:20 • -21.45db
26% Popularity • 33% Danceability • 12% Energy • 11% Liveness
30% Instrumentalness • 19% Positiveness
26% Popularity • 33% Danceability • 12% Energy • 11% Liveness
30% Instrumentalness • 19% Positiveness
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Marc-Antoine Charpentier
A la venue de noël
92 bpm • C# min • 01:00 • -22.24db
25% Popularity • 46% Danceability • 17% Energy • 4% Liveness
54% Instrumentalness • 78% Positiveness
25% Popularity • 46% Danceability • 17% Energy • 4% Liveness
54% Instrumentalness • 78% Positiveness
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Jean-Baptiste Lully
Le Divertissement Royal de Versailles, L...
92 bpm • C Maj • 01:25 • -16.24db
14% Popularity • 61% Danceability • 34% Energy • 8% Liveness
3% Instrumentalness • 79% Positiveness
14% Popularity • 61% Danceability • 34% Energy • 8% Liveness
3% Instrumentalness • 79% Positiveness
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Anonymous
Folias Criollas
94 bpm • A min • 03:27 • -19.58db
29% Popularity • 43% Danceability • 34% Energy • 9% Liveness
8% Instrumentalness • 64% Positiveness
29% Popularity • 43% Danceability • 34% Energy • 9% Liveness
8% Instrumentalness • 64% Positiveness
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Anthony Holborne
VII. - Almaine: The Fruit Of Love (Holbo...
92 bpm • F Maj • 01:28 • -20.95db
9% Popularity • 54% Danceability • 22% Energy • 9% Liveness
20% Instrumentalness • 62% Positiveness
9% Popularity • 54% Danceability • 22% Energy • 9% Liveness
20% Instrumentalness • 62% Positiveness
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Andrea Falconieri
Passacalle
93 bpm • G min • 02:46 • -19.19db
19% Popularity • 42% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
19% Popularity • 42% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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George Frideric Handel
Concerto For Harp In B-Flat Major: I. An...
94 bpm • A Maj • 05:56 • -28db
23% Popularity • 42% Danceability • 11% Energy • 11% Liveness
58% Instrumentalness • 37% Positiveness
23% Popularity • 42% Danceability • 11% Energy • 11% Liveness
58% Instrumentalness • 37% Positiveness
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Giovanni Gabrieli
Sacrae symphoniae: Canzon septimi et oct...
92 bpm • C Maj • 02:39 • -18.34db
23% Popularity • 34% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
23% Popularity • 34% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
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Pierre Attaingnant
La Magdalena
92 bpm • C# min • 02:34 • -21.42db
31% Popularity • 32% Danceability • 19% Energy • 14% Liveness
85% Instrumentalness • 66% Positiveness
31% Popularity • 32% Danceability • 19% Energy • 14% Liveness
85% Instrumentalness • 66% Positiveness
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Traditional
Tonada: El Huicho de Chachapoyas
92 bpm • E Maj • 03:07 • -24.2db
5% Popularity • 40% Danceability • 8% Energy • 17% Liveness
32% Instrumentalness • 22% Positiveness
5% Popularity • 40% Danceability • 8% Energy • 17% Liveness
32% Instrumentalness • 22% Positiveness
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Antonio de Cabezón
III. 1526 Matrimonio de Carlos V con Isa...
92 bpm • F Maj • 03:30 • -25.18db
11% Popularity • 18% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
11% Popularity • 18% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
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Francisco Correa de Arauxo
Tres Glosas Sobre "Todo El Mundo En Gene...
94 bpm • F Maj • 03:40 • -15.9db
10% Popularity • 38% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
10% Popularity • 38% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Andrea Falconieri
Ciaconna
94 bpm • C Maj • 03:28 • -17db
18% Popularity • 55% Danceability • 22% Energy • 20% Liveness
93% Instrumentalness • 78% Positiveness
18% Popularity • 55% Danceability • 22% Energy • 20% Liveness
93% Instrumentalness • 78% Positiveness
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Jordi Savall
Lachrimae Antiquae Novae
94 bpm • A min • 04:51 • -20.97db
5% Popularity • 13% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
5% Popularity • 13% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
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Stephen Stubbs
Improvisation I on the Folia bass
95 bpm • C# min • 07:45 • -23.17db
15% Popularity • 21% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
15% Popularity • 21% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Carl Friedrich Abel
Viola da Gamba Suite in D Minor: I. Arpe...
95 bpm • C# min • 02:03 • -35db
38% Popularity • 18% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
38% Popularity • 18% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Maurizio Cazzati
Ciaccona, Op. 23
95 bpm • C# Maj • 03:07 • -18db
16% Popularity • 49% Danceability • 24% Energy • 10% Liveness
30% Instrumentalness • 69% Positiveness
16% Popularity • 49% Danceability • 24% Energy • 10% Liveness
30% Instrumentalness • 69% Positiveness
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Alonso Mudarra
Fantasia Que Contrahaze La Harpa De Ludo...
91 bpm • G Maj • 02:36 • -28.2db
21% Popularity • 25% Danceability • 8% Energy • 14% Liveness
91% Instrumentalness • 15% Positiveness
21% Popularity • 25% Danceability • 8% Energy • 14% Liveness
91% Instrumentalness • 15% Positiveness
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Traditional
Cachua Serranita (Instrumental)
95 bpm • A min • 03:26 • -23.91db
9% Popularity • 44% Danceability • 25% Energy • 10% Liveness
35% Instrumentalness • 68% Positiveness
9% Popularity • 44% Danceability • 25% Energy • 10% Liveness
35% Instrumentalness • 68% Positiveness
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Michael Praetorius
Terpsichore*: Bransle de la Torche
91 bpm • C Maj • 02:14 • -26.03db
21% Popularity • 49% Danceability • 4% Energy • 18% Liveness
10% Instrumentalness • 46% Positiveness
21% Popularity • 49% Danceability • 4% Energy • 18% Liveness
10% Instrumentalness • 46% Positiveness
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Anonymous
Pase El Agoa, Ma Julieta
95 bpm • F Maj • 01:29 • -18.34db
3% Popularity • 52% Danceability • 26% Energy • 11% Liveness
3% Instrumentalness • 57% Positiveness
3% Popularity • 52% Danceability • 26% Energy • 11% Liveness
3% Instrumentalness • 57% Positiveness
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Giuseppe Torelli
Trumpet Concerto in D Major, G. 28: I. A...
95 bpm • G# Maj • 02:07 • -13db
37% Popularity • 55% Danceability • 23% Energy • 12% Liveness
86% Instrumentalness • 77% Positiveness
37% Popularity • 55% Danceability • 23% Energy • 12% Liveness
86% Instrumentalness • 77% Positiveness
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Giovanni Battista Grillo
Capriccio V
91 bpm • C Maj • 02:27 • -18.88db
13% Popularity • 27% Danceability • 14% Energy • 8% Liveness
31% Instrumentalness • 27% Positiveness
13% Popularity • 27% Danceability • 14% Energy • 8% Liveness
31% Instrumentalness • 27% Positiveness
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George Frideric Handel
Ode for St. Cecilia's Day, HWV 76: Inter...
96 bpm • C# Maj • 01:23 • -27db
43% Popularity • 23% Danceability • 2% Energy • 11% Liveness
12% Instrumentalness • 41% Positiveness
43% Popularity • 23% Danceability • 2% Energy • 11% Liveness
12% Instrumentalness • 41% Positiveness
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Marin Marais
Le Badinage - 4ème livre de Pièces de ...
96 bpm • F min • 06:59 • -26.93db
27% Popularity • 28% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
27% Popularity • 28% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
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Marc-Antoine Charpentier
Te Deum: IV. Pleni sunt caeli
96 bpm • C# Maj • 02:07 • -12.82db
11% Popularity • 29% Danceability • 42% Energy • 11% Liveness
81% Instrumentalness • 62% Positiveness
11% Popularity • 29% Danceability • 42% Energy • 11% Liveness
81% Instrumentalness • 62% Positiveness
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Maurizio Cazzati
Correnti e balletti, Op. 4: No. 33, Ciac...
96 bpm • C# Maj • 02:40 • -17.08db
16% Popularity • 45% Danceability • 26% Energy • 6% Liveness
1% Instrumentalness • 68% Positiveness
16% Popularity • 45% Danceability • 26% Energy • 6% Liveness
1% Instrumentalness • 68% Positiveness
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Jean-Baptiste Lully
Le Divertissement Royal de Versailles, L...
96 bpm • E min • 02:31 • -32.9db
12% Popularity • 23% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 20% Positiveness
12% Popularity • 23% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 20% Positiveness
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Jordi Savall
Lachrimae Antiquae
90 bpm • A min • 04:41 • -21.68db
22% Popularity • 10% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
22% Popularity • 10% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
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Traditional
Tonada: El Tupamaro
96 bpm • D min • 04:28 • -20.36db
9% Popularity • 43% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 43% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
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Tarquinio Merula
Merula : Ciaccona
96 bpm • C# Maj • 02:53 • -15.79db
15% Popularity • 44% Danceability • 20% Energy • 12% Liveness
9% Instrumentalness • 56% Positiveness
15% Popularity • 44% Danceability • 20% Energy • 12% Liveness
9% Instrumentalness • 56% Positiveness
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Salomone Rossi
Il terzo libro de varie sonate, sinfonie...
90 bpm • G Maj • 03:54 • -19.19db
13% Popularity • 43% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
13% Popularity • 43% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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William Christie
Purcell : King Arthur : Air
96 bpm • C min • 01:03 • -30db
35% Popularity • 43% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 43% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Jean-Baptiste Lully
Chaconne de l'amour Médecin, LWV 29 (16...
90 bpm • F Maj • 03:32 • -20db
11% Popularity • 28% Danceability • 11% Energy • 13% Liveness
2% Instrumentalness • 37% Positiveness
11% Popularity • 28% Danceability • 11% Energy • 13% Liveness
2% Instrumentalness • 37% Positiveness
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Maike Boerdam
Gesproken tekst XXXII (20): "De betrekki...
90 bpm • G min • 01:36 • -24.65db
0% Popularity • 47% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
0% Popularity • 47% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Antonio Vivaldi
Mandolin Concerto in C Major, RV 425: I....
97 bpm • C Maj • 02:45 • -22.36db
40% Popularity • 46% Danceability • 22% Energy • 15% Liveness
86% Instrumentalness • 66% Positiveness
40% Popularity • 46% Danceability • 22% Energy • 15% Liveness
86% Instrumentalness • 66% Positiveness
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Francesco Corbetta
Passacaille en sol mineur
89 bpm • F# min • 02:37 • -26.26db
21% Popularity • 43% Danceability • 7% Energy • 11% Liveness
9% Instrumentalness • 23% Positiveness
21% Popularity • 43% Danceability • 7% Energy • 11% Liveness
9% Instrumentalness • 23% Positiveness
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Henry Purcell
Sonata A 2
89 bpm • G min • 06:47 • -17.27db
10% Popularity • 23% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
10% Popularity • 23% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Heinrich Isaac
Lamentation: Quis dabit capiti meo aquan...
89 bpm • A min • 07:25 • -23db
4% Popularity • 11% Danceability • 8% Energy • 9% Liveness
40% Instrumentalness • 6% Positiveness
4% Popularity • 11% Danceability • 8% Energy • 9% Liveness
40% Instrumentalness • 6% Positiveness
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Claudio Monteverdi
Sinfonia a sei
97 bpm • D min • 01:49 • -23db
16% Popularity • 22% Danceability • 6% Energy • 10% Liveness
61% Instrumentalness • 8% Positiveness
16% Popularity • 22% Danceability • 6% Energy • 10% Liveness
61% Instrumentalness • 8% Positiveness
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Johann Sebastian Bach
Ouverture No. 3, BWV 1068: II. Air
97 bpm • C# Maj • 06:02 • -28.83db
4% Popularity • 13% Danceability • 4% Energy • 12% Liveness
48% Instrumentalness • 5% Positiveness
4% Popularity • 13% Danceability • 4% Energy • 12% Liveness
48% Instrumentalness • 5% Positiveness
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![Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: I. [Allegro] cover art](https://i.scdn.co/image/ab67616d00001e02f90d6525c5a62ca2c4975b93)
Dietrich Buxtehude
Sonata in A-Moll, BuxWV 272: Sonata in A...
89 bpm • G# min • 04:51 • -16.35db
13% Popularity • 41% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
13% Popularity • 41% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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Pedro de Araújo
Consonancias de 1º Tom
97 bpm • C Maj • 02:56 • -18db
8% Popularity • 31% Danceability • 23% Energy • 8% Liveness
82% Instrumentalness • 8% Positiveness
8% Popularity • 31% Danceability • 23% Energy • 8% Liveness
82% Instrumentalness • 8% Positiveness
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Marin Marais
Pièces de viole, Livre 3 - Suite No. 7 ...
89 bpm • F# Maj • 02:27 • -26db
37% Popularity • 16% Danceability • 6% Energy • 25% Liveness
47% Instrumentalness • 14% Positiveness
37% Popularity • 16% Danceability • 6% Energy • 25% Liveness
47% Instrumentalness • 14% Positiveness
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Jordi Savall
Suite En Mi Mineur: Passacaille, II.105 ...
97 bpm • D# min • 02:24 • -17db
12% Popularity • 25% Danceability • 14% Energy • 10% Liveness
30% Instrumentalness • 24% Positiveness
12% Popularity • 25% Danceability • 14% Energy • 10% Liveness
30% Instrumentalness • 24% Positiveness
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Henry Purcell
Abdelazer, Z.570: 2. Rondeau
97 bpm • C# min • 01:38 • -20db
49% Popularity • 37% Danceability • 5% Energy • 11% Liveness
52% Instrumentalness • 48% Positiveness
49% Popularity • 37% Danceability • 5% Energy • 11% Liveness
52% Instrumentalness • 48% Positiveness
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Claudio Monteverdi
Hymnus: Ave maris stella
89 bpm • D Maj • 09:17 • -24.32db
7% Popularity • 15% Danceability • 7% Energy • 10% Liveness
54% Instrumentalness • 10% Positiveness
7% Popularity • 15% Danceability • 7% Energy • 10% Liveness
54% Instrumentalness • 10% Positiveness
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![Water Music, Suite No. 3, HWV 350: No. 16, [Sarabande] cover art](https://i.scdn.co/image/ab67616d00001e020467d27cbc2ac9ea30779a5d)
George Frideric Handel
Water Music, Suite No. 3, HWV 350: No. 1...
88 bpm • F# min • 01:36 • -28db
29% Popularity • 21% Danceability • 2% Energy • 26% Liveness
18% Instrumentalness • 30% Positiveness
29% Popularity • 21% Danceability • 2% Energy • 26% Liveness
18% Instrumentalness • 30% Positiveness
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Francesco Corbetta
Folias
98 bpm • C Maj • 03:14 • -26db
17% Popularity • 32% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 48% Positiveness
17% Popularity • 32% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 48% Positiveness
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Marin Marais
Muzettes I-II - 3ème livre de Pièces d...
88 bpm • G# Maj • 03:13 • -22.54db
23% Popularity • 15% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
23% Popularity • 15% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
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Marc-Antoine Charpentier
Concert pour quatre parties de violes, H...
98 bpm • C# min • 03:18 • -16db
4% Popularity • 46% Danceability • 26% Energy • 17% Liveness
90% Instrumentalness • 64% Positiveness
4% Popularity • 46% Danceability • 26% Energy • 17% Liveness
90% Instrumentalness • 64% Positiveness
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![Concerto III, en Sol Majeur, BWV 1048 - I. [Allegro] cover art](https://i.scdn.co/image/ab67616d00001e02ac65208a5f42f1e5e9978a9d)
Johann Sebastian Bach
Concerto III, en Sol Majeur, BWV 1048 - ...
98 bpm • F# Maj • 05:41 • -19db
17% Popularity • 48% Danceability • 30% Energy • 10% Liveness
81% Instrumentalness • 78% Positiveness
17% Popularity • 48% Danceability • 30% Energy • 10% Liveness
81% Instrumentalness • 78% Positiveness
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Claudio Monteverdi
L'Orfeo, Prologo: Ritornello - Dal mio p...
89 bpm • D min • 06:31 • -24db
26% Popularity • 20% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 9% Positiveness
26% Popularity • 20% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 9% Positiveness
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Toinot Arbeau
III. 1526 Matrimonio de Carlos V con Isa...
98 bpm • C Maj • 03:16 • -26db
14% Popularity • 20% Danceability • 7% Energy • 13% Liveness
1% Instrumentalness • 10% Positiveness
14% Popularity • 20% Danceability • 7% Energy • 13% Liveness
1% Instrumentalness • 10% Positiveness
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Samuel Scheidt
Ludi Musici: Allemande XVI
88 bpm • C Maj • 01:32 • -22.6db
17% Popularity • 35% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 48% Positiveness
17% Popularity • 35% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 48% Positiveness
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Johann Hermann Schein
Schein: Banchetto musicale, Suite No. 6 ...
98 bpm • C Maj • 02:20 • -28.67db
15% Popularity • 28% Danceability • 1% Energy • 14% Liveness
43% Instrumentalness • 38% Positiveness
15% Popularity • 28% Danceability • 1% Energy • 14% Liveness
43% Instrumentalness • 38% Positiveness
► Preview
La Capella Reial De Catalunya
Gesproken tekst XXX (19): "Hoe de Zothei...
88 bpm • D min • 02:17 • -24.72db
1% Popularity • 41% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
1% Popularity • 41% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Jean-Baptiste Lully
Alcidiane: Ouverture
98 bpm • F# min • 01:37 • -26db
44% Popularity • 41% Danceability • 5% Energy • 7% Liveness
57% Instrumentalness • 38% Positiveness
44% Popularity • 41% Danceability • 5% Energy • 7% Liveness
57% Instrumentalness • 38% Positiveness
► Preview
Claudio Monteverdi
Cantate Domino, SV 293
88 bpm • F Maj • 01:43 • -19db
36% Popularity • 14% Danceability • 17% Energy • 12% Liveness
87% Instrumentalness • 16% Positiveness
36% Popularity • 14% Danceability • 17% Energy • 12% Liveness
87% Instrumentalness • 16% Positiveness
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Le Concert Des Nations
Concert Donné A Louis XIII En 1627 Par ...
99 bpm • G Maj • 02:47 • -17db
10% Popularity • 64% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 64% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
Marc-Antoine Charpentier
Marche de triomphe, H. 547/1
99 bpm • C Maj • 01:50 • -18db
20% Popularity • 54% Danceability • 37% Energy • 21% Liveness
97% Instrumentalness • 49% Positiveness
20% Popularity • 54% Danceability • 37% Energy • 21% Liveness
97% Instrumentalness • 49% Positiveness
► Preview
Johann David Heinichen
III. Un poco Allegro
99 bpm • E Maj • 02:23 • -35db
27% Popularity • 57% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 80% Positiveness
27% Popularity • 57% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 80% Positiveness
► Preview
John Dowland
Lachrimae
87 bpm • F# min • 05:15 • -37db
30% Popularity • 32% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
30% Popularity • 32% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
► Preview
Jean-Baptiste Lully
Le Bourgeois Gentilhomme, LWV 43: 1er Ai...
99 bpm • G# Maj • 02:08 • -21db
16% Popularity • 42% Danceability • 17% Energy • 9% Liveness
1% Instrumentalness • 36% Positiveness
16% Popularity • 42% Danceability • 17% Energy • 9% Liveness
1% Instrumentalness • 36% Positiveness
► Preview
Arcangelo Corelli
Concerto Grosso in D Major, Op. 6 No. 4:...
87 bpm • C# Maj • 00:35 • -22.76db
24% Popularity • 23% Danceability • 9% Energy • 40% Liveness
63% Instrumentalness • 23% Positiveness
24% Popularity • 23% Danceability • 9% Energy • 40% Liveness
63% Instrumentalness • 23% Positiveness
► Preview
Pedro Guerrero
Guerrero: La Perra mora
99 bpm • A min • 01:35 • -15.44db
6% Popularity • 64% Danceability • 27% Energy • 10% Liveness
66% Instrumentalness • 78% Positiveness
6% Popularity • 64% Danceability • 27% Energy • 10% Liveness
66% Instrumentalness • 78% Positiveness
► Preview
Henry Purcell
Purcell: Dido and Aeneas, Z. 626: Overtu...
100 bpm • B min • 02:13 • -22.03db
28% Popularity • 45% Danceability • 34% Energy • 24% Liveness
76% Instrumentalness • 38% Positiveness
28% Popularity • 45% Danceability • 34% Energy • 24% Liveness
76% Instrumentalness • 38% Positiveness
► Preview
Johann Sebastian Bach
Brandenburg Concerto No. 5 In D Major, B...
99 bpm • C# Maj • 09:46 • -22.94db
27% Popularity • 24% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
27% Popularity • 24% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
► Preview
Heinrich Isaac
Motet: Parce, Domine
100 bpm • A min • 01:40 • -21.81db
24% Popularity • 13% Danceability • 10% Energy • 10% Liveness
52% Instrumentalness • 4% Positiveness
24% Popularity • 13% Danceability • 10% Energy • 10% Liveness
52% Instrumentalness • 4% Positiveness
► Preview
Jordi Savall
Suite En Si Mineur: Tombeau Pour Mons.r ...
87 bpm • A# min • 06:36 • -18.04db
9% Popularity • 19% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 7% Positiveness
9% Popularity • 19% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 7% Positiveness
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Le Concert Des Nations
Quatrième Concert: Forlane. Rondeau - G...
100 bpm • D Maj • 02:49 • -16.26db
18% Popularity • 59% Danceability • 23% Energy • 10% Liveness
51% Instrumentalness • 78% Positiveness
18% Popularity • 59% Danceability • 23% Energy • 10% Liveness
51% Instrumentalness • 78% Positiveness
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Arcangelo Corelli
Sonata Op. 5, No. 10: Sarabanda
86 bpm • C# min • 03:57 • -29db
26% Popularity • 22% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 5% Positiveness
26% Popularity • 22% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 5% Positiveness
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Alessandro Marcello
Concerto di Flauti, S.D945: II. Allegro
100 bpm • G Maj • 01:04 • -19db
34% Popularity • 51% Danceability • 9% Energy • 18% Liveness
74% Instrumentalness • 44% Positiveness
34% Popularity • 51% Danceability • 9% Energy • 18% Liveness
74% Instrumentalness • 44% Positiveness
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Johann Sebastian Bach
Cantata, BWV 167: Sei Lob und Preis mit ...
100 bpm • F# Maj • 02:17 • -22db
28% Popularity • 36% Danceability • 25% Energy • 16% Liveness
95% Instrumentalness • 59% Positiveness
28% Popularity • 36% Danceability • 25% Energy • 16% Liveness
95% Instrumentalness • 59% Positiveness
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William Boyce
Symphony No. 1 in B-Flat Major, Op. 2, "...
86 bpm • A Maj • 02:55 • -23.37db
41% Popularity • 43% Danceability • 13% Energy • 25% Liveness
93% Instrumentalness • 69% Positiveness
41% Popularity • 43% Danceability • 13% Energy • 25% Liveness
93% Instrumentalness • 69% Positiveness
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Jordi Savall
Concert À Deux Violes Esgales "Le Retou...
86 bpm • C# Maj • 08:23 • -22.42db
12% Popularity • 20% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 17% Positiveness
12% Popularity • 20% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 17% Positiveness
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Henry Purcell
Purcell: Trumpet Sonata in D Major, Z. 8...
101 bpm • C# Maj • 01:16 • -11.42db
36% Popularity • 57% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 73% Positiveness
36% Popularity • 57% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 73% Positiveness
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Claudio Monteverdi
Ciaccona (Antonio Falconiero ca. 1585-16...
101 bpm • G Maj • 01:46 • -24db
34% Popularity • 47% Danceability • 15% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
34% Popularity • 47% Danceability • 15% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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Arianna Savall
La Salve (Arianna Savall)
101 bpm • D min • 05:17 • -24.51db
16% Popularity • 30% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 9% Positiveness
16% Popularity • 30% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 9% Positiveness
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Juan Cabanilles
Diferencias De Folias
101 bpm • C# min • 05:55 • -23.95db
13% Popularity • 32% Danceability • 26% Energy • 14% Liveness
69% Instrumentalness • 56% Positiveness
13% Popularity • 32% Danceability • 26% Energy • 14% Liveness
69% Instrumentalness • 56% Positiveness
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Michael Praetorius
Terpsichore*: Volte
101 bpm • G Maj • 01:34 • -19db
21% Popularity • 63% Danceability • 14% Energy • 10% Liveness
4% Instrumentalness • 52% Positiveness
21% Popularity • 63% Danceability • 14% Energy • 10% Liveness
4% Instrumentalness • 52% Positiveness
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Antoine Forqueray
Forqueray, A: Pièces de viole, Suite No...
101 bpm • G Maj • 04:40 • -24db
12% Popularity • 22% Danceability • 25% Energy • 24% Liveness
92% Instrumentalness • 40% Positiveness
12% Popularity • 22% Danceability • 25% Energy • 24% Liveness
92% Instrumentalness • 40% Positiveness
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Henry Purcell
Suite From Abdelzar: I. Rondeau
101 bpm • C# min • 01:29 • -21db
45% Popularity • 52% Danceability • 9% Energy • 11% Liveness
74% Instrumentalness • 52% Positiveness
45% Popularity • 52% Danceability • 9% Energy • 11% Liveness
74% Instrumentalness • 52% Positiveness
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Pierre Francisque Carroubel
Spagnolette
86 bpm • D min • 03:35 • -25db
19% Popularity • 35% Danceability • 4% Energy • 10% Liveness
6% Instrumentalness • 28% Positiveness
19% Popularity • 35% Danceability • 4% Energy • 10% Liveness
6% Instrumentalness • 28% Positiveness
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Luigi Boccherini
Bocherini / Arr. Grützmacher: Cello Con...
86 bpm • G min • 06:54 • -23.72db
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Jean-Philippe Rameau
Les Indes Galantes - Suites des airs à ...
86 bpm • F# min • 01:39 • -16.5db
18% Popularity • 60% Danceability • 26% Energy • 12% Liveness
46% Instrumentalness • 61% Positiveness
18% Popularity • 60% Danceability • 26% Energy • 12% Liveness
46% Instrumentalness • 61% Positiveness
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Montserrat Figueras
Ballo Volgendo Il Ciel Movete Al Mio Bel...
101 bpm • G Maj • 01:46 • -25.29db
2% Popularity • 47% Danceability • 13% Energy • 37% Liveness
0% Instrumentalness • 77% Positiveness
2% Popularity • 47% Danceability • 13% Energy • 37% Liveness
0% Instrumentalness • 77% Positiveness
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Tomaso Albinoni
Oboe Concerto in D Minor, Op. 9, No. 2: ...
101 bpm • D min • 03:07 • -16db
42% Popularity • 58% Danceability • 31% Energy • 17% Liveness
93% Instrumentalness • 80% Positiveness
42% Popularity • 58% Danceability • 31% Energy • 17% Liveness
93% Instrumentalness • 80% Positiveness
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Gasparo Zanetti
La Mantovana
101 bpm • A min • 02:16 • -16.84db
24% Popularity • 51% Danceability • 21% Energy • 11% Liveness
92% Instrumentalness • 48% Positiveness
24% Popularity • 51% Danceability • 21% Energy • 11% Liveness
92% Instrumentalness • 48% Positiveness
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John Dowland
M. Buctons his Galiard (Susanna Galliard...
101 bpm • F min • 01:31 • -26.29db
27% Popularity • 34% Danceability • 3% Energy • 12% Liveness
60% Instrumentalness • 25% Positiveness
27% Popularity • 34% Danceability • 3% Energy • 12% Liveness
60% Instrumentalness • 25% Positiveness
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Marin Marais
L'Arabesque - 4ème livre de Pièces de ...
102 bpm • E Maj • 06:03 • -22.97db
24% Popularity • 30% Danceability • 6% Energy • 10% Liveness
83% Instrumentalness • 24% Positiveness
24% Popularity • 30% Danceability • 6% Energy • 10% Liveness
83% Instrumentalness • 24% Positiveness
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Jean-Philippe Rameau
Les Indes Galantes - Air pour les esclav...
86 bpm • F# min • 01:39 • -18db
22% Popularity • 57% Danceability • 28% Energy • 11% Liveness
79% Instrumentalness • 74% Positiveness
22% Popularity • 57% Danceability • 28% Energy • 11% Liveness
79% Instrumentalness • 74% Positiveness
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Montserrat Figueras
Primera Parte - Yo Soy La Locura, CapÃt...
101 bpm • E min • 01:44 • -20.46db
19% Popularity • 23% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 33% Positiveness
19% Popularity • 23% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 33% Positiveness
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Jean-Joseph Cassanéa De Mondonville
Sonate No. 4 (Six Sonates en symphonies ...
102 bpm • B min • 02:33 • -33.7db
21% Popularity • 36% Danceability • 2% Energy • 10% Liveness
3% Instrumentalness • 25% Positiveness
21% Popularity • 36% Danceability • 2% Energy • 10% Liveness
3% Instrumentalness • 25% Positiveness
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Giuseppe Torelli
Torelli: Trumpet Concerto in D Major, G....
102 bpm • D Maj • 02:01 • -14.66db
28% Popularity • 57% Danceability • 27% Energy • 10% Liveness
95% Instrumentalness • 75% Positiveness
28% Popularity • 57% Danceability • 27% Energy • 10% Liveness
95% Instrumentalness • 75% Positiveness