Songs like Carmina Burana, 3. Cour d'amours: XXIII. Dulcissime by Carl Orff
Based on a tempo of (+/- 10%) and a similar genre
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Ludwig van Beethoven
Symphony No. 7 in A Major, Op. 92: II. A...
70 bpm • E min • 08:09 • -23.87db
34% Popularity • 16% Danceability • 3% Energy • 9% Liveness
16% Instrumentalness • 7% Positiveness
34% Popularity • 16% Danceability • 3% Energy • 9% Liveness
16% Instrumentalness • 7% Positiveness
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Nikolai Rimsky-Korsakov
Scheherezade, Op. 35: I. The Sea and Sin...
70 bpm • E min • 10:14 • -17db
29% Popularity • 9% Danceability • 14% Energy • 23% Liveness
80% Instrumentalness • 4% Positiveness
29% Popularity • 9% Danceability • 14% Energy • 23% Liveness
80% Instrumentalness • 4% Positiveness
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Alexander Borodin
Les danses polovtsiennes (Extraits de l'...
70 bpm • D Maj • 02:04 • -16.55db
16% Popularity • 49% Danceability • 24% Energy • 9% Liveness
96% Instrumentalness • 8% Positiveness
16% Popularity • 49% Danceability • 24% Energy • 9% Liveness
96% Instrumentalness • 8% Positiveness
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Richard Strauss
Also sprach Zarathustra, Op. 30: I. Einl...
70 bpm • C Maj • 02:01 • -18.34db
12% Popularity • 14% Danceability • 9% Energy • 11% Liveness
67% Instrumentalness • 8% Positiveness
12% Popularity • 14% Danceability • 9% Energy • 11% Liveness
67% Instrumentalness • 8% Positiveness
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Richard Wagner
Wagner: Lohengrin, WWV 75: Prelude to Ac...
70 bpm • A Maj • 08:53 • -31db
14% Popularity • 6% Danceability • 2% Energy • 30% Liveness
90% Instrumentalness • 3% Positiveness
14% Popularity • 6% Danceability • 2% Energy • 30% Liveness
90% Instrumentalness • 3% Positiveness
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Carl Orff
Carmina Burana / 1. Primo vere: "Ecce gr...
71 bpm • A# Maj • 02:40 • -15.1db
11% Popularity • 44% Danceability • 31% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
11% Popularity • 44% Danceability • 31% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 7 in A Major, Op...
70 bpm • E min • 08:25 • -26db
32% Popularity • 12% Danceability • 3% Energy • 7% Liveness
4% Instrumentalness • 5% Positiveness
32% Popularity • 12% Danceability • 3% Energy • 7% Liveness
4% Instrumentalness • 5% Positiveness
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John Krance
Carmina Burana Suite, "Cantiones profana...
71 bpm • G Maj • 03:28 • -38db
7% Popularity • 11% Danceability • 0% Energy • 6% Liveness
27% Instrumentalness • 4% Positiveness
7% Popularity • 11% Danceability • 0% Energy • 6% Liveness
27% Instrumentalness • 4% Positiveness
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George Frideric Handel
Zadok The Priest (Coronation Anthem No. ...
71 bpm • D Maj • 05:10 • -17db
30% Popularity • 26% Danceability • 17% Energy • 6% Liveness
83% Instrumentalness • 13% Positiveness
30% Popularity • 26% Danceability • 17% Energy • 6% Liveness
83% Instrumentalness • 13% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
69 bpm • D# Maj • 05:40 • -11db
31% Popularity • 14% Danceability • 22% Energy • 27% Liveness
90% Instrumentalness • 7% Positiveness
31% Popularity • 14% Danceability • 22% Energy • 27% Liveness
90% Instrumentalness • 7% Positiveness
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Gioachino Rossini
Il Barbiere di Siviglia: Largo al factot...
71 bpm • C Maj • 04:17 • -14.04db
24% Popularity • 50% Danceability • 31% Energy • 16% Liveness
51% Instrumentalness • 53% Positiveness
24% Popularity • 50% Danceability • 31% Energy • 16% Liveness
51% Instrumentalness • 53% Positiveness
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Carl Orff
Orff: Carmina Burana, Pt. 1, Primo vere:...
69 bpm • A min • 03:35 • -37.93db
26% Popularity • 19% Danceability • 0% Energy • 19% Liveness
18% Instrumentalness • 8% Positiveness
26% Popularity • 19% Danceability • 0% Energy • 19% Liveness
18% Instrumentalness • 8% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 9 in D Minor, Op...
71 bpm • D Maj • 06:18 • -23.9db
11% Popularity • 17% Danceability • 3% Energy • 49% Liveness
82% Instrumentalness • 10% Positiveness
11% Popularity • 17% Danceability • 3% Energy • 49% Liveness
82% Instrumentalness • 10% Positiveness
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Gabriel Fauré
Requiem, Op. 48: I. Introït
71 bpm • A# Maj • 02:00 • -24db
40% Popularity • 9% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
40% Popularity • 9% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Alexander Borodin
In the Steppes of Central Asia
68 bpm • A Maj • 07:28 • -25.05db
34% Popularity • 7% Danceability • 3% Energy • 17% Liveness
84% Instrumentalness • 4% Positiveness
34% Popularity • 7% Danceability • 3% Energy • 17% Liveness
84% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Night on Bald Mountain
69 bpm • D Maj • 11:27 • -17db
28% Popularity • 20% Danceability • 22% Energy • 63% Liveness
86% Instrumentalness • 5% Positiveness
28% Popularity • 20% Danceability • 22% Energy • 63% Liveness
86% Instrumentalness • 5% Positiveness
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Hector Berlioz
Berlioz: Symphonie fantastique, H. 48: V...
72 bpm • C min • 02:14 • -21.07db
10% Popularity • 30% Danceability • 4% Energy • 62% Liveness
95% Instrumentalness • 13% Positiveness
10% Popularity • 30% Danceability • 4% Energy • 62% Liveness
95% Instrumentalness • 13% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64: No. 13 Dance o...
73 bpm • C Maj • 05:44 • -24.9db
49% Popularity • 14% Danceability • 6% Energy • 56% Liveness
24% Instrumentalness • 12% Positiveness
49% Popularity • 14% Danceability • 6% Energy • 56% Liveness
24% Instrumentalness • 12% Positiveness
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Ludwig van Beethoven
Symphony No. 7 in A Major, Op. 92: II. A...
68 bpm • E min • 07:41 • -24db
49% Popularity • 12% Danceability • 4% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
49% Popularity • 12% Danceability • 4% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act 2...
73 bpm • C# Maj • 05:30 • -20db
21% Popularity • 17% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
21% Popularity • 17% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
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Carl Orff
Carmina Burana / 3. Cour d'amours: "Si p...
67 bpm • B min • 01:05 • -25.46db
1% Popularity • 38% Danceability • 30% Energy • 90% Liveness
0% Instrumentalness • 11% Positiveness
1% Popularity • 38% Danceability • 30% Energy • 90% Liveness
0% Instrumentalness • 11% Positiveness
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Gustav Holst
Brook Green Suite, H. 190: I. Prelude. A...
67 bpm • C Maj • 01:57 • -27db
34% Popularity • 10% Danceability • 8% Energy • 8% Liveness
85% Instrumentalness • 12% Positiveness
34% Popularity • 10% Danceability • 8% Energy • 8% Liveness
85% Instrumentalness • 12% Positiveness
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Antonio Vivaldi
The Four Seasons: Concerto No. 3 in F Ma...
73 bpm • C Maj • 03:35 • -17.59db
42% Popularity • 43% Danceability • 18% Energy • 17% Liveness
55% Instrumentalness • 28% Positiveness
42% Popularity • 43% Danceability • 18% Energy • 17% Liveness
55% Instrumentalness • 28% Positiveness
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Johannes Brahms
Hungarian Dances, WoO 1: No. 1 in G Mino...
73 bpm • G min • 03:11 • -20db
21% Popularity • 18% Danceability • 16% Energy • 12% Liveness
88% Instrumentalness • 44% Positiveness
21% Popularity • 18% Danceability • 16% Energy • 12% Liveness
88% Instrumentalness • 44% Positiveness
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Ralph Vaughan Williams
Vaughan Williams & Greaves: Fantasia on ...
74 bpm • C min • 04:32 • -31.54db
25% Popularity • 14% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
25% Popularity • 14% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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George Frideric Handel
Passacaglia for Violin and Violoncello a...
74 bpm • G min • 07:21 • -23.88db
28% Popularity • 26% Danceability • 9% Energy • 8% Liveness
65% Instrumentalness • 24% Positiveness
28% Popularity • 26% Danceability • 9% Energy • 8% Liveness
65% Instrumentalness • 24% Positiveness
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Carl Orff
Carmina Burana: Uf dem anger: Were diu w...
74 bpm • D min • 00:53 • -12.99db
8% Popularity • 22% Danceability • 48% Energy • 22% Liveness
88% Instrumentalness • 28% Positiveness
8% Popularity • 22% Danceability • 48% Energy • 22% Liveness
88% Instrumentalness • 28% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Largo al factot...
66 bpm • C Maj • 04:55 • -17.1db
29% Popularity • 39% Danceability • 31% Energy • 15% Liveness
20% Instrumentalness • 44% Positiveness
29% Popularity • 39% Danceability • 31% Energy • 15% Liveness
20% Instrumentalness • 44% Positiveness
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Alexander Borodin
Prince Igor, Act II: Polovtsian Dances, ...
74 bpm • F Maj • 01:15 • -18db
19% Popularity • 34% Danceability • 10% Energy • 18% Liveness
93% Instrumentalness • 27% Positiveness
19% Popularity • 34% Danceability • 10% Energy • 18% Liveness
93% Instrumentalness • 27% Positiveness
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Gabriel Fauré
Requiem, Op. 48: VIII. In Paradisum
74 bpm • D Maj • 03:18 • -25.56db
41% Popularity • 14% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
41% Popularity • 14% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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John Krance
Carmina Burana Suite, "Cantiones profana...
74 bpm • C Maj • 00:55 • -14.36db
4% Popularity • 51% Danceability • 29% Energy • 31% Liveness
92% Instrumentalness • 38% Positiveness
4% Popularity • 51% Danceability • 29% Energy • 31% Liveness
92% Instrumentalness • 38% Positiveness
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Hector Berlioz
Berlioz: Symphonie fantastique, Op. 14, ...
74 bpm • A Maj • 06:44 • -18.12db
19% Popularity • 16% Danceability • 20% Energy • 7% Liveness
74% Instrumentalness • 13% Positiveness
19% Popularity • 16% Danceability • 20% Energy • 7% Liveness
74% Instrumentalness • 13% Positiveness
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Carl Orff
Carmina Burana: III Cour d'amours: Dulci...
74 bpm • B min • 00:45 • -31.07db
18% Popularity • 25% Danceability • 3% Energy • 12% Liveness
40% Instrumentalness • 4% Positiveness
18% Popularity • 25% Danceability • 3% Energy • 12% Liveness
40% Instrumentalness • 4% Positiveness
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Jeff String
Marriage of Figaro
74 bpm • D Maj • 04:00 • -14.33db
18% Popularity • 36% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 33% Positiveness
18% Popularity • 36% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 33% Positiveness
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Jacques Offenbach
Barcarolle
74 bpm • D Maj • 03:40 • -18db
16% Popularity • 13% Danceability • 18% Energy • 37% Liveness
69% Instrumentalness • 12% Positiveness
16% Popularity • 13% Danceability • 18% Energy • 37% Liveness
69% Instrumentalness • 12% Positiveness
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Gabriel Fauré
Requiem, Op. 48: VII. Libera me
74 bpm • D min • 04:49 • -20db
37% Popularity • 15% Danceability • 12% Energy • 10% Liveness
85% Instrumentalness • 6% Positiveness
37% Popularity • 15% Danceability • 12% Energy • 10% Liveness
85% Instrumentalness • 6% Positiveness
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George Frideric Handel
Sarabande from Suite No. 11 for Harpsich...
74 bpm • D min • 03:32 • -20.17db
38% Popularity • 18% Danceability • 9% Energy • 22% Liveness
93% Instrumentalness • 12% Positiveness
38% Popularity • 18% Danceability • 9% Energy • 22% Liveness
93% Instrumentalness • 12% Positiveness
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Richard Wagner
Tannhauser: Pilgrims Chorus
75 bpm • D# Maj • 04:35 • -23.15db
20% Popularity • 8% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
20% Popularity • 8% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Edvard Grieg
Lyric Suite, Op. 54: IV. Troldtog (March...
74 bpm • D Maj • 03:23 • -23.95db
13% Popularity • 21% Danceability • 3% Energy • 16% Liveness
18% Instrumentalness • 7% Positiveness
13% Popularity • 21% Danceability • 3% Energy • 16% Liveness
18% Instrumentalness • 7% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Gli aranci olezza...
75 bpm • A Maj • 07:24 • -22db
27% Popularity • 11% Danceability • 11% Energy • 34% Liveness
67% Instrumentalness • 12% Positiveness
27% Popularity • 11% Danceability • 11% Energy • 34% Liveness
67% Instrumentalness • 12% Positiveness
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Alexander Borodin
Prince Igor, Act II: Polovtsian Dances, ...
75 bpm • A Maj • 02:23 • -22.89db
30% Popularity • 9% Danceability • 10% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
30% Popularity • 9% Danceability • 10% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Toccata and Fugue in D Minor, BWV 565
66 bpm • D min • 09:27 • -17.18db
32% Popularity • 6% Danceability • 12% Energy • 8% Liveness
8% Instrumentalness • 13% Positiveness
32% Popularity • 6% Danceability • 12% Energy • 8% Liveness
8% Instrumentalness • 13% Positiveness
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Howard Hanson
Symphony No. 6: VI. Allegro
65 bpm • A# min • 01:55 • -13db
25% Popularity • 36% Danceability • 35% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
25% Popularity • 36% Danceability • 35% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
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Carl Orff
Carmina Burana: O Fortuna (Da capo)
75 bpm • A# Maj • 02:28 • -18.45db
17% Popularity • 22% Danceability • 19% Energy • 16% Liveness
14% Instrumentalness • 35% Positiveness
17% Popularity • 22% Danceability • 19% Energy • 16% Liveness
14% Instrumentalness • 35% Positiveness
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Charles Gounod
Marche funebre d'une marionnette (Funera...
75 bpm • A Maj • 05:49 • -27.8db
20% Popularity • 42% Danceability • 1% Energy • 8% Liveness
70% Instrumentalness • 28% Positiveness
20% Popularity • 42% Danceability • 1% Energy • 8% Liveness
70% Instrumentalness • 28% Positiveness
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Gabriel Fauré
Pavane in F-Sharp Minor, Op. 50
75 bpm • F# min • 05:44 • -24db
17% Popularity • 18% Danceability • 9% Energy • 17% Liveness
89% Instrumentalness • 7% Positiveness
17% Popularity • 18% Danceability • 9% Energy • 17% Liveness
89% Instrumentalness • 7% Positiveness
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Richard Wagner
Lohengrin: Prelude
75 bpm • A Maj • 09:56 • -25.43db
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 1, Op. 46: I. Mornin...
65 bpm • E Maj • 03:52 • -24.52db
38% Popularity • 14% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
38% Popularity • 14% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Vocalise, Op. 34, No. 14
76 bpm • E min • 05:27 • -25.95db
49% Popularity • 7% Danceability • 7% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
49% Popularity • 7% Danceability • 7% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
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Carl Orff
Orff: Carmina Burana, Pt. 1, Primo vere:...
75 bpm • A# Maj • 02:30 • -16db
24% Popularity • 36% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 36% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Richard Strauss
Also sprach Zarathustra, Op. 30: Sonnena...
76 bpm • C Maj • 01:31 • -18db
29% Popularity • 18% Danceability • 12% Energy • 13% Liveness
52% Instrumentalness • 14% Positiveness
29% Popularity • 18% Danceability • 12% Energy • 13% Liveness
52% Instrumentalness • 14% Positiveness
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Gabriel Fauré
Requiem, Op. 48: II. Kyrie
65 bpm • A# Maj • 05:00 • -23.65db
38% Popularity • 6% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
38% Popularity • 6% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Richard Wagner
Das Rheingold: Einzug der Götter in Wal...
76 bpm • C# Maj • 08:43 • -20.73db
32% Popularity • 16% Danceability • 5% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
32% Popularity • 16% Danceability • 5% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
Gioachino Rossini
Il barbiere di Siviglia (The Barber of S...
76 bpm • C Maj • 04:31 • -17.38db
44% Popularity • 40% Danceability • 31% Energy • 25% Liveness
28% Instrumentalness • 44% Positiveness
44% Popularity • 40% Danceability • 31% Energy • 25% Liveness
28% Instrumentalness • 44% Positiveness
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Franz Schubert
Schubert: Erlkönig, Op. 1, D. 328
76 bpm • A# min • 04:03 • -26.81db
31% Popularity • 40% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
31% Popularity • 40% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
► Preview
Carl Orff
Mater et filia für Frauenchor a cappell...
76 bpm • A# Maj • 01:11 • -24.09db
1% Popularity • 15% Danceability • 7% Energy • 31% Liveness
2% Instrumentalness • 4% Positiveness
1% Popularity • 15% Danceability • 7% Energy • 31% Liveness
2% Instrumentalness • 4% Positiveness
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Johann Strauss II
Frühlingsstimmen, Op. 410
76 bpm • F# min • 06:14 • -16.7db
23% Popularity • 33% Danceability • 17% Energy • 23% Liveness
50% Instrumentalness • 34% Positiveness
23% Popularity • 33% Danceability • 17% Energy • 23% Liveness
50% Instrumentalness • 34% Positiveness
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Gabriel Fauré
Requiem, Op. 48: IV. Sanctus
64 bpm • D# Maj • 03:09 • -21db
39% Popularity • 16% Danceability • 10% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
39% Popularity • 16% Danceability • 10% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
Angel Antonio González
Tocata y Fuga in D Minor, BWV 565
76 bpm • D min • 09:45 • -13db
23% Popularity • 9% Danceability • 24% Energy • 11% Liveness
85% Instrumentalness • 5% Positiveness
23% Popularity • 9% Danceability • 24% Energy • 11% Liveness
85% Instrumentalness • 5% Positiveness
► Preview
Ludwig van Beethoven
Beethoven: Symphony No. 7 in A Major, Op...
77 bpm • E min • 02:41 • -17db
25% Popularity • 24% Danceability • 4% Energy • 7% Liveness
63% Instrumentalness • 5% Positiveness
25% Popularity • 24% Danceability • 4% Energy • 7% Liveness
63% Instrumentalness • 5% Positiveness
► Preview
Nikolaus Harnoncourt
Mozart: Requiem in D Minor, K. 626: III....
77 bpm • G min • 01:51 • -18.33db
28% Popularity • 39% Danceability • 35% Energy • 23% Liveness
1% Instrumentalness • 27% Positiveness
28% Popularity • 39% Danceability • 35% Energy • 23% Liveness
1% Instrumentalness • 27% Positiveness
► Preview
Carl Orff
Wiegenlied beim Mondschein zu singen, Ma...
77 bpm • C Maj • 02:48 • -33.53db
0% Popularity • 50% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
0% Popularity • 50% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
John Krance
Carmina Burana Suite, "Cantiones profana...
77 bpm • E min • 01:39 • -14db
13% Popularity • 28% Danceability • 20% Energy • 40% Liveness
77% Instrumentalness • 30% Positiveness
13% Popularity • 28% Danceability • 20% Energy • 40% Liveness
77% Instrumentalness • 30% Positiveness
► Preview
Gustav Holst
The Planets, Op. 32: I. Mars, the Bringe...
77 bpm • G Maj • 07:09 • -14.71db
44% Popularity • 29% Danceability • 32% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
44% Popularity • 29% Danceability • 32% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
► Preview
Igor Stravinsky
The Firebird Suite *: Finale
64 bpm • C# min • 03:32 • -14.96db
29% Popularity • 19% Danceability • 31% Energy • 6% Liveness
81% Instrumentalness • 6% Positiveness
29% Popularity • 19% Danceability • 31% Energy • 6% Liveness
81% Instrumentalness • 6% Positiveness
► Preview
Ludwig van Beethoven
II. Allegretto
77 bpm • E min • 07:35 • -23db
28% Popularity • 24% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
28% Popularity • 24% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Elena Filipova
Messa da Requiem: II Lacrymosa
77 bpm • A# min • 05:45 • -22db
32% Popularity • 19% Danceability • 15% Energy • 9% Liveness
7% Instrumentalness • 4% Positiveness
32% Popularity • 19% Danceability • 15% Energy • 9% Liveness
7% Instrumentalness • 4% Positiveness
► Preview
Carl Orff
Carmina Burana: Veris leta facies
77 bpm • D Maj • 04:31 • -38db
21% Popularity • 7% Danceability • 0% Energy • 12% Liveness
47% Instrumentalness • 5% Positiveness
21% Popularity • 7% Danceability • 0% Energy • 12% Liveness
47% Instrumentalness • 5% Positiveness
► Preview
Charles Gounod
Roméo et Juliette, CG 9 / Act 1: "Ah, j...
77 bpm • C Maj • 03:52 • -12.17db
31% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Tale of Tsar Saltan, Op. 57: Flight of t...
77 bpm • D min • 01:37 • -31db
49% Popularity • 44% Danceability • 2% Energy • 36% Liveness
97% Instrumentalness • 44% Positiveness
49% Popularity • 44% Danceability • 2% Energy • 36% Liveness
97% Instrumentalness • 44% Positiveness
► Preview
Erik Satie
Gymnopédie No. 1 in D Major: Lent et do...
63 bpm • G Maj • 03:41 • -24db
15% Popularity • 13% Danceability • 10% Energy • 12% Liveness
68% Instrumentalness • 9% Positiveness
15% Popularity • 13% Danceability • 10% Energy • 12% Liveness
68% Instrumentalness • 9% Positiveness
► Preview
Léo Delibes
Lakmé, Act 1: Dôme épais le jasmin "F...
77 bpm • B Maj • 01:30 • -15.81db
44% Popularity • 30% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 18% Positiveness
44% Popularity • 30% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Gustav Holst
Holst: The Planets, Op. 32: I. Mars, the...
78 bpm • F min • 07:01 • -17.21db
13% Popularity • 24% Danceability • 27% Energy • 20% Liveness
95% Instrumentalness • 7% Positiveness
13% Popularity • 24% Danceability • 27% Energy • 20% Liveness
95% Instrumentalness • 7% Positiveness
► Preview
Hector Berlioz
Symphonie fantastique, H. 48: Vb. Songe ...
63 bpm • G min • 01:49 • -21.43db
39% Popularity • 47% Danceability • 9% Energy • 66% Liveness
94% Instrumentalness • 17% Positiveness
39% Popularity • 47% Danceability • 9% Energy • 66% Liveness
94% Instrumentalness • 17% Positiveness
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Orquesta Sinfonica de Londres
Sinfonische Dichtung für großes Orches...
78 bpm • F Maj • 01:48 • -12.98db
20% Popularity • 22% Danceability • 42% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
20% Popularity • 22% Danceability • 42% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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St. Petersburg State Symphony Orchestra
Act I - Dance Of The Soviet Sailors: App...
79 bpm • D min • 03:34 • -16db
19% Popularity • 29% Danceability • 31% Energy • 9% Liveness
84% Instrumentalness • 56% Positiveness
19% Popularity • 29% Danceability • 31% Energy • 9% Liveness
84% Instrumentalness • 56% Positiveness
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Carl Orff
Carmina Burana: Tempus est iocundum
78 bpm • D Maj • 02:18 • -19.63db
16% Popularity • 46% Danceability • 31% Energy • 68% Liveness
0% Instrumentalness • 35% Positiveness
16% Popularity • 46% Danceability • 31% Energy • 68% Liveness
0% Instrumentalness • 35% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64 / Act 1: Dance ...
79 bpm • C Maj • 05:07 • -20.88db
56% Popularity • 20% Danceability • 7% Energy • 22% Liveness
74% Instrumentalness • 14% Positiveness
56% Popularity • 20% Danceability • 7% Energy • 22% Liveness
74% Instrumentalness • 14% Positiveness
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Gabriel Fauré
Fauré: Pavane, Op. 50
62 bpm • F# min • 06:25 • -26.8db
48% Popularity • 7% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
48% Popularity • 7% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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John Krance
Carmina Burana Suite, "Cantiones profana...
62 bpm • E min • 01:23 • -11.79db
6% Popularity • 34% Danceability • 21% Energy • 26% Liveness
1% Instrumentalness • 35% Positiveness
6% Popularity • 34% Danceability • 21% Energy • 26% Liveness
1% Instrumentalness • 35% Positiveness
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Nikolai Rimsky-Korsakov
The Tale of Tsar Saltan: The Tale of Tsa...
80 bpm • G Maj • 01:30 • -27.64db
54% Popularity • 43% Danceability • 8% Energy • 35% Liveness
96% Instrumentalness • 24% Positiveness
54% Popularity • 43% Danceability • 8% Energy • 35% Liveness
96% Instrumentalness • 24% Positiveness
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Richard Wagner
Tannhäuser, WWV 70 - Paris version / Ac...
80 bpm • D# Maj • 04:56 • -17.52db
27% Popularity • 10% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
27% Popularity • 10% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
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Carl Orff
Acht Stücke für Zwei Violinen
80 bpm • C Maj • 01:15 • -33.9db
4% Popularity • 19% Danceability • 1% Energy • 5% Liveness
8% Instrumentalness • 26% Positiveness
4% Popularity • 19% Danceability • 1% Energy • 5% Liveness
8% Instrumentalness • 26% Positiveness
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Franz von Suppé
Morning, Noon and Night in Vienna
80 bpm • F Maj • 08:08 • -14.05db
23% Popularity • 18% Danceability • 19% Energy • 27% Liveness
88% Instrumentalness • 10% Positiveness
23% Popularity • 18% Danceability • 19% Energy • 27% Liveness
88% Instrumentalness • 10% Positiveness
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Gustav Mahler
Symphony No. 2 In C Minor - "Resurrectio...
80 bpm • C min • 02:30 • -19.35db
43% Popularity • 28% Danceability • 8% Energy • 39% Liveness
91% Instrumentalness • 24% Positiveness
43% Popularity • 28% Danceability • 8% Energy • 39% Liveness
91% Instrumentalness • 24% Positiveness
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Orchestra of the Viennese Volksoper & Alfred Scholz
Tritsch Tratsch - Galopp Polka, Op. 214
80 bpm • A Maj • 02:42 • -20db
37% Popularity • 61% Danceability • 24% Energy • 13% Liveness
2% Instrumentalness • 77% Positiveness
37% Popularity • 61% Danceability • 24% Energy • 13% Liveness
2% Instrumentalness • 77% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
80 bpm • F# min • 04:09 • -17db
38% Popularity • 23% Danceability • 21% Energy • 14% Liveness
82% Instrumentalness • 30% Positiveness
38% Popularity • 23% Danceability • 21% Energy • 14% Liveness
82% Instrumentalness • 30% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: Aquariu...
81 bpm • A min • 02:01 • -31.36db
50% Popularity • 28% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 13% Positiveness
50% Popularity • 28% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 13% Positiveness
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Carl Orff
Carmina Burana / 1. Primo vere: "Veris l...
61 bpm • A min • 04:05 • -38db
11% Popularity • 17% Danceability • 1% Energy • 14% Liveness
2% Instrumentalness • 18% Positiveness
11% Popularity • 17% Danceability • 1% Energy • 14% Liveness
2% Instrumentalness • 18% Positiveness
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Jacques Offenbach
Orphée aux enfers: Overture (Arr. C. Bi...
81 bpm • G Maj • 08:53 • -19db
18% Popularity • 23% Danceability • 20% Energy • 6% Liveness
80% Instrumentalness • 16% Positiveness
18% Popularity • 23% Danceability • 20% Energy • 6% Liveness
80% Instrumentalness • 16% Positiveness
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Gustav Mahler
Mahler: Symphony No. 2 in C Minor "Resur...
80 bpm • D# Maj • 04:46 • -13db
27% Popularity • 10% Danceability • 38% Energy • 9% Liveness
30% Instrumentalness • 6% Positiveness
27% Popularity • 10% Danceability • 38% Energy • 9% Liveness
30% Instrumentalness • 6% Positiveness
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Ruggero Leoncavallo
Pagliacci / Act 1: "Recitar!...Vesti la ...
81 bpm • E min • 03:41 • -13db
33% Popularity • 20% Danceability • 36% Energy • 10% Liveness
51% Instrumentalness • 8% Positiveness
33% Popularity • 20% Danceability • 36% Energy • 10% Liveness
51% Instrumentalness • 8% Positiveness
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Johann Strauss II
Perpetuum mobile, Op. 257
81 bpm • D# Maj • 02:51 • -25.52db
35% Popularity • 48% Danceability • 23% Energy • 74% Liveness
60% Instrumentalness • 69% Positiveness
35% Popularity • 48% Danceability • 23% Energy • 74% Liveness
60% Instrumentalness • 69% Positiveness
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Ludwig van Beethoven
String Quartet No. 14 in C-Sharp Minor, ...
81 bpm • G# min • 02:02 • -26.75db
26% Popularity • 22% Danceability • 2% Energy • 16% Liveness
77% Instrumentalness • 4% Positiveness
26% Popularity • 22% Danceability • 2% Energy • 16% Liveness
77% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Dvořák: 8 Slavonic Dances, Op. 72, B. ...
81 bpm • C Maj • 02:36 • -19.56db
25% Popularity • 16% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
25% Popularity • 16% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
► Preview
Gaetano Donizetti
La fille du régiment / Act 1: Ah! mes a...
82 bpm • D# Maj • 01:43 • -14.88db
40% Popularity • 47% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 47% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
Henry Purcell
Purcell: March and Canzona for Queen Mar...
82 bpm • C min • 02:17 • -24.6db
30% Popularity • 19% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
30% Popularity • 19% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
► Preview
![Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] cover art](https://i.scdn.co/image/ab67616d00001e02c21d253eed4ccdd547b4b94d)
Aram Khachaturian
Spartacus, Act III: Adagio of Spartacus ...
82 bpm • F# min • 09:23 • -21.48db
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
