Songs like Captaine Piper his Galiard by John Dowland
Based on a tempo of (+/- 10%) and a similar genre
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Alessandro Scarlatti
Cello Sonata No. 3 in C Major: III. Amor...
101 bpm • C Maj • 01:55 • -25.81db
15% Popularity • 23% Danceability • 4% Energy • 11% Liveness
86% Instrumentalness • 16% Positiveness
15% Popularity • 23% Danceability • 4% Energy • 11% Liveness
86% Instrumentalness • 16% Positiveness
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John Dowland
Captaine Piper his Galiard
101 bpm • F min • 02:55 • -22.55db
10% Popularity • 36% Danceability • 6% Energy • 13% Liveness
29% Instrumentalness • 25% Positiveness
10% Popularity • 36% Danceability • 6% Energy • 13% Liveness
29% Instrumentalness • 25% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: I. Prélude
101 bpm • C Maj • 01:19 • -15.77db
16% Popularity • 44% Danceability • 44% Energy • 46% Liveness
89% Instrumentalness • 77% Positiveness
16% Popularity • 44% Danceability • 44% Energy • 46% Liveness
89% Instrumentalness • 77% Positiveness
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Giovanni Paolo Foscarini
Passacaglia
102 bpm • G# min • 02:55 • -34.32db
10% Popularity • 42% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 34% Positiveness
10% Popularity • 42% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 34% Positiveness
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Dietrich Buxtehude
Sonata in D-Dur, BuxWV 267: Sonata in D-...
101 bpm • C# Maj • 01:51 • -20.05db
9% Popularity • 34% Danceability • 20% Energy • 12% Liveness
3% Instrumentalness • 76% Positiveness
9% Popularity • 34% Danceability • 20% Energy • 12% Liveness
3% Instrumentalness • 76% Positiveness
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Godfrey Finger
A Ground in D Minor for Recorder
102 bpm • D Maj • 03:20 • -27db
9% Popularity • 33% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 22% Positiveness
9% Popularity • 33% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 22% Positiveness
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Tobias Hume
The First Part of Ayres, French, Pollish...
102 bpm • F# Maj • 01:19 • -27.25db
9% Popularity • 30% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 29% Positiveness
9% Popularity • 30% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 29% Positiveness
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John Dowland
M. Buctons his Galiard (Susanna Galliard...
101 bpm • F min • 01:31 • -26.29db
27% Popularity • 34% Danceability • 3% Energy • 12% Liveness
60% Instrumentalness • 25% Positiveness
27% Popularity • 34% Danceability • 3% Energy • 12% Liveness
60% Instrumentalness • 25% Positiveness
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Robert de Visée
Suite in E Minor: I. Prelude
102 bpm • D min • 01:05 • -29db
24% Popularity • 34% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 20% Positiveness
24% Popularity • 34% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 20% Positiveness
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Francesco da Milano
La Spagna: La spagna
102 bpm • G min • 01:40 • -31.45db
14% Popularity • 42% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 30% Positiveness
14% Popularity • 42% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 30% Positiveness
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Dietrich Becker
Sonata & Suite in D-Dur: Sonata & Suite ...
102 bpm • C# Maj • 01:33 • -20.54db
10% Popularity • 26% Danceability • 8% Energy • 9% Liveness
25% Instrumentalness • 37% Positiveness
10% Popularity • 26% Danceability • 8% Energy • 9% Liveness
25% Instrumentalness • 37% Positiveness
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Giovanni Battista Bassani
Sonata a tre in re maggiore: II. Adagio
102 bpm • C# Maj • 01:25 • -26db
14% Popularity • 19% Danceability • 3% Energy • 17% Liveness
26% Instrumentalness • 5% Positiveness
14% Popularity • 19% Danceability • 3% Energy • 17% Liveness
26% Instrumentalness • 5% Positiveness
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Matthew Locke
The Little Consort, Suite No. 10 in D Mi...
100 bpm • C# Maj • 01:14 • -20.03db
19% Popularity • 35% Danceability • 9% Energy • 13% Liveness
5% Instrumentalness • 52% Positiveness
19% Popularity • 35% Danceability • 9% Energy • 13% Liveness
5% Instrumentalness • 52% Positiveness
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John Dowland
M. Henry Noell his Galiard
100 bpm • F min • 02:01 • -21.23db
8% Popularity • 18% Danceability • 8% Energy • 11% Liveness
70% Instrumentalness • 20% Positiveness
8% Popularity • 18% Danceability • 8% Energy • 11% Liveness
70% Instrumentalness • 20% Positiveness
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Francesco Corbetta
Gigue in A Minor
100 bpm • G# min • 01:38 • -32.83db
15% Popularity • 40% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 28% Positiveness
15% Popularity • 40% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 28% Positiveness
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François Couperin
La Sultanne, Sonade en quatuor: III. Air...
100 bpm • C# Maj • 01:00 • -17.47db
8% Popularity • 24% Danceability • 9% Energy • 26% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 24% Danceability • 9% Energy • 26% Liveness
0% Instrumentalness • 8% Positiveness
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Carl Friedrich Abel
Viola da Gamba Suite in D Major: III. Vi...
103 bpm • C# Maj • 03:14 • -28.31db
16% Popularity • 34% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 32% Positiveness
16% Popularity • 34% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 32% Positiveness
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Joan Ambrosio Dalza
Piva ala venetiana - Intabulatura de lau...
103 bpm • G# Maj • 03:13 • -26.87db
12% Popularity • 50% Danceability • 13% Energy • 24% Liveness
86% Instrumentalness • 55% Positiveness
12% Popularity • 50% Danceability • 13% Energy • 24% Liveness
86% Instrumentalness • 55% Positiveness
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Francesco da Milano
Fantasia No. 33
103 bpm • G min • 03:27 • -25.57db
13% Popularity • 42% Danceability • 8% Energy • 5% Liveness
90% Instrumentalness • 55% Positiveness
13% Popularity • 42% Danceability • 8% Energy • 5% Liveness
90% Instrumentalness • 55% Positiveness
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John Dowland
Come Away, P. 60
102 bpm • D# Maj • 02:24 • -24.55db
15% Popularity • 46% Danceability • 13% Energy • 13% Liveness
93% Instrumentalness • 65% Positiveness
15% Popularity • 46% Danceability • 13% Energy • 13% Liveness
93% Instrumentalness • 65% Positiveness
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Francesco Corbetta
Concert en e mi la: V. Menüet
103 bpm • D# min • 01:17 • -22.07db
20% Popularity • 54% Danceability • 14% Energy • 11% Liveness
17% Instrumentalness • 70% Positiveness
20% Popularity • 54% Danceability • 14% Energy • 11% Liveness
17% Instrumentalness • 70% Positiveness
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Benny Andersson
Courante La Waterlô (Arr. for Viola da ...
99 bpm • F# Maj • 02:08 • -19.52db
8% Popularity • 28% Danceability • 15% Energy • 10% Liveness
95% Instrumentalness • 56% Positiveness
8% Popularity • 28% Danceability • 15% Energy • 10% Liveness
95% Instrumentalness • 56% Positiveness
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Antonio de Santa Cruz
Jacaras
103 bpm • D Maj • 04:11 • -22.23db
13% Popularity • 34% Danceability • 15% Energy • 9% Liveness
53% Instrumentalness • 37% Positiveness
13% Popularity • 34% Danceability • 15% Energy • 9% Liveness
53% Instrumentalness • 37% Positiveness
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Lucas Ruiz de Ribayaz
Luz y norte musical: Pabanas
99 bpm • C# Maj • 02:20 • -35db
10% Popularity • 26% Danceability • 1% Energy • 23% Liveness
97% Instrumentalness • 24% Positiveness
10% Popularity • 26% Danceability • 1% Energy • 23% Liveness
97% Instrumentalness • 24% Positiveness
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Edward Martin and Paul Berget
Suite for 2 Lutes in Bb (Baron) - Minuet
99 bpm • E Maj • 01:58 • -24.18db
16% Popularity • 64% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 37% Positiveness
16% Popularity • 64% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 37% Positiveness
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John Dowland
Prelude, P. 98
103 bpm • F min • 01:06 • -23.87db
27% Popularity • 36% Danceability • 15% Energy • 9% Liveness
88% Instrumentalness • 68% Positiveness
27% Popularity • 36% Danceability • 15% Energy • 9% Liveness
88% Instrumentalness • 68% Positiveness
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Christopher Simpson
Ground in G Major
103 bpm • F# Maj • 02:31 • -17db
8% Popularity • 32% Danceability • 33% Energy • 11% Liveness
88% Instrumentalness • 28% Positiveness
8% Popularity • 32% Danceability • 33% Energy • 11% Liveness
88% Instrumentalness • 28% Positiveness
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Nicolas Chédeville
Les Saisons amsusantes, Op. 8: Concerto ...
99 bpm • F# Maj • 02:33 • -21.77db
7% Popularity • 13% Danceability • 16% Energy • 5% Liveness
87% Instrumentalness • 38% Positiveness
7% Popularity • 13% Danceability • 16% Energy • 5% Liveness
87% Instrumentalness • 38% Positiveness
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William Lawes
Lawes: Aire, for Lyra Viol, VdGS No. 462
103 bpm • G min • 02:15 • -26db
10% Popularity • 33% Danceability • 2% Energy • 16% Liveness
6% Instrumentalness • 35% Positiveness
10% Popularity • 33% Danceability • 2% Energy • 16% Liveness
6% Instrumentalness • 35% Positiveness
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Robert de Visée
Suite in A Major: I. Prelude
103 bpm • G Maj • 01:20 • -29.96db
23% Popularity • 36% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 12% Positiveness
23% Popularity • 36% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 12% Positiveness
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Hopkinson Smith
A Fantasie
99 bpm • G Maj • 03:51 • -24db
19% Popularity • 33% Danceability • 11% Energy • 8% Liveness
90% Instrumentalness • 43% Positiveness
19% Popularity • 33% Danceability • 11% Energy • 8% Liveness
90% Instrumentalness • 43% Positiveness
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John Dowland
Lachrimæ Pavan
99 bpm • F min • 04:31 • -30.59db
8% Popularity • 34% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 23% Positiveness
8% Popularity • 34% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 23% Positiveness
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Antonio Caldara
Sinfonia No. 6 in G minor (arrangement o...
99 bpm • D Maj • 04:49 • -23.65db
15% Popularity • 30% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 30% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Francesco Valdambrini
Intavolatura di chitarra a cinque ordini...
98 bpm • C# Maj • 02:57 • -32.32db
8% Popularity • 55% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 42% Positiveness
8% Popularity • 55% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 42% Positiveness
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William Lawes
Gather Ye Rosebuds
98 bpm • F# Maj • 01:35 • -20.36db
9% Popularity • 37% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 37% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Diego Ortiz
Recercada No. 1: Recercada primera
104 bpm • D min • 01:14 • -27.06db
24% Popularity • 46% Danceability • 25% Energy • 10% Liveness
99% Instrumentalness • 37% Positiveness
24% Popularity • 46% Danceability • 25% Energy • 10% Liveness
99% Instrumentalness • 37% Positiveness
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Dietrich Buxtehude
Sonata in D-Dur, BuxWV 267: Sonata in D-...
104 bpm • C# Maj • 01:15 • -21.69db
9% Popularity • 21% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
9% Popularity • 21% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
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John Dowland
Lachrimæ Antiquæ Novæ
98 bpm • G min • 04:10 • -22.33db
8% Popularity • 14% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 20% Positiveness
8% Popularity • 14% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 20% Positiveness
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John Playford
The English Dancing Master: St. Paul's s...
98 bpm • G min • 01:00 • -27.73db
21% Popularity • 56% Danceability • 7% Energy • 14% Liveness
77% Instrumentalness • 40% Positiveness
21% Popularity • 56% Danceability • 7% Energy • 14% Liveness
77% Instrumentalness • 40% Positiveness
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Giovanni Battista Fontana
18 Sonatas in 1, 2, 3 Parts: Sonata seco...
104 bpm • D Maj • 06:41 • -19.9db
8% Popularity • 27% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 27% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Monsieur de Sainte-Colombe
Concerts a deux violes esgales, Concert ...
98 bpm • C min • 01:01 • -24.91db
2% Popularity • 24% Danceability • 3% Energy • 11% Liveness
52% Instrumentalness • 28% Positiveness
2% Popularity • 24% Danceability • 3% Energy • 11% Liveness
52% Instrumentalness • 28% Positiveness
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Carl Friedrich Abel
Viola da Gamba Suite in D Major: VI. Ada...
98 bpm • C# Maj • 03:19 • -37.4db
15% Popularity • 22% Danceability • 0% Energy • 10% Liveness
6% Instrumentalness • 22% Positiveness
15% Popularity • 22% Danceability • 0% Energy • 10% Liveness
6% Instrumentalness • 22% Positiveness
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Francesco Corbetta
Partie de Chaconne en ut majeur
98 bpm • B Maj • 02:38 • -24.94db
13% Popularity • 39% Danceability • 11% Energy • 13% Liveness
87% Instrumentalness • 41% Positiveness
13% Popularity • 39% Danceability • 11% Energy • 13% Liveness
87% Instrumentalness • 41% Positiveness
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John Dowland
Lachrimae or Seven Tears: XVI. Mr Henry ...
104 bpm • A Maj • 01:58 • -20.52db
8% Popularity • 17% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 15% Positiveness
8% Popularity • 17% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 15% Positiveness
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Johann Sebastian Bach
Polonaise in G Minor, BWV Anh. 119
104 bpm • F# min • 01:12 • -38.37db
10% Popularity • 48% Danceability • 2% Energy • 10% Liveness
76% Instrumentalness • 11% Positiveness
10% Popularity • 48% Danceability • 2% Energy • 10% Liveness
76% Instrumentalness • 11% Positiveness
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Christopher Simpson
Ground in A Minor
98 bpm • B Maj • 02:09 • -15db
10% Popularity • 33% Danceability • 43% Energy • 10% Liveness
4% Instrumentalness • 61% Positiveness
10% Popularity • 33% Danceability • 43% Energy • 10% Liveness
4% Instrumentalness • 61% Positiveness
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Evaristo Felice Dall'Abaco
Concerti a più istrumenti in F Major, O...
104 bpm • E Maj • 01:26 • -19.08db
17% Popularity • 21% Danceability • 14% Energy • 38% Liveness
51% Instrumentalness • 48% Positiveness
17% Popularity • 21% Danceability • 14% Energy • 38% Liveness
51% Instrumentalness • 48% Positiveness
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Bellerofonte Castaldi
Aurora Corrente. Capricci a Due Stroment...
104 bpm • F Maj • 03:17 • -34.75db
11% Popularity • 36% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
11% Popularity • 36% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
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Christopher Tye
In Nomine No. 20, 'Crye'
98 bpm • C# min • 01:54 • -24.23db
29% Popularity • 20% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 22% Positiveness
29% Popularity • 20% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 22% Positiveness
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Matthew Locke
The Little Consort, Suite No. 7 in G Min...
98 bpm • F# Maj • 01:05 • -19.89db
18% Popularity • 30% Danceability • 10% Energy • 20% Liveness
3% Instrumentalness • 51% Positiveness
18% Popularity • 30% Danceability • 10% Energy • 20% Liveness
3% Instrumentalness • 51% Positiveness
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Johann Sebastian Bach
Suite in E Minor, BWV 996: II. Allemande
104 bpm • F min • 03:13 • -26.26db
14% Popularity • 35% Danceability • 9% Energy • 13% Liveness
92% Instrumentalness • 65% Positiveness
14% Popularity • 35% Danceability • 9% Energy • 13% Liveness
92% Instrumentalness • 65% Positiveness
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Jacques Champion de Chambonnières
Pavane L'entretien des Dieux
105 bpm • G# Maj • 06:04 • -20.69db
8% Popularity • 15% Danceability • 6% Energy • 27% Liveness
88% Instrumentalness • 4% Positiveness
8% Popularity • 15% Danceability • 6% Energy • 27% Liveness
88% Instrumentalness • 4% Positiveness
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Andrea Falconieri
Corrente dicha la Cuella
105 bpm • A min • 01:14 • -20.63db
11% Popularity • 29% Danceability • 18% Energy • 79% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 29% Danceability • 18% Energy • 79% Liveness
0% Instrumentalness • 40% Positiveness
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Clément Janequin
Au joly jeu
105 bpm • C Maj • 01:38 • -28db
38% Popularity • 32% Danceability • 2% Energy • 13% Liveness
82% Instrumentalness • 59% Positiveness
38% Popularity • 32% Danceability • 2% Energy • 13% Liveness
82% Instrumentalness • 59% Positiveness
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António Pereira da Costa
Concerto V in G Minor: III. Grave
97 bpm • A# Maj • 01:36 • -21.14db
8% Popularity • 22% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 14% Positiveness
8% Popularity • 22% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 14% Positiveness
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Matthew Locke
Fantasy For 2 Trebles And Bass
105 bpm • B Maj • 04:11 • -22.76db
28% Popularity • 17% Danceability • 5% Energy • 12% Liveness
62% Instrumentalness • 5% Positiveness
28% Popularity • 17% Danceability • 5% Energy • 12% Liveness
62% Instrumentalness • 5% Positiveness
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Marthe Perl
Prelude Feuer
105 bpm • G# min • 01:03 • -28.32db
12% Popularity • 47% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 58% Positiveness
12% Popularity • 47% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 58% Positiveness
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John Dowland
Lachrimae or Seven Tears: XIV. The Earl ...
97 bpm • C# min • 01:17 • -19.45db
25% Popularity • 32% Danceability • 11% Energy • 23% Liveness
96% Instrumentalness • 50% Positiveness
25% Popularity • 32% Danceability • 11% Energy • 23% Liveness
96% Instrumentalness • 50% Positiveness
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Johann Sebastian Bach
Johannes-Passion, BWV 245.1: 30. Aria: E...
105 bpm • A# min • 04:54 • -27.76db
30% Popularity • 19% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
30% Popularity • 19% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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John Playford
Whitehall Minuet: Whitehall Minuet
105 bpm • C# min • 01:25 • -19.64db
16% Popularity • 57% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
16% Popularity • 57% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
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Salomone Rossi
Sinfonie et gagliarde, Libro 1: Gagliard...
97 bpm • D# min • 01:11 • -22.18db
27% Popularity • 36% Danceability • 15% Energy • 12% Liveness
89% Instrumentalness • 75% Positiveness
27% Popularity • 36% Danceability • 15% Energy • 12% Liveness
89% Instrumentalness • 75% Positiveness
► Preview
Nicola Matteis
Preludio I
105 bpm • F# Maj • 01:25 • -16db
22% Popularity • 26% Danceability • 18% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
22% Popularity • 26% Danceability • 18% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
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Arcangelo Corelli
Sonata da chiesa a tre in F Major, Op. 1...
105 bpm • D# Maj • 01:32 • -18.44db
14% Popularity • 31% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 31% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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John Dowland
Lachrimae or Seven Tears: I. Lachrimae a...
97 bpm • G# min • 04:02 • -23.24db
12% Popularity • 12% Danceability • 4% Energy • 16% Liveness
90% Instrumentalness • 6% Positiveness
12% Popularity • 12% Danceability • 4% Energy • 16% Liveness
90% Instrumentalness • 6% Positiveness
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Johann Sebastian Bach
Die Kunst der Fuge, BWV 1080: XII. Contr...
97 bpm • F# min • 03:54 • -21.08db
11% Popularity • 28% Danceability • 12% Energy • 10% Liveness
62% Instrumentalness • 31% Positiveness
11% Popularity • 28% Danceability • 12% Energy • 10% Liveness
62% Instrumentalness • 31% Positiveness
► Preview
Pierre Attaingnant
Première suytte de Bransles d'Escosse
105 bpm • C min • 03:27 • -22db
13% Popularity • 47% Danceability • 20% Energy • 9% Liveness
98% Instrumentalness • 57% Positiveness
13% Popularity • 47% Danceability • 20% Energy • 9% Liveness
98% Instrumentalness • 57% Positiveness
► Preview
Michael Praetorius
Terpsichore*: Ballet des coqs
106 bpm • C Maj • 02:06 • -14.79db
20% Popularity • 46% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
20% Popularity • 46% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
► Preview
Diego Ortiz
Recercada ottava La Gamba
106 bpm • F# min • 03:20 • -17.45db
9% Popularity • 66% Danceability • 19% Energy • 10% Liveness
94% Instrumentalness • 34% Positiveness
9% Popularity • 66% Danceability • 19% Energy • 10% Liveness
94% Instrumentalness • 34% Positiveness
► Preview
Arcangelo Corelli
Violin Sonata in E Major, Op. 5 No. 11 (...
97 bpm • C# Maj • 02:11 • -14.22db
19% Popularity • 35% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 35% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
► Preview
John Dowland
Mrs. Winter's Jump, P. 55
97 bpm • C Maj • 01:39 • -22db
18% Popularity • 49% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 66% Positiveness
18% Popularity • 49% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 66% Positiveness
► Preview
Giovanni Antonio Terzi
Jouissance
96 bpm • C Maj • 05:02 • -38db
12% Popularity • 22% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 26% Positiveness
12% Popularity • 22% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 26% Positiveness
► Preview
Christopher Tye
In Nomine à 5 "Crye"
96 bpm • C min • 01:56 • -22.21db
10% Popularity • 28% Danceability • 10% Energy • 11% Liveness
7% Instrumentalness • 36% Positiveness
10% Popularity • 28% Danceability • 10% Energy • 11% Liveness
7% Instrumentalness • 36% Positiveness
► Preview
Francesco Corbetta
La Guitarre Royalle: Gigue 'cherie du Ro...
106 bpm • C# min • 01:17 • -24.96db
25% Popularity • 61% Danceability • 18% Energy • 10% Liveness
96% Instrumentalness • 28% Positiveness
25% Popularity • 61% Danceability • 18% Energy • 10% Liveness
96% Instrumentalness • 28% Positiveness
► Preview
Daniel Purcell
Sonata Sexta in F Minor for Violin: II. ...
96 bpm • E min • 01:04 • -16.49db
23% Popularity • 44% Danceability • 28% Energy • 12% Liveness
62% Instrumentalness • 79% Positiveness
23% Popularity • 44% Danceability • 28% Energy • 12% Liveness
62% Instrumentalness • 79% Positiveness
► Preview
Alonso Mudarra
Tiento
106 bpm • F Maj • 01:45 • -35db
30% Popularity • 40% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
30% Popularity • 40% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
► Preview
John Dowland
M. John Langtons Pavan
96 bpm • D# Maj • 04:06 • -21.26db
7% Popularity • 16% Danceability • 8% Energy • 10% Liveness
78% Instrumentalness • 15% Positiveness
7% Popularity • 16% Danceability • 8% Energy • 10% Liveness
78% Instrumentalness • 15% Positiveness
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Giorgio Mainerio
Caro ortolano
96 bpm • C Maj • 01:01 • -24.82db
9% Popularity • 45% Danceability • 8% Energy • 35% Liveness
16% Instrumentalness • 69% Positiveness
9% Popularity • 45% Danceability • 8% Energy • 35% Liveness
16% Instrumentalness • 69% Positiveness
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Hopkinson Smith
Lady Rich's Galliard
96 bpm • G Maj • 01:40 • -22.46db
26% Popularity • 45% Danceability • 14% Energy • 12% Liveness
68% Instrumentalness • 38% Positiveness
26% Popularity • 45% Danceability • 14% Energy • 12% Liveness
68% Instrumentalness • 38% Positiveness
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Diego Ortiz
Passamezzo Antiguo. Recercada 1ª
107 bpm • C Maj • 01:39 • -21.95db
16% Popularity • 26% Danceability • 12% Energy • 15% Liveness
60% Instrumentalness • 43% Positiveness
16% Popularity • 26% Danceability • 12% Energy • 15% Liveness
60% Instrumentalness • 43% Positiveness
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Georg Philipp Telemann
Fantasia in C Minor, TWV 40:26: I. Adagi...
107 bpm • F# min • 03:05 • -26.01db
10% Popularity • 34% Danceability • 6% Energy • 10% Liveness
63% Instrumentalness • 19% Positiveness
10% Popularity • 34% Danceability • 6% Energy • 10% Liveness
63% Instrumentalness • 19% Positiveness
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Thomas Tallis
A Solfing Song
96 bpm • E Maj • 02:52 • -28.82db
24% Popularity • 17% Danceability • 1% Energy • 14% Liveness
85% Instrumentalness • 16% Positiveness
24% Popularity • 17% Danceability • 1% Energy • 14% Liveness
85% Instrumentalness • 16% Positiveness
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Giovanni Girolamo Kapsberger
Canario
96 bpm • F# Maj • 02:35 • -22.17db
13% Popularity • 40% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 44% Positiveness
13% Popularity • 40% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 44% Positiveness
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Charles Mouton
Gavotte
107 bpm • B Maj • 01:09 • -22db
15% Popularity • 47% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 61% Positiveness
15% Popularity • 47% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 61% Positiveness
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John Dowland
The Earle of Essex Galiard from Lachrima...
107 bpm • F min • 01:30 • -23db
22% Popularity • 44% Danceability • 10% Energy • 10% Liveness
84% Instrumentalness • 47% Positiveness
22% Popularity • 44% Danceability • 10% Energy • 10% Liveness
84% Instrumentalness • 47% Positiveness
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Ennemond Gaultier
Prelude in D Minor
107 bpm • G# min • 01:15 • -29.5db
11% Popularity • 43% Danceability • 13% Energy • 34% Liveness
72% Instrumentalness • 64% Positiveness
11% Popularity • 43% Danceability • 13% Energy • 34% Liveness
72% Instrumentalness • 64% Positiveness
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Johann Heinrich Schmelzer
Sonata quarta in D Major: I. Ciaccona
95 bpm • G# Maj • 03:15 • -16.28db
10% Popularity • 19% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 19% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 7% Positiveness
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Giovanni Felice Sances
Lagrimosa beltÃ
107 bpm • G Maj • 03:33 • -25db
11% Popularity • 27% Danceability • 4% Energy • 8% Liveness
1% Instrumentalness • 14% Positiveness
11% Popularity • 27% Danceability • 4% Energy • 8% Liveness
1% Instrumentalness • 14% Positiveness
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Tarquinio Merula
Op.12, No.4: Canzon La Treccia
107 bpm • G# min • 04:56 • -18db
23% Popularity • 28% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 28% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Stephen Stubbs
Improvisation II on the Folia bass
107 bpm • B Maj • 06:44 • -23.25db
12% Popularity • 30% Danceability • 7% Energy • 7% Liveness
93% Instrumentalness • 7% Positiveness
12% Popularity • 30% Danceability • 7% Energy • 7% Liveness
93% Instrumentalness • 7% Positiveness
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John Playford
Daphne
107 bpm • E Maj • 01:50 • -17.39db
25% Popularity • 48% Danceability • 15% Energy • 10% Liveness
56% Instrumentalness • 62% Positiveness
25% Popularity • 48% Danceability • 15% Energy • 10% Liveness
56% Instrumentalness • 62% Positiveness
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James Paisible
Sonata for Recorder and Continuo in D Mi...
95 bpm • C Maj • 00:58 • -20db
8% Popularity • 36% Danceability • 39% Energy • 70% Liveness
90% Instrumentalness • 89% Positiveness
8% Popularity • 36% Danceability • 39% Energy • 70% Liveness
90% Instrumentalness • 89% Positiveness
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Hopkinson Smith
MRS. White's Nothing
95 bpm • G min • 04:23 • -24db
14% Popularity • 39% Danceability • 11% Energy • 12% Liveness
87% Instrumentalness • 24% Positiveness
14% Popularity • 39% Danceability • 11% Energy • 12% Liveness
87% Instrumentalness • 24% Positiveness
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John Dowland
Sir John Souch His Galiard
108 bpm • A# Maj • 01:27 • -20.63db
8% Popularity • 32% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 31% Positiveness
8% Popularity • 32% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 31% Positiveness
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Diego Ortiz
Recercadas del Trattado de Glosas: Recer...
95 bpm • D min • 01:42 • -27.15db
29% Popularity • 24% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 21% Positiveness
29% Popularity • 24% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 21% Positiveness
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Isabella Leonarda
12 Sonatas, Opera XVI, Op. 16 No. 1 (Exc...
95 bpm • F# Maj • 02:42 • -26.39db
14% Popularity • 21% Danceability • 5% Energy • 21% Liveness
6% Instrumentalness • 26% Positiveness
14% Popularity • 21% Danceability • 5% Energy • 21% Liveness
6% Instrumentalness • 26% Positiveness
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Claudio Monteverdi
Monteverdi: Ottavo libro di madrigali "G...
95 bpm • A min • 03:43 • -23.91db
8% Popularity • 38% Danceability • 2% Energy • 13% Liveness
4% Instrumentalness • 19% Positiveness
8% Popularity • 38% Danceability • 2% Energy • 13% Liveness
4% Instrumentalness • 19% Positiveness
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John Taverner
In Nomine
108 bpm • E Maj • 02:25 • -32db
30% Popularity • 16% Danceability • 0% Energy • 22% Liveness
50% Instrumentalness • 7% Positiveness
30% Popularity • 16% Danceability • 0% Energy • 22% Liveness
50% Instrumentalness • 7% Positiveness
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Hopkinson Smith
Dowland on the Continent - The King of D...
108 bpm • A min • 03:02 • -23db
18% Popularity • 40% Danceability • 13% Energy • 8% Liveness
87% Instrumentalness • 23% Positiveness
18% Popularity • 40% Danceability • 13% Energy • 8% Liveness
87% Instrumentalness • 23% Positiveness
