Songs like Capriccio for String Duo: I. Una canzona dell'alba (Moderato) by David Lewiston Sharpe
Based on a tempo of (+/- 10%) and a similar genre
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George Gershwin
Ten songs: Let’s call the whole thing ...
83 bpm • G Maj • 03:28 • -22.41db
11% Popularity • 30% Danceability • 6% Energy • 8% Liveness
19% Instrumentalness • 36% Positiveness
11% Popularity • 30% Danceability • 6% Energy • 8% Liveness
19% Instrumentalness • 36% Positiveness
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Sergei Rachmaninoff
Rachmaninov / Transc. Leon: 14 Romances,...
83 bpm • E min • 05:32 • -23.49db
10% Popularity • 18% Danceability • 8% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
10% Popularity • 18% Danceability • 8% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
String Quartet No. 1 in D Major, Op. 11,...
83 bpm • A# Maj • 06:34 • -32.41db
28% Popularity • 9% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
28% Popularity • 9% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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David Lewiston Sharpe
Capriccio for String Duo: I. Una canzona...
83 bpm • G min • 06:50 • -22.03db
0% Popularity • 17% Danceability • 4% Energy • 12% Liveness
50% Instrumentalness • 16% Positiveness
0% Popularity • 17% Danceability • 4% Energy • 12% Liveness
50% Instrumentalness • 16% Positiveness
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Jules Massenet
Massenet: Élégie
83 bpm • D# min • 03:13 • -24.41db
16% Popularity • 14% Danceability • 3% Energy • 15% Liveness
1% Instrumentalness • 7% Positiveness
16% Popularity • 14% Danceability • 3% Energy • 15% Liveness
1% Instrumentalness • 7% Positiveness
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Anonymous
Sakura, Sakura (Arr. Kouchak for Cello a...
83 bpm • C min • 03:16 • -28.46db
24% Popularity • 12% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
24% Popularity • 12% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Joseph Canteloube
Songs of the Auvergne: "Pour l'enfant"
83 bpm • A# min • 02:45 • -28.49db
15% Popularity • 16% Danceability • 5% Energy • 9% Liveness
5% Instrumentalness • 6% Positiveness
15% Popularity • 16% Danceability • 5% Energy • 9% Liveness
5% Instrumentalness • 6% Positiveness
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Yuka
風の谷のナウシカ（風の谷の�...
83 bpm • C min • 03:16 • -14.39db
24% Popularity • 14% Danceability • 17% Energy • 16% Liveness
35% Instrumentalness • 4% Positiveness
24% Popularity • 14% Danceability • 17% Energy • 16% Liveness
35% Instrumentalness • 4% Positiveness
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Errollyn Wallen
Are You Worried About the Rising Cost of...
83 bpm • G Maj • 05:24 • -17.76db
12% Popularity • 28% Danceability • 16% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
12% Popularity • 28% Danceability • 16% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
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Yannis Constantinidis
Suite sur des mélodies populaires grecq...
83 bpm • A min • 01:53 • -26.14db
19% Popularity • 26% Danceability • 5% Energy • 17% Liveness
12% Instrumentalness • 15% Positiveness
19% Popularity • 26% Danceability • 5% Energy • 17% Liveness
12% Instrumentalness • 15% Positiveness
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Reynaldo Hahn
Hahn: Chansons grises: No. 5, L'heure ex...
83 bpm • B Maj • 02:15 • -38db
25% Popularity • 24% Danceability • 0% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
25% Popularity • 24% Danceability • 0% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Henry John Gauntlett
Once in Royal David's City (Arr. for Tre...
83 bpm • G Maj • 02:58 • -25.71db
21% Popularity • 25% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
21% Popularity • 25% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Gilvan Calsolari
Oh! Que Grande Amor!
83 bpm • G# Maj • 03:24 • -21.37db
15% Popularity • 9% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 18% Positiveness
15% Popularity • 9% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 18% Positiveness
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Hector Berlioz
Roméo et Juliette, Op. 17, H 79, Pt. 1:...
83 bpm • G Maj • 06:30 • -25.3db
8% Popularity • 18% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Cecil Burleigh
4 Rocky Mountain Sketches, Op. 11: At Su...
83 bpm • F Maj • 02:51 • -20.46db
13% Popularity • 20% Danceability • 10% Energy • 18% Liveness
1% Instrumentalness • 10% Positiveness
13% Popularity • 20% Danceability • 10% Energy • 18% Liveness
1% Instrumentalness • 10% Positiveness
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Antonín Dvořák
String Quintet in A Minor, Op. 1, B. 7: ...
82 bpm • F Maj • 08:57 • -24db
18% Popularity • 14% Danceability • 4% Energy • 10% Liveness
62% Instrumentalness • 7% Positiveness
18% Popularity • 14% Danceability • 4% Energy • 10% Liveness
62% Instrumentalness • 7% Positiveness
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Lili Boulanger
Pie Jesu
82 bpm • C Maj • 04:17 • -20.42db
8% Popularity • 16% Danceability • 16% Energy • 11% Liveness
21% Instrumentalness • 3% Positiveness
8% Popularity • 16% Danceability • 16% Energy • 11% Liveness
21% Instrumentalness • 3% Positiveness
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Thomas Hewitt
Shepherd's Lullaby (Arr. Chowhan)
84 bpm • G# Maj • 03:10 • -24.23db
9% Popularity • 11% Danceability • 4% Energy • 16% Liveness
92% Instrumentalness • 7% Positiveness
9% Popularity • 11% Danceability • 4% Energy • 16% Liveness
92% Instrumentalness • 7% Positiveness
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Ralph Vaughan Williams
Six Studies in English Folk Song: No. 2,...
82 bpm • D# Maj • 01:07 • -31.89db
9% Popularity • 21% Danceability • 2% Energy • 10% Liveness
9% Instrumentalness • 37% Positiveness
9% Popularity • 21% Danceability • 2% Energy • 10% Liveness
9% Instrumentalness • 37% Positiveness
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Georges Bizet
Les Pêcheurs de perles, GB. 4, WD. 13: ...
84 bpm • A min • 03:44 • -22.38db
12% Popularity • 13% Danceability • 9% Energy • 12% Liveness
88% Instrumentalness • 14% Positiveness
12% Popularity • 13% Danceability • 9% Energy • 12% Liveness
88% Instrumentalness • 14% Positiveness
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Katia Ricciarelli
L' Ultimo Bacio
82 bpm • F Maj • 01:57 • -11.55db
14% Popularity • 33% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
14% Popularity • 33% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
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Antonín Dvořák
Moravske dvojzpevy (Moravian Duets), Op....
84 bpm • G# Maj • 02:13 • -23.49db
12% Popularity • 15% Danceability • 4% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
12% Popularity • 15% Danceability • 4% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
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Frank Bridge
Three Songs for Voice, Viola and Piano, ...
84 bpm • G# Maj • 02:01 • -15.6db
8% Popularity • 28% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 28% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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London Metropolitan Orchestra
Don Octavio Del Flores
82 bpm • C min • 01:47 • -20.93db
11% Popularity • 14% Danceability • 7% Energy • 31% Liveness
89% Instrumentalness • 10% Positiveness
11% Popularity • 14% Danceability • 7% Energy • 31% Liveness
89% Instrumentalness • 10% Positiveness
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David Lewiston Sharpe
Morning
82 bpm • E Maj • 04:07 • -19.29db
0% Popularity • 28% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 28% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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John Ireland
Mother and Child: No. 6. Baby (arr. J. L...
82 bpm • G Maj • 02:06 • -31.59db
10% Popularity • 21% Danceability • 2% Energy • 8% Liveness
86% Instrumentalness • 8% Positiveness
10% Popularity • 21% Danceability • 2% Energy • 8% Liveness
86% Instrumentalness • 8% Positiveness
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Winfred Jeremiah
The Stormy Weather
82 bpm • C Maj • 02:07 • -20.58db
10% Popularity • 21% Danceability • 9% Energy • 21% Liveness
77% Instrumentalness • 15% Positiveness
10% Popularity • 21% Danceability • 9% Energy • 21% Liveness
77% Instrumentalness • 15% Positiveness
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George Gershwin
Ten songs: They can’t take that away f...
84 bpm • D# Maj • 02:18 • -25.75db
8% Popularity • 19% Danceability • 2% Energy • 18% Liveness
11% Instrumentalness • 10% Positiveness
8% Popularity • 19% Danceability • 2% Energy • 18% Liveness
11% Instrumentalness • 10% Positiveness
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Timo Andres
Timo Andres: Upstate Obscura: 1. Valley ...
82 bpm • D# Maj • 04:40 • -20.25db
7% Popularity • 9% Danceability • 15% Energy • 57% Liveness
90% Instrumentalness • 4% Positiveness
7% Popularity • 9% Danceability • 15% Energy • 57% Liveness
90% Instrumentalness • 4% Positiveness
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Robert Schumann
Märchenbilder, Op. 113: IV. Langsam
82 bpm • D Maj • 05:04 • -32.77db
9% Popularity • 8% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
9% Popularity • 8% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
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Thomas Adès
Valse Du Salon
82 bpm • C# min • 03:36 • -24.15db
11% Popularity • 27% Danceability • 4% Energy • 41% Liveness
78% Instrumentalness • 11% Positiveness
11% Popularity • 27% Danceability • 4% Energy • 41% Liveness
78% Instrumentalness • 11% Positiveness
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David Lewiston Sharpe
Memoria non est in mente: IV. Estampie (...
82 bpm • G min • 01:52 • -19.4db
0% Popularity • 59% Danceability • 9% Energy • 18% Liveness
86% Instrumentalness • 85% Positiveness
0% Popularity • 59% Danceability • 9% Energy • 18% Liveness
86% Instrumentalness • 85% Positiveness
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Frederick Delius
7 Danish Songs: No. 2. Through Long, Lon...
84 bpm • C# Maj • 04:12 • -28db
20% Popularity • 12% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
20% Popularity • 12% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Rentaro Taki
The Moon on the Ruined Castle (Arr. Cell...
84 bpm • C min • 01:13 • -32.06db
32% Popularity • 21% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 15% Positiveness
32% Popularity • 21% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 15% Positiveness
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Matthew Coleridge
And There Was Light
82 bpm • C Maj • 03:10 • -31.41db
13% Popularity • 8% Danceability • 2% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
13% Popularity • 8% Danceability • 2% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Traditional
Amazing Grace (Arr. for Treble and Harp)
82 bpm • G Maj • 02:47 • -26.93db
19% Popularity • 15% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
19% Popularity • 15% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Max Bruch
Double Concerto in E Minor, Op. 88: I. A...
82 bpm • E min • 06:56 • -19.54db
11% Popularity • 11% Danceability • 10% Energy • 15% Liveness
90% Instrumentalness • 5% Positiveness
11% Popularity • 11% Danceability • 10% Energy • 15% Liveness
90% Instrumentalness • 5% Positiveness
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James Whitbourn
Annelies (chamber version): I. Introit -...
84 bpm • C min • 04:33 • -21.96db
11% Popularity • 13% Danceability • 10% Energy • 12% Liveness
61% Instrumentalness • 4% Positiveness
11% Popularity • 13% Danceability • 10% Energy • 12% Liveness
61% Instrumentalness • 4% Positiveness
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Dilyana Georgieva
L'invitation au voyage
84 bpm • C min • 04:07 • -9.19db
18% Popularity • 29% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 29% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Lili Boulanger
Reflets
85 bpm • D Maj • 02:44 • -24db
12% Popularity • 22% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 3% Positiveness
12% Popularity • 22% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 3% Positiveness
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Victor Butzelaar
Underground Blossom Main Theme
81 bpm • A min • 01:09 • -26.92db
20% Popularity • 10% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
20% Popularity • 10% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Traditional
Deep River (Arr. J. Lenehan for Clarinet...
82 bpm • F Maj • 02:15 • -34.95db
10% Popularity • 12% Danceability • 0% Energy • 9% Liveness
97% Instrumentalness • 11% Positiveness
10% Popularity • 12% Danceability • 0% Energy • 9% Liveness
97% Instrumentalness • 11% Positiveness
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Carlos Guastavino
Encantamiento (Seis Canciones de Cuna)
81 bpm • D min • 01:47 • -26.6db
33% Popularity • 24% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
33% Popularity • 24% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
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Carrie Baynes
Fall In Love
85 bpm • C# Maj • 03:02 • -19.83db
25% Popularity • 14% Danceability • 12% Energy • 8% Liveness
14% Instrumentalness • 19% Positiveness
25% Popularity • 14% Danceability • 12% Energy • 8% Liveness
14% Instrumentalness • 19% Positiveness
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Aaron Copland
Twelve Poems of Emily Dickinson: 3. Why ...
81 bpm • G# Maj • 02:04 • -22db
8% Popularity • 29% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 29% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Dilyana Georgieva
Élégie
85 bpm • E min • 02:06 • -10.01db
18% Popularity • 34% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
18% Popularity • 34% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Camille Saint-Saëns
C. Saint-Saëns: The Carnival of the Ani...
85 bpm • G Maj • 02:38 • -27.53db
15% Popularity • 9% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
15% Popularity • 9% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Anders Hillborg
O dessa ögon
85 bpm • G Maj • 04:48 • -31.19db
7% Popularity • 21% Danceability • 2% Energy • 23% Liveness
0% Instrumentalness • 3% Positiveness
7% Popularity • 21% Danceability • 2% Energy • 23% Liveness
0% Instrumentalness • 3% Positiveness
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Charlotte Hoather
Haugtussa, Op. 67: I. Det syng
85 bpm • D min • 03:43 • -14.57db
10% Popularity • 40% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
10% Popularity • 40% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Carrie Baynes
Nightingales Sing In Berkeley Square
81 bpm • C# Maj • 03:02 • -20.14db
25% Popularity • 16% Danceability • 12% Energy • 13% Liveness
43% Instrumentalness • 16% Positiveness
25% Popularity • 16% Danceability • 12% Energy • 13% Liveness
43% Instrumentalness • 16% Positiveness
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Astor Piazzolla
Concerto for Guitar and Bandoneon, "Homm...
81 bpm • C Maj • 06:22 • -19db
17% Popularity • 14% Danceability • 13% Energy • 14% Liveness
93% Instrumentalness • 8% Positiveness
17% Popularity • 14% Danceability • 13% Energy • 14% Liveness
93% Instrumentalness • 8% Positiveness
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Erik Satie
Gymnopedie No.1
81 bpm • G Maj • 03:41 • -30.23db
36% Popularity • 15% Danceability • 6% Energy • 11% Liveness
65% Instrumentalness • 4% Positiveness
36% Popularity • 15% Danceability • 6% Energy • 11% Liveness
65% Instrumentalness • 4% Positiveness
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黄诚峰
二月里来
85 bpm • A Maj • 01:51 • -24.96db
13% Popularity • 49% Danceability • 14% Energy • 74% Liveness
0% Instrumentalness • 42% Positiveness
13% Popularity • 49% Danceability • 14% Energy • 74% Liveness
0% Instrumentalness • 42% Positiveness
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Frederick Delius
2 Songs for Children: No. 1. Little Bird...
85 bpm • F Maj • 01:41 • -27.21db
9% Popularity • 18% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 10% Positiveness
9% Popularity • 18% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 10% Positiveness
► Preview
Henry Purcell
Purcell / Transcr. Garcia: Dido and Aene...
85 bpm • D min • 03:20 • -22.42db
9% Popularity • 36% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 36% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Harold Arlen
Over the Rainbow
81 bpm • B Maj • 04:13 • -17.27db
23% Popularity • 20% Danceability • 21% Energy • 13% Liveness
91% Instrumentalness • 12% Positiveness
23% Popularity • 20% Danceability • 21% Energy • 13% Liveness
91% Instrumentalness • 12% Positiveness
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Alexander Glazunov
Melody, Op. 20, No. 1
85 bpm • D Maj • 06:43 • -20db
13% Popularity • 11% Danceability • 17% Energy • 14% Liveness
85% Instrumentalness • 5% Positiveness
13% Popularity • 11% Danceability • 17% Energy • 14% Liveness
85% Instrumentalness • 5% Positiveness
► Preview
Maurice Ravel
Pièce en Forme de Habanera
81 bpm • G min • 02:50 • -22.61db
10% Popularity • 29% Danceability • 3% Energy • 8% Liveness
15% Instrumentalness • 7% Positiveness
10% Popularity • 29% Danceability • 3% Energy • 8% Liveness
15% Instrumentalness • 7% Positiveness
► Preview
Hera Hyesang Park
Caro Mio Ben
85 bpm • D# Maj • 02:56 • -20.22db
16% Popularity • 28% Danceability • 6% Energy • 8% Liveness
1% Instrumentalness • 5% Positiveness
16% Popularity • 28% Danceability • 6% Energy • 8% Liveness
1% Instrumentalness • 5% Positiveness
► Preview
Aramis Quartet
The Lord Bless You and Keep You
85 bpm • C Maj • 01:29 • -27.02db
38% Popularity • 20% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 12% Positiveness
38% Popularity • 20% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 12% Positiveness
► Preview
Johannes Brahms
Clarinet Sonata No. 2 in E-Flat Major, O...
81 bpm • B Maj • 04:38 • -19.05db
13% Popularity • 31% Danceability • 9% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
13% Popularity • 31% Danceability • 9% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
► Preview
Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
81 bpm • D min • 01:36 • -28db
53% Popularity • 23% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
53% Popularity • 23% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: I. The Sea and Sin...
85 bpm • C Maj • 03:13 • -23db
16% Popularity • 13% Danceability • 7% Energy • 10% Liveness
44% Instrumentalness • 4% Positiveness
16% Popularity • 13% Danceability • 7% Energy • 10% Liveness
44% Instrumentalness • 4% Positiveness
► Preview
Ernest Bloch
Bloch: No. 1 Prayer from "Jewish Life"
85 bpm • F min • 04:47 • -23.21db
7% Popularity • 21% Danceability • 7% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
7% Popularity • 21% Danceability • 7% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
► Preview
Erich Wolfgang Korngold
4 Pieces for Violin and Piano from "Much...
85 bpm • C Maj • 07:01 • -19.42db
6% Popularity • 18% Danceability • 11% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
6% Popularity • 18% Danceability • 11% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
► Preview
Yutaka Minobe
虐め
81 bpm • D# min • 02:08 • -21.13db
23% Popularity • 19% Danceability • 15% Energy • 37% Liveness
40% Instrumentalness • 16% Positiveness
23% Popularity • 19% Danceability • 15% Energy • 37% Liveness
40% Instrumentalness • 16% Positiveness
► Preview
Sergei Rachmaninoff
Vocalise
86 bpm • E min • 06:26 • -30.02db
21% Popularity • 15% Danceability • 1% Energy • 7% Liveness
72% Instrumentalness • 4% Positiveness
21% Popularity • 15% Danceability • 1% Energy • 7% Liveness
72% Instrumentalness • 4% Positiveness
► Preview
Anton Arensky
String Quartet No. 2 in A Minor, Op. 35:...
86 bpm • E min • 01:47 • -29.21db
8% Popularity • 24% Danceability • 5% Energy • 30% Liveness
31% Instrumentalness • 4% Positiveness
8% Popularity • 24% Danceability • 5% Energy • 30% Liveness
31% Instrumentalness • 4% Positiveness
► Preview
Gabriel Fauré
Pavane, Op. 50 (Arr. for Chamber Ensembl...
81 bpm • F# min • 03:19 • -30.34db
17% Popularity • 14% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
17% Popularity • 14% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
► Preview
Richard Strauss
Strauss, R: Der Bürger als Edelmann Sui...
86 bpm • D Maj • 10:05 • -22.31db
19% Popularity • 22% Danceability • 6% Energy • 8% Liveness
75% Instrumentalness • 11% Positiveness
19% Popularity • 22% Danceability • 6% Energy • 8% Liveness
75% Instrumentalness • 11% Positiveness
► Preview
Diego Adinolfi
Jesus Cristo Fiel Cordeiro
86 bpm • D# Maj • 03:36 • -17.61db
12% Popularity • 18% Danceability • 13% Energy • 18% Liveness
79% Instrumentalness • 23% Positiveness
12% Popularity • 18% Danceability • 13% Energy • 18% Liveness
79% Instrumentalness • 23% Positiveness
► Preview
Henry Purcell
Dido and Aeneas, Z. 626 (Arr. for String...
80 bpm • G min • 03:49 • -27.83db
35% Popularity • 8% Danceability • 2% Energy • 17% Liveness
98% Instrumentalness • 3% Positiveness
35% Popularity • 8% Danceability • 2% Energy • 17% Liveness
98% Instrumentalness • 3% Positiveness
► Preview
David Lewiston Sharpe
Sonatina for Cello and Piano: III. Alleg...
80 bpm • G Maj • 05:54 • -19.17db
0% Popularity • 35% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 33% Positiveness
0% Popularity • 35% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 33% Positiveness
► Preview
Ernest Chausson
Sept mélodies, Op. 2: VI. Hébé
80 bpm • A min • 02:28 • -24db
20% Popularity • 26% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
20% Popularity • 26% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Felix Mendelssohn
歌の翼に
80 bpm • G# Maj • 03:17 • -14db
8% Popularity • 30% Danceability • 12% Energy • 10% Liveness
3% Instrumentalness • 10% Positiveness
8% Popularity • 30% Danceability • 12% Energy • 10% Liveness
3% Instrumentalness • 10% Positiveness
► Preview
MartÍn Palmeri
Misatango, Misa a Buenos Aires: VII. Et ...
86 bpm • F min • 01:05 • -14.52db
12% Popularity • 34% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 34% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
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Henning Kraggerud
Hjertets melodier (Melodies of the Heart...
86 bpm • A min • 01:38 • -29db
49% Popularity • 18% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
49% Popularity • 18% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Imants Zemzaris
Moonlight
86 bpm • C Maj • 04:42 • -26.52db
12% Popularity • 19% Danceability • 4% Energy • 7% Liveness
35% Instrumentalness • 5% Positiveness
12% Popularity • 19% Danceability • 4% Energy • 7% Liveness
35% Instrumentalness • 5% Positiveness
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JENNIFER O'LAUGHLIN, ACCOMPANIED BY ISRAEL GURSKY
The K'e
80 bpm • A min • 02:53 • -16.14db
8% Popularity • 42% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 42% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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David Lewiston Sharpe
The Sculptor's Passion
86 bpm • G# min • 02:53 • -19.4db
0% Popularity • 34% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 34% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Maurice Ravel
Pavane pour une infante défunte, M. 19
86 bpm • G Maj • 04:12 • -27.62db
42% Popularity • 16% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
42% Popularity • 16% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
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Traditional
Deep River (Arr. Coleridge-Taylor, Kanne...
86 bpm • E Maj • 02:47 • -23db
27% Popularity • 17% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
27% Popularity • 17% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
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Luke Faulkner
Beneath The Crystal Veil
86 bpm • B min • 02:12 • -25.22db
13% Popularity • 17% Danceability • 3% Energy • 10% Liveness
80% Instrumentalness • 9% Positiveness
13% Popularity • 17% Danceability • 3% Energy • 10% Liveness
80% Instrumentalness • 9% Positiveness
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Alberto Ginastera
Variaciones Concertantes, Op. 23: I. Tem...
86 bpm • F Maj • 02:09 • -27.3db
14% Popularity • 10% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
14% Popularity • 10% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Victor Herbert
Ghazel for Cello & Strings (Transc. Sam ...
80 bpm • D# Maj • 03:25 • -37.19db
8% Popularity • 17% Danceability • 1% Energy • 12% Liveness
77% Instrumentalness • 6% Positiveness
8% Popularity • 17% Danceability • 1% Energy • 12% Liveness
77% Instrumentalness • 6% Positiveness
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Ralph Vaughan Williams
Six Studies in English Folk Song: No. 4,...
87 bpm • E min • 01:16 • -29.8db
9% Popularity • 20% Danceability • 4% Energy • 7% Liveness
26% Instrumentalness • 11% Positiveness
9% Popularity • 20% Danceability • 4% Energy • 7% Liveness
26% Instrumentalness • 11% Positiveness
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Christopher Palmer
From Jewish Life (arr. C. Palmer): I. Pr...
87 bpm • F min • 05:24 • -26db
18% Popularity • 16% Danceability • 3% Energy • 14% Liveness
94% Instrumentalness • 7% Positiveness
18% Popularity • 16% Danceability • 3% Energy • 14% Liveness
94% Instrumentalness • 7% Positiveness
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Johannes Brahms
Wiegenlied, Op. 49, No. 4 (Arr. Lloyd We...
87 bpm • F Maj • 02:36 • -31.65db
5% Popularity • 12% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 7% Positiveness
5% Popularity • 12% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 7% Positiveness
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Robert Schumann
12 Gedichte, Op. 35: No. 10, Stille Tran...
87 bpm • C Maj • 02:50 • -13db
13% Popularity • 21% Danceability • 26% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
13% Popularity • 21% Danceability • 26% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
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João Carlos Assis Brasil
Bachianas Brasileiras nº 5 - Ária - Ca...
87 bpm • A min • 06:05 • -16.99db
7% Popularity • 29% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 29% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Frederick Delius
Romance for Cello & Piano, RT VIII/5
87 bpm • B Maj • 06:16 • -22.97db
15% Popularity • 14% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
15% Popularity • 14% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Anonymous
4 Songs, Op. 13: No. 3. Sure on this shi...
87 bpm • E min • 02:31 • -22.87db
17% Popularity • 17% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Antonín Dvořák
String Quartet No. 12 in F Major, Op. 96...
87 bpm • D min • 07:07 • -23.36db
31% Popularity • 10% Danceability • 4% Energy • 10% Liveness
51% Instrumentalness • 7% Positiveness
31% Popularity • 10% Danceability • 4% Energy • 10% Liveness
51% Instrumentalness • 7% Positiveness
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Sergei Rachmaninoff
Vocalise
79 bpm • G min • 03:48 • -21.25db
11% Popularity • 21% Danceability • 6% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
11% Popularity • 21% Danceability • 6% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Rebecca Clarke
Down by the Salley Gardens
79 bpm • E min • 01:41 • -27db
12% Popularity • 35% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
12% Popularity • 35% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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George Gershwin
Porgy and Bess, Act I: Summertime
79 bpm • F# min • 02:40 • -19.78db
19% Popularity • 15% Danceability • 11% Energy • 7% Liveness
48% Instrumentalness • 8% Positiveness
19% Popularity • 15% Danceability • 11% Energy • 7% Liveness
48% Instrumentalness • 8% Positiveness
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John Ireland
In Summer Woods (arr. J. Lloyd Webber fo...
87 bpm • D Maj • 01:37 • -21.04db
31% Popularity • 17% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
31% Popularity • 17% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
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Øystein Baadsvik
Ordner seg (It'll Be All Right)
87 bpm • F Maj • 04:42 • -28.54db
12% Popularity • 11% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
12% Popularity • 11% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
