Songs like Carmen: Habanéra "L'amour est un...'' by Orchestre de Paris
Based on a tempo of (+/- 10%) and a similar genre
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 7 i...
134 bpm • C min • 03:38 • -14db
25% Popularity • 44% Danceability • 21% Energy • 5% Liveness
88% Instrumentalness • 56% Positiveness
25% Popularity • 44% Danceability • 21% Energy • 5% Liveness
88% Instrumentalness • 56% Positiveness
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Jean Sibelius
Symphony No. 6 in D Minor, Op. 104: II. ...
134 bpm • D min • 05:51 • -26.55db
1% Popularity • 24% Danceability • 7% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
1% Popularity • 24% Danceability • 7% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Georges Bizet
Carmen Suite No. 2: 2. Habanera
134 bpm • D Maj • 02:02 • -29.61db
46% Popularity • 46% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
46% Popularity • 46% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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Hubert Yves Adrien Giraud
Sous le ciel de Paris (Arr. Schifrin) - ...
134 bpm • A min • 01:53 • -18db
31% Popularity • 28% Danceability • 34% Energy • 88% Liveness
3% Instrumentalness • 65% Positiveness
31% Popularity • 28% Danceability • 34% Energy • 88% Liveness
3% Instrumentalness • 65% Positiveness
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Manuel de Falla
Ritual Fire Dance
134 bpm • G Maj • 04:15 • -19db
14% Popularity • 26% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 16% Positiveness
14% Popularity • 26% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 16% Positiveness
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Paul Dukas
L'Apprenti sorcier
133 bpm • F min • 11:30 • -20.9db
10% Popularity • 34% Danceability • 27% Energy • 3% Liveness
49% Instrumentalness • 9% Positiveness
10% Popularity • 34% Danceability • 27% Energy • 3% Liveness
49% Instrumentalness • 9% Positiveness
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Sergei Prokofiev
Piano Concerto No. 3 in C, Op. 26: 1. An...
133 bpm • A min • 09:24 • -16db
45% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
45% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
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Maurice Ravel
Le tombeau de Couperin M 68a IV. Rigaudo...
133 bpm • C Maj • 03:09 • -24db
4% Popularity • 42% Danceability • 14% Energy • 9% Liveness
89% Instrumentalness • 33% Positiveness
4% Popularity • 42% Danceability • 14% Energy • 9% Liveness
89% Instrumentalness • 33% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1 (version for ...
135 bpm • G min • 03:01 • -17db
36% Popularity • 26% Danceability • 22% Energy • 15% Liveness
93% Instrumentalness • 53% Positiveness
36% Popularity • 26% Danceability • 22% Energy • 15% Liveness
93% Instrumentalness • 53% Positiveness
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Peter Warlock
Capriol Suite: 1. Basse-danse
133 bpm • D min • 01:36 • -19db
36% Popularity • 60% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 60% Positiveness
36% Popularity • 60% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 60% Positiveness
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Modest Mussorgsky
Sorochinskaya yarmarka (Sorochintsi Fair...
135 bpm • G Maj • 01:42 • -22db
47% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
47% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
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Nikolai Rimsky-Korsakov
Rimsky-Korsakov: Scheherazade, Op. 35: I...
133 bpm • E min • 12:55 • -18.86db
0% Popularity • 24% Danceability • 11% Energy • 6% Liveness
85% Instrumentalness • 4% Positiveness
0% Popularity • 24% Danceability • 11% Energy • 6% Liveness
85% Instrumentalness • 4% Positiveness
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Richard Wagner
Götterdämmerung, WWV 86D / Act 3: Trau...
135 bpm • C Maj • 12:29 • -22.8db
12% Popularity • 15% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
12% Popularity • 15% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Maurice Ravel
Valses nobles et sentimentales M 61b V. ...
133 bpm • G# min • 01:23 • -30.05db
4% Popularity • 17% Danceability • 3% Energy • 11% Liveness
85% Instrumentalness • 5% Positiveness
4% Popularity • 17% Danceability • 3% Energy • 11% Liveness
85% Instrumentalness • 5% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29 No. 2, H 118: 3...
136 bpm • E min • 04:10 • -23db
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: I. Präludium (Al...
135 bpm • G Maj • 03:00 • -22.57db
43% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
43% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
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AntonÃn Dvořák
Dvořák: Symphony No. 9 in E Minor, Op....
132 bpm • E min • 07:41 • -21db
9% Popularity • 35% Danceability • 8% Energy • 10% Liveness
63% Instrumentalness • 20% Positiveness
9% Popularity • 35% Danceability • 8% Energy • 10% Liveness
63% Instrumentalness • 20% Positiveness
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Academy of St. Martin in the Fields
Peer Gynt Suite No.1 op. 46 In the Hall ...
132 bpm • E min • 02:25 • -18.12db
32% Popularity • 39% Danceability • 16% Energy • 8% Liveness
96% Instrumentalness • 54% Positiveness
32% Popularity • 39% Danceability • 16% Energy • 8% Liveness
96% Instrumentalness • 54% Positiveness
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Hector Berlioz
La Damnation de Faust, Op. 24 / Part 2: ...
136 bpm • D Maj • 02:30 • -41.95db
2% Popularity • 18% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
2% Popularity • 18% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: The Old Castl...
136 bpm • G# Maj • 04:30 • -34.52db
28% Popularity • 15% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
28% Popularity • 15% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Shéhérazade, Op. 35: I. The Sea and Si...
136 bpm • E Maj • 09:55 • -23db
35% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
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Jean Sibelius
Symphony No. 4 in A Minor, Op. 63: I. Te...
132 bpm • E Maj • 10:04 • -25.06db
2% Popularity • 16% Danceability • 2% Energy • 7% Liveness
86% Instrumentalness • 3% Positiveness
2% Popularity • 16% Danceability • 2% Energy • 7% Liveness
86% Instrumentalness • 3% Positiveness
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Edvard Grieg
Grieg: Peer Gynt, Op. 23, Act 4: No. 13,...
137 bpm • E Maj • 04:17 • -23db
37% Popularity • 15% Danceability • 3% Energy • 16% Liveness
94% Instrumentalness • 3% Positiveness
37% Popularity • 15% Danceability • 3% Energy • 16% Liveness
94% Instrumentalness • 3% Positiveness
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JoaquÃn Turina
Danzas fantasticas, Op. 22: Orgia
136 bpm • D Maj • 04:49 • -14.76db
21% Popularity • 30% Danceability • 20% Energy • 14% Liveness
80% Instrumentalness • 24% Positiveness
21% Popularity • 30% Danceability • 20% Energy • 14% Liveness
80% Instrumentalness • 24% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
131 bpm • A Maj • 01:21 • -15db
59% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
59% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
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Ludwig van Beethoven
Piano Concerto No. 4 in G Major, Op. 58:...
137 bpm • G Maj • 10:19 • -17.9db
10% Popularity • 38% Danceability • 17% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
10% Popularity • 38% Danceability • 17% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
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Johann Sebastian Bach
Overture (Suite) No. 2 in B Minor, BWV 1...
131 bpm • B min • 01:30 • -21.86db
60% Popularity • 52% Danceability • 27% Energy • 8% Liveness
9% Instrumentalness • 96% Positiveness
60% Popularity • 52% Danceability • 27% Energy • 8% Liveness
9% Instrumentalness • 96% Positiveness
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AntonÃn Dvořák
Symphony No. 6 in D Major, Op. 60, B. 11...
137 bpm • D Maj • 07:41 • -18db
36% Popularity • 34% Danceability • 8% Energy • 10% Liveness
84% Instrumentalness • 16% Positiveness
36% Popularity • 34% Danceability • 8% Energy • 10% Liveness
84% Instrumentalness • 16% Positiveness
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Igor Stravinsky
Petrushka, K12 (1947 Version): Ia. The S...
131 bpm • A# Maj • 07:36 • -18.03db
20% Popularity • 40% Danceability • 25% Energy • 20% Liveness
65% Instrumentalness • 5% Positiveness
20% Popularity • 40% Danceability • 25% Energy • 20% Liveness
65% Instrumentalness • 5% Positiveness
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Amilcare Ponchielli
La Gioconda / Act 3: Dance Of The Hours
138 bpm • E Maj • 01:26 • -30db
50% Popularity • 51% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
50% Popularity • 51% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
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Jean Sibelius
Symphony No. 3 in C Major, Op. 52: II. A...
138 bpm • G# min • 09:21 • -32.02db
2% Popularity • 20% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 6% Positiveness
2% Popularity • 20% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 6% Positiveness
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Ludwig van Beethoven
Piano Concerto No. 1 in C Major, Op. 15:...
137 bpm • C Maj • 09:13 • -18.91db
16% Popularity • 42% Danceability • 17% Energy • 14% Liveness
91% Instrumentalness • 35% Positiveness
16% Popularity • 42% Danceability • 17% Energy • 14% Liveness
91% Instrumentalness • 35% Positiveness
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Dmitri Shostakovich
Tahiti Trot, Op. 16 (orchestral transcri...
138 bpm • G# Maj • 04:09 • -23.16db
48% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
48% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
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Richard Wagner
Tannhauser, Act II: Einzug der Gaste auf...
130 bpm • B Maj • 06:38 • -19.62db
20% Popularity • 28% Danceability • 10% Energy • 7% Liveness
84% Instrumentalness • 16% Positiveness
20% Popularity • 28% Danceability • 10% Energy • 7% Liveness
84% Instrumentalness • 16% Positiveness
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Gioachino Rossini
La Gazza Ladra - La Urraca Ladrona Obert...
138 bpm • E Maj • 03:04 • -15.42db
35% Popularity • 37% Danceability • 15% Energy • 15% Liveness
91% Instrumentalness • 30% Positiveness
35% Popularity • 37% Danceability • 15% Energy • 15% Liveness
91% Instrumentalness • 30% Positiveness
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Felix Mendelssohn
Overture "A Midsummer Night's Dream", Op...
139 bpm • E Maj • 11:55 • -19.29db
31% Popularity • 26% Danceability • 14% Energy • 30% Liveness
91% Instrumentalness • 7% Positiveness
31% Popularity • 26% Danceability • 14% Energy • 30% Liveness
91% Instrumentalness • 7% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Piano Concerto No. 5 in F ...
139 bpm • D Maj • 11:02 • -27.63db
7% Popularity • 27% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 5% Positiveness
7% Popularity • 27% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 5% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
129 bpm • D Maj • 01:13 • -16.72db
61% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
61% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 8 i...
129 bpm • G Maj • 04:42 • -12db
31% Popularity • 44% Danceability • 22% Energy • 5% Liveness
94% Instrumentalness • 58% Positiveness
31% Popularity • 44% Danceability • 22% Energy • 5% Liveness
94% Instrumentalness • 58% Positiveness
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Jean Sibelius
Symphony No. 6 in D Minor, Op. 104: I. A...
139 bpm • C Maj • 08:47 • -22.89db
1% Popularity • 21% Danceability • 11% Energy • 16% Liveness
90% Instrumentalness • 4% Positiveness
1% Popularity • 21% Danceability • 11% Energy • 16% Liveness
90% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Piano Sonata No. 11 in A Major, K. 331: ...
129 bpm • A Maj • 03:32 • -19.76db
31% Popularity • 60% Danceability • 19% Energy • 12% Liveness
88% Instrumentalness • 92% Positiveness
31% Popularity • 60% Danceability • 19% Energy • 12% Liveness
88% Instrumentalness • 92% Positiveness
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Franz Liszt
Liebestraum No. 3 in A-Flat Major, S. 54...
139 bpm • G# Maj • 04:35 • -22.45db
37% Popularity • 27% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
37% Popularity • 27% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
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Emmanuel Chabrier
España - Rhapsody for Orchestra
129 bpm • F Maj • 06:09 • -17db
25% Popularity • 37% Danceability • 29% Energy • 2% Liveness
89% Instrumentalness • 37% Positiveness
25% Popularity • 37% Danceability • 29% Energy • 2% Liveness
89% Instrumentalness • 37% Positiveness
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London Philharmonic Orchestra
Hungarian Dance No. 5 in G Minor
139 bpm • G min • 02:38 • -12db
41% Popularity • 32% Danceability • 23% Energy • 27% Liveness
18% Instrumentalness • 40% Positiveness
41% Popularity • 32% Danceability • 23% Energy • 27% Liveness
18% Instrumentalness • 40% Positiveness
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Gabriel Fauré
Fauré: Requiem, Op. 48: V. Agnus Dei
140 bpm • F Maj • 06:08 • -20.75db
17% Popularity • 14% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
17% Popularity • 14% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Jean Sibelius
Symphony No. 6 in D Minor, Op. 104: III....
128 bpm • C Maj • 03:38 • -23.97db
1% Popularity • 36% Danceability • 13% Energy • 21% Liveness
92% Instrumentalness • 30% Positiveness
1% Popularity • 36% Danceability • 13% Energy • 21% Liveness
92% Instrumentalness • 30% Positiveness
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Bedřich Smetana
Má vlast, JB 1:112: II. Vltava, "The Mo...
128 bpm • C Maj • 02:57 • -12.12db
23% Popularity • 22% Danceability • 37% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
23% Popularity • 22% Danceability • 37% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
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Ludwig Minkus
Paquita: Variation 5: Allegro non troppo...
140 bpm • E min • 01:05 • -23.2db
58% Popularity • 44% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 48% Positiveness
58% Popularity • 44% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 48% Positiveness
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Henri Vieuxtemps
Vieuxtemps: Violin Concerto No. 5 in A M...
128 bpm • A min • 01:14 • -12db
35% Popularity • 50% Danceability • 36% Energy • 7% Liveness
72% Instrumentalness • 73% Positiveness
35% Popularity • 50% Danceability • 36% Energy • 7% Liveness
72% Instrumentalness • 73% Positiveness
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Gustav Holst
Brook Green Suite: II. Air
127 bpm • F Maj • 02:05 • -22.64db
52% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
52% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Gabriel Fauré
Fauré: Pavane, Op. 50 (Version with Cho...
141 bpm • F# min • 06:21 • -26.51db
18% Popularity • 14% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
18% Popularity • 14% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Sorochintsi Fair, Act I: Gopak (Hopak)
127 bpm • G Maj • 01:49 • -16.84db
47% Popularity • 49% Danceability • 22% Energy • 30% Liveness
67% Instrumentalness • 45% Positiveness
47% Popularity • 49% Danceability • 22% Energy • 30% Liveness
67% Instrumentalness • 45% Positiveness
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Jean Sibelius
Symphony No. 1 in E Minor, Op. 39: III. ...
127 bpm • G Maj • 05:28 • -23.3db
2% Popularity • 32% Danceability • 14% Energy • 8% Liveness
87% Instrumentalness • 8% Positiveness
2% Popularity • 32% Danceability • 14% Energy • 8% Liveness
87% Instrumentalness • 8% Positiveness
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Georges Bizet
Carmen Suite No. 1: 5. Les toréadors
127 bpm • F Maj • 02:18 • -16.13db
52% Popularity • 34% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
52% Popularity • 34% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Léo Delibes
Sylvia: Act III: Divertissement: Pizzica...
127 bpm • D# Maj • 02:13 • -41.14db
44% Popularity • 38% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 24% Positiveness
44% Popularity • 38% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 24% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E minor, Op. 95 "From ...
127 bpm • E min • 07:52 • -16.82db
35% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
35% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
► Preview
Alfred Scholz
The Marriage Of Figaro KV.592
142 bpm • D Maj • 04:15 • -21.11db
38% Popularity • 34% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 25% Positiveness
38% Popularity • 34% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 25% Positiveness
► Preview
Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
142 bpm • G min • 02:55 • -18.66db
49% Popularity • 26% Danceability • 24% Energy • 35% Liveness
93% Instrumentalness • 47% Positiveness
49% Popularity • 26% Danceability • 24% Energy • 35% Liveness
93% Instrumentalness • 47% Positiveness
► Preview
Igor Stravinsky
Petrushka, K12 (1947 Version): IVi. The ...
127 bpm • C Maj • 01:22 • -33.71db
13% Popularity • 24% Danceability • 1% Energy • 17% Liveness
91% Instrumentalness • 10% Positiveness
13% Popularity • 24% Danceability • 1% Energy • 17% Liveness
91% Instrumentalness • 10% Positiveness
► Preview
Edward Elgar
5 Military Marches, Op. 39, "Pomp and Ci...
127 bpm • D Maj • 06:11 • -16db
27% Popularity • 32% Danceability • 31% Energy • 10% Liveness
81% Instrumentalness • 18% Positiveness
27% Popularity • 32% Danceability • 31% Energy • 10% Liveness
81% Instrumentalness • 18% Positiveness
► Preview
Léo Delibes
Sylvia, Suite: 3. Pizzicati
142 bpm • C min • 02:08 • -31db
31% Popularity • 39% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
31% Popularity • 39% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
► Preview
Edvard Grieg
Holberg Suite, Op. 40: 1. Präludium (Al...
142 bpm • G Maj • 02:45 • -21db
24% Popularity • 23% Danceability • 14% Energy • 40% Liveness
87% Instrumentalness • 23% Positiveness
24% Popularity • 23% Danceability • 14% Energy • 40% Liveness
87% Instrumentalness • 23% Positiveness
► Preview
La Sinfónica Clásica
Polka Italienne
126 bpm • D# Maj • 01:39 • -21.78db
24% Popularity • 48% Danceability • 25% Energy • 14% Liveness
85% Instrumentalness • 97% Positiveness
24% Popularity • 48% Danceability • 25% Energy • 14% Liveness
85% Instrumentalness • 97% Positiveness
► Preview
Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act 3...
126 bpm • D Maj • 07:06 • -17.59db
9% Popularity • 26% Danceability • 22% Energy • 55% Liveness
49% Instrumentalness • 10% Positiveness
9% Popularity • 26% Danceability • 22% Energy • 55% Liveness
49% Instrumentalness • 10% Positiveness
► Preview
Wolfgang Amadeus Mozart
Le Nozze di Figaro, K. 492: Sinfonia
142 bpm • D Maj • 04:11 • -19db
54% Popularity • 38% Danceability • 7% Energy • 16% Liveness
95% Instrumentalness • 17% Positiveness
54% Popularity • 38% Danceability • 7% Energy • 16% Liveness
95% Instrumentalness • 17% Positiveness
► Preview
Georges Bizet
Carmen Suite No. 2: 5. Danse bohème
142 bpm • E Maj • 04:35 • -21.22db
18% Popularity • 36% Danceability • 5% Energy • 6% Liveness
1% Instrumentalness • 30% Positiveness
18% Popularity • 36% Danceability • 5% Energy • 6% Liveness
1% Instrumentalness • 30% Positiveness
► Preview
Luigi Boccherini
String Quintet in E Major, Op. 11 No. 5,...
126 bpm • A Maj • 03:29 • -30.98db
41% Popularity • 39% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
41% Popularity • 39% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Spanish Capriccio in A Major, Op. 34: II...
126 bpm • A# Maj • 01:13 • -21.83db
50% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
50% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
► Preview
Karoly Botvay
Sinfonia for Strings in G major, RV 149:...
125 bpm • D Maj • 01:50 • -21db
59% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
59% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
► Preview
AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
125 bpm • E min • 09:41 • -19.15db
44% Popularity • 25% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
44% Popularity • 25% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
► Preview
Igor Stravinsky
Petrushka, K12 (1947 Version): IVf. The ...
125 bpm • G min • 01:34 • -16.21db
14% Popularity • 49% Danceability • 48% Energy • 49% Liveness
95% Instrumentalness • 18% Positiveness
14% Popularity • 49% Danceability • 48% Energy • 49% Liveness
95% Instrumentalness • 18% Positiveness
► Preview
Johann Nepomuk Hummel
Hummel: Trumpet Concerto In E Flat - Iii...
144 bpm • D# Maj • 03:44 • -18.13db
45% Popularity • 50% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 72% Positiveness
45% Popularity • 50% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 72% Positiveness
► Preview
Luigi Boccherini
String Quintet in E Major, Op. 11 No. 5,...
126 bpm • A Maj • 03:28 • -30db
47% Popularity • 35% Danceability • 3% Energy • 9% Liveness
43% Instrumentalness • 37% Positiveness
47% Popularity • 35% Danceability • 3% Energy • 9% Liveness
43% Instrumentalness • 37% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
144 bpm • F min • 03:36 • -15db
52% Popularity • 47% Danceability • 21% Energy • 6% Liveness
42% Instrumentalness • 24% Positiveness
52% Popularity • 47% Danceability • 21% Energy • 6% Liveness
42% Instrumentalness • 24% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1 (version for ...
144 bpm • G min • 02:15 • -15.95db
58% Popularity • 32% Danceability • 13% Energy • 25% Liveness
81% Instrumentalness • 27% Positiveness
58% Popularity • 32% Danceability • 13% Energy • 25% Liveness
81% Instrumentalness • 27% Positiveness
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Camille Saint-Saëns
Bacchanale
145 bpm • D min • 06:27 • -19.76db
33% Popularity • 20% Danceability • 22% Energy • 8% Liveness
23% Instrumentalness • 14% Positiveness
33% Popularity • 20% Danceability • 22% Energy • 8% Liveness
23% Instrumentalness • 14% Positiveness
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Benjamin Britten
Soirees musicales, Op. 9: I. March
124 bpm • A# Maj • 01:27 • -24db
43% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
43% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
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Bedřich Smetana
The Bartered Bride: Overture
145 bpm • F Maj • 06:35 • -19.47db
27% Popularity • 33% Danceability • 23% Energy • 7% Liveness
86% Instrumentalness • 20% Positiveness
27% Popularity • 33% Danceability • 23% Energy • 7% Liveness
86% Instrumentalness • 20% Positiveness
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Joseph Haydn
Haydn: Trumpet Concerto In E Flat - Iii ...
145 bpm • D# Maj • 04:25 • -17.45db
39% Popularity • 40% Danceability • 16% Energy • 7% Liveness
88% Instrumentalness • 42% Positiveness
39% Popularity • 40% Danceability • 16% Energy • 7% Liveness
88% Instrumentalness • 42% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
145 bpm • G min • 02:34 • -24.35db
47% Popularity • 19% Danceability • 11% Energy • 17% Liveness
16% Instrumentalness • 4% Positiveness
47% Popularity • 19% Danceability • 11% Energy • 17% Liveness
16% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Die Hochzeit des Figaro, K. 492, 3. Akt:...
145 bpm • D Maj • 04:04 • -17.32db
57% Popularity • 31% Danceability • 14% Energy • 18% Liveness
92% Instrumentalness • 30% Positiveness
57% Popularity • 31% Danceability • 14% Energy • 18% Liveness
92% Instrumentalness • 30% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
145 bpm • G min • 02:18 • -16db
63% Popularity • 36% Danceability • 17% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness
63% Popularity • 36% Danceability • 17% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness
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Georges Bizet
Carmen Suite No. 2: 4. La garde montante
124 bpm • D min • 03:37 • -27.15db
15% Popularity • 72% Danceability • 11% Energy • 13% Liveness
7% Instrumentalness • 42% Positiveness
15% Popularity • 72% Danceability • 11% Energy • 13% Liveness
7% Instrumentalness • 42% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 1: IV. Aragonais...
123 bpm • D min • 02:14 • -20db
35% Popularity • 42% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
35% Popularity • 42% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
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Paul Dukas
L'Apprenti Sorcier
123 bpm • C# Maj • 10:39 • -21db
37% Popularity • 32% Danceability • 25% Energy • 26% Liveness
63% Instrumentalness • 10% Positiveness
37% Popularity • 32% Danceability • 25% Energy • 26% Liveness
63% Instrumentalness • 10% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Incidental Mu...
123 bpm • G min • 04:47 • -24.84db
24% Popularity • 48% Danceability • 24% Energy • 18% Liveness
94% Instrumentalness • 54% Positiveness
24% Popularity • 48% Danceability • 24% Energy • 18% Liveness
94% Instrumentalness • 54% Positiveness
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Niccolò Paganini
Sonata for Violin and Guitar in A Minor,...
147 bpm • A min • 01:38 • -16.74db
61% Popularity • 56% Danceability • 15% Energy • 8% Liveness
57% Instrumentalness • 73% Positiveness
61% Popularity • 56% Danceability • 15% Energy • 8% Liveness
57% Instrumentalness • 73% Positiveness
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Johannes Brahms
Academic Festival Overture, Op. 80
146 bpm • C Maj • 10:16 • -17.61db
6% Popularity • 26% Danceability • 10% Energy • 13% Liveness
68% Instrumentalness • 17% Positiveness
6% Popularity • 26% Danceability • 10% Energy • 13% Liveness
68% Instrumentalness • 17% Positiveness
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Aram Khachaturian
Masquerade Suite: Gallop
147 bpm • A# Maj • 03:17 • -18.19db
25% Popularity • 40% Danceability • 34% Energy • 8% Liveness
42% Instrumentalness • 40% Positiveness
25% Popularity • 40% Danceability • 34% Energy • 8% Liveness
42% Instrumentalness • 40% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29 No. 2, H 118: 4...
147 bpm • C Maj • 03:35 • -20db
9% Popularity • 20% Danceability • 17% Energy • 5% Liveness
33% Instrumentalness • 33% Positiveness
9% Popularity • 20% Danceability • 17% Energy • 5% Liveness
33% Instrumentalness • 33% Positiveness
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Maurice Ravel
Ravel: Le tombeau de Couperin, M. 68a: I...
122 bpm • C Maj • 03:12 • -20.22db
1% Popularity • 41% Danceability • 14% Energy • 12% Liveness
94% Instrumentalness • 36% Positiveness
1% Popularity • 41% Danceability • 14% Energy • 12% Liveness
94% Instrumentalness • 36% Positiveness
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Antonio Vivaldi
The Four Seasons: Concerto No. 2 in G Mi...
147 bpm • G min • 05:22 • -18.46db
44% Popularity • 28% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
44% Popularity • 28% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Johann Strauss I
Strauss: Radetzky March, Op. 228
122 bpm • A Maj • 02:49 • -19db
31% Popularity • 62% Danceability • 36% Energy • 22% Liveness
70% Instrumentalness • 69% Positiveness
31% Popularity • 62% Danceability • 36% Energy • 22% Liveness
70% Instrumentalness • 69% Positiveness
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Gabriel Fauré
Fauré: Requiem, Op. 48: VII. In Paradis...
147 bpm • D Maj • 03:27 • -29.15db
34% Popularity • 12% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
34% Popularity • 12% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
Serenade In G Major "Eine Kleine Nachtmu...
148 bpm • F# Maj • 07:46 • -24.18db
47% Popularity • 39% Danceability • 4% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
47% Popularity • 39% Danceability • 4% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14: Marche au...
148 bpm • A# Maj • 07:11 • -17.76db
43% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
43% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
► Preview
Jacques Offenbach
Les Contes d'Hoffmann / Act 4: Entr'acte...
121 bpm • D Maj • 03:50 • -33db
40% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
40% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
► Preview
Manuel de Falla
El sombrero de tres picos, Pt. 1: III. D...
121 bpm • D Maj • 03:34 • -21.9db
34% Popularity • 31% Danceability • 9% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
34% Popularity • 31% Danceability • 9% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
