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Capricornus II
Songs like
Capricornus II
by
Peter Sandberg
Based on a tempo of (+/- 10%) and a similar genre
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Charles Bolt
Seasons Changing
110 bpm • D Maj • 02:19 • -24.33db
41% Popularity • 56% Danceability • 7% Energy • 9% Liveness
96% Instrumentalness • 17% Positiveness
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Ólafur Arnalds
they sink
110 bpm • F min • 02:35 • -27.62db
49% Popularity • 44% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
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James Spiteri
Travelling
110 bpm • D# min • 03:57 • -19.33db
50% Popularity • 40% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 22% Positiveness
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Lama House
Heart of the River of the Sun
110 bpm • A# Maj • 02:31 • -22db
37% Popularity • 48% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 9% Positiveness
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Jacob David
Judith
111 bpm • G min • 02:55 • -26db
40% Popularity • 42% Danceability • 10% Energy • 9% Liveness
91% Instrumentalness • 30% Positiveness
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Mattia Vlad Morleo
The Flying of a Leaf
110 bpm • F# min • 03:02 • -35.12db
58% Popularity • 35% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
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Sophie Hutchings
Not Alone
111 bpm • A# Maj • 02:36 • -30db
54% Popularity • 35% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 24% Positiveness
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Dustin O'Halloran
Orphans
109 bpm • G min • 01:37 • -23db
39% Popularity • 34% Danceability • 6% Energy • 14% Liveness
94% Instrumentalness • 19% Positiveness
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Federico Albanese
My Piano Night
109 bpm • C min • 04:45 • -30db
36% Popularity • 40% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Gabriel Parker
Intervention
111 bpm • D Maj • 02:19 • -17.61db
38% Popularity • 54% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
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Stephan Moccio
My Beloved Twin Flame...
109 bpm • A min • 02:47 • -29.64db
41% Popularity • 36% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 12% Positiveness
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Ólafur Arnalds
saman
109 bpm • C min • 02:11 • -32.24db
65% Popularity • 58% Danceability • 2% Energy • 10% Liveness
85% Instrumentalness • 43% Positiveness
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Julien Marchal
Insight XXIV
111 bpm • C min • 02:41 • -29.81db
42% Popularity • 35% Danceability • 7% Energy • 10% Liveness
97% Instrumentalness • 17% Positiveness
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Sophie Hutchings
Tail Lights
111 bpm • G# Maj • 03:26 • -27.09db
30% Popularity • 34% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
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Eric Badanti
Vals De Rodrigues
111 bpm • B min • 02:41 • -24.3db
47% Popularity • 42% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 12% Positiveness
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GÃ…EL
Mid Air
112 bpm • C Maj • 02:27 • -29db
59% Popularity • 52% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
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Stephan Moccio
Lionheart
111 bpm • D min • 03:29 • -24.63db
53% Popularity • 33% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
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Ave Air
The Music Box
112 bpm • G# min • 03:17 • -18.49db
39% Popularity • 56% Danceability • 18% Energy • 38% Liveness
91% Instrumentalness • 12% Positiveness
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Luca Longobardi
A sleepless night
108 bpm • C min • 05:07 • -28.58db
34% Popularity • 39% Danceability • 5% Energy • 67% Liveness
60% Instrumentalness • 36% Positiveness
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Ólafur Arnalds
20:17
108 bpm • D# Maj • 05:54 • -29.09db
56% Popularity • 36% Danceability • 2% Energy • 11% Liveness
87% Instrumentalness • 17% Positiveness
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Peter Sandberg
Balm
108 bpm • B Maj • 02:06 • -24.39db
42% Popularity • 26% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 20% Positiveness
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Ludovico Einaudi
Petricor
108 bpm • G Maj • 06:34 • -15db
54% Popularity • 22% Danceability • 31% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
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Sebastian Plano
Soul I (Avow)
108 bpm • G# min • 03:11 • -18.5db
39% Popularity • 35% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Ben Crosland
The Hourglass
113 bpm • E Maj • 02:00 • -22.78db
62% Popularity • 44% Danceability • 15% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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Mae Ji-Yoon
Vibrations
108 bpm • G# Maj • 02:53 • -23.98db
49% Popularity • 67% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 53% Positiveness
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Illuminine
Dear, Dolores - Rework
107 bpm • E Maj • 04:21 • -29db
44% Popularity • 39% Danceability • 3% Energy • 13% Liveness
93% Instrumentalness • 8% Positiveness
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Elliot Ziegler
Keep Me
113 bpm • G Maj • 03:10 • -19.83db
41% Popularity • 40% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Akira Kosemura
Kaleidoscope Of Happiness
113 bpm • A min • 01:33 • -20.97db
40% Popularity • 57% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 12% Positiveness
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Peter Sandberg
Balm (Scaled Down Version)
107 bpm • B Maj • 02:06 • -22.77db
40% Popularity • 35% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 29% Positiveness
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Stephan Moccio
pt. 1 Owl Light
114 bpm • C Maj • 03:09 • -22db
43% Popularity • 44% Danceability • 10% Energy • 10% Liveness
85% Instrumentalness • 21% Positiveness
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Peter Cavallo
Elegy for Viola
106 bpm • G min • 02:46 • -18db
42% Popularity • 20% Danceability • 14% Energy • 10% Liveness
80% Instrumentalness • 8% Positiveness
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Illuminine
Interlude (Reprise) - Lake Isabel Rework
113 bpm • B min • 02:51 • -25.13db
48% Popularity • 43% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 34% Positiveness
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James Heather
Ruqia
114 bpm • G min • 01:14 • -23.15db
62% Popularity • 40% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
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Jiřà Horák
Minuscule
114 bpm • C Maj • 01:47 • -31.02db
50% Popularity • 54% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 23% Positiveness
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Peter Sandberg
Reconcile
106 bpm • E Maj • 02:56 • -17.25db
28% Popularity • 41% Danceability • 13% Energy • 11% Liveness
97% Instrumentalness • 11% Positiveness
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Rhiannon Bannenberg
Pain Has a Memory
114 bpm • G# min • 01:03 • -19.25db
42% Popularity • 36% Danceability • 17% Energy • 30% Liveness
82% Instrumentalness • 19% Positiveness
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Stephan Moccio
Halston
106 bpm • F min • 04:59 • -23.54db
33% Popularity • 42% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 11% Positiveness
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Illuminine
Alas, Orpheus - Akira Kosemura Rework
113 bpm • A min • 02:26 • -21.34db
42% Popularity • 49% Danceability • 16% Energy • 10% Liveness
82% Instrumentalness • 19% Positiveness
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Mattia Vlad Morleo
Rugiada
115 bpm • E min • 02:43 • -34.99db
49% Popularity • 17% Danceability • 4% Energy • 16% Liveness
90% Instrumentalness • 22% Positiveness
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Max Richter
Vladimir's Blues
115 bpm • A Maj • 01:18 • -22db
66% Popularity • 38% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Annelie
Tuesday
105 bpm • E min • 03:11 • -30.33db
38% Popularity • 33% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
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Slow Meadow
By the Ash Tree
115 bpm • F# min • 03:16 • -24.14db
38% Popularity • 58% Danceability • 10% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
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Sid Acharya
Take My Hand
115 bpm • C min • 02:02 • -26.93db
45% Popularity • 51% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Federico Albanese
The Lantern
115 bpm • C min • 04:27 • -25.68db
30% Popularity • 45% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Jakob Ahlbom
Approaching Spring
105 bpm • D Maj • 03:50 • -16db
35% Popularity • 17% Danceability • 22% Energy • 9% Liveness
96% Instrumentalness • 9% Positiveness
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Edvard Kravchuk
Momentary
115 bpm • A min • 01:51 • -30.21db
62% Popularity • 61% Danceability • 13% Energy • 7% Liveness
89% Instrumentalness • 18% Positiveness
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Borrtex
It All Begins Here
115 bpm • A min • 01:06 • -28.23db
64% Popularity • 53% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 13% Positiveness
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Oskar Schuster
Fryderyk
104 bpm • C# Maj • 02:26 • -21db
30% Popularity • 51% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 36% Positiveness
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Carlos Cipa
My fellow creatures
104 bpm • E min • 03:25 • -38.34db
57% Popularity • 32% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
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Angus MacRae
Spring Nocturne
116 bpm • G min • 04:32 • -18.92db
34% Popularity • 22% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Federico Albanese
Carousel #3
116 bpm • G min • 04:22 • -27.11db
38% Popularity • 27% Danceability • 4% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Jóhann Jóhannsson
The Theory of Everything
104 bpm • D Maj • 01:08 • -17.7db
68% Popularity • 42% Danceability • 12% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
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Piotr Miteska
Ready Set Love
104 bpm • G min • 01:29 • -25db
39% Popularity • 60% Danceability • 0% Energy • 9% Liveness
88% Instrumentalness • 12% Positiveness
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Library Tapes
Patterns
104 bpm • C# Maj • 02:06 • -27.17db
37% Popularity • 57% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 47% Positiveness
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Luca Longobardi
Elegie II - Reprise
104 bpm • C Maj • 01:14 • -26.6db
56% Popularity • 41% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 33% Positiveness
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Kai Engel
Endless Story About Sun and Moon
104 bpm • C# min • 03:05 • -18.52db
41% Popularity • 25% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 10% Positiveness
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Ólafur Arnalds
21:05
117 bpm • D# Maj • 05:15 • -29.48db
46% Popularity • 47% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
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Jóhann Jóhannsson
Forces of Attraction
104 bpm • G Maj • 02:03 • -20.85db
61% Popularity • 51% Danceability • 13% Energy • 10% Liveness
87% Instrumentalness • 40% Positiveness
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Sophie Hutchings
By Night
104 bpm • A# Maj • 05:29 • -17db
47% Popularity • 33% Danceability • 20% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Max Richter
The Departure
117 bpm • C min • 01:15 • -39.05db
65% Popularity • 38% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
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Luca Longobardi
Elegie I
104 bpm • C Maj • 01:31 • -20.9db
55% Popularity • 28% Danceability • 12% Energy • 34% Liveness
83% Instrumentalness • 20% Positiveness
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Stephan Moccio
Lumière
117 bpm • G Maj • 04:11 • -32.13db
48% Popularity • 27% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
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Mike Lazarev
All I've Said
103 bpm • C min • 02:22 • -25.74db
29% Popularity • 42% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
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Finneas O'Connell
when the party's over
117 bpm • E Maj • 03:28 • -31.88db
34% Popularity • 40% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 16% Positiveness
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Tony Anderson
Spiriteaux
117 bpm • C min • 03:54 • -28.58db
51% Popularity • 23% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Max Richter
On the Nature of Daylight (Entropy)
117 bpm • C# Maj • 06:53 • -14.82db
46% Popularity • 17% Danceability • 24% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
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Chad Lawson
irreplaceable
118 bpm • C min • 04:31 • -24.2db
41% Popularity • 24% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 13% Positiveness
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Lo Mimieux
Misericorde
118 bpm • F Maj • 03:19 • -28.19db
28% Popularity • 46% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 33% Positiveness
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Michael Ottosson
A Place To Call Home
118 bpm • F Maj • 03:08 • -25.49db
34% Popularity • 44% Danceability • 6% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
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Edvard Kravchuk
Journey
118 bpm • A# Maj • 02:08 • -13.94db
41% Popularity • 24% Danceability • 22% Energy • 12% Liveness
76% Instrumentalness • 11% Positiveness
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Samuel Lindon
Avant Les Vagues
118 bpm • C min • 03:22 • -20db
25% Popularity • 33% Danceability • 14% Energy • 10% Liveness
97% Instrumentalness • 15% Positiveness
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Jean-Michel Blais
igloo - acoustique
102 bpm • C# min • 03:02 • -34.74db
41% Popularity • 32% Danceability • 2% Energy • 22% Liveness
95% Instrumentalness • 15% Positiveness
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Stephan Moccio
Sea Change
118 bpm • G# Maj • 02:51 • -34.76db
53% Popularity • 46% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
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Jóhann Jóhannsson
A Game of Croquet
118 bpm • E min • 02:45 • -28.73db
61% Popularity • 22% Danceability • 4% Energy • 6% Liveness
40% Instrumentalness • 11% Positiveness
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Sophie Hutchings
Whisper To Closeness
118 bpm • D min • 04:16 • -22.97db
27% Popularity • 43% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Mattia Vlad Morleo
Sinless
119 bpm • A min • 02:27 • -27.86db
48% Popularity • 48% Danceability • 7% Energy • 19% Liveness
93% Instrumentalness • 12% Positiveness
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Matt Stewart-Evans
Opus #25 Reprise
119 bpm • C# Maj • 01:55 • -20.61db
42% Popularity • 39% Danceability • 13% Energy • 9% Liveness
91% Instrumentalness • 14% Positiveness
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Ever So Blue
Remembering
119 bpm • E Maj • 02:01 • -25.18db
47% Popularity • 30% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 26% Positiveness
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Roberto Cacciapaglia
Endless Time
102 bpm • F Maj • 03:14 • -16.78db
43% Popularity • 33% Danceability • 19% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
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Mélanie Laurent
Début
119 bpm • C Maj • 02:40 • -30.25db
57% Popularity • 38% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
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Peter Sandberg
Resonant
120 bpm • F# min • 04:04 • -19.54db
29% Popularity • 26% Danceability • 25% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Jóhann Jóhannsson
The Whirling Ways of Stars that Pass
102 bpm • E min • 01:52 • -26.72db
51% Popularity • 45% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Phoria
Mass (Re-Imagined)
120 bpm • G min • 03:32 • -23.29db
36% Popularity • 27% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Teodor Wolgers
interstices
101 bpm • G Maj • 02:13 • -30db
32% Popularity • 30% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 9% Positiveness
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Chad Lawson
Nocturne in a Minor
101 bpm • A min • 06:02 • -27.42db
50% Popularity • 19% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Sebastian Plano
Éxta
120 bpm • B min • 02:21 • -16db
36% Popularity • 18% Danceability • 27% Energy • 10% Liveness
79% Instrumentalness • 10% Positiveness
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Federico Albanese
By the Deep Sea
120 bpm • F min • 03:58 • -22.62db
46% Popularity • 54% Danceability • 21% Energy • 9% Liveness
87% Instrumentalness • 5% Positiveness
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Angus MacRae
Two on the Breakwater
120 bpm • F min • 05:25 • -15.44db
24% Popularity • 40% Danceability • 35% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
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Hushed
Lanterns
120 bpm • E Maj • 03:20 • -23.17db
37% Popularity • 45% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 19% Positiveness
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Mattia Vlad Morleo
Elusive Scent
120 bpm • D# Maj • 03:48 • -21.52db
35% Popularity • 44% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
► Preview
Craig Wedren
Looked Up To You
120 bpm • E min • 01:25 • -27db
65% Popularity • 29% Danceability • 5% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
► Preview
Silver Maple
This Delicate Place (Scaled Down Version...
120 bpm • G Maj • 02:40 • -25.64db
34% Popularity • 60% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 21% Positiveness
► Preview
Peter Sandberg
Dismantle
100 bpm • D# Maj • 01:55 • -20.22db
61% Popularity • 40% Danceability • 14% Energy • 16% Liveness
90% Instrumentalness • 40% Positiveness
► Preview
Matt Stewart-Evans
Becalm
100 bpm • E Maj • 02:29 • -22db
40% Popularity • 44% Danceability • 5% Energy • 13% Liveness
95% Instrumentalness • 34% Positiveness
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Maxence Cyrin
Larmes glacées
100 bpm • E min • 03:23 • -17db
46% Popularity • 39% Danceability • 24% Energy • 12% Liveness
93% Instrumentalness • 13% Positiveness
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Jim Perkins
The Red Balloon
121 bpm • D Maj • 01:26 • -25.77db
52% Popularity • 45% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 29% Positiveness
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Carlos Cipa
and she was
100 bpm • E min • 07:23 • -28db
34% Popularity • 28% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 19% Positiveness
► Preview
David Clavijo
Où Est Mon Bonheur?
100 bpm • E Maj • 02:59 • -12.72db
40% Popularity • 52% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
► Preview
Borrtex
Coalescence
100 bpm • C min • 02:43 • -22db
44% Popularity • 25% Danceability • 19% Energy • 9% Liveness
82% Instrumentalness • 8% Positiveness
► Preview
Ólafur Arnalds
Saudade (When We Are Born)
100 bpm • D Maj • 02:30 • -31.44db
60% Popularity • 29% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
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Capricornus II