Songs like Carmina Burana, Blanziflor et Helena: XXIV. Ave formosissima by Carl Orff
Based on a tempo of (+/- 10%) and a similar genre
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Luigi Boccherini
String Quintet in E Major, G. 275: III. ...
112 bpm • A Maj • 03:24 • -34db
31% Popularity • 47% Danceability • 1% Energy • 9% Liveness
3% Instrumentalness • 49% Positiveness
31% Popularity • 47% Danceability • 1% Energy • 9% Liveness
3% Instrumentalness • 49% Positiveness
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AntonÃn Dvořák
Dvořák: Symphony No. 9 in E Minor, Op....
112 bpm • E min • 09:17 • -18.03db
14% Popularity • 28% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 10% Positiveness
14% Popularity • 28% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 10% Positiveness
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Carl Orff
Zwei A Capella-Chöre, Carl Orff 1953
112 bpm • C Maj • 02:44 • -24.55db
0% Popularity • 25% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
0% Popularity • 25% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36,...
110 bpm • G min • 01:27 • -33db
53% Popularity • 16% Danceability • 1% Energy • 14% Liveness
76% Instrumentalness • 4% Positiveness
53% Popularity • 16% Danceability • 1% Energy • 14% Liveness
76% Instrumentalness • 4% Positiveness
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Carl Nielsen
Aladdin Suite, Op. 34, FS 89: I. The Fes...
112 bpm • A min • 02:59 • -16.98db
34% Popularity • 30% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
34% Popularity • 30% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Act II: Polovt...
110 bpm • D Maj • 10:42 • -15db
49% Popularity • 29% Danceability • 25% Energy • 11% Liveness
52% Instrumentalness • 9% Positiveness
49% Popularity • 29% Danceability • 25% Energy • 11% Liveness
52% Instrumentalness • 9% Positiveness
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Antonio Vivaldi
The Four Seasons: Concerto No. 1 in E Ma...
112 bpm • E Maj • 03:22 • -17db
50% Popularity • 49% Danceability • 14% Energy • 25% Liveness
74% Instrumentalness • 23% Positiveness
50% Popularity • 49% Danceability • 14% Energy • 25% Liveness
74% Instrumentalness • 23% Positiveness
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Johann Strauss I
J. Strauss: Radetzky March
112 bpm • A Maj • 02:52 • -17.26db
31% Popularity • 57% Danceability • 41% Energy • 17% Liveness
7% Instrumentalness • 78% Positiveness
31% Popularity • 57% Danceability • 41% Energy • 17% Liveness
7% Instrumentalness • 78% Positiveness
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Carl Orff
Carmina Burana: I Primo vere: Eris leta ...
112 bpm • A min • 03:21 • -33.09db
9% Popularity • 19% Danceability • 2% Energy • 31% Liveness
86% Instrumentalness • 20% Positiveness
9% Popularity • 19% Danceability • 2% Energy • 31% Liveness
86% Instrumentalness • 20% Positiveness
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Percy Grainger
Handel in the Strand, RMTB 2a
112 bpm • G Maj • 04:02 • -20db
15% Popularity • 50% Danceability • 14% Energy • 16% Liveness
93% Instrumentalness • 52% Positiveness
15% Popularity • 50% Danceability • 14% Energy • 16% Liveness
93% Instrumentalness • 52% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64: Montagues and ...
113 bpm • A min • 05:37 • -21.69db
14% Popularity • 26% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
14% Popularity • 26% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Camille Saint-Saëns
Samson et Dalila: Bacchanale
109 bpm • A min • 08:02 • -23db
32% Popularity • 30% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 12% Positiveness
32% Popularity • 30% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 12% Positiveness
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Antonio Salieri
Sinfonia in D Major, "La Veneziana": III...
109 bpm • D Maj • 02:27 • -19db
41% Popularity • 46% Danceability • 14% Energy • 16% Liveness
89% Instrumentalness • 71% Positiveness
41% Popularity • 46% Danceability • 14% Energy • 16% Liveness
89% Instrumentalness • 71% Positiveness
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Johann Strauss II
Die Fledermaus: Overture
109 bpm • D Maj • 07:40 • -14.49db
43% Popularity • 39% Danceability • 24% Energy • 5% Liveness
78% Instrumentalness • 20% Positiveness
43% Popularity • 39% Danceability • 24% Energy • 5% Liveness
78% Instrumentalness • 20% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 2: IV. Chanson d...
113 bpm • F Maj • 02:39 • -18db
35% Popularity • 56% Danceability • 11% Energy • 5% Liveness
85% Instrumentalness • 26% Positiveness
35% Popularity • 56% Danceability • 11% Energy • 5% Liveness
85% Instrumentalness • 26% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
113 bpm • D# Maj • 08:09 • -18.67db
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
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Edvard Grieg
Peer Gynt, Op. 23 - Incidental Music: No...
113 bpm • B min • 03:50 • -33.26db
21% Popularity • 17% Danceability • 1% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
21% Popularity • 17% Danceability • 1% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
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Johannes Brahms
Brahms: 21 Hungarian Dances, WoO 1: No. ...
109 bpm • G min • 02:52 • -16db
21% Popularity • 42% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 42% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Carl Orff
Orff: Carmina Burana, Pt. 3, Cour d'amou...
113 bpm • G Maj • 00:55 • -33db
14% Popularity • 41% Danceability • 12% Energy • 42% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 41% Danceability • 12% Energy • 42% Liveness
0% Instrumentalness • 29% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
113 bpm • E Maj • 03:07 • -14.42db
50% Popularity • 57% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 38% Positiveness
50% Popularity • 57% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 38% Positiveness
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Alexander Borodin
Prince Igor, Act II: Polovtsian Dances, ...
109 bpm • D Maj • 05:18 • -13.88db
11% Popularity • 30% Danceability • 32% Energy • 7% Liveness
71% Instrumentalness • 12% Positiveness
11% Popularity • 30% Danceability • 32% Energy • 7% Liveness
71% Instrumentalness • 12% Positiveness
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Minnesota Orchestra
Romeo and Juliet, Suite No.2 from the ba...
108 bpm • A min • 05:22 • -18db
13% Popularity • 24% Danceability • 14% Energy • 4% Liveness
34% Instrumentalness • 6% Positiveness
13% Popularity • 24% Danceability • 14% Energy • 4% Liveness
34% Instrumentalness • 6% Positiveness
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Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78, R. 17...
108 bpm • C Maj • 07:26 • -13db
20% Popularity • 28% Danceability • 36% Energy • 10% Liveness
93% Instrumentalness • 16% Positiveness
20% Popularity • 28% Danceability • 36% Energy • 10% Liveness
93% Instrumentalness • 16% Positiveness
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Henry Purcell
King Arthur, Z. 628, "The British Worthy...
114 bpm • C# min • 01:25 • -24.82db
48% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
48% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
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Carl Orff
Carmina Burana: Fortune plango vulnera
114 bpm • A min • 03:02 • -24.23db
12% Popularity • 47% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
12% Popularity • 47% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Charles Gounod
Gounod : Faust : Act 1 "Le veau d'or" [M...
108 bpm • G# Maj • 02:06 • -17.15db
15% Popularity • 47% Danceability • 40% Energy • 55% Liveness
0% Instrumentalness • 48% Positiveness
15% Popularity • 47% Danceability • 40% Energy • 55% Liveness
0% Instrumentalness • 48% Positiveness
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Edvard Grieg
Grieg: Peer Gynt, Op. 23, Act 2: No. 7, ...
115 bpm • B min • 02:24 • -17db
15% Popularity • 40% Danceability • 19% Energy • 9% Liveness
85% Instrumentalness • 23% Positiveness
15% Popularity • 40% Danceability • 19% Energy • 9% Liveness
85% Instrumentalness • 23% Positiveness
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Aram Khachaturian
Masquerade Suite: I. Waltz
108 bpm • C Maj • 03:45 • -12db
11% Popularity • 37% Danceability • 41% Energy • 16% Liveness
49% Instrumentalness • 28% Positiveness
11% Popularity • 37% Danceability • 41% Energy • 16% Liveness
49% Instrumentalness • 28% Positiveness
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Johannes Brahms
Hungarian Dance No. 5 in G Minor, WoO 1,...
107 bpm • F# min • 02:30 • -18.67db
51% Popularity • 35% Danceability • 5% Energy • 23% Liveness
15% Instrumentalness • 30% Positiveness
51% Popularity • 35% Danceability • 5% Energy • 23% Liveness
15% Instrumentalness • 30% Positiveness
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George Frideric Handel
Music for the Royal Fireworks, HWV 351: ...
107 bpm • C# Maj • 02:07 • -13.49db
30% Popularity • 38% Danceability • 44% Energy • 13% Liveness
86% Instrumentalness • 64% Positiveness
30% Popularity • 38% Danceability • 44% Energy • 13% Liveness
86% Instrumentalness • 64% Positiveness
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Carl Orff
Acht Stücke für Zwei Violinen
108 bpm • A min • 01:00 • -32.49db
1% Popularity • 26% Danceability • 0% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 26% Danceability • 0% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Sir Roger Norrington
Symphony No. 5 in C minor Op. 67: I. All...
107 bpm • C min • 06:32 • -20.12db
18% Popularity • 39% Danceability • 15% Energy • 15% Liveness
90% Instrumentalness • 8% Positiveness
18% Popularity • 39% Danceability • 15% Energy • 15% Liveness
90% Instrumentalness • 8% Positiveness
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Edvard Grieg
Grieg: Peer Gynt, Op. 23, Act 2: No. 7, ...
115 bpm • G Maj • 02:41 • -22db
7% Popularity • 43% Danceability • 5% Energy • 26% Liveness
14% Instrumentalness • 16% Positiveness
7% Popularity • 43% Danceability • 5% Energy • 26% Liveness
14% Instrumentalness • 16% Positiveness
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Karoly Botvay
The 4 Seasons: Violin Concerto in F majo...
107 bpm • F Maj • 05:22 • -24db
40% Popularity • 43% Danceability • 3% Energy • 15% Liveness
30% Instrumentalness • 18% Positiveness
40% Popularity • 43% Danceability • 3% Energy • 15% Liveness
30% Instrumentalness • 18% Positiveness
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Jean-Philippe Rameau
Les Indes galantes, RCT 44 / Entrée IV:...
107 bpm • G min • 02:00 • -17.61db
38% Popularity • 55% Danceability • 33% Energy • 15% Liveness
2% Instrumentalness • 64% Positiveness
38% Popularity • 55% Danceability • 33% Energy • 15% Liveness
2% Instrumentalness • 64% Positiveness
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John Krance
Carmina Burana Suite, "Cantiones profana...
107 bpm • A min • 02:03 • -18.49db
18% Popularity • 44% Danceability • 8% Energy • 9% Liveness
99% Instrumentalness • 63% Positiveness
18% Popularity • 44% Danceability • 8% Energy • 9% Liveness
99% Instrumentalness • 63% Positiveness
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CHA Medical Center
Orchestral Suite No.2 in B minor, BWV106...
116 bpm • B min • 01:29 • -18.34db
45% Popularity • 55% Danceability • 22% Energy • 12% Liveness
1% Instrumentalness • 84% Positiveness
45% Popularity • 55% Danceability • 22% Energy • 12% Liveness
1% Instrumentalness • 84% Positiveness
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Camille Saint-Saëns
Danse macabre in G Minor, Op. 40
116 bpm • G min • 07:12 • -20.42db
54% Popularity • 44% Danceability • 18% Energy • 6% Liveness
66% Instrumentalness • 17% Positiveness
54% Popularity • 44% Danceability • 18% Energy • 6% Liveness
66% Instrumentalness • 17% Positiveness
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Edvard Grieg
Peer Gynt, Op. 23: No. 8, In the Hall of...
116 bpm • G Maj • 02:52 • -20db
16% Popularity • 48% Danceability • 10% Energy • 14% Liveness
42% Instrumentalness • 36% Positiveness
16% Popularity • 48% Danceability • 10% Energy • 14% Liveness
42% Instrumentalness • 36% Positiveness
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John Keating/London Symphony Orchestra
Brahms Symphony No. 3 - 3rd Movement
116 bpm • C min • 04:58 • -18.84db
14% Popularity • 19% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
14% Popularity • 19% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Pavane, Op. 50
117 bpm • F# min • 07:46 • -31db
16% Popularity • 18% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
16% Popularity • 18% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Carl Orff
Zwei A Capella-Chöre, Carl Orff 1953
117 bpm • G Maj • 01:09 • -28.94db
4% Popularity • 28% Danceability • 5% Energy • 9% Liveness
36% Instrumentalness • 4% Positiveness
4% Popularity • 28% Danceability • 5% Energy • 9% Liveness
36% Instrumentalness • 4% Positiveness
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Niccolò Paganini
Violin Concerto No. 2 in B Minor, Op. 7,...
105 bpm • B min • 08:43 • -23.55db
48% Popularity • 47% Danceability • 18% Energy • 37% Liveness
31% Instrumentalness • 24% Positiveness
48% Popularity • 47% Danceability • 18% Energy • 37% Liveness
31% Instrumentalness • 24% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
106 bpm • C Maj • 08:00 • -17db
34% Popularity • 24% Danceability • 27% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
34% Popularity • 24% Danceability • 27% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
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Sergei Prokofiev
Scythian Suite, Op. 20: II. The Enemy of...
118 bpm • C Maj • 03:11 • -18.6db
24% Popularity • 54% Danceability • 34% Energy • 58% Liveness
73% Instrumentalness • 31% Positiveness
24% Popularity • 54% Danceability • 34% Energy • 58% Liveness
73% Instrumentalness • 31% Positiveness
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Léo Delibes
Lakmé / Act 1: Viens, Mallika, ... Dôm...
105 bpm • B Maj • 05:00 • -18.91db
24% Popularity • 30% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
24% Popularity • 30% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
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Paul Dukas
L'Apprenti sorcier
117 bpm • F min • 11:38 • -16db
28% Popularity • 38% Danceability • 35% Energy • 7% Liveness
71% Instrumentalness • 9% Positiveness
28% Popularity • 38% Danceability • 35% Energy • 7% Liveness
71% Instrumentalness • 9% Positiveness
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Carl Orff
Wessobrunner Gebet für Chor a cappella,...
105 bpm • G Maj • 01:45 • -26.02db
2% Popularity • 22% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
2% Popularity • 22% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Chor der Staatsoper Budapest
Tannhäuser: Pilgerchor
118 bpm • D# Maj • 06:23 • -17db
17% Popularity • 21% Danceability • 15% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
17% Popularity • 21% Danceability • 15% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
A Night On The Bare Mountain
104 bpm • D Maj • 11:50 • -21db
33% Popularity • 27% Danceability • 12% Energy • 13% Liveness
84% Instrumentalness • 6% Positiveness
33% Popularity • 27% Danceability • 12% Energy • 13% Liveness
84% Instrumentalness • 6% Positiveness
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Sergei Prokofiev
Act 1: XIII. Dance of the Knights
104 bpm • C Maj • 05:29 • -22.15db
22% Popularity • 28% Danceability • 5% Energy • 20% Liveness
75% Instrumentalness • 10% Positiveness
22% Popularity • 28% Danceability • 5% Energy • 20% Liveness
75% Instrumentalness • 10% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade: The voice of Scheherazade
104 bpm • G Maj • 03:47 • -23db
32% Popularity • 25% Danceability • 10% Energy • 13% Liveness
74% Instrumentalness • 4% Positiveness
32% Popularity • 25% Danceability • 10% Energy • 13% Liveness
74% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Guillaume Tell: Guillaume Tell: Overture
103 bpm • E Maj • 11:35 • -19db
29% Popularity • 28% Danceability • 14% Energy • 21% Liveness
67% Instrumentalness • 9% Positiveness
29% Popularity • 28% Danceability • 14% Energy • 21% Liveness
67% Instrumentalness • 9% Positiveness
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Carl Orff
Carmina Burana - III - Cours D'amour : T...
104 bpm • D Maj • 02:07 • -17db
21% Popularity • 41% Danceability • 35% Energy • 88% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 41% Danceability • 35% Energy • 88% Liveness
0% Instrumentalness • 48% Positiveness
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Karoly Botvay
Sinfonia in C major, RV 112: I. Allegro
119 bpm • G Maj • 01:56 • -22db
59% Popularity • 43% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
59% Popularity • 43% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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Richard Wagner
Lohengrin, WWV 75: Prelude To Act III
120 bpm • G Maj • 03:18 • -16db
23% Popularity • 27% Danceability • 33% Energy • 41% Liveness
93% Instrumentalness • 17% Positiveness
23% Popularity • 27% Danceability • 33% Energy • 41% Liveness
93% Instrumentalness • 17% Positiveness
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Alexander Borodin
Polovtsian Dances From "Prince Igor"
103 bpm • D Maj • 11:30 • -21.85db
34% Popularity • 22% Danceability • 10% Energy • 9% Liveness
62% Instrumentalness • 8% Positiveness
34% Popularity • 22% Danceability • 10% Energy • 9% Liveness
62% Instrumentalness • 8% Positiveness
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Nikolai Rimsky-Korsakov
Shéhérazade, Op. 35: III. The Young Pr...
103 bpm • G Maj • 09:54 • -31.17db
23% Popularity • 16% Danceability • 3% Energy • 7% Liveness
61% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 3% Energy • 7% Liveness
61% Instrumentalness • 4% Positiveness
► Preview
Luigi Boccherini
String Quintet No. 60 in C Major, Op. 30...
103 bpm • C Maj • 03:30 • -17db
33% Popularity • 61% Danceability • 11% Energy • 11% Liveness
50% Instrumentalness • 10% Positiveness
33% Popularity • 61% Danceability • 11% Energy • 11% Liveness
50% Instrumentalness • 10% Positiveness
► Preview
Carl Orff
Der Tod, Matthias Claudius, für Sprechs...
103 bpm • G min • 01:32 • -34.97db
1% Popularity • 64% Danceability • 0% Energy • 24% Liveness
0% Instrumentalness • 30% Positiveness
1% Popularity • 64% Danceability • 0% Energy • 24% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
Igor Stravinsky
The Rite of Spring: Part One: Adoration ...
120 bpm • A# Maj • 02:59 • -19.71db
36% Popularity • 49% Danceability • 28% Energy • 64% Liveness
90% Instrumentalness • 52% Positiveness
36% Popularity • 49% Danceability • 28% Energy • 64% Liveness
90% Instrumentalness • 52% Positiveness
► Preview
Franz Schubert
3 Marches militaires, D. 733: Marche Mil...
102 bpm • D Maj • 05:27 • -18db
10% Popularity • 41% Danceability • 19% Energy • 7% Liveness
90% Instrumentalness • 38% Positiveness
10% Popularity • 41% Danceability • 19% Energy • 7% Liveness
90% Instrumentalness • 38% Positiveness
► Preview
Pavel Kogan
Scherzo in D Minor
121 bpm • D min • 04:49 • -14.2db
20% Popularity • 53% Danceability • 38% Energy • 12% Liveness
90% Instrumentalness • 57% Positiveness
20% Popularity • 53% Danceability • 38% Energy • 12% Liveness
90% Instrumentalness • 57% Positiveness
► Preview
Camille Saint-Saëns
Danse macabre, Op. 40
102 bpm • G min • 07:48 • -23.73db
38% Popularity • 35% Danceability • 11% Energy • 8% Liveness
54% Instrumentalness • 6% Positiveness
38% Popularity • 35% Danceability • 11% Energy • 8% Liveness
54% Instrumentalness • 6% Positiveness
► Preview
Manuel de Falla
El sombrero de tres picos, Pt. 1: III. D...
121 bpm • D Maj • 03:34 • -21.9db
35% Popularity • 31% Danceability • 9% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
35% Popularity • 31% Danceability • 9% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
► Preview
George Frideric Handel
Music for the Royal Fireworks: Suite HWV...
102 bpm • C# Maj • 02:15 • -15.52db
43% Popularity • 58% Danceability • 42% Energy • 18% Liveness
96% Instrumentalness • 85% Positiveness
43% Popularity • 58% Danceability • 42% Energy • 18% Liveness
96% Instrumentalness • 85% Positiveness
► Preview
Johannes Brahms
Symphony No. 3 in F Major, Op. 90: III. ...
101 bpm • C min • 06:31 • -27.73db
41% Popularity • 14% Danceability • 3% Energy • 28% Liveness
84% Instrumentalness • 5% Positiveness
41% Popularity • 14% Danceability • 3% Energy • 28% Liveness
84% Instrumentalness • 5% Positiveness
► Preview
Carl Orff
Orpheus: Toccata
101 bpm • E min • 02:21 • -13.83db
0% Popularity • 19% Danceability • 24% Energy • 32% Liveness
31% Instrumentalness • 4% Positiveness
0% Popularity • 19% Danceability • 24% Energy • 32% Liveness
31% Instrumentalness • 4% Positiveness
► Preview
Hector Berlioz
Symphonie fantastique, Op. 14: V. Songe ...
121 bpm • G min • 10:13 • -16.94db
16% Popularity • 36% Danceability • 24% Energy • 11% Liveness
69% Instrumentalness • 9% Positiveness
16% Popularity • 36% Danceability • 24% Energy • 11% Liveness
69% Instrumentalness • 9% Positiveness
► Preview
Sergei Prokofiev
Romeo & Juliet, Op. 64, Act I: No. 13, D...
101 bpm • C Maj • 05:34 • -23.86db
27% Popularity • 27% Danceability • 5% Energy • 10% Liveness
72% Instrumentalness • 14% Positiveness
27% Popularity • 27% Danceability • 5% Energy • 10% Liveness
72% Instrumentalness • 14% Positiveness
► Preview
Johann Strauss II
Frühlingsstimmen, Op. 410
101 bpm • A# Maj • 06:02 • -20.15db
14% Popularity • 28% Danceability • 14% Energy • 30% Liveness
93% Instrumentalness • 22% Positiveness
14% Popularity • 28% Danceability • 14% Energy • 30% Liveness
93% Instrumentalness • 22% Positiveness
► Preview
Edward Elgar
Military Marches, Op. 39 "Pomp and Circu...
122 bpm • D Maj • 06:14 • -15.17db
31% Popularity • 28% Danceability • 32% Energy • 17% Liveness
91% Instrumentalness • 27% Positiveness
31% Popularity • 28% Danceability • 32% Energy • 17% Liveness
91% Instrumentalness • 27% Positiveness
► Preview
Edvard Grieg
Grieg: Peer Gynt, Op. 23, Act 3: No. 12,...
122 bpm • B min • 05:07 • -26.05db
11% Popularity • 17% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288: Baccha...
122 bpm • A min • 07:15 • -26.58db
23% Popularity • 26% Danceability • 8% Energy • 11% Liveness
70% Instrumentalness • 8% Positiveness
23% Popularity • 26% Danceability • 8% Energy • 11% Liveness
70% Instrumentalness • 8% Positiveness
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![Brandenburg Concerto No. 3 in G Major, BWV 1048: I. [Allegro] cover art](https://i.scdn.co/image/ab67616d00001e024747d8d612db02dd7791a699)
Johann Sebastian Bach
Brandenburg Concerto No. 3 in G Major, B...
101 bpm • F# Maj • 05:32 • -14.77db
50% Popularity • 57% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
50% Popularity • 57% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Alexander Litvinovsky
Le grand cahier: X. L'incendie
122 bpm • B Maj • 02:20 • -17db
41% Popularity • 50% Danceability • 27% Energy • 57% Liveness
80% Instrumentalness • 21% Positiveness
41% Popularity • 50% Danceability • 27% Energy • 57% Liveness
80% Instrumentalness • 21% Positiveness
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John Krance
Carmina Burana Suite, "Cantiones profana...
122 bpm • D min • 02:16 • -14.9db
1% Popularity • 49% Danceability • 21% Energy • 9% Liveness
75% Instrumentalness • 57% Positiveness
1% Popularity • 49% Danceability • 21% Energy • 9% Liveness
75% Instrumentalness • 57% Positiveness
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Carl Orff
Carmina Burana / Fortuna Imperatrix Mund...
123 bpm • D min • 02:42 • -17.53db
39% Popularity • 50% Danceability • 24% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
39% Popularity • 50% Danceability • 24% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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Richard Wagner
Die Walküre, WWV 86B - Concert version ...
100 bpm • G Maj • 04:53 • -14.32db
39% Popularity • 29% Danceability • 35% Energy • 12% Liveness
75% Instrumentalness • 16% Positiveness
39% Popularity • 29% Danceability • 35% Energy • 12% Liveness
75% Instrumentalness • 16% Positiveness
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Camille Saint-Saëns
Samson et Dalila: Bacchanale
122 bpm • D min • 07:39 • -21.71db
24% Popularity • 28% Danceability • 13% Energy • 8% Liveness
33% Instrumentalness • 8% Positiveness
24% Popularity • 28% Danceability • 13% Energy • 8% Liveness
33% Instrumentalness • 8% Positiveness
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Paul Dukas
L'Apprenti Sorcier
123 bpm • C# Maj • 10:39 • -21db
38% Popularity • 32% Danceability • 25% Energy • 26% Liveness
63% Instrumentalness • 10% Positiveness
38% Popularity • 32% Danceability • 25% Energy • 26% Liveness
63% Instrumentalness • 10% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 2: II. Habanera ...
123 bpm • D Maj • 02:11 • -26.94db
49% Popularity • 61% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 61% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Felix Mendelssohn
Symphony No. 4 in A Major, Op. 90, MWV N...
100 bpm • E min • 05:20 • -21.77db
27% Popularity • 41% Danceability • 15% Energy • 9% Liveness
62% Instrumentalness • 30% Positiveness
27% Popularity • 41% Danceability • 15% Energy • 9% Liveness
62% Instrumentalness • 30% Positiveness
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Carl Orff
Carmina Burana: I. O Fortuna
123 bpm • D Maj • 02:47 • -20db
47% Popularity • 34% Danceability • 9% Energy • 25% Liveness
29% Instrumentalness • 46% Positiveness
47% Popularity • 34% Danceability • 9% Energy • 25% Liveness
29% Instrumentalness • 46% Positiveness
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George Frideric Handel
Zadok the Priest (Coronation Anthem No.1...
99 bpm • D Maj • 05:40 • -16db
14% Popularity • 38% Danceability • 14% Energy • 5% Liveness
34% Instrumentalness • 10% Positiveness
14% Popularity • 38% Danceability • 14% Energy • 5% Liveness
34% Instrumentalness • 10% Positiveness
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Carl Nielsen
Aladdin, Op. 34, FS 89, CNW 17, Act III:...
100 bpm • A min • 03:14 • -12.15db
8% Popularity • 24% Danceability • 36% Energy • 11% Liveness
74% Instrumentalness • 33% Positiveness
8% Popularity • 24% Danceability • 36% Energy • 11% Liveness
74% Instrumentalness • 33% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 1, Op. 46: II. Ã…se'...
99 bpm • G Maj • 04:23 • -27.92db
20% Popularity • 16% Danceability • 1% Energy • 11% Liveness
50% Instrumentalness • 4% Positiveness
20% Popularity • 16% Danceability • 1% Energy • 11% Liveness
50% Instrumentalness • 4% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 1: IV. Aragonais...
123 bpm • D min • 02:14 • -20db
35% Popularity • 42% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
35% Popularity • 42% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
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Benjamin Britten
Soirees musicales, Op. 9: I. March
124 bpm • A# Maj • 01:27 • -24db
44% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
44% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
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Carl Orff
Orff: Carmina Burana, Pt. 1, Uf dem Ange...
100 bpm • G Maj • 02:58 • -28.14db
23% Popularity • 25% Danceability • 4% Energy • 16% Liveness
13% Instrumentalness • 6% Positiveness
23% Popularity • 25% Danceability • 4% Energy • 16% Liveness
13% Instrumentalness • 6% Positiveness
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George Frideric Handel
Handel: Messiah, HWV 56, Pt. 2, Scene 7:...
99 bpm • D Maj • 04:00 • -11db
15% Popularity • 40% Danceability • 38% Energy • 20% Liveness
30% Instrumentalness • 53% Positiveness
15% Popularity • 40% Danceability • 38% Energy • 20% Liveness
30% Instrumentalness • 53% Positiveness
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Paul Dukas
L'Apprenti sorcier
125 bpm • F min • 10:44 • -19db
19% Popularity • 31% Danceability • 36% Energy • 5% Liveness
80% Instrumentalness • 11% Positiveness
19% Popularity • 31% Danceability • 36% Energy • 5% Liveness
80% Instrumentalness • 11% Positiveness
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Johann Strauss II
Die Fledermaus (The Bat), Overture (RV 5...
99 bpm • D Maj • 02:04 • -20.93db
35% Popularity • 33% Danceability • 14% Energy • 7% Liveness
81% Instrumentalness • 20% Positiveness
35% Popularity • 33% Danceability • 14% Energy • 7% Liveness
81% Instrumentalness • 20% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia (The Barber of S...
99 bpm • C Maj • 05:00 • -18db
50% Popularity • 48% Danceability • 27% Energy • 22% Liveness
1% Instrumentalness • 40% Positiveness
50% Popularity • 48% Danceability • 27% Energy • 22% Liveness
1% Instrumentalness • 40% Positiveness
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Sergei Prokofiev
Peter and the Wolf, Op. 67 (Without Narr...
99 bpm • C Maj • 01:12 • -37.4db
51% Popularity • 35% Danceability • 1% Energy • 26% Liveness
53% Instrumentalness • 13% Positiveness
51% Popularity • 35% Danceability • 1% Energy • 26% Liveness
53% Instrumentalness • 13% Positiveness
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Carl Orff
Carmina Burana: Fortune plango vulnera
124 bpm • A min • 02:49 • -15.66db
20% Popularity • 43% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
20% Popularity • 43% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
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Orchestra of the Viennese Volksoper & Alfred Scholz
Voices of Spring Waltz, Op. 410
99 bpm • C min • 06:57 • -22.38db
39% Popularity • 28% Danceability • 7% Energy • 8% Liveness
81% Instrumentalness • 21% Positiveness
39% Popularity • 28% Danceability • 7% Energy • 8% Liveness
81% Instrumentalness • 21% Positiveness
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Ludwig van Beethoven
Symphony No. 5 in C Minor, Op. 67: I. Al...
98 bpm • C min • 07:22 • -15.61db
63% Popularity • 25% Danceability • 32% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
63% Popularity • 25% Danceability • 32% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
