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Cardiocleptomanie
Songs like
Cardiocleptomanie
by
Pas De Deux
Based on a tempo of (+/- 10%) and a similar genre
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Vanderschrick
Ongehoord
98 bpm • D min • 04:37 • -13.23db
13% Popularity • 68% Danceability • 39% Energy • 8% Liveness
93% Instrumentalness • 22% Positiveness
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Suicide
Misery Train
98 bpm • A# min • 05:18 • -12.87db
23% Popularity • 89% Danceability • 40% Energy • 19% Liveness
54% Instrumentalness • 59% Positiveness
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Saâda Bonaire
Give Me A Call
98 bpm • E min • 02:57 • -9.36db
31% Popularity • 52% Danceability • 65% Energy • 8% Liveness
3% Instrumentalness • 51% Positiveness
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Simple Minds
This Fear Of Gods - Remastered 2002
98 bpm • B min • 07:00 • -8.48db
30% Popularity • 67% Danceability • 66% Energy • 6% Liveness
39% Instrumentalness • 62% Positiveness
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Lio
You Go to My Head
98 bpm • G# Maj • 02:37 • -11.83db
14% Popularity • 53% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Pas De Deux
Cardiocleptomanie (Remastered)
98 bpm • F Maj • 03:01 • -10db
23% Popularity • 71% Danceability • 51% Energy • 10% Liveness
20% Instrumentalness • 39% Positiveness
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Jade 4 U
Rainbows - Midnight Mix
99 bpm • B min • 06:08 • -6.36db
17% Popularity • 77% Danceability • 71% Energy • 16% Liveness
88% Instrumentalness • 62% Positiveness
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Shoc Corridor
Khartoum
98 bpm • E Maj • 06:25 • -10.19db
8% Popularity • 59% Danceability • 61% Energy • 9% Liveness
22% Instrumentalness • 28% Positiveness
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Cube
Somebody Told Me
97 bpm • A min • 06:25 • -8db
14% Popularity • 87% Danceability • 53% Energy • 12% Liveness
3% Instrumentalness • 88% Positiveness
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Linear Movement
Way Out Of Living
99 bpm • E min • 05:25 • -11db
24% Popularity • 76% Danceability • 62% Energy • 8% Liveness
6% Instrumentalness • 84% Positiveness
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The Human League
Being Boiled - Fast Version / 2003 Digit...
99 bpm • B min • 03:54 • -7db
43% Popularity • 86% Danceability • 76% Energy • 6% Liveness
5% Instrumentalness • 33% Positiveness
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Carlos Perón
Nothing Is True, Everything Is Permitted
99 bpm • C Maj • 04:16 • -14.95db
15% Popularity • 43% Danceability • 60% Energy • 11% Liveness
93% Instrumentalness • 55% Positiveness
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The Gist
Love at First Sight
99 bpm • A# min • 03:45 • -10.6db
27% Popularity • 73% Danceability • 60% Energy • 31% Liveness
8% Instrumentalness • 87% Positiveness
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Winston Tong
Reports From The Heart
99 bpm • F min • 06:04 • -13db
13% Popularity • 65% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Logic System
Unit
97 bpm • B min • 04:54 • -15db
24% Popularity • 65% Danceability • 43% Energy • 6% Liveness
6% Instrumentalness • 12% Positiveness
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Ettika
Ettika - Version maxi inédite
97 bpm • A# min • 08:43 • -7db
11% Popularity • 69% Danceability • 89% Energy • 38% Liveness
3% Instrumentalness • 79% Positiveness
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Catherine Brénot
Et Tout Est Yin Et Tout Est Yang - Club ...
100 bpm • B min • 05:19 • -9db
10% Popularity • 75% Danceability • 60% Energy • 5% Liveness
2% Instrumentalness • 70% Positiveness
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Dave Ball
Strict Tempo
100 bpm • B Maj • 03:35 • -13.96db
14% Popularity • 69% Danceability • 79% Energy • 72% Liveness
68% Instrumentalness • 66% Positiveness
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Marc and The Mambas
Sleaze
100 bpm • C Maj • 07:20 • -12.06db
13% Popularity • 80% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Videosex
Videosex
100 bpm • A min • 03:11 • -5db
27% Popularity • 68% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Shakti
Forbidden Dreams
96 bpm • C# Maj • 05:51 • -10.87db
18% Popularity • 68% Danceability • 62% Energy • 6% Liveness
91% Instrumentalness • 75% Positiveness
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Philippe Chany
Cairo Connection
100 bpm • A min • 04:36 • -12.43db
22% Popularity • 83% Danceability • 35% Energy • 21% Liveness
84% Instrumentalness • 80% Positiveness
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Pink Industry
What I Wouldn't Give
101 bpm • E Maj • 03:41 • -9db
27% Popularity • 72% Danceability • 56% Energy • 7% Liveness
29% Instrumentalness • 66% Positiveness
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Deux
Ministry Of Love
95 bpm • C# Maj • 03:22 • -10.52db
22% Popularity • 67% Danceability • 41% Energy • 9% Liveness
73% Instrumentalness • 37% Positiveness
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Linear Movement
The Linear Way
95 bpm • F min • 05:26 • -13.53db
13% Popularity • 64% Danceability • 42% Energy • 51% Liveness
94% Instrumentalness • 44% Positiveness
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Alexander Robotnick
Ce n'est q'un début
101 bpm • A min • 04:00 • -9.91db
12% Popularity • 73% Danceability • 76% Energy • 7% Liveness
1% Instrumentalness • 93% Positiveness
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John Foxx
Metal Beat
102 bpm • G# Maj • 03:01 • -14.09db
14% Popularity • 85% Danceability • 40% Energy • 5% Liveness
2% Instrumentalness • 58% Positiveness
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Kas Product
Never Come Back
94 bpm • A# min • 03:19 • -5db
29% Popularity • 68% Danceability • 78% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
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Comix
Touche pas mon sexe
102 bpm • F# min • 03:13 • -5.2db
19% Popularity • 63% Danceability • 96% Energy • 8% Liveness
1% Instrumentalness • 89% Positiveness
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Arvid Tuba
The Seasons Are Sitting on Chairs
102 bpm • A min • 03:41 • -2db
12% Popularity • 50% Danceability • 100% Energy • 6% Liveness
21% Instrumentalness • 85% Positiveness
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Pas De Deux
Mani Meme (Remastered)
94 bpm • B Maj • 03:24 • -6.59db
10% Popularity • 70% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Martin Dupont
I Met the Beast
103 bpm • G# min • 03:37 • -6db
29% Popularity • 58% Danceability • 95% Energy • 63% Liveness
90% Instrumentalness • 63% Positiveness
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Electric Party
Caribe
94 bpm • G Maj • 05:31 • -9.12db
8% Popularity • 53% Danceability • 87% Energy • 10% Liveness
1% Instrumentalness • 58% Positiveness
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Der Plan
Commerce extérieur mondial sentimental
103 bpm • G Maj • 02:39 • -9.24db
13% Popularity • 68% Danceability • 84% Energy • 17% Liveness
74% Instrumentalness • 34% Positiveness
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C Cat Trance
Shake The Mind
103 bpm • C# Maj • 05:27 • -15.34db
13% Popularity • 68% Danceability • 47% Energy • 7% Liveness
52% Instrumentalness • 52% Positiveness
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Max Berlin
Elle Et Moi
103 bpm • F min • 04:11 • -9.73db
34% Popularity • 82% Danceability • 66% Energy • 37% Liveness
6% Instrumentalness • 97% Positiveness
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DJ Bert and Eagle
I Am Your Master! - Remastered
93 bpm • A min • 02:40 • -11.66db
21% Popularity • 50% Danceability • 80% Energy • 9% Liveness
86% Instrumentalness • 34% Positiveness
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Soma Holiday
Shake Your Molecules
104 bpm • A# min • 04:24 • -10db
21% Popularity • 70% Danceability • 93% Energy • 10% Liveness
16% Instrumentalness • 81% Positiveness
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Kraftwerk
Neon Lights
104 bpm • A Maj • 05:43 • -9.77db
28% Popularity • 72% Danceability • 59% Energy • 10% Liveness
86% Instrumentalness • 55% Positiveness
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Martin Dupont
Just Because
92 bpm • F# Maj • 04:56 • -5.82db
10% Popularity • 53% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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A Split Second
Flesh
104 bpm • A# min • 04:51 • -10.75db
27% Popularity • 72% Danceability • 78% Energy • 14% Liveness
90% Instrumentalness • 69% Positiveness
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The Caravan
Somewhere In Arabia
92 bpm • C min • 04:17 • -7.41db
16% Popularity • 62% Danceability • 85% Energy • 8% Liveness
91% Instrumentalness • 43% Positiveness
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Linear Movement
To Another Soul
105 bpm • G# Maj • 04:23 • -12db
12% Popularity • 51% Danceability • 58% Energy • 12% Liveness
88% Instrumentalness • 38% Positiveness
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Severed Heads
Mount
105 bpm • G Maj • 02:15 • -12.37db
19% Popularity • 50% Danceability • 95% Energy • 25% Liveness
89% Instrumentalness • 63% Positiveness
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Luc Van Acker
Zanna - 2005 Remaster
105 bpm • C Maj • 03:09 • -15db
35% Popularity • 86% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Geneva Jacuzzi
Cannibal Babies
105 bpm • G# min • 05:36 • -5.44db
27% Popularity • 73% Danceability • 91% Energy • 33% Liveness
4% Instrumentalness • 90% Positiveness
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The Neon Judgement
Please Release Me, Let Me Go-Go
91 bpm • B min • 04:33 • -8.09db
10% Popularity • 68% Danceability • 72% Energy • 49% Liveness
1% Instrumentalness • 46% Positiveness
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Saâda Bonaire
Second Face
105 bpm • A min • 04:01 • -10db
31% Popularity • 82% Danceability • 51% Energy • 12% Liveness
37% Instrumentalness • 53% Positiveness
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Psyche
The Saint Became a Lush
106 bpm • D Maj • 06:24 • -10.5db
21% Popularity • 61% Danceability • 87% Energy • 8% Liveness
91% Instrumentalness • 72% Positiveness
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Five Or Six
Another Reason
105 bpm • A min • 03:17 • -15.45db
15% Popularity • 86% Danceability • 45% Energy • 6% Liveness
5% Instrumentalness • 96% Positiveness
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Ruth
Mots
106 bpm • F Maj • 05:21 • -5db
27% Popularity • 75% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Oppenheimer Analysis
Radiance
106 bpm • C Maj • 04:42 • -7db
22% Popularity • 55% Danceability • 93% Energy • 32% Liveness
94% Instrumentalness • 95% Positiveness
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Ronny
Blue Cabaret - Blitzed Mix
106 bpm • C# Maj • 05:40 • -7.21db
4% Popularity • 60% Danceability • 82% Energy • 53% Liveness
56% Instrumentalness • 61% Positiveness
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Gina X Performance
Kaddish
91 bpm • D Maj • 04:18 • -14db
26% Popularity • 65% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 94% Positiveness
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Elisa Waut
Four Times More
106 bpm • F# Maj • 03:55 • -14.41db
31% Popularity • 63% Danceability • 41% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
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Tuxedomoon
59 to 1
107 bpm • C# Maj • 03:57 • -6.29db
8% Popularity • 95% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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De Ambassade
Verwijder Jezelf
90 bpm • F Maj • 03:27 • -9.64db
23% Popularity • 61% Danceability • 66% Energy • 9% Liveness
91% Instrumentalness • 46% Positiveness
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Oppenheimer Analysis
Radiance
106 bpm • C Maj • 04:43 • -6db
12% Popularity • 58% Danceability • 94% Energy • 17% Liveness
90% Instrumentalness • 96% Positiveness
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Kissing The Pink
Big Man Restless
107 bpm • C Maj • 03:47 • -7.8db
25% Popularity • 68% Danceability • 81% Energy • 20% Liveness
34% Instrumentalness • 95% Positiveness
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Vive La Fête
Je ne veux pas
107 bpm • C# Maj • 04:32 • -14.37db
10% Popularity • 80% Danceability • 38% Energy • 18% Liveness
54% Instrumentalness • 65% Positiveness
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Informatics
What a World
89 bpm • C# Maj • 02:15 • -8db
21% Popularity • 78% Danceability • 69% Energy • 7% Liveness
87% Instrumentalness • 76% Positiveness
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The Weathermen
Poison!
108 bpm • G Maj • 04:39 • -13.23db
22% Popularity • 71% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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De Ambassade
Verwijder Jezelf
90 bpm • C Maj • 03:32 • -9.11db
18% Popularity • 68% Danceability • 76% Energy • 9% Liveness
80% Instrumentalness • 72% Positiveness
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B.W.H.
Stop
107 bpm • A# min • 06:42 • -14.48db
30% Popularity • 68% Danceability • 74% Energy • 10% Liveness
60% Instrumentalness • 99% Positiveness
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Facit
Om Igen
89 bpm • A# min • 04:00 • -8db
12% Popularity • 80% Danceability • 82% Energy • 9% Liveness
74% Instrumentalness • 91% Positiveness
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Reservé
Destination Pour L'Inconnu
108 bpm • F min • 03:22 • -9.19db
12% Popularity • 79% Danceability • 56% Energy • 26% Liveness
2% Instrumentalness • 10% Positiveness
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Koto
Chinese Revenge
108 bpm • D Maj • 06:19 • -8db
10% Popularity • 70% Danceability • 92% Energy • 3% Liveness
36% Instrumentalness • 59% Positiveness
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Shoc Corridor
Iceberg
108 bpm • D Maj • 06:34 • -8.34db
15% Popularity • 66% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Saâda Bonaire
The Facts
108 bpm • F Maj • 05:13 • -7db
30% Popularity • 73% Danceability • 87% Energy • 42% Liveness
0% Instrumentalness • 65% Positiveness
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Shakti
The Awakening
108 bpm • G Maj • 04:25 • -9.93db
16% Popularity • 65% Danceability • 90% Energy • 31% Liveness
84% Instrumentalness • 65% Positiveness
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Don Melody Club
Psychonauten
108 bpm • B min • 04:40 • -13.72db
19% Popularity • 75% Danceability • 38% Energy • 9% Liveness
71% Instrumentalness • 73% Positiveness
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Hard Corps
Dirty
108 bpm • B Maj • 04:52 • -10.67db
14% Popularity • 67% Danceability • 87% Energy • 11% Liveness
23% Instrumentalness • 68% Positiveness
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Erotic Dissidents
Move Your Ass And Feel The Beat
109 bpm • C Maj • 03:47 • -7.35db
22% Popularity • 81% Danceability • 79% Energy • 21% Liveness
2% Instrumentalness • 67% Positiveness
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The Art Of Noise
Donna
109 bpm • G# Maj • 01:45 • -10.05db
35% Popularity • 69% Danceability • 85% Energy • 20% Liveness
95% Instrumentalness • 97% Positiveness
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Saâda Bonaire
Invitation
108 bpm • E min • 05:21 • -9.35db
35% Popularity • 74% Danceability • 61% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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Daily Fauli
Speed
109 bpm • F# Maj • 03:27 • -9.44db
12% Popularity • 77% Danceability • 87% Energy • 11% Liveness
1% Instrumentalness • 61% Positiveness
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The Honeymoon Killers
Route Nationale 7
109 bpm • F min • 03:13 • -7.02db
16% Popularity • 83% Danceability • 83% Energy • 39% Liveness
0% Instrumentalness • 87% Positiveness
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Deux
Golden Dreams
109 bpm • B min • 06:46 • -11.54db
29% Popularity • 62% Danceability • 79% Energy • 14% Liveness
56% Instrumentalness • 81% Positiveness
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Public Relations
Public Relations
109 bpm • A# min • 04:07 • -6.54db
16% Popularity • 71% Danceability • 87% Energy • 48% Liveness
87% Instrumentalness • 13% Positiveness
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Nine Circles
Twinkling Stars
109 bpm • G# Maj • 04:11 • -5db
19% Popularity • 59% Danceability • 73% Energy • 20% Liveness
1% Instrumentalness • 57% Positiveness
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Plastic Bertrand
Slave to the Beat
110 bpm • E min • 02:58 • -13.25db
18% Popularity • 71% Danceability • 49% Energy • 5% Liveness
12% Instrumentalness • 66% Positiveness
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Kazino
Binary
110 bpm • D Maj • 03:56 • -10.52db
22% Popularity • 87% Danceability • 61% Energy • 12% Liveness
80% Instrumentalness • 70% Positiveness
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Arbeid Adelt!
Death Disco
110 bpm • G Maj • 02:37 • -7.96db
22% Popularity • 59% Danceability • 79% Energy • 10% Liveness
77% Instrumentalness • 20% Positiveness
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Severed Heads
Big Car
110 bpm • G Maj • 06:56 • -10db
14% Popularity • 65% Danceability • 82% Energy • 33% Liveness
74% Instrumentalness • 63% Positiveness
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Thick Pigeon
Dog - 45 Version
110 bpm • D Maj • 02:21 • -14.06db
18% Popularity • 85% Danceability • 48% Energy • 4% Liveness
88% Instrumentalness • 90% Positiveness
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Algebra Suicide
Father's By The Door
110 bpm • A min • 02:48 • -19.21db
14% Popularity • 78% Danceability • 26% Energy • 17% Liveness
47% Instrumentalness • 49% Positiveness
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Gina X Performance
No G.D.M.
110 bpm • G min • 05:57 • -12.04db
35% Popularity • 77% Danceability • 40% Energy • 21% Liveness
1% Instrumentalness • 78% Positiveness
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Agathe & Regrets
L'avion
110 bpm • G Maj • 03:09 • -9.78db
25% Popularity • 76% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Saâda Bonaire
You Could Be More As You Are
110 bpm • C Maj • 05:56 • -9.64db
47% Popularity • 97% Danceability • 52% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
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Linear Movement
Night in June
87 bpm • B min • 04:39 • -5db
28% Popularity • 55% Danceability • 78% Energy • 10% Liveness
54% Instrumentalness • 58% Positiveness
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New Musik
Hunting
111 bpm • C Maj • 04:15 • -11.78db
17% Popularity • 75% Danceability • 56% Energy • 4% Liveness
17% Instrumentalness • 60% Positiveness
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Snowy Red
Euroshima (Wardance)
111 bpm • A Maj • 04:29 • -7.23db
22% Popularity • 64% Danceability • 46% Energy • 10% Liveness
89% Instrumentalness • 38% Positiveness
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Deux
Le Camion
111 bpm • G# min • 05:26 • -10.06db
17% Popularity • 81% Danceability • 35% Energy • 10% Liveness
91% Instrumentalness • 48% Positiveness
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Pink Industry
Pain of Pride
111 bpm • G Maj • 03:46 • -7.51db
18% Popularity • 81% Danceability • 88% Energy • 16% Liveness
64% Instrumentalness • 38% Positiveness
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Sapho
Carmel
111 bpm • G# Maj • 03:36 • -5.91db
11% Popularity • 70% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Fun Boy Three
Faith, Hope and Charity
111 bpm • G Maj • 02:50 • -13db
24% Popularity • 86% Danceability • 40% Energy • 7% Liveness
4% Instrumentalness • 42% Positiveness
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Au Pairs
Sex Without Stress
111 bpm • G Maj • 04:13 • -6.57db
11% Popularity • 62% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
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New Musik
A Train on Twisted Tracks
112 bpm • A# min • 03:27 • -12.28db
14% Popularity • 77% Danceability • 56% Energy • 12% Liveness
1% Instrumentalness • 75% Positiveness
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Big Ben Tribe
Tarzan Loves the Summer Nights
112 bpm • A# min • 07:12 • -5.84db
24% Popularity • 67% Danceability • 88% Energy • 12% Liveness
88% Instrumentalness • 72% Positiveness
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Carlos Perón
Breaking In
111 bpm • G Maj • 04:15 • -9.08db
10% Popularity • 66% Danceability • 53% Energy • 13% Liveness
91% Instrumentalness • 62% Positiveness
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Cardiocleptomanie