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Cape Horn
Songs like
Cape Horn
by
Otto M. Schwarz
Based on a tempo of (+/- 10%) and a similar genre
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Paul Lovatt-Cooper
Wall of Sound
125 bpm • C Maj • 08:14 • -19.72db
9% Popularity • 53% Danceability • 35% Energy • 39% Liveness
93% Instrumentalness • 37% Positiveness
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Otto M. Schwarz
Cape Horn
125 bpm • A# min • 08:17 • -15db
16% Popularity • 36% Danceability • 12% Energy • 7% Liveness
79% Instrumentalness • 14% Positiveness
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Philip Sparke
Party Piece
125 bpm • D# Maj • 07:34 • -26.51db
11% Popularity • 34% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 20% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: IV. March "Folk...
125 bpm • A# Maj • 03:44 • -17.83db
19% Popularity • 62% Danceability • 23% Energy • 12% Liveness
96% Instrumentalness • 67% Positiveness
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Frank Erickson
Toccata for Band
125 bpm • G Maj • 05:27 • -16db
16% Popularity • 29% Danceability • 14% Energy • 15% Liveness
81% Instrumentalness • 10% Positiveness
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Tredegar Town Band
Children of Sanchez
125 bpm • A# Maj • 06:19 • -18.95db
21% Popularity • 26% Danceability • 12% Energy • 5% Liveness
98% Instrumentalness • 10% Positiveness
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Robert W. Smith
Songs of Sailor and Sea
125 bpm • A# Maj • 08:29 • -19db
11% Popularity • 26% Danceability • 21% Energy • 90% Liveness
87% Instrumentalness • 12% Positiveness
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James Swearingen
Eiger - A Journey to Summit
126 bpm • G min • 05:55 • -15.37db
13% Popularity • 37% Danceability • 17% Energy • 70% Liveness
69% Instrumentalness • 12% Positiveness
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Malcolm Arnold
Prelude, Siciliano & Rondo: Prelude
124 bpm • A# Maj • 01:52 • -18db
20% Popularity • 35% Danceability • 12% Energy • 22% Liveness
77% Instrumentalness • 10% Positiveness
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United Winds
Queens Park Melody
126 bpm • G# Maj • 04:22 • -18.36db
11% Popularity • 40% Danceability • 22% Energy • 12% Liveness
90% Instrumentalness • 29% Positiveness
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Jacob de Haan
La Storia
126 bpm • D# Maj • 07:09 • -22.91db
19% Popularity • 26% Danceability • 7% Energy • 14% Liveness
90% Instrumentalness • 12% Positiveness
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US Army Band
The Purple Carnival
124 bpm • C# Maj • 03:32 • -12db
10% Popularity • 52% Danceability • 36% Energy • 28% Liveness
56% Instrumentalness • 37% Positiveness
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River City Brass Band
Gaelforce
124 bpm • C# Maj • 06:37 • -15.12db
19% Popularity • 34% Danceability • 48% Energy • 15% Liveness
86% Instrumentalness • 10% Positiveness
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Otto M. Schwarz
Troja
124 bpm • C Maj • 06:36 • -17.33db
1% Popularity • 24% Danceability • 18% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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Stadtmusikkapelle Innsbruck Arzl
Free world fantasy
124 bpm • D# Maj • 07:55 • -14.46db
16% Popularity • 36% Danceability • 14% Energy • 9% Liveness
64% Instrumentalness • 14% Positiveness
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Brass Band Rekrutenschule Schweizer Militärmusik - Hptm Bernhard Meier
Cry Of The Celts - Victory
126 bpm • G# Maj • 03:06 • -20.01db
16% Popularity • 41% Danceability • 37% Energy • 11% Liveness
92% Instrumentalness • 46% Positiveness
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José Alberto Pina
The Island Of Light, Pt. 2: Sobre Las Nu...
124 bpm • F Maj • 08:37 • -17.85db
9% Popularity • 18% Danceability • 10% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Cory Band
Main Theme
126 bpm • G Maj • 02:51 • -13db
21% Popularity • 40% Danceability • 42% Energy • 9% Liveness
95% Instrumentalness • 47% Positiveness
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James Barnes
Danza Sinfonica
124 bpm • C# Maj • 10:43 • -16.93db
10% Popularity • 36% Danceability • 23% Energy • 5% Liveness
59% Instrumentalness • 11% Positiveness
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Tredegar Town Band
The Great Escape
123 bpm • G# Maj • 02:10 • -16.81db
27% Popularity • 61% Danceability • 12% Energy • 7% Liveness
79% Instrumentalness • 70% Positiveness
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Northwestern State University Bands
Overture for Winds
127 bpm • C min • 04:19 • -18.97db
14% Popularity • 23% Danceability • 20% Energy • 14% Liveness
82% Instrumentalness • 26% Positiveness
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Leonard Bernstein
Candide: I. The Best of All Possible Wor...
127 bpm • D# Maj • 02:01 • -17db
23% Popularity • 67% Danceability • 23% Energy • 23% Liveness
92% Instrumentalness • 76% Positiveness
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Otto M. Schwarz
Symphonic Dimensions
123 bpm • A# min • 03:45 • -14.91db
0% Popularity • 33% Danceability • 44% Energy • 10% Liveness
86% Instrumentalness • 38% Positiveness
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Johan de Meij
T-bone Concerto: I. Rare
123 bpm • C min • 09:40 • -21.64db
11% Popularity • 34% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
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Carl Wittrock
Lord Tullamore
127 bpm • D# Maj • 07:57 • -13.91db
15% Popularity • 37% Danceability • 26% Energy • 70% Liveness
93% Instrumentalness • 22% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: III. March (Fol...
123 bpm • C min • 03:49 • -14db
25% Popularity • 70% Danceability • 30% Energy • 5% Liveness
90% Instrumentalness • 77% Positiveness
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Harmonie De Charlesbourg
Africa: Ceremony, Song and Ritual - Robe...
127 bpm • C Maj • 08:25 • -20.11db
9% Popularity • 30% Danceability • 20% Energy • 8% Liveness
49% Instrumentalness • 14% Positiveness
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Peter Graham
Gaelforce
127 bpm • C# Maj • 06:11 • -15db
16% Popularity • 40% Danceability • 31% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
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Otto M. Schwarz
Skyliner
123 bpm • G# Maj • 04:06 • -10.07db
5% Popularity • 48% Danceability • 59% Energy • 37% Liveness
69% Instrumentalness • 42% Positiveness
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John Powell
How to train your dragon
122 bpm • F Maj • 08:05 • -12.11db
26% Popularity • 31% Danceability • 45% Energy • 6% Liveness
82% Instrumentalness • 26% Positiveness
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Johan de Meij
T-bone Concerto: III. Well Done
123 bpm • C Maj • 06:14 • -20.69db
9% Popularity • 37% Danceability • 27% Energy • 65% Liveness
96% Instrumentalness • 16% Positiveness
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Reinhold Summerer
Concerto für Flügelhorn und Blasorches...
128 bpm • A# Maj • 05:25 • -14.71db
0% Popularity • 50% Danceability • 21% Energy • 22% Liveness
91% Instrumentalness • 32% Positiveness
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Gordon Jacob
An Original Suite: III. Finale
128 bpm • C min • 02:07 • -13.83db
20% Popularity • 51% Danceability • 40% Energy • 9% Liveness
89% Instrumentalness • 80% Positiveness
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Air Combat Command Heritage Of America Band
I. March; Allegro (Second Suite in F for...
128 bpm • F Maj • 04:25 • -22.16db
7% Popularity • 46% Danceability • 9% Energy • 14% Liveness
80% Instrumentalness • 56% Positiveness
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Otto M. Schwarz
Funky Brass
122 bpm • A# Maj • 03:30 • -11.91db
12% Popularity • 60% Danceability • 87% Energy • 78% Liveness
83% Instrumentalness • 46% Positiveness
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John Mackey
Redline Tango
128 bpm • C# Maj • 09:27 • -18db
16% Popularity • 37% Danceability • 17% Energy • 7% Liveness
77% Instrumentalness • 4% Positiveness
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José Alberto Pina
The Legend Of Maracaibo
122 bpm • D min • 10:58 • -15.09db
18% Popularity • 25% Danceability • 35% Energy • 24% Liveness
80% Instrumentalness • 10% Positiveness
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Gérard Besse
Suite française : I. Normandie
128 bpm • A# Maj • 01:48 • -14db
18% Popularity • 60% Danceability • 27% Energy • 18% Liveness
95% Instrumentalness • 71% Positiveness
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Donald Grantham
Southern Harmony: I. The Midnight Cry
129 bpm • G# Maj • 02:21 • -12db
18% Popularity • 48% Danceability • 19% Energy • 10% Liveness
91% Instrumentalness • 30% Positiveness
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Hermann Regner
Concerto für Klavier und Blasorchester:...
122 bpm • G min • 05:05 • -20.92db
0% Popularity • 49% Danceability • 14% Energy • 11% Liveness
82% Instrumentalness • 9% Positiveness
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Julius Fučík
Triglav, Op. 72
122 bpm • G Maj • 01:38 • -15.04db
27% Popularity • 48% Danceability • 45% Energy • 30% Liveness
88% Instrumentalness • 78% Positiveness
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Percy Grainger
Lincolnshire Posy: I. Lisbon
121 bpm • C# Maj • 01:24 • -26db
27% Popularity • 41% Danceability • 5% Energy • 9% Liveness
98% Instrumentalness • 32% Positiveness
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Tredegar Town Band
Memory
129 bpm • F Maj • 04:19 • -24db
16% Popularity • 17% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Adam Gorb
Yiddish Dances: I. Khosidl. Andante
121 bpm • F min • 03:16 • -24db
10% Popularity • 32% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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Philip Sparke
Song and Dance
129 bpm • A# Maj • 05:08 • -19db
9% Popularity • 29% Danceability • 8% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
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Otto M. Schwarz
TROJA
129 bpm • F min • 06:50 • -18.11db
0% Popularity • 23% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Chris Hazell
Cat Suite: I. Kraken
121 bpm • A# Maj • 03:28 • -19db
13% Popularity • 61% Danceability • 14% Energy • 9% Liveness
89% Instrumentalness • 27% Positiveness
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Rossano Galante
Lexicon of the Gods: III. Zeus God of sk...
129 bpm • F min • 02:45 • -8.92db
18% Popularity • 23% Danceability • 41% Energy • 14% Liveness
80% Instrumentalness • 9% Positiveness
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Robert Jager
Third Suite, III: Rondo - Robert E. Jage...
130 bpm • G min • 02:55 • -19db
14% Popularity • 48% Danceability • 36% Energy • 6% Liveness
75% Instrumentalness • 60% Positiveness
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Goff Richards
Barnard Castle
130 bpm • D# Maj • 03:29 • -14.99db
14% Popularity • 56% Danceability • 26% Energy • 13% Liveness
96% Instrumentalness • 67% Positiveness
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Militärmusik Kärnten
African Symphony
120 bpm • D min • 04:13 • -10.17db
16% Popularity • 35% Danceability • 44% Energy • 8% Liveness
70% Instrumentalness • 35% Positiveness
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Otto M. Schwarz
Nostradamus
129 bpm • F Maj • 12:39 • -13.11db
11% Popularity • 21% Danceability • 38% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
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Bert Appermont
Ivanhoe
120 bpm • G# Maj • 08:33 • -16.04db
8% Popularity • 26% Danceability • 17% Energy • 21% Liveness
88% Instrumentalness • 4% Positiveness
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John Barnes Chance
Variations on a Korean Folk Song: III. L...
130 bpm • F# Maj • 01:36 • -36db
21% Popularity • 16% Danceability • 1% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Andrew Boysen, Jr.
Kirkpatrick Fanfare
120 bpm • F Maj • 03:27 • -18db
15% Popularity • 47% Danceability • 34% Energy • 62% Liveness
76% Instrumentalness • 18% Positiveness
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Percy Grainger
Children's March, "Over the Hills and Fa...
120 bpm • A# Maj • 07:03 • -20.13db
27% Popularity • 46% Danceability • 14% Energy • 12% Liveness
95% Instrumentalness • 21% Positiveness
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José Alberto Pina
The Island Of Light, Pt. 1: Cova D'en Xo...
120 bpm • A# Maj • 04:30 • -18.91db
11% Popularity • 39% Danceability • 15% Energy • 10% Liveness
83% Instrumentalness • 5% Positiveness
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Otto M. Schwarz
Fascination Fanfare - Symphonic Version
120 bpm • A# Maj • 03:23 • -9.96db
15% Popularity • 32% Danceability • 49% Energy • 15% Liveness
89% Instrumentalness • 39% Positiveness
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Gustav Holst
2nd Suite for Military Band in F Major, ...
130 bpm • F Maj • 04:14 • -23.17db
14% Popularity • 52% Danceability • 10% Energy • 5% Liveness
89% Instrumentalness • 60% Positiveness
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Oscar Navarro
Downey Overture
130 bpm • G Maj • 05:31 • -14.66db
14% Popularity • 39% Danceability • 30% Energy • 18% Liveness
83% Instrumentalness • 8% Positiveness
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Hermann Regner
Concerto für Klavier und Blasorchester:...
120 bpm • F Maj • 02:45 • -20.23db
0% Popularity • 63% Danceability • 21% Energy • 28% Liveness
91% Instrumentalness • 53% Positiveness
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Polizeimusik Zürich-Stadt
The Blues Brothers Revue
120 bpm • A# Maj • 04:07 • -13db
17% Popularity • 52% Danceability • 42% Energy • 8% Liveness
73% Instrumentalness • 65% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: I. March (Seven...
120 bpm • F min • 03:25 • -14db
30% Popularity • 54% Danceability • 33% Energy • 9% Liveness
90% Instrumentalness • 52% Positiveness
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Otto M. Schwarz
City of Angels
120 bpm • C# Maj • 04:54 • -12.69db
0% Popularity • 52% Danceability • 54% Energy • 13% Liveness
91% Instrumentalness • 36% Positiveness
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Carlos Marques
Cassiopeia
131 bpm • D# Maj • 09:18 • -13.48db
18% Popularity • 20% Danceability • 26% Energy • 6% Liveness
87% Instrumentalness • 9% Positiveness
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Gordon Jacob
An Original Suite: I. March
120 bpm • G min • 03:40 • -11.55db
14% Popularity • 46% Danceability • 32% Energy • 38% Liveness
90% Instrumentalness • 57% Positiveness
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Patrick Doyle
Harry Potter And The Goblet Of Fire
119 bpm • G Maj • 05:01 • -24.03db
10% Popularity • 34% Danceability • 1% Energy • 9% Liveness
81% Instrumentalness • 5% Positiveness
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Jacob de Haan
Ross Roy
119 bpm • D# Maj • 09:26 • -20.74db
12% Popularity • 28% Danceability • 9% Energy • 17% Liveness
90% Instrumentalness • 16% Positiveness
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Gustav Holst
Second Suite in F Major, Op. 28 No. 2, H...
119 bpm • F Maj • 04:41 • -17.88db
33% Popularity • 53% Danceability • 17% Energy • 9% Liveness
93% Instrumentalness • 43% Positiveness
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Otto M. Schwarz
Funk Attack
119 bpm • G min • 06:18 • -17.24db
10% Popularity • 37% Danceability • 49% Energy • 24% Liveness
91% Instrumentalness • 53% Positiveness
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Julie Giroux
One Life Beautiful
131 bpm • C# Maj • 05:40 • -22db
25% Popularity • 16% Danceability • 9% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
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Claudio Armida
Sinfonische Aphorismen / Intermezzo sinf...
131 bpm • C# Maj • 08:54 • -16.5db
0% Popularity • 24% Danceability • 20% Energy • 19% Liveness
90% Instrumentalness • 5% Positiveness
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Arturo Márquez
Conga del Fuego Nuevo (Arr. O. Nickel fo...
119 bpm • A min • 05:02 • -14.64db
21% Popularity • 36% Danceability • 28% Energy • 36% Liveness
1% Instrumentalness • 60% Positiveness
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Jacob de Haan
Ross Roy, Overture for Band
119 bpm • D# Maj • 09:57 • -14.31db
16% Popularity • 29% Danceability • 26% Energy • 95% Liveness
87% Instrumentalness • 10% Positiveness
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Julius Fučík
Florentiner Marsch, Op. 214
119 bpm • F Maj • 05:43 • -15.9db
22% Popularity • 35% Danceability • 36% Energy • 67% Liveness
78% Instrumentalness • 39% Positiveness
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Otto M. Schwarz
Nostradamus - Version Grade 2,5
119 bpm • F min • 06:56 • -19.5db
0% Popularity • 26% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
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Joseph Willcox Jenkins
American Overture
132 bpm • F Maj • 04:52 • -16.62db
12% Popularity • 44% Danceability • 26% Energy • 15% Liveness
65% Instrumentalness • 30% Positiveness
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Philip Sparke
Orient Express
132 bpm • C min • 08:29 • -18.64db
15% Popularity • 32% Danceability • 21% Energy • 70% Liveness
91% Instrumentalness • 14% Positiveness
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Cory Band
Rasputin / Rivers of Babylon / Brown Gir...
132 bpm • F min • 05:06 • -11db
16% Popularity • 38% Danceability • 53% Energy • 7% Liveness
57% Instrumentalness • 57% Positiveness
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Jacob de Haan
Ross Roj
118 bpm • D# Maj • 09:39 • -12db
18% Popularity • 27% Danceability • 27% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Steven Verhelst
A Song for Japan (Arr. for 8 Trombones b...
132 bpm • A# Maj • 06:05 • -23.49db
12% Popularity • 16% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 5% Positiveness
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Otto M. Schwarz
The Heart and the Crown, Pt. 1
132 bpm • A# Maj • 09:37 • -11.02db
2% Popularity • 18% Danceability • 28% Energy • 24% Liveness
92% Instrumentalness • 4% Positiveness
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James Barnes
Appalachian Overture
132 bpm • G# Maj • 06:50 • -14.05db
17% Popularity • 28% Danceability • 27% Energy • 11% Liveness
86% Instrumentalness • 16% Positiveness
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Gustav Holst
Second Suite for Military Band, Op. 28 N...
118 bpm • F Maj • 04:38 • -22.45db
8% Popularity • 39% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 48% Positiveness
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Rossano Galante
Transcendent Journey
132 bpm • F Maj • 06:16 • -11.17db
17% Popularity • 26% Danceability • 35% Energy • 7% Liveness
87% Instrumentalness • 25% Positiveness
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Michael Sweeney
Quad City Stomp
132 bpm • C min • 05:10 • -10.55db
19% Popularity • 34% Danceability • 35% Energy • 12% Liveness
84% Instrumentalness • 6% Positiveness
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The Philip Jones Brass Ensemble
Tico Tico
118 bpm • A# min • 04:06 • -18db
16% Popularity • 56% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 39% Positiveness
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Otto M. Schwarz
ALL THE BEST
118 bpm • F min • 03:43 • -6.2db
2% Popularity • 65% Danceability • 74% Energy • 34% Liveness
28% Instrumentalness • 68% Positiveness
► Preview
US Army Field Band
The Trombone King
133 bpm • F min • 02:21 • -12.9db
23% Popularity • 39% Danceability • 39% Energy • 9% Liveness
90% Instrumentalness • 60% Positiveness
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Robert Russell Bennett
Suite of Old American Dances: II. Schott...
118 bpm • D# Maj • 03:07 • -24.51db
10% Popularity • 47% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 18% Positiveness
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James Curnow
Rhapsody for Euphonium
133 bpm • D min • 05:46 • -18db
17% Popularity • 27% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 20% Positiveness
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Philip Sparke
Jubilee Overture
133 bpm • D# Maj • 06:33 • -12db
13% Popularity • 34% Danceability • 24% Energy • 7% Liveness
90% Instrumentalness • 30% Positiveness
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Joseph Alessi
Blue Bells of Scotland
133 bpm • F Maj • 06:07 • -18.82db
24% Popularity • 46% Danceability • 14% Energy • 6% Liveness
91% Instrumentalness • 35% Positiveness
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Otto M. Schwarz
The last call
118 bpm • G# Maj • 04:59 • -11db
17% Popularity • 52% Danceability • 68% Energy • 84% Liveness
96% Instrumentalness • 71% Positiveness
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Bert Appermont
The Green Hill
133 bpm • A# Maj • 07:45 • -30db
13% Popularity • 36% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 24% Positiveness
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Bruce Broughton
Silverado
133 bpm • A# Maj • 04:28 • -12db
13% Popularity • 24% Danceability • 28% Energy • 17% Liveness
87% Instrumentalness • 15% Positiveness
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Adam Gorb
Yiddish Dances: IV. Hora. Andante con mo...
117 bpm • A Maj • 04:24 • -28db
7% Popularity • 22% Danceability • 3% Energy • 9% Liveness
17% Instrumentalness • 8% Positiveness
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Philip Sparke
Hymn of the Highlands: I. Adross castle
133 bpm • D# Maj • 07:19 • -18.05db
20% Popularity • 20% Danceability • 12% Energy • 7% Liveness
92% Instrumentalness • 9% Positiveness
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Gustav Holst
First Suite in E-Flat Major, Op. 28 No. ...
133 bpm • G# Maj • 02:58 • -16.8db
34% Popularity • 46% Danceability • 23% Energy • 20% Liveness
94% Instrumentalness • 40% Positiveness
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Otto M. Schwarz
Impresario
118 bpm • A# Maj • 03:38 • -14.43db
0% Popularity • 45% Danceability • 47% Energy • 34% Liveness
96% Instrumentalness • 67% Positiveness
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Cape Horn