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Capriccio Stravagante: Capriccio Stravagante
Songs like
Capriccio Stravagante: Capriccio Stravagante
by
Carlo Farina
Based on a tempo of (+/- 10%) and a similar genre
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Hopkinson Smith
Marizapalos
133 bpm • G min • 04:25 • -29.39db
20% Popularity • 48% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 40% Positiveness
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Diego Ortiz
Trattado de glosas: Recercadas primera y...
133 bpm • G Maj • 01:13 • -19.37db
8% Popularity • 33% Danceability • 35% Energy • 14% Liveness
64% Instrumentalness • 40% Positiveness
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Charles Buterne
Sonata No. 4 in C minor for recorder & b...
132 bpm • B Maj • 03:26 • -25.92db
8% Popularity • 36% Danceability • 3% Energy • 13% Liveness
83% Instrumentalness • 50% Positiveness
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Carlo Farina
Balletto Tertio à 4
134 bpm • B Maj • 02:10 • -23.49db
0% Popularity • 31% Danceability • 4% Energy • 11% Liveness
34% Instrumentalness • 34% Positiveness
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Adam Jarzębski
Jarzebski: Concerto a 3 voci & continuo:...
132 bpm • D Maj • 02:28 • -12.05db
15% Popularity • 47% Danceability • 38% Energy • 8% Liveness
87% Instrumentalness • 44% Positiveness
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Robert de Visée
Suite in G Major: III. Courante
134 bpm • F Maj • 01:43 • -28.09db
13% Popularity • 34% Danceability • 5% Energy • 10% Liveness
96% Instrumentalness • 35% Positiveness
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Andrea Falconieri
Corriente Dicha la Cuella
134 bpm • E Maj • 01:03 • -14.95db
32% Popularity • 70% Danceability • 36% Energy • 8% Liveness
97% Instrumentalness • 52% Positiveness
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Santiago De Murcia
Folias Gallegas (arr. G. Herreid)
132 bpm • G# Maj • 01:35 • -28db
23% Popularity • 38% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 57% Positiveness
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Gasparo Zanetti
La bergamasca
134 bpm • D Maj • 01:08 • -17db
21% Popularity • 61% Danceability • 30% Energy • 8% Liveness
93% Instrumentalness • 97% Positiveness
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Carlo Farina
Trying to move on
134 bpm • F# Maj • 03:30 • -8.74db
0% Popularity • 55% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Michelangelo Galilei
Il primo libro d'Intavolatura di Liuto: ...
131 bpm • F# min • 01:48 • -22.62db
22% Popularity • 39% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 62% Positiveness
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Robert de Visée
Suite in E Minor: VI. Menuet
132 bpm • D min • 01:15 • -30db
26% Popularity • 40% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 38% Positiveness
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George Frideric Handel
Water Music, Suite No. 2 in D Major, HWV...
131 bpm • F# Maj • 01:08 • -19.76db
13% Popularity • 56% Danceability • 22% Energy • 7% Liveness
26% Instrumentalness • 97% Positiveness
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Jacques Champion de Chambonnières
Sarabande Jeunes Zephirs
131 bpm • F Maj • 02:35 • -23db
9% Popularity • 16% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Girolamo Frescobaldi
Canzona prima a 4, canto alto tenor bass...
135 bpm • G Maj • 02:18 • -16.23db
13% Popularity • 21% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
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Joan Ambrosio Dalza
Piva for Lute & Bass Viol
135 bpm • C# Maj • 01:55 • -20db
14% Popularity • 55% Danceability • 21% Energy • 11% Liveness
86% Instrumentalness • 60% Positiveness
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Marin Marais
1ère suite en la mineur, 5ème livre 1�...
131 bpm • G# min • 00:57 • -33.57db
18% Popularity • 34% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 30% Positiveness
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Giovanni Maria Bononcini
Sonata a tre in sol minore: V. Allegro
131 bpm • F# min • 01:05 • -15.79db
10% Popularity • 44% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 37% Positiveness
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James Oswald
A Sonata of Scots Tunes: II. Ettrick Ban...
131 bpm • C# Maj • 01:00 • -19.45db
20% Popularity • 30% Danceability • 7% Energy • 18% Liveness
51% Instrumentalness • 50% Positiveness
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Francesco Corbetta
Sua Corrente
135 bpm • C# min • 00:51 • -20db
20% Popularity • 66% Danceability • 9% Energy • 8% Liveness
51% Instrumentalness • 53% Positiveness
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Claude Gervaise
Suite I: Pavane Passamaize I
130 bpm • F Maj • 01:41 • -19.98db
10% Popularity • 27% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 23% Positiveness
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Carlo Farina
Sonata Seconda detta la Desperata
131 bpm • F# min • 10:27 • -20db
7% Popularity • 32% Danceability • 10% Energy • 9% Liveness
4% Instrumentalness • 13% Positiveness
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Pierre Attaingnant
Bransle de Poictou
136 bpm • E Maj • 03:01 • -22.86db
13% Popularity • 44% Danceability • 14% Energy • 13% Liveness
93% Instrumentalness • 78% Positiveness
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Orlande de Lassus
Io ti vorria contar, LV 658 (Transcr. fo...
136 bpm • B Maj • 01:22 • -23.12db
21% Popularity • 48% Danceability • 17% Energy • 10% Liveness
84% Instrumentalness • 42% Positiveness
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Girolamo Frescobaldi
A miei pianti al fine un dì, F7.32
130 bpm • G Maj • 01:27 • -23.58db
22% Popularity • 46% Danceability • 12% Energy • 30% Liveness
90% Instrumentalness • 73% Positiveness
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Johann Sebastian Bach
Minuet in A Minor, BWV Anh. 120
136 bpm • A# min • 01:28 • -39.57db
9% Popularity • 36% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness
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Johann Hermann Schein
Corollarium. Canzon à 5
130 bpm • A min • 04:09 • -17.62db
12% Popularity • 24% Danceability • 14% Energy • 11% Liveness
39% Instrumentalness • 11% Positiveness
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Carlo Farina
Gagliarda prima
130 bpm • F Maj • 01:13 • -36db
13% Popularity • 50% Danceability • 3% Energy • 8% Liveness
62% Instrumentalness • 70% Positiveness
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Antonio de Cabezón
Diferencias sobre la Gallarda Milanesa (...
130 bpm • E Maj • 02:25 • -17db
22% Popularity • 26% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
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Giovanni Ambrosio
Ballo Francese chiamato Petit Rinense (A...
136 bpm • A# Maj • 01:40 • -27.47db
18% Popularity • 54% Danceability • 7% Energy • 7% Liveness
92% Instrumentalness • 74% Positiveness
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Hans Judenkünig
Ein seer guter Organistischer Preambel
130 bpm • G min • 03:05 • -31db
12% Popularity • 35% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 27% Positiveness
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John Adson
Adson's Masque
130 bpm • G min • 01:40 • -16.23db
11% Popularity • 31% Danceability • 16% Energy • 13% Liveness
3% Instrumentalness • 38% Positiveness
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Cesare Negri
So ben mi chi ha bon tempo
130 bpm • G min • 01:38 • -22db
20% Popularity • 57% Danceability • 6% Energy • 13% Liveness
58% Instrumentalness • 60% Positiveness
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Carlo Farina
Capriccio stravagante: La Chitarra Spagn...
129 bpm • C Maj • 01:49 • -26.79db
2% Popularity • 39% Danceability • 3% Energy • 9% Liveness
22% Instrumentalness • 4% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": IV. ...
129 bpm • E Maj • 01:38 • -25.63db
28% Popularity • 41% Danceability • 3% Energy • 9% Liveness
15% Instrumentalness • 21% Positiveness
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Francisco Guerau
Villanos
129 bpm • C# Maj • 04:55 • -22db
12% Popularity • 44% Danceability • 7% Energy • 11% Liveness
71% Instrumentalness • 44% Positiveness
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Giorgio Mainerio
Saltarello della tedesca
129 bpm • D min • 01:38 • -21.36db
10% Popularity • 33% Danceability • 10% Energy • 10% Liveness
10% Instrumentalness • 60% Positiveness
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Silvius Leopold Weiss
Lute Sonata No. 11 in D Minor: I. Fantas...
129 bpm • C# min • 01:33 • -29db
28% Popularity • 37% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
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Francesco da Milano
Fantasia
129 bpm • G min • 02:09 • -24db
9% Popularity • 45% Danceability • 8% Energy • 7% Liveness
91% Instrumentalness • 51% Positiveness
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Juan Arañés
Chacona: "Una sarao de la chacona"
129 bpm • F Maj • 01:19 • -20db
11% Popularity • 64% Danceability • 27% Energy • 26% Liveness
65% Instrumentalness • 63% Positiveness
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Carlo Farina
Il quarto libro delle pavane, gagliarde,...
129 bpm • G min • 04:42 • -20.06db
0% Popularity • 29% Danceability • 13% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
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Nicola Matteis
The False Consonances of Musick, Aria I
137 bpm • F# Maj • 01:21 • -28.47db
29% Popularity • 47% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 65% Positiveness
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Luca Marenzio
Euridice, Prologo: Sinfonia a 5
129 bpm • F Maj • 01:37 • -27db
11% Popularity • 30% Danceability • 1% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Antoine Boësset
Una musiqua
138 bpm • G Maj • 04:09 • -21.05db
9% Popularity • 34% Danceability • 16% Energy • 11% Liveness
48% Instrumentalness • 50% Positiveness
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Robert de Visée
De Visée: Chaconne in G Minor
129 bpm • G min • 03:53 • -31.09db
11% Popularity • 32% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 48% Positiveness
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Claudio Monteverdi
O Primavera, gioventu dell'anno
138 bpm • E Maj • 02:37 • -19.62db
10% Popularity • 20% Danceability • 6% Energy • 11% Liveness
73% Instrumentalness • 20% Positiveness
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Carlo Farina
Quarto libro: Pavana a 4 No. 3
137 bpm • A min • 06:10 • -20.43db
1% Popularity • 17% Danceability • 10% Energy • 10% Liveness
65% Instrumentalness • 9% Positiveness
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Jacob van Eyck
Amarilli mia bella (Modo IV)
128 bpm • G# Maj • 01:57 • -33db
23% Popularity • 26% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 34% Positiveness
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Eustache du Caurroy
At The Crossroads... : Fantaisie à 3 su...
128 bpm • D min • 01:47 • -26.52db
16% Popularity • 17% Danceability • 4% Energy • 14% Liveness
88% Instrumentalness • 17% Positiveness
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Edward Martin
Sans Liberte (Morlaye)
139 bpm • G min • 02:52 • -25db
16% Popularity • 42% Danceability • 3% Energy • 26% Liveness
88% Instrumentalness • 39% Positiveness
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Marin Marais
5e livre de viole: Chaconne
128 bpm • F# Maj • 03:13 • -22db
16% Popularity • 28% Danceability • 9% Energy • 10% Liveness
84% Instrumentalness • 30% Positiveness
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Giorgio Mainerio
La Parma
139 bpm • F Maj • 02:13 • -27.71db
11% Popularity • 30% Danceability • 2% Energy • 9% Liveness
34% Instrumentalness • 28% Positiveness
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Fabritio Caroso
Furioso alla Spagnuola
139 bpm • D Maj • 01:23 • -20db
13% Popularity • 49% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Antoine Boësset
Ballet des fous et des estropiés de la ...
128 bpm • A# Maj • 02:21 • -27.25db
9% Popularity • 17% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
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Adam Falckenhagen
Lute Sonata in G Minor, Op. 1, No. 4: I....
139 bpm • C# Maj • 05:39 • -25.92db
7% Popularity • 56% Danceability • 2% Energy • 8% Liveness
74% Instrumentalness • 5% Positiveness
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Girolamo Frescobaldi
Canzona ottava a basso solo "detta l’a...
127 bpm • G min • 03:07 • -22.14db
12% Popularity • 36% Danceability • 18% Energy • 22% Liveness
4% Instrumentalness • 49% Positiveness
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Bartolomé de Selma y Salaverde
Canzoni fantasie et correnti da suonar: ...
140 bpm • A min • 03:58 • -22db
9% Popularity • 30% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Robert de Visée
Suite in G Major: V. Gavotte - Rondeau
126 bpm • F Maj • 01:27 • -30.69db
18% Popularity • 36% Danceability • 6% Energy • 12% Liveness
94% Instrumentalness • 66% Positiveness
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Juan Arañés
Una sarao de la chacona, "A la vida bona...
140 bpm • F# Maj • 01:58 • -20.35db
15% Popularity • 42% Danceability • 21% Energy • 16% Liveness
95% Instrumentalness • 78% Positiveness
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Thoinot Arbeau
Basse-danse Jouissance vous donneray (Ar...
140 bpm • F min • 01:47 • -31.37db
17% Popularity • 27% Danceability • 1% Energy • 11% Liveness
84% Instrumentalness • 30% Positiveness
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Diego Ortiz
Folia. Recercada 8ª
126 bpm • C Maj • 03:16 • -18.2db
7% Popularity • 47% Danceability • 43% Energy • 37% Liveness
69% Instrumentalness • 40% Positiveness
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Carlo Farina
Sonata detta la Desperata
126 bpm • F Maj • 09:02 • -20.52db
1% Popularity • 29% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Gaspar Sanz
Matachin
126 bpm • G# Maj • 01:50 • -37.56db
16% Popularity • 43% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 42% Positiveness
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Nicola Matteis
The False Consonances of Musick, Aria II
126 bpm • F# Maj • 01:10 • -27.77db
24% Popularity • 64% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 47% Positiveness
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Andrea Falconieri
Il Spiritillo Brando
126 bpm • G Maj • 01:00 • -19.24db
21% Popularity • 57% Danceability • 15% Energy • 14% Liveness
80% Instrumentalness • 69% Positiveness
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Marc-Antoine Charpentier
Médée, H. 491, Act II: Suite de la pas...
141 bpm • C Maj • 01:46 • -20.18db
11% Popularity • 22% Danceability • 22% Energy • 28% Liveness
50% Instrumentalness • 57% Positiveness
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François Couperin
Rondeau in B-Flat Major "Les Bergeries",...
141 bpm • E min • 04:16 • -39.76db
9% Popularity • 23% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 7% Positiveness
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William Byrd
Byrd: Sermone blando a 3 & a 4
125 bpm • A# Maj • 04:18 • -23.79db
7% Popularity • 17% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 17% Positiveness
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Marco Dall'Aquila
Cara cossa: Gagliarda, "La cara cossa"
125 bpm • C Maj • 01:04 • -30db
35% Popularity • 43% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 60% Positiveness
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Carlo Farina
Passamezzo Primo à 3
125 bpm • G# min • 02:12 • -20.68db
0% Popularity • 38% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
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Rocco Greco
Sinfonia Viggesima seconda a due viole
124 bpm • G min • 02:25 • -20db
7% Popularity • 39% Danceability • 18% Energy • 9% Liveness
97% Instrumentalness • 56% Positiveness
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Élisabeth Jacquet de La Guerre
Violin Sonata No. 1 in D Minor: I. Adagi...
125 bpm • C# min • 02:51 • -18.24db
14% Popularity • 18% Danceability • 10% Energy • 8% Liveness
4% Instrumentalness • 5% Positiveness
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Adrien Le Roy
Passemezzo for Lute & Bass Viol
124 bpm • B Maj • 01:44 • -23.13db
13% Popularity • 59% Danceability • 18% Energy • 14% Liveness
84% Instrumentalness • 60% Positiveness
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Claudin de Sermisy
Tant que vivrai
124 bpm • G Maj • 01:22 • -32db
33% Popularity • 18% Danceability • 0% Energy • 15% Liveness
98% Instrumentalness • 36% Positiveness
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Arcangelo Corelli
Concerto in D Major, Op. 6 No. 1: IV. Al...
124 bpm • C Maj • 01:52 • -18.98db
10% Popularity • 21% Danceability • 15% Energy • 21% Liveness
5% Instrumentalness • 42% Positiveness
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Edward Martin and Paul Berget
Duets for 2 Lutes in a minor and F Major...
143 bpm • E Maj • 01:45 • -25.97db
11% Popularity • 55% Danceability • 4% Energy • 10% Liveness
79% Instrumentalness • 20% Positiveness
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Henry Purcell
The Indian Queen, Z. 630 / Act III: Rond...
124 bpm • G# Maj • 01:41 • -18.22db
13% Popularity • 41% Danceability • 22% Energy • 9% Liveness
89% Instrumentalness • 47% Positiveness
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Robert de Visée
Suite in A Major: VI. Menuet
123 bpm • G Maj • 01:37 • -29.41db
13% Popularity • 36% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
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Ennemond Gaultier
Suite in D Minor: VII. La poste
123 bpm • C min • 01:40 • -21.92db
23% Popularity • 37% Danceability • 23% Energy • 12% Liveness
83% Instrumentalness • 77% Positiveness
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Giovanni Paolo Foscarini
Ciacona
123 bpm • F# Maj • 01:42 • -23.99db
23% Popularity • 68% Danceability • 8% Energy • 15% Liveness
3% Instrumentalness • 40% Positiveness
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Edward Martin
Basse dance :La Magdalena: -Recoupe - To...
143 bpm • D min • 02:21 • -24db
19% Popularity • 45% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 52% Positiveness
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EnrÃquez de Valderrábano
Soneto II
144 bpm • F Maj • 01:28 • -30db
24% Popularity • 44% Danceability • 8% Energy • 11% Liveness
96% Instrumentalness • 38% Positiveness
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Gaspar Sanz
Zarabanda Española: Improvisación
123 bpm • C# Maj • 04:18 • -25.36db
7% Popularity • 43% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 30% Positiveness
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Carlo Farina
Capriccio stravagante: Il Flautino Piano...
144 bpm • G Maj • 02:12 • -23.8db
0% Popularity • 32% Danceability • 5% Energy • 11% Liveness
33% Instrumentalness • 20% Positiveness
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Silvius Leopold Weiss
Prelude in D Minor
144 bpm • C min • 01:32 • -33db
20% Popularity • 27% Danceability • 7% Energy • 9% Liveness
88% Instrumentalness • 22% Positiveness
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Andreas Böhlen
Boffons (Sobre las Variaciones de Jacob ...
144 bpm • G# Maj • 01:26 • -31.92db
9% Popularity • 38% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 44% Positiveness
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Johann Heinrich Schmelzer
Sonatae unarum fidium: III. Gigue
123 bpm • G# Maj • 00:55 • -16.83db
18% Popularity • 55% Danceability • 36% Energy • 12% Liveness
53% Instrumentalness • 35% Positiveness
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The Royal Wind Music
Galiarda Veneziana
122 bpm • B Maj • 01:22 • -22.4db
16% Popularity • 41% Danceability • 17% Energy • 16% Liveness
82% Instrumentalness • 22% Positiveness
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Francesco Corbetta
Caprice de chacone: Caprice de Chaconne
122 bpm • B Maj • 04:05 • -27.89db
9% Popularity • 31% Danceability • 4% Energy • 14% Liveness
94% Instrumentalness • 45% Positiveness
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Carlo Farina
Primo libro: Canzon detta la Marina a 2
123 bpm • G min • 06:28 • -26.76db
3% Popularity • 24% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 10% Positiveness
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Jean-Baptiste Lully
Bourrée / Rigaudon Rondeau. Air des pay...
122 bpm • F min • 01:35 • -23.31db
11% Popularity • 59% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 78% Positiveness
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Giovanni Girolamo Kapsberger
Doni Lute Book: Canario
121 bpm • G Maj • 01:22 • -24.47db
13% Popularity • 37% Danceability • 26% Energy • 22% Liveness
92% Instrumentalness • 35% Positiveness
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Anthony Holborne
Dances: Galliard [32]
121 bpm • D# Maj • 01:18 • -22db
8% Popularity • 46% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 35% Positiveness
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Philipp Heinrich Erlebach
Sonata Sesta in F Major: II. Allemande
121 bpm • E Maj • 02:13 • -16.96db
13% Popularity • 32% Danceability • 15% Energy • 45% Liveness
9% Instrumentalness • 40% Positiveness
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Carlo Calvi
Canario
122 bpm • C# Maj • 01:49 • -21.15db
21% Popularity • 68% Danceability • 9% Energy • 9% Liveness
82% Instrumentalness • 42% Positiveness
► Preview
Carlo Farina
Sonata detta la Capriola
146 bpm • G# min • 08:23 • -14.96db
0% Popularity • 24% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Marin Marais
[Suite en la majeur]: XIII. Chaconne (No...
121 bpm • G# Maj • 02:45 • -19.42db
8% Popularity • 38% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 39% Positiveness
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Diego Ortiz
Trattado de glosas: Recercada No. 4, "La...
120 bpm • D# min • 01:39 • -24.32db
14% Popularity • 47% Danceability • 10% Energy • 9% Liveness
46% Instrumentalness • 40% Positiveness
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Girolamo Frescobaldi
Balletto (Arr. for Harp and Baroque Guit...
120 bpm • B Maj • 01:08 • -25db
21% Popularity • 47% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 20% Positiveness
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John Dowland
The King of Denmarks Galiard from Lachri...
120 bpm • D# Maj • 01:26 • -25.33db
22% Popularity • 50% Danceability • 6% Energy • 15% Liveness
75% Instrumentalness • 44% Positiveness
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Capriccio Stravagante: Capriccio Stravagante