Songs like Capriccio in G Major for Two Corni da Caccia, Two Oboes, Strings, Bassoon and B.C., ZWV 190: I. Allegro by Jan Dismas Zelenka
Based on a tempo of (+/- 10%) and a similar genre
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Johann Sebastian Bach
Herz und Mund und Tat und Leben, BWV 147...
96 bpm • C# min • 04:10 • -19db
13% Popularity • 25% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 25% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Jan Dismas Zelenka
Litaniae de Sancto Xaverio, ZWV 156: Pau...
96 bpm • F# min • 02:22 • -26.03db
4% Popularity • 24% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
4% Popularity • 24% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Antonio Caldara
Stabat Mater: X. Flammis ne urar succens...
96 bpm • B min • 00:58 • -18.33db
21% Popularity • 34% Danceability • 7% Energy • 27% Liveness
0% Instrumentalness • 14% Positiveness
21% Popularity • 34% Danceability • 7% Energy • 27% Liveness
0% Instrumentalness • 14% Positiveness
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Joseph-Nicolas-Pancrace Royer
Le Pouvoir de l'Amour, Prologue Scène 4...
96 bpm • C min • 01:07 • -23.33db
17% Popularity • 18% Danceability • 17% Energy • 14% Liveness
50% Instrumentalness • 27% Positiveness
17% Popularity • 18% Danceability • 17% Energy • 14% Liveness
50% Instrumentalness • 27% Positiveness
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Johann Georg Pisendel
Sonata in C Minor, Jung III.2.B: I. Larg...
96 bpm • B min • 02:41 • -22db
21% Popularity • 14% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
21% Popularity • 14% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Jean-Joseph Cassanéa De Mondonville
Pièces de clavecin avec voix ou violon,...
96 bpm • G# Maj • 05:55 • -20.14db
2% Popularity • 23% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
2% Popularity • 23% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Daniel Purcell
Sonata Sexta in F Minor for Violin: II. ...
96 bpm • E min • 01:04 • -16.49db
24% Popularity • 44% Danceability • 28% Energy • 12% Liveness
62% Instrumentalness • 79% Positiveness
24% Popularity • 44% Danceability • 28% Energy • 12% Liveness
62% Instrumentalness • 79% Positiveness
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Jan Dismas Zelenka
Requeim in C Minor, ZWV. 48
96 bpm • C# min • 02:51 • -19.95db
7% Popularity • 16% Danceability • 17% Energy • 14% Liveness
80% Instrumentalness • 6% Positiveness
7% Popularity • 16% Danceability • 17% Energy • 14% Liveness
80% Instrumentalness • 6% Positiveness
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Antonio Caldara
Missa Dolorosa: III. Credo
96 bpm • F# Maj • 06:07 • -20.63db
11% Popularity • 23% Danceability • 13% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
11% Popularity • 23% Danceability • 13% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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Claudio Monteverdi
Vespro della Beata Vergine, SV 206: III....
96 bpm • G# Maj • 03:34 • -31.14db
12% Popularity • 24% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
12% Popularity • 24% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Jean-Philippe Rameau
Les fêtes d'Hébé, RCT 41, Act I Scene...
96 bpm • F# min • 01:39 • -19.92db
17% Popularity • 25% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
17% Popularity • 25% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Johann Sebastian Bach
Christ lag in Todes Banden, BWV 4: Aria....
95 bpm • F min • 01:56 • -23.16db
22% Popularity • 46% Danceability • 15% Energy • 41% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 46% Danceability • 15% Energy • 41% Liveness
0% Instrumentalness • 71% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: X. "In te Domine sperav...
97 bpm • C# Maj • 02:34 • -16.03db
17% Popularity • 45% Danceability • 33% Energy • 8% Liveness
26% Instrumentalness • 74% Positiveness
17% Popularity • 45% Danceability • 33% Energy • 8% Liveness
26% Instrumentalness • 74% Positiveness
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Jan Dismas Zelenka
Missa Dei Filii, ZWV 20: Kyrie eleison (...
96 bpm • B Maj • 01:34 • -16db
14% Popularity • 24% Danceability • 25% Energy • 17% Liveness
90% Instrumentalness • 11% Positiveness
14% Popularity • 24% Danceability • 25% Energy • 17% Liveness
90% Instrumentalness • 11% Positiveness
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Leonardo Vinci
Oratorio a 4 voci: “Tutti son del mate...
97 bpm • B Maj • 05:23 • -21.44db
15% Popularity • 31% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
15% Popularity • 31% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Matthew Locke
Psyche, Act I: Overture
97 bpm • C# Maj • 02:16 • -13db
13% Popularity • 23% Danceability • 31% Energy • 19% Liveness
88% Instrumentalness • 52% Positiveness
13% Popularity • 23% Danceability • 31% Energy • 19% Liveness
88% Instrumentalness • 52% Positiveness
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Francesco Bartolomeo Conti
Missa Sancti Pauli: No. 18, Crucifixus
94 bpm • D Maj • 01:29 • -22.45db
19% Popularity • 16% Danceability • 10% Energy • 11% Liveness
7% Instrumentalness • 3% Positiveness
19% Popularity • 16% Danceability • 10% Energy • 11% Liveness
7% Instrumentalness • 3% Positiveness
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Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: Ad pedes. ...
98 bpm • C min • 00:59 • -21db
27% Popularity • 20% Danceability • 5% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
27% Popularity • 20% Danceability • 5% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
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Jean-Baptiste Lully
Phaëton, LWV 61: Ritournelle "Le printe...
94 bpm • A Maj • 01:06 • -24db
28% Popularity • 56% Danceability • 11% Energy • 8% Liveness
98% Instrumentalness • 68% Positiveness
28% Popularity • 56% Danceability • 11% Energy • 8% Liveness
98% Instrumentalness • 68% Positiveness
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Jan Dismas Zelenka
Missa Sancti Josephi, ZWV 14: No. 9 Sanc...
97 bpm • C# Maj • 02:09 • -18.14db
3% Popularity • 24% Danceability • 16% Energy • 9% Liveness
33% Instrumentalness • 10% Positiveness
3% Popularity • 24% Danceability • 16% Energy • 9% Liveness
33% Instrumentalness • 10% Positiveness
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Johann Sebastian Bach
Gottes Zeit ist die allerbeste Zeit, BWV...
94 bpm • E Maj • 01:46 • -21.55db
8% Popularity • 24% Danceability • 12% Energy • 14% Liveness
1% Instrumentalness • 11% Positiveness
8% Popularity • 24% Danceability • 12% Energy • 14% Liveness
1% Instrumentalness • 11% Positiveness
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Georg Philipp Telemann
Gesegnet ist die Zuversicht, TVWV 1:616:...
94 bpm • A Maj • 02:14 • -19.18db
9% Popularity • 26% Danceability • 15% Energy • 14% Liveness
32% Instrumentalness • 49% Positiveness
9% Popularity • 26% Danceability • 15% Energy • 14% Liveness
32% Instrumentalness • 49% Positiveness
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Niccolò Jommelli
Requiem, Kyrie: II. Christe eleison
98 bpm • D# Maj • 01:07 • -27.43db
34% Popularity • 18% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
34% Popularity • 18% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad genua: ...
94 bpm • F min • 01:15 • -25.85db
30% Popularity • 38% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 11% Positiveness
30% Popularity • 38% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 11% Positiveness
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Antonio Caldara
Sinfonia No. 6 in G minor (arrangement o...
99 bpm • D Maj • 04:49 • -23.65db
13% Popularity • 30% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 30% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Jan Dismas Zelenka
Gesu al Calvario, ZWV 62: Chorus: Questo...
98 bpm • B min • 02:02 • -21.7db
7% Popularity • 34% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
7% Popularity • 34% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Joseph Haydn
Mass No. 3 in C Major, Hob.XXII:5, "Miss...
99 bpm • E min • 03:04 • -17db
10% Popularity • 37% Danceability • 34% Energy • 38% Liveness
19% Instrumentalness • 23% Positiveness
10% Popularity • 37% Danceability • 34% Energy • 38% Liveness
19% Instrumentalness • 23% Positiveness
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Johann Sebastian Bach
Christ lag in Todesbanden, BWV 4: IV. Je...
93 bpm • E min • 02:01 • -20.01db
10% Popularity • 42% Danceability • 22% Energy • 55% Liveness
1% Instrumentalness • 60% Positiveness
10% Popularity • 42% Danceability • 22% Energy • 55% Liveness
1% Instrumentalness • 60% Positiveness
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Niccolò Jommelli
Libera me in C Minor, HocJ E.2: III. Dum...
98 bpm • E min • 01:10 • -20.06db
16% Popularity • 22% Danceability • 12% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
16% Popularity • 22% Danceability • 12% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
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Dietrich Buxtehude
Fürwahr, er trug unsere Krankheit, BuxW...
98 bpm • C min • 10:13 • -22.28db
14% Popularity • 20% Danceability • 5% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
14% Popularity • 20% Danceability • 5% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
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Giuseppe Antonio Brescianello
Ouverture for Strings & Continuo in A Ma...
93 bpm • A Maj • 01:24 • -14.8db
16% Popularity • 33% Danceability • 21% Energy • 13% Liveness
31% Instrumentalness • 83% Positiveness
16% Popularity • 33% Danceability • 21% Energy • 13% Liveness
31% Instrumentalness • 83% Positiveness
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Jan Dismas Zelenka
Gaude laetare, ZWV 168: Aria. Gaude, lae...
98 bpm • G# Maj • 07:31 • -16.81db
4% Popularity • 49% Danceability • 32% Energy • 9% Liveness
59% Instrumentalness • 71% Positiveness
4% Popularity • 49% Danceability • 32% Energy • 9% Liveness
59% Instrumentalness • 71% Positiveness
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Johann Friedrich Fasch
Concerto for 3 Trumpets, Timpani, 2 Oboe...
99 bpm • G# Maj • 03:54 • -20.01db
12% Popularity • 42% Danceability • 23% Energy • 8% Liveness
63% Instrumentalness • 65% Positiveness
12% Popularity • 42% Danceability • 23% Energy • 8% Liveness
63% Instrumentalness • 65% Positiveness
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Johann Sebastian Bach
Aus der Tiefen rufe ich, Herr, zu dir, B...
93 bpm • G# min • 04:44 • -21.79db
11% Popularity • 25% Danceability • 10% Energy • 20% Liveness
20% Instrumentalness • 14% Positiveness
11% Popularity • 25% Danceability • 10% Energy • 20% Liveness
20% Instrumentalness • 14% Positiveness
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Henry Purcell
The Gordion Knot Unty'd, Z. 597: Second ...
93 bpm • F# min • 01:41 • -29.35db
19% Popularity • 23% Danceability • 2% Energy • 10% Liveness
76% Instrumentalness • 18% Positiveness
19% Popularity • 23% Danceability • 2% Energy • 10% Liveness
76% Instrumentalness • 18% Positiveness
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Alessandro Scarlatti
A battaglia, pensieri: Aria: A battaglia...
99 bpm • C Maj • 02:37 • -18.36db
11% Popularity • 44% Danceability • 25% Energy • 11% Liveness
50% Instrumentalness • 38% Positiveness
11% Popularity • 44% Danceability • 25% Energy • 11% Liveness
50% Instrumentalness • 38% Positiveness
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Jean-Philippe Rameau
Rameau: Les Boréades: Ouverture
99 bpm • E Maj • 04:50 • -18db
9% Popularity • 43% Danceability • 13% Energy • 11% Liveness
73% Instrumentalness • 22% Positiveness
9% Popularity • 43% Danceability • 13% Energy • 11% Liveness
73% Instrumentalness • 22% Positiveness
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Jan Dismas Zelenka
Missa Divi Xaverii, ZWV 12: Kyrie eleiso...
98 bpm • C# Maj • 02:32 • -21db
12% Popularity • 34% Danceability • 17% Energy • 5% Liveness
89% Instrumentalness • 44% Positiveness
12% Popularity • 34% Danceability • 17% Energy • 5% Liveness
89% Instrumentalness • 44% Positiveness
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Leonardo Leo
Beatus vir qui timet in F Major: VI. Glo...
93 bpm • E Maj • 01:05 • -26.92db
20% Popularity • 22% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
20% Popularity • 22% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Johann Sebastian Bach
Concerto for Violin and Oboe in C Minor,...
93 bpm • D Maj • 04:46 • -20db
13% Popularity • 12% Danceability • 8% Energy • 17% Liveness
35% Instrumentalness • 12% Positiveness
13% Popularity • 12% Danceability • 8% Energy • 17% Liveness
35% Instrumentalness • 12% Positiveness
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Henri Desmarets
Te Deum "de Lyon": XIV. Et rege eos
99 bpm • F Maj • 01:02 • -14.76db
12% Popularity • 37% Danceability • 55% Energy • 25% Liveness
52% Instrumentalness • 74% Positiveness
12% Popularity • 37% Danceability • 55% Energy • 25% Liveness
52% Instrumentalness • 74% Positiveness
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Marc-Antoine Charpentier
A la venue de noël
92 bpm • C# min • 01:00 • -22.24db
29% Popularity • 46% Danceability • 17% Energy • 4% Liveness
54% Instrumentalness • 78% Positiveness
29% Popularity • 46% Danceability • 17% Energy • 4% Liveness
54% Instrumentalness • 78% Positiveness
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Johann Friedrich Fasch
Concerto for Flute and Oboe in B Minor, ...
93 bpm • A# min • 02:31 • -22db
17% Popularity • 48% Danceability • 17% Energy • 22% Liveness
53% Instrumentalness • 62% Positiveness
17% Popularity • 48% Danceability • 17% Energy • 22% Liveness
53% Instrumentalness • 62% Positiveness
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Jan Dismas Zelenka
Missa Paschalis, ZWV 7: Sanctus
99 bpm • G# Maj • 01:09 • -15.91db
23% Popularity • 19% Danceability • 28% Energy • 24% Liveness
94% Instrumentalness • 20% Positiveness
23% Popularity • 19% Danceability • 28% Energy • 24% Liveness
94% Instrumentalness • 20% Positiveness
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Charles Avison
Concerto in D Minor; Op. 6 No. 5: IV. Al...
100 bpm • C# min • 02:24 • -16db
16% Popularity • 53% Danceability • 35% Energy • 11% Liveness
18% Instrumentalness • 74% Positiveness
16% Popularity • 53% Danceability • 35% Energy • 11% Liveness
18% Instrumentalness • 74% Positiveness
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Michel Richard Delalande
Recueil d’airs détachés et d’airs ...
92 bpm • F# min • 01:35 • -16.64db
13% Popularity • 55% Danceability • 25% Energy • 16% Liveness
92% Instrumentalness • 85% Positiveness
13% Popularity • 55% Danceability • 25% Energy • 16% Liveness
92% Instrumentalness • 85% Positiveness
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Jean-Philippe Rameau
Suite Les Indes Galantes / Les Turcs: 10...
92 bpm • G min • 01:05 • -21.23db
14% Popularity • 47% Danceability • 23% Energy • 16% Liveness
44% Instrumentalness • 72% Positiveness
14% Popularity • 47% Danceability • 23% Energy • 16% Liveness
44% Instrumentalness • 72% Positiveness
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Orquesta de Cámara de Berlín
La Pasión según San Mateo, BWV 244: No...
92 bpm • B min • 05:19 • -18.69db
8% Popularity • 25% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 25% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 11% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": V. A...
91 bpm • F# min • 01:32 • -19db
26% Popularity • 57% Danceability • 18% Energy • 19% Liveness
90% Instrumentalness • 26% Positiveness
26% Popularity • 57% Danceability • 18% Energy • 19% Liveness
90% Instrumentalness • 26% Positiveness
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Jan Dismas Zelenka
Missa Charitatis, ZWV 10: Kyrie
99 bpm • C# Maj • 05:32 • -16.17db
9% Popularity • 36% Danceability • 22% Energy • 8% Liveness
40% Instrumentalness • 50% Positiveness
9% Popularity • 36% Danceability • 22% Energy • 8% Liveness
40% Instrumentalness • 50% Positiveness
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Johann Sebastian Bach
Messe in B Minor, BWV 232: No. 4, Gloria...
101 bpm • C# Maj • 01:30 • -16.76db
22% Popularity • 52% Danceability • 41% Energy • 59% Liveness
79% Instrumentalness • 89% Positiveness
22% Popularity • 52% Danceability • 41% Energy • 59% Liveness
79% Instrumentalness • 89% Positiveness
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Michel Richard Delalande
Dies iræ, S. 31: Mors stupebit et natur...
92 bpm • B min • 01:18 • -15db
10% Popularity • 20% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
10% Popularity • 20% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Johann Gottlieb Janitsch
Sonata da camera in G Minor, "O Haupt vo...
101 bpm • E Maj • 03:55 • -18.5db
13% Popularity • 14% Danceability • 11% Energy • 10% Liveness
84% Instrumentalness • 8% Positiveness
13% Popularity • 14% Danceability • 11% Energy • 10% Liveness
84% Instrumentalness • 8% Positiveness
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Marc-Antoine Charpentier
Assumpta Est Maria, H. 11: IV. Kyrie II
101 bpm • C# min • 03:38 • -21db
10% Popularity • 17% Danceability • 8% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
10% Popularity • 17% Danceability • 8% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
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Henry Purcell
The Gordion Knot Unty'd, Z. 597: Second ...
91 bpm • C# Maj • 01:30 • -23.12db
20% Popularity • 55% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
20% Popularity • 55% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
► Preview
Jan Dismas Zelenka
Missa Divi Xaverii, ZWV 12: Kyrie eleiso...
93 bpm • G# Maj • 03:35 • -21db
13% Popularity • 42% Danceability • 14% Energy • 19% Liveness
47% Instrumentalness • 47% Positiveness
13% Popularity • 42% Danceability • 14% Energy • 19% Liveness
47% Instrumentalness • 47% Positiveness
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Johann Sebastian Bach
Magnificat in D Major, BWV 243: X. Susce...
101 bpm • A# min • 02:08 • -22.85db
13% Popularity • 21% Danceability • 7% Energy • 10% Liveness
33% Instrumentalness • 4% Positiveness
13% Popularity • 21% Danceability • 7% Energy • 10% Liveness
33% Instrumentalness • 4% Positiveness
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Joseph-Hector Fiocco
Première Lamentation du Mercredi saint:...
102 bpm • G# min • 03:52 • -17db
10% Popularity • 26% Danceability • 14% Energy • 12% Liveness
3% Instrumentalness • 12% Positiveness
10% Popularity • 26% Danceability • 14% Energy • 12% Liveness
3% Instrumentalness • 12% Positiveness
► Preview
Michel Richard Delalande
Dies iræ, S. 31: Quantus tremor est fut...
91 bpm • B min • 01:08 • -15.73db
15% Popularity • 30% Danceability • 17% Energy • 24% Liveness
0% Instrumentalness • 14% Positiveness
15% Popularity • 30% Danceability • 17% Energy • 24% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Pier Giuseppe Sandoni
Organ Sonata in C Major
91 bpm • C Maj • 04:39 • -35.24db
13% Popularity • 24% Danceability • 1% Energy • 8% Liveness
57% Instrumentalness • 30% Positiveness
13% Popularity • 24% Danceability • 1% Energy • 8% Liveness
57% Instrumentalness • 30% Positiveness
► Preview
Michael Haydn
Missa Tempore Quadragesimae, MH 553: Ben...
91 bpm • C# min • 01:09 • -21db
27% Popularity • 19% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness
27% Popularity • 19% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Jan Dismas Zelenka
Confitebor tibi Domine, ZWV 72: Et in sa...
100 bpm • B Maj • 01:42 • -19.08db
9% Popularity • 16% Danceability • 21% Energy • 11% Liveness
88% Instrumentalness • 35% Positiveness
9% Popularity • 16% Danceability • 21% Energy • 11% Liveness
88% Instrumentalness • 35% Positiveness
► Preview
Marc-Antoine Charpentier
Charpentier: Te Deum, H. 146: II. Te Deu...
91 bpm • D min • 02:20 • -26.36db
20% Popularity • 24% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
20% Popularity • 24% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Francesco Onofrio Manfredini
Concerto Grosso in A Minor, Op. 3, No. 2...
90 bpm • A min • 01:18 • -28db
37% Popularity • 32% Danceability • 3% Energy • 13% Liveness
49% Instrumentalness • 63% Positiveness
37% Popularity • 32% Danceability • 3% Energy • 13% Liveness
49% Instrumentalness • 63% Positiveness
► Preview
Johann Kuhnau
Uns ist ein Kind geboren: I. Sonata
103 bpm • G# min • 01:19 • -22.9db
17% Popularity • 56% Danceability • 7% Energy • 10% Liveness
66% Instrumentalness • 58% Positiveness
17% Popularity • 56% Danceability • 7% Energy • 10% Liveness
66% Instrumentalness • 58% Positiveness
► Preview
Dietrich Buxtehude
Gott Hilf Mir, BuxWV 34: Concerto "Israe...
90 bpm • C min • 02:34 • -14db
10% Popularity • 20% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
10% Popularity • 20% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Johann Friedrich Fasch
Er heißet Wunderbar, Rat, Kraft, Held, ...
90 bpm • F# min • 01:34 • -17.88db
16% Popularity • 48% Danceability • 18% Energy • 20% Liveness
16% Instrumentalness • 32% Positiveness
16% Popularity • 48% Danceability • 18% Energy • 20% Liveness
16% Instrumentalness • 32% Positiveness
► Preview
Jan Dismas Zelenka
Missa Sancti Josephi, ZWV 14: No. 4 Laud...
100 bpm • F# Maj • 05:10 • -23.51db
4% Popularity • 51% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 59% Positiveness
4% Popularity • 51% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 59% Positiveness
► Preview
Domenico Scarlatti
Scarlatti, D: Keyboard Sonata in D Minor...
103 bpm • C# min • 01:32 • -23.65db
12% Popularity • 58% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
12% Popularity • 58% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
► Preview
Carl Philipp Emanuel Bach
Magnificat, Wq. 215: Magnificat, Wq. 215...
89 bpm • A# min • 05:30 • -21.34db
13% Popularity • 25% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
13% Popularity • 25% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Frantisek Tuma
Stabat Mater in G Minor: IX. Virgo virgi...
103 bpm • B min • 02:07 • -17.69db
8% Popularity • 20% Danceability • 18% Energy • 16% Liveness
29% Instrumentalness • 14% Positiveness
8% Popularity • 20% Danceability • 18% Energy • 16% Liveness
29% Instrumentalness • 14% Positiveness
► Preview
Dietrich Buxtehude
Gott Hilf Mir, BuxWV 34: Choral "Wer hof...
90 bpm • C min • 01:41 • -13db
11% Popularity • 28% Danceability • 44% Energy • 68% Liveness
0% Instrumentalness • 37% Positiveness
11% Popularity • 28% Danceability • 44% Energy • 68% Liveness
0% Instrumentalness • 37% Positiveness
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František Tůma
Motetto de S. Joanne Baptista: I. Coro. ...
89 bpm • A Maj • 01:23 • -19.66db
15% Popularity • 37% Danceability • 10% Energy • 14% Liveness
92% Instrumentalness • 16% Positiveness
15% Popularity • 37% Danceability • 10% Energy • 14% Liveness
92% Instrumentalness • 16% Positiveness
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Jan Dismas Zelenka
Missa Sancti Spiritus, ZWV 4: Et unam Sa...
92 bpm • G# Maj • 01:18 • -22.81db
12% Popularity • 26% Danceability • 4% Energy • 11% Liveness
48% Instrumentalness • 9% Positiveness
12% Popularity • 26% Danceability • 4% Energy • 11% Liveness
48% Instrumentalness • 9% Positiveness
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Domenico Scarlatti
Salve Regina pour soprano, contre-ténor...
103 bpm • G# min • 02:07 • -27db
24% Popularity • 19% Danceability • 3% Energy • 11% Liveness
55% Instrumentalness • 4% Positiveness
24% Popularity • 19% Danceability • 3% Energy • 11% Liveness
55% Instrumentalness • 4% Positiveness
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Henri Desmarets
Te Deum "de Lyon": III. Te gloriosus apo...
104 bpm • A# Maj • 01:38 • -19.35db
10% Popularity • 37% Danceability • 12% Energy • 20% Liveness
1% Instrumentalness • 53% Positiveness
10% Popularity • 37% Danceability • 12% Energy • 20% Liveness
1% Instrumentalness • 53% Positiveness
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Antonio Bertali
XII sonate a tre o quattro strumenti e b...
88 bpm • F# Maj • 08:50 • -19.07db
9% Popularity • 25% Danceability • 17% Energy • 8% Liveness
4% Instrumentalness • 15% Positiveness
9% Popularity • 25% Danceability • 17% Energy • 8% Liveness
4% Instrumentalness • 15% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75: 1. Ad pede...
88 bpm • B min • 10:00 • -27db
8% Popularity • 17% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 17% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Antonio Caldara
Sinfonia No. 4 in si minore (Morte e sep...
105 bpm • B min • 01:03 • -13db
29% Popularity • 57% Danceability • 45% Energy • 6% Liveness
97% Instrumentalness • 28% Positiveness
29% Popularity • 57% Danceability • 45% Energy • 6% Liveness
97% Instrumentalness • 28% Positiveness
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Jan Dismas Zelenka
Missa Divi Xaverii, ZWV 12: Domine Deus ...
100 bpm • G# Maj • 03:29 • -23.61db
5% Popularity • 25% Danceability • 3% Energy • 30% Liveness
29% Instrumentalness • 11% Positiveness
5% Popularity • 25% Danceability • 3% Energy • 30% Liveness
29% Instrumentalness • 11% Positiveness
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Jean-Joseph Cassanéa De Mondonville
Mondonville: In exitu Israel: I. (b) Ch�...
88 bpm • F min • 01:14 • -21.05db
22% Popularity • 32% Danceability • 10% Energy • 19% Liveness
41% Instrumentalness • 25% Positiveness
22% Popularity • 32% Danceability • 10% Energy • 19% Liveness
41% Instrumentalness • 25% Positiveness
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Jean-Marie Leclair
Violin Sonata in E Minor, Op. 5 No. 3: I...
105 bpm • F# Maj • 02:41 • -25db
18% Popularity • 20% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
18% Popularity • 20% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Alessandro Scarlatti
Filen, mio caro bene, HanS 263: III. Chi...
88 bpm • D Maj • 06:19 • -20.16db
8% Popularity • 25% Danceability • 12% Energy • 20% Liveness
1% Instrumentalness • 13% Positiveness
8% Popularity • 25% Danceability • 12% Energy • 20% Liveness
1% Instrumentalness • 13% Positiveness
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Arcangelo Corelli
Sonata in A Major, No. 6: IV. Adagio
105 bpm • F min • 02:19 • -23.33db
20% Popularity • 21% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
20% Popularity • 21% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Antonio Caldara
Maddalena ai piedi di Cristo: No. 12 Ari...
105 bpm • D# min • 02:36 • -20db
8% Popularity • 45% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 45% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Jan Dismas Zelenka
Sonata for 2 Oboes, Bassoon and Basso Co...
88 bpm • F Maj • 02:38 • -16db
6% Popularity • 23% Danceability • 24% Energy • 11% Liveness
85% Instrumentalness • 24% Positiveness
6% Popularity • 23% Danceability • 24% Energy • 11% Liveness
85% Instrumentalness • 24% Positiveness
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Henri Desmarets
Te Deum "de Lyon": VII. Tu rex gloriæ, ...
87 bpm • G Maj • 01:49 • -23.9db
8% Popularity • 37% Danceability • 10% Energy • 15% Liveness
1% Instrumentalness • 42% Positiveness
8% Popularity • 37% Danceability • 10% Energy • 15% Liveness
1% Instrumentalness • 42% Positiveness
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António Pereira da Costa
Concerto IX in A Major: IV. Grave
87 bpm • A Maj • 01:40 • -16.71db
7% Popularity • 9% Danceability • 19% Energy • 31% Liveness
77% Instrumentalness • 5% Positiveness
7% Popularity • 9% Danceability • 19% Energy • 31% Liveness
77% Instrumentalness • 5% Positiveness
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Unico Wilhelm van Wassenaer
Concerto Armonico No. 2 in B-Flat Major:...
106 bpm • E Maj • 01:50 • -17.91db
20% Popularity • 55% Danceability • 40% Energy • 13% Liveness
50% Instrumentalness • 72% Positiveness
20% Popularity • 55% Danceability • 40% Energy • 13% Liveness
50% Instrumentalness • 72% Positiveness
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Johann Sebastian Bach
Lass Fürstin, lass noch ein Strahl, BWV...
106 bpm • A# min • 04:01 • -18.43db
8% Popularity • 29% Danceability • 10% Energy • 10% Liveness
5% Instrumentalness • 17% Positiveness
8% Popularity • 29% Danceability • 10% Energy • 10% Liveness
5% Instrumentalness • 17% Positiveness
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Antonio Caldara
Sinfonia Nо. 2 in do maggiore (Il batti...
105 bpm • C Maj • 01:27 • -13db
28% Popularity • 53% Danceability • 47% Energy • 8% Liveness
96% Instrumentalness • 13% Positiveness
28% Popularity • 53% Danceability • 47% Energy • 8% Liveness
96% Instrumentalness • 13% Positiveness
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František Tůma
Motetto de S. Joanne Baptista: III. Coro...
106 bpm • A Maj • 01:05 • -18.42db
16% Popularity • 23% Danceability • 19% Energy • 18% Liveness
95% Instrumentalness • 24% Positiveness
16% Popularity • 23% Danceability • 19% Energy • 18% Liveness
95% Instrumentalness • 24% Positiveness
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Jan Dismas Zelenka
Missa Charitatis, ZWV 10: Gloria in exce...
101 bpm • G# Maj • 02:08 • -14.17db
11% Popularity • 40% Danceability • 33% Energy • 14% Liveness
26% Instrumentalness • 43% Positiveness
11% Popularity • 40% Danceability • 33% Energy • 14% Liveness
26% Instrumentalness • 43% Positiveness
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Jean-Baptiste Lully
Dies irae, LWV 64/1: Liber scriptus prof...
87 bpm • F min • 00:55 • -13db
13% Popularity • 30% Danceability • 32% Energy • 34% Liveness
12% Instrumentalness • 12% Positiveness
13% Popularity • 30% Danceability • 32% Energy • 34% Liveness
12% Instrumentalness • 12% Positiveness
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Unico Wilhelm van Wassenaer
Concerto Armonico No. 2 in B-Flat Major:...
106 bpm • E Maj • 04:10 • -19db
14% Popularity • 28% Danceability • 10% Energy • 37% Liveness
1% Instrumentalness • 17% Positiveness
14% Popularity • 28% Danceability • 10% Energy • 37% Liveness
1% Instrumentalness • 17% Positiveness
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Jean-Joseph Cassanéa De Mondonville
Sonate No. 5 (Six Sonates en symphonies ...
106 bpm • F# min • 02:06 • -31.09db
13% Popularity • 28% Danceability • 3% Energy • 12% Liveness
88% Instrumentalness • 33% Positiveness
13% Popularity • 28% Danceability • 3% Energy • 12% Liveness
88% Instrumentalness • 33% Positiveness
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Arcangelo Corelli
Violin Sonata in B-Flat Major, Op. 5 No....
86 bpm • A Maj • 01:19 • -15.06db
28% Popularity • 38% Danceability • 31% Energy • 13% Liveness
58% Instrumentalness • 80% Positiveness
28% Popularity • 38% Danceability • 31% Energy • 13% Liveness
58% Instrumentalness • 80% Positiveness
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Johann Sebastian Bach
Christ lag in Todes Banden, BWV 4: Sinfo...
106 bpm • F min • 01:13 • -28.03db
20% Popularity • 16% Danceability • 2% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
20% Popularity • 16% Danceability • 2% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
