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Captain Jefferson
Songs like
Captain Jefferson
by
James Newton Howard
Based on a tempo of (+/- 10%) and a similar genre
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Johannes Lehniger
Carriage Ride
142 bpm • C min • 01:04 • -17.32db
42% Popularity • 58% Danceability • 24% Energy • 13% Liveness
85% Instrumentalness • 47% Positiveness
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Anne Nikitin
Water Cycle
142 bpm • A min • 01:10 • -19.57db
51% Popularity • 36% Danceability • 45% Energy • 17% Liveness
98% Instrumentalness • 3% Positiveness
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James Newton Howard
Surrounded by Walls
142 bpm • C# Maj • 02:53 • -31.8db
21% Popularity • 14% Danceability • 4% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
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Nicholas Hooper
Opening
142 bpm • G Maj • 02:54 • -21.7db
48% Popularity • 22% Danceability • 19% Energy • 11% Liveness
87% Instrumentalness • 11% Positiveness
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Chris Egan
The Hopes of Spain
141 bpm • F# min • 01:44 • -22.96db
20% Popularity • 28% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 10% Positiveness
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Christopher Spelman
In the Hospital
141 bpm • C# min • 03:33 • -15.57db
9% Popularity • 14% Danceability • 19% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Sonya Belousova
Everytime You Leave
144 bpm • B min • 02:07 • -15db
51% Popularity • 33% Danceability • 31% Energy • 11% Liveness
93% Instrumentalness • 13% Positiveness
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The Newton Brothers
Beginning of the End Movement IV
140 bpm • C Maj • 03:27 • -17.12db
31% Popularity • 14% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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James Newton Howard
Captain Jefferson
142 bpm • E min • 02:06 • -25.47db
52% Popularity • 19% Danceability • 3% Energy • 9% Liveness
82% Instrumentalness • 5% Positiveness
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Marcelo Zarvos
Life Was Just Beginning
144 bpm • D Maj • 04:07 • -21db
23% Popularity • 18% Danceability • 8% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Dan Romer
Where Lost Boys Go
140 bpm • A Maj • 02:06 • -19.25db
24% Popularity • 37% Danceability • 9% Energy • 39% Liveness
85% Instrumentalness • 5% Positiveness
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Dickon Hinchliffe
The Causeway
144 bpm • D Maj • 03:47 • -21.78db
38% Popularity • 15% Danceability • 8% Energy • 7% Liveness
59% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Destiny
144 bpm • A min • 03:36 • -17db
45% Popularity • 19% Danceability • 18% Energy • 4% Liveness
95% Instrumentalness • 10% Positiveness
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Johannes Bornlöf
Hunger, Thirst
140 bpm • G min • 02:13 • -20.42db
42% Popularity • 14% Danceability • 17% Energy • 13% Liveness
89% Instrumentalness • 3% Positiveness
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James Newton Howard
I Need You
140 bpm • F Maj • 03:57 • -28.6db
36% Popularity • 14% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
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Alex Heffes
Harry's Theme
139 bpm • D min • 02:03 • -26.38db
23% Popularity • 15% Danceability • 3% Energy • 12% Liveness
89% Instrumentalness • 7% Positiveness
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Carlos Rafael Rivera
Beth's Story
139 bpm • C min • 02:07 • -27db
58% Popularity • 28% Danceability • 3% Energy • 9% Liveness
84% Instrumentalness • 8% Positiveness
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William Ross
Young Macy
139 bpm • D Maj • 01:02 • -25db
45% Popularity • 14% Danceability • 3% Energy • 7% Liveness
88% Instrumentalness • 10% Positiveness
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David Celeste
Try and Catch Us Now
139 bpm • C# Maj • 01:54 • -29db
38% Popularity • 40% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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Pinar Toprak
Lost Love
139 bpm • E min • 06:19 • -19.31db
36% Popularity • 18% Danceability • 12% Energy • 9% Liveness
69% Instrumentalness • 5% Positiveness
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Jasha Klebe
World On The Move
145 bpm • C# Maj • 02:31 • -15.52db
42% Popularity • 29% Danceability • 45% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Dario Marianelli
With My Own Eyes
139 bpm • D Maj • 04:40 • -19.93db
36% Popularity • 28% Danceability • 10% Energy • 22% Liveness
90% Instrumentalness • 6% Positiveness
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James Newton Howard
Johanna Returns Home
145 bpm • A min • 05:36 • -32.53db
17% Popularity • 13% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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William Ross
The Drive To Immaculata ("The Mighty Mac...
139 bpm • A Maj • 02:29 • -21db
38% Popularity • 29% Danceability • 11% Energy • 8% Liveness
91% Instrumentalness • 10% Positiveness
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Niklas Wagner
Neptun
146 bpm • E min • 01:56 • -34.76db
33% Popularity • 27% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Peter Gregson
A Little Chaos
138 bpm • D# Maj • 05:37 • -15.01db
46% Popularity • 45% Danceability • 22% Energy • 8% Liveness
84% Instrumentalness • 9% Positiveness
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Steve Jablonsky
The Battle Room
138 bpm • G min • 03:03 • -17db
43% Popularity • 38% Danceability • 31% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Amelia Warner
None Of This Will Matter At All
137 bpm • D min • 01:14 • -17.98db
34% Popularity • 15% Danceability • 15% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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James Newton Howard
I'm Expecting Someone
147 bpm • D min • 02:14 • -24.76db
37% Popularity • 14% Danceability • 10% Energy • 7% Liveness
99% Instrumentalness • 4% Positiveness
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Christian Henson
Opening Titles
137 bpm • G# Maj • 02:30 • -18.55db
34% Popularity • 16% Danceability • 20% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Ambush
147 bpm • E min • 01:15 • -12.82db
48% Popularity • 30% Danceability • 55% Energy • 42% Liveness
93% Instrumentalness • 6% Positiveness
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Pinar Toprak
Notification
136 bpm • D min • 01:32 • -19.79db
49% Popularity • 15% Danceability • 14% Energy • 14% Liveness
95% Instrumentalness • 5% Positiveness
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William Ross
Dad's Advice
137 bpm • C# Maj • 01:57 • -27.71db
38% Popularity • 15% Danceability • 5% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Stephen Warbeck
Leave Taking
135 bpm • G min • 03:04 • -27db
37% Popularity • 16% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Jordan Seigel
San Miguel
136 bpm • G Maj • 01:34 • -25db
62% Popularity • 54% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 11% Positiveness
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BBC Scottish Symphony Orchestra
Lord Of The Isles
135 bpm • G Maj • 02:07 • -16.58db
43% Popularity • 28% Danceability • 23% Energy • 9% Liveness
95% Instrumentalness • 12% Positiveness
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Nicholas Britell
Hymn - Mvmt 3: Elegy
135 bpm • G min • 02:46 • -20.27db
40% Popularity • 15% Danceability • 14% Energy • 8% Liveness
98% Instrumentalness • 3% Positiveness
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Carlos Rafael Rivera
You're Gloating
134 bpm • F min • 01:06 • -27.89db
63% Popularity • 27% Danceability • 10% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
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Howard Shore
Feast of Starlight
135 bpm • D Maj • 02:48 • -26.99db
54% Popularity • 18% Danceability • 4% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
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Gabriel Yared
Separate Lives
150 bpm • C min • 01:29 • -19db
51% Popularity • 19% Danceability • 18% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Alexandre Azaria
Les bijoux
134 bpm • F min • 03:07 • -27.67db
37% Popularity • 18% Danceability • 3% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Trevor Kowalski
Wayfinders
134 bpm • E min • 02:51 • -18.43db
36% Popularity • 39% Danceability • 10% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Nicholas Britell
Antiphon
150 bpm • C min • 02:16 • -18.8db
45% Popularity • 49% Danceability • 37% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
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Jordan Seigel
The Final Puzzle
134 bpm • C Maj • 00:59 • -29.1db
42% Popularity • 19% Danceability • 4% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
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Bonnie Grace
The Norman Kings
152 bpm • E Maj • 03:08 • -13.94db
38% Popularity • 34% Danceability • 33% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Christian Henson
Milk and Cookies
152 bpm • G min • 01:18 • -26.73db
43% Popularity • 23% Danceability • 5% Energy • 12% Liveness
30% Instrumentalness • 8% Positiveness
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Roque Baños
Young Nickerson
132 bpm • F Maj • 02:16 • -20.17db
24% Popularity • 32% Danceability • 16% Energy • 10% Liveness
35% Instrumentalness • 4% Positiveness
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Johan Söderqvist
Thor and Liv
132 bpm • B min • 01:21 • -26db
47% Popularity • 38% Danceability • 13% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Abel Korzeniowski
Table For Two
132 bpm • A# min • 03:23 • -15.99db
53% Popularity • 20% Danceability • 13% Energy • 28% Liveness
87% Instrumentalness • 4% Positiveness
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Nicholas Hooper
Dumbledore's Foreboding
132 bpm • G# Maj • 01:18 • -35.14db
43% Popularity • 16% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
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John Ottman
Hope (Xavier's Theme)
132 bpm • A min • 04:48 • -21.29db
44% Popularity • 36% Danceability • 7% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Amie Doherty
A Life Without Limitations
132 bpm • C# Maj • 01:15 • -14db
38% Popularity • 31% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
Why Does She Have To Die? - Finding Neve...
154 bpm • A Maj • 02:05 • -18.08db
36% Popularity • 11% Danceability • 17% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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James Newton Howard
Falling Leaflets
154 bpm • C Maj • 00:57 • -29.75db
18% Popularity • 11% Danceability • 9% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Guy Farley
A Guilded Cage
130 bpm • A# min • 02:15 • -31db
45% Popularity • 16% Danceability • 2% Energy • 9% Liveness
67% Instrumentalness • 4% Positiveness
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Clinton Shorter
Prawnkus
130 bpm • G# Maj • 04:00 • -22db
36% Popularity • 16% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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Carlos Rafael Rivera
First Day At School
156 bpm • D min • 01:12 • -24db
53% Popularity • 32% Danceability • 15% Energy • 19% Liveness
64% Instrumentalness • 30% Positiveness
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Alan Silvestri
Night At The Museum
129 bpm • G# Maj • 02:35 • -16.84db
43% Popularity • 19% Danceability • 30% Energy • 18% Liveness
77% Instrumentalness • 6% Positiveness
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Kim Planert
Skydance
157 bpm • G min • 04:27 • -18db
42% Popularity • 11% Danceability • 25% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Klaus Badelt
Reunion
128 bpm • F Maj • 01:14 • -27.45db
39% Popularity • 20% Danceability • 6% Energy • 35% Liveness
96% Instrumentalness • 4% Positiveness
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Ludwig Göransson
Truths
129 bpm • A min • 01:54 • -23.69db
42% Popularity • 25% Danceability • 11% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Lambert
Doug
127 bpm • G# Maj • 01:53 • -29.17db
43% Popularity • 29% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 56% Positiveness
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Christian Henson
The Journey to Moonacre
160 bpm • A# min • 01:51 • -16.99db
38% Popularity • 36% Danceability • 33% Energy • 9% Liveness
88% Instrumentalness • 22% Positiveness
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Tom Howe
Olive Kisses Elizabeth
160 bpm • D min • 02:17 • -19db
19% Popularity • 34% Danceability • 22% Energy • 16% Liveness
88% Instrumentalness • 3% Positiveness
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Adam Taylor
Their First Time
126 bpm • C Maj • 01:35 • -21db
36% Popularity • 57% Danceability • 9% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Etienne Forget
Disparues - Main Theme
160 bpm • E min • 01:20 • -23.45db
34% Popularity • 31% Danceability • 10% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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James Newton Howard
A Fateful Meeting
125 bpm • C min • 04:16 • -25.57db
27% Popularity • 17% Danceability • 3% Energy • 32% Liveness
80% Instrumentalness • 4% Positiveness
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Thomas Farnon
Transcendence
125 bpm • G min • 02:16 • -12.87db
34% Popularity • 17% Danceability • 38% Energy • 38% Liveness
84% Instrumentalness • 4% Positiveness
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David Arnold
Addicted to a Certain Lifestyle
125 bpm • A min • 03:50 • -21.65db
31% Popularity • 19% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Kevin Smuts
The Wonders of Nature
125 bpm • E min • 02:59 • -23.64db
32% Popularity • 17% Danceability • 6% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Clinton Shorter
First Steps
124 bpm • G min • 02:59 • -18.54db
30% Popularity • 20% Danceability • 24% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Alex Baranowski
Thoughts of Home
125 bpm • C min • 01:12 • -17.82db
32% Popularity • 31% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Stephen Warbeck
The Pepper Story
163 bpm • D# Maj • 01:10 • -24.54db
50% Popularity • 10% Danceability • 6% Energy • 36% Liveness
96% Instrumentalness • 4% Positiveness
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Abel Korzeniowski
Greville
164 bpm • C min • 01:34 • -23.81db
21% Popularity • 39% Danceability • 13% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness
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Johannes Lehniger
Diadem
164 bpm • C min • 01:37 • -21.24db
30% Popularity • 9% Danceability • 5% Energy • 8% Liveness
97% Instrumentalness • 6% Positiveness
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William Ross
We'll Be #1
122 bpm • A# Maj • 01:52 • -22db
37% Popularity • 34% Danceability • 8% Energy • 13% Liveness
91% Instrumentalness • 6% Positiveness
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Guy Farley
Awakening
121 bpm • G Maj • 01:10 • -34db
53% Popularity • 48% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 18% Positiveness
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Christian Henson
Maria's Room
122 bpm • B Maj • 01:30 • -21.13db
49% Popularity • 17% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Pinar Toprak
Learning the Truth
167 bpm • G Maj • 03:16 • -27db
33% Popularity • 9% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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The Newton Brothers
Take Her Down
169 bpm • F# min • 01:26 • -28.03db
33% Popularity • 10% Danceability • 2% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Ender's War
170 bpm • G# Maj • 03:26 • -19.26db
48% Popularity • 27% Danceability • 21% Energy • 9% Liveness
94% Instrumentalness • 10% Positiveness
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J.T. Peterson
Entelechy
169 bpm • D min • 02:12 • -13db
43% Popularity • 8% Danceability • 32% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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James Newton Howard
A Close Friend
170 bpm • A Maj • 01:51 • -33.36db
64% Popularity • 8% Danceability • 2% Energy • 9% Liveness
99% Instrumentalness • 4% Positiveness
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Thomas Newman
1917
171 bpm • G min • 01:17 • -33db
57% Popularity • 8% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 9% Positiveness
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Alan Silvestri
Finally Got It Right
171 bpm • G min • 02:47 • -28.04db
23% Popularity • 12% Danceability • 2% Energy • 6% Liveness
95% Instrumentalness • 7% Positiveness
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Johan Söderqvist
The Love Story
171 bpm • A# min • 02:00 • -20db
37% Popularity • 13% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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William Ross
A New Friend
172 bpm • D# Maj • 01:40 • -21db
35% Popularity • 10% Danceability • 5% Energy • 26% Liveness
96% Instrumentalness • 9% Positiveness
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Guy Farley
The Grand Bakery
172 bpm • A min • 03:15 • -16db
33% Popularity • 20% Danceability • 27% Energy • 9% Liveness
86% Instrumentalness • 19% Positiveness
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Nick Lloyd Webber
As Far As We Can Go
172 bpm • C# Maj • 04:40 • -21.73db
31% Popularity • 26% Danceability • 32% Energy • 18% Liveness
85% Instrumentalness • 7% Positiveness
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Nicholas Britell
Hymn - Mvmt 1: Prelude
174 bpm • G# Maj • 03:53 • -16.54db
38% Popularity • 8% Danceability • 13% Energy • 9% Liveness
99% Instrumentalness • 4% Positiveness
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Mark Orton
Towels on the Field
174 bpm • E min • 03:00 • -14.85db
21% Popularity • 8% Danceability • 12% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Sarah Schachner
Naru and Sarii
175 bpm • G# Maj • 00:58 • -24.42db
43% Popularity • 16% Danceability • 6% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Michael Brook
Opening Titles
175 bpm • A Maj • 02:00 • -19.19db
21% Popularity • 12% Danceability • 6% Energy • 9% Liveness
70% Instrumentalness • 14% Positiveness
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James Newton Howard
Rituals - Score
174 bpm • C min • 02:01 • -27.92db
27% Popularity • 9% Danceability • 10% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Raphaelle Thibaut
Majestic Dances
175 bpm • F min • 01:15 • -20.09db
36% Popularity • 20% Danceability • 9% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Nainita Desai
Stephen Trains Alessia
184 bpm • G Maj • 03:55 • -20.51db
28% Popularity • 9% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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Ólafur Arnalds
Not Alone
210 bpm • G min • 03:16 • -28.08db
46% Popularity • 6% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Captain Jefferson