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Carnage
Songs like
Carnage
by
Nick Cave
Based on a tempo of (+/- 10%) and a similar genre
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Adrian Crowley
Northbound Stowaway
119 bpm • F min • 06:44 • -10.35db
7% Popularity • 31% Danceability • 57% Energy • 10% Liveness
61% Instrumentalness • 71% Positiveness
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Nick Cave
Carnage
119 bpm • A# Maj • 04:47 • -18.29db
40% Popularity • 49% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 20% Positiveness
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The Walkabouts
The Storms Are On the Ocean
119 bpm • C min • 05:01 • -16.53db
23% Popularity • 48% Danceability • 23% Energy • 14% Liveness
24% Instrumentalness • 29% Positiveness
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Bryan Ferry
Boys and Girls
120 bpm • A# min • 04:40 • -13.05db
17% Popularity • 33% Danceability • 36% Energy • 25% Liveness
87% Instrumentalness • 23% Positiveness
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Nicholas Lens
Litany of Transformation
118 bpm • F min • 05:22 • -14.24db
13% Popularity • 30% Danceability • 9% Energy • 11% Liveness
19% Instrumentalness • 5% Positiveness
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Tom Waits
Fawn
118 bpm • D# Maj • 01:43 • -15.79db
28% Popularity • 30% Danceability • 32% Energy • 19% Liveness
69% Instrumentalness • 6% Positiveness
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The Divine Comedy
Our Mutual Friend
120 bpm • A# Maj • 05:58 • -8.3db
42% Popularity • 54% Danceability • 48% Energy • 8% Liveness
16% Instrumentalness • 57% Positiveness
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Nick Cave
Sort Yourselves Out
119 bpm • G min • 01:19 • -25.83db
29% Popularity • 38% Danceability • 0% Energy • 11% Liveness
83% Instrumentalness • 3% Positiveness
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Elbow
The Only Road
120 bpm • A# Maj • 04:23 • -14.04db
35% Popularity • 72% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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John Grant
Marz
120 bpm • A# Maj • 03:58 • -10.86db
46% Popularity • 53% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Teho Teardo
Reduced to the Fantasmatic
120 bpm • C Maj • 02:06 • -14.42db
32% Popularity • 50% Danceability • 30% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
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Shiny Noir
Beautiful Lies
120 bpm • B min • 03:46 • -13.14db
8% Popularity • 58% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Lost Horizons
Grey Tower
120 bpm • E Maj • 03:22 • -7.48db
13% Popularity • 55% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Daniel Lanois
Falling At Your Feet
120 bpm • B Maj • 03:41 • -13.15db
32% Popularity • 65% Danceability • 35% Energy • 13% Liveness
7% Instrumentalness • 37% Positiveness
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The The
Everybody Wants to Go to Heaven (But Nob...
120 bpm • F# min • 03:43 • -19.05db
16% Popularity • 64% Danceability • 12% Energy • 7% Liveness
74% Instrumentalness • 7% Positiveness
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Ed Harcourt
Ascension
120 bpm • C min • 03:46 • -8.88db
9% Popularity • 36% Danceability • 54% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
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Nick Cave & Warren Ellis
The Rider Song
120 bpm • G Maj • 02:30 • -9.17db
36% Popularity • 52% Danceability • 44% Energy • 17% Liveness
77% Instrumentalness • 45% Positiveness
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Naima Joris
Soon
118 bpm • D min • 03:52 • -10.37db
21% Popularity • 42% Danceability • 16% Energy • 10% Liveness
18% Instrumentalness • 13% Positiveness
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Nick Cave
Carnage - Live At The Sydney Opera House
120 bpm • A# Maj • 06:17 • -10.27db
26% Popularity • 33% Danceability • 52% Energy • 96% Liveness
1% Instrumentalness • 21% Positiveness
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Gruff Rhys
Skyward
118 bpm • G Maj • 01:21 • -15.17db
29% Popularity • 24% Danceability • 19% Energy • 9% Liveness
81% Instrumentalness • 42% Positiveness
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Loverman
Parlay
118 bpm • E min • 05:26 • -13.76db
15% Popularity • 44% Danceability • 25% Energy • 11% Liveness
39% Instrumentalness • 16% Positiveness
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Ed Harcourt
King Raman
120 bpm • E Maj • 03:04 • -11.99db
9% Popularity • 35% Danceability • 30% Energy • 11% Liveness
82% Instrumentalness • 9% Positiveness
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Stuart A. Staples
Say Something Now
121 bpm • G Maj • 03:52 • -8db
20% Popularity • 57% Danceability • 80% Energy • 12% Liveness
67% Instrumentalness • 37% Positiveness
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Beth Gibbons
Resolve
117 bpm • F Maj • 02:48 • -18db
35% Popularity • 54% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Saint Saviour
The Place I Want to Be
121 bpm • C Maj • 03:04 • -12.89db
37% Popularity • 57% Danceability • 25% Energy • 8% Liveness
23% Instrumentalness • 19% Positiveness
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I Am Kloot
From There To Here
117 bpm • E min • 01:43 • -17.25db
34% Popularity • 43% Danceability • 13% Energy • 12% Liveness
95% Instrumentalness • 35% Positiveness
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Die Haut
Pleasure Is the Boss
121 bpm • B min • 03:54 • -6.76db
9% Popularity • 52% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Piers Faccini
Together Forever Everywhere
117 bpm • C min • 04:18 • -15.57db
23% Popularity • 40% Danceability • 13% Energy • 11% Liveness
36% Instrumentalness • 50% Positiveness
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Sinéad O'Connor
Trouble Of The World
122 bpm • A# min • 04:48 • -13.26db
23% Popularity • 26% Danceability • 23% Energy • 11% Liveness
3% Instrumentalness • 18% Positiveness
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Nick Cave
Antilope
116 bpm • D Maj • 02:33 • -14.52db
25% Popularity • 18% Danceability • 31% Energy • 10% Liveness
45% Instrumentalness • 15% Positiveness
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Micah P. Hinson
Stand in My Way
122 bpm • B min • 03:41 • -14.47db
43% Popularity • 61% Danceability • 16% Energy • 11% Liveness
52% Instrumentalness • 27% Positiveness
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Teho Teardo
Come up and See Me
116 bpm • B min • 04:45 • -9db
23% Popularity • 60% Danceability • 55% Energy • 9% Liveness
12% Instrumentalness • 17% Positiveness
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Naima Joris
While The Moon
116 bpm • C Maj • 04:34 • -16.13db
14% Popularity • 48% Danceability • 16% Energy • 11% Liveness
28% Instrumentalness • 21% Positiveness
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Laurie Anderson
Bright Red
116 bpm • G min • 03:12 • -23db
26% Popularity • 33% Danceability • 5% Energy • 11% Liveness
65% Instrumentalness • 6% Positiveness
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Mark Hollis
Inside Looking Out
123 bpm • A min • 06:21 • -25.36db
28% Popularity • 41% Danceability • 0% Energy • 7% Liveness
3% Instrumentalness • 11% Positiveness
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Michael Stipe
Drive to the Ocean
116 bpm • F Maj • 03:35 • -7.13db
17% Popularity • 37% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Aidan Laird
Monsters In Frocks
123 bpm • F# min • 04:33 • -16.97db
26% Popularity • 35% Danceability • 20% Energy • 11% Liveness
2% Instrumentalness • 5% Positiveness
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Teho Teardo
Hey Hey My My
116 bpm • A min • 05:39 • -6.94db
11% Popularity • 52% Danceability • 40% Energy • 23% Liveness
76% Instrumentalness • 40% Positiveness
► Preview
Agnes Obel
Camera's Rolling
123 bpm • F# min • 04:43 • -17.96db
46% Popularity • 27% Danceability • 18% Energy • 13% Liveness
68% Instrumentalness • 18% Positiveness
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Grinderman
Chain of Flowers
123 bpm • E Maj • 03:33 • -8.54db
27% Popularity • 38% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
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Loverman
Who's Going To Love You
115 bpm • A min • 04:51 • -11.52db
27% Popularity • 52% Danceability • 32% Energy • 38% Liveness
75% Instrumentalness • 28% Positiveness
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Nick Cave
Such Things Should Never Happen
115 bpm • G# Maj • 01:45 • -22.82db
24% Popularity • 38% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Richard Hawley
Soldier On
123 bpm • E min • 06:51 • -15db
24% Popularity • 24% Danceability • 11% Energy • 9% Liveness
42% Instrumentalness • 7% Positiveness
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Micah P. Hinson
500 Miles
115 bpm • C# Maj • 02:28 • -9.58db
20% Popularity • 44% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Yann Tiersen
Kala
124 bpm • D min • 04:09 • -15.12db
31% Popularity • 60% Danceability • 36% Energy • 11% Liveness
70% Instrumentalness • 22% Positiveness
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UNKLE
Money And Run [Mix Cut] - 16 Bit Lolitas...
124 bpm • E Maj • 07:29 • -6.75db
2% Popularity • 60% Danceability • 72% Energy • 31% Liveness
88% Instrumentalness • 31% Positiveness
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Nick Drake
Day Is Done
124 bpm • D min • 02:26 • -15db
55% Popularity • 49% Danceability • 30% Energy • 16% Liveness
68% Instrumentalness • 46% Positiveness
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Nick Cave
Waiting For You - Live At The Sydney Ope...
123 bpm • G min • 05:32 • -16.34db
27% Popularity • 33% Danceability • 37% Energy • 70% Liveness
0% Instrumentalness • 45% Positiveness
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Distance, Light & Sky
Don't Go Dark on Me
124 bpm • D Maj • 03:40 • -16.18db
10% Popularity • 70% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Daniel Norgren
Alabursy
114 bpm • G min • 03:04 • -20.96db
34% Popularity • 32% Danceability • 10% Energy • 26% Liveness
89% Instrumentalness • 19% Positiveness
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Bill Fay
Salt Of The Earth
113 bpm • A# Maj • 03:39 • -15db
11% Popularity • 41% Danceability • 9% Energy • 11% Liveness
21% Instrumentalness • 13% Positiveness
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Dez Mona
Fellow Traveller
125 bpm • C min • 04:11 • -15.74db
21% Popularity • 48% Danceability • 17% Energy • 11% Liveness
83% Instrumentalness • 19% Positiveness
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Passengers
Your Blue Room
113 bpm • D# min • 05:27 • -12db
39% Popularity • 52% Danceability • 46% Energy • 12% Liveness
84% Instrumentalness • 31% Positiveness
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Nick Cave
Far from Men
124 bpm • D Maj • 01:32 • -16.96db
24% Popularity • 33% Danceability • 26% Energy • 10% Liveness
32% Instrumentalness • 32% Positiveness
► Preview
Mauro Pawlowski
Leaving Montreux
125 bpm • D Maj • 03:30 • -14.44db
18% Popularity • 64% Danceability • 41% Energy • 10% Liveness
79% Instrumentalness • 16% Positiveness
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Beth Gibbons
Drake
113 bpm • D min • 03:52 • -15.21db
35% Popularity • 60% Danceability • 32% Energy • 25% Liveness
14% Instrumentalness • 30% Positiveness
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Bill Fay
Love Is The Tune - Still Some Light
113 bpm • B Maj • 03:09 • -14.6db
10% Popularity • 58% Danceability • 23% Energy • 15% Liveness
90% Instrumentalness • 35% Positiveness
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Grant Lee Buffalo
You Just Have to Be Crazy
113 bpm • C# Maj • 03:36 • -17db
37% Popularity • 67% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Richard Hawley
Remorse Code
113 bpm • D Maj • 09:53 • -14db
33% Popularity • 58% Danceability • 40% Energy • 10% Liveness
31% Instrumentalness • 24% Positiveness
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Nick Cave
The Teacher
114 bpm • D Maj • 02:01 • -21.76db
12% Popularity • 22% Danceability • 20% Energy • 29% Liveness
95% Instrumentalness • 3% Positiveness
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Fire! Orchestra
Blue Crystal Fire
113 bpm • C# min • 07:29 • -15.97db
22% Popularity • 26% Danceability • 9% Energy • 37% Liveness
52% Instrumentalness • 4% Positiveness
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Nicholas Lens
Litany of Godly Love
113 bpm • F# Maj • 04:44 • -16.03db
18% Popularity • 29% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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Beth Gibbons
Funny Time Of Year
113 bpm • D min • 06:48 • -13.33db
35% Popularity • 35% Danceability • 29% Energy • 18% Liveness
14% Instrumentalness • 8% Positiveness
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Jehol
Miss Mademoiselle
126 bpm • E min • 03:44 • -11.77db
9% Popularity • 55% Danceability • 42% Energy • 15% Liveness
1% Instrumentalness • 39% Positiveness
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Exit North
Bested Bones
112 bpm • A min • 05:20 • -17.74db
17% Popularity • 47% Danceability • 15% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Nick Cave
At the Taxi
113 bpm • F# min • 01:57 • -26.38db
32% Popularity • 26% Danceability • 6% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
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Johnny Depp
Damien Echols Death Row Letter, Year 16 ...
112 bpm • C Maj • 03:23 • -24.46db
10% Popularity • 55% Danceability • 10% Energy • 25% Liveness
52% Instrumentalness • 16% Positiveness
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Tom McRae
You Cut Her Hair - 2020 Remaster
126 bpm • D Maj • 02:46 • -10.62db
32% Popularity • 43% Danceability • 26% Energy • 38% Liveness
10% Instrumentalness • 6% Positiveness
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Mike Scott
Bring 'Em All In
112 bpm • E min • 03:58 • -15db
40% Popularity • 55% Danceability • 26% Energy • 8% Liveness
39% Instrumentalness • 54% Positiveness
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Douglas Dare
Heavenly Bodies
112 bpm • A# min • 03:15 • -17.32db
13% Popularity • 51% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Raoul Vignal
Red Fresco
112 bpm • F# Maj • 03:11 • -13.19db
43% Popularity • 52% Danceability • 34% Energy • 13% Liveness
84% Instrumentalness • 20% Positiveness
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Nick Cave
Les Ours
112 bpm • D Maj • 04:37 • -21.05db
21% Popularity • 17% Danceability • 15% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
The Jeffrey Lee Pierce Sessions Project
Ramblin' Mind
112 bpm • E min • 03:10 • -7.43db
14% Popularity • 32% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Loverman
Into The Night
112 bpm • A min • 03:17 • -12.46db
37% Popularity • 49% Danceability • 45% Energy • 25% Liveness
10% Instrumentalness • 8% Positiveness
► Preview
Daniel Norgren
Like There Was a Door
127 bpm • G Maj • 05:00 • -10.94db
40% Popularity • 44% Danceability • 26% Energy • 11% Liveness
29% Instrumentalness • 40% Positiveness
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UNKLE
Money And Run - 16 Bit Lolitas Remix
127 bpm • C Maj • 09:08 • -11.48db
5% Popularity • 60% Danceability • 45% Energy • 11% Liveness
80% Instrumentalness • 37% Positiveness
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Federico Albanese
Feel Again
127 bpm • F min • 03:31 • -21.74db
27% Popularity • 55% Danceability • 17% Energy • 7% Liveness
15% Instrumentalness • 6% Positiveness
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Soap&Skin
Cynthia
111 bpm • A# min • 02:57 • -13.39db
28% Popularity • 34% Danceability • 28% Energy • 11% Liveness
78% Instrumentalness • 18% Positiveness
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Virginia Astley
A Summer Long Since Passed
111 bpm • E Maj • 04:37 • -15.61db
27% Popularity • 45% Danceability • 27% Energy • 52% Liveness
76% Instrumentalness • 12% Positiveness
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Micah P. Hinson
Carelessly
111 bpm • G Maj • 03:13 • -9.9db
20% Popularity • 48% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
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Nick Cave
I Have Trembled My Way Deep
127 bpm • G min • 01:15 • -20.5db
23% Popularity • 45% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Die Haut
Pleasure Is the Boss - Live
127 bpm • E Maj • 03:04 • -13.14db
0% Popularity • 45% Danceability • 69% Energy • 80% Liveness
21% Instrumentalness • 68% Positiveness
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Daniel Blumberg
The World to Come
111 bpm • G min • 05:41 • -16db
22% Popularity • 26% Danceability • 10% Energy • 11% Liveness
28% Instrumentalness • 4% Positiveness
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Gary Lucas
And The Ass Saw The Angel
128 bpm • A min • 03:58 • -13.07db
0% Popularity • 71% Danceability • 39% Energy • 55% Liveness
0% Instrumentalness • 53% Positiveness
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Truda Swinburne
Before Death
128 bpm • A# min • 04:28 • -11.56db
25% Popularity • 47% Danceability • 38% Energy • 30% Liveness
2% Instrumentalness • 25% Positiveness
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Thom Yorke
Daily Battles
110 bpm • D min • 02:53 • -18.84db
46% Popularity • 31% Danceability • 8% Energy • 11% Liveness
79% Instrumentalness • 11% Positiveness
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Nick Cave
Les Cerfs
111 bpm • B Maj • 05:02 • -16db
23% Popularity • 21% Danceability • 25% Energy • 9% Liveness
95% Instrumentalness • 7% Positiveness
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Lanterns on the Lake
Don't Have Nightmares
129 bpm • E Maj • 03:27 • -19.3db
17% Popularity • 24% Danceability • 22% Energy • 9% Liveness
78% Instrumentalness • 4% Positiveness
► Preview
Jehnny Beth
French Countryside
110 bpm • C Maj • 03:58 • -11.74db
20% Popularity • 34% Danceability • 30% Energy • 32% Liveness
15% Instrumentalness • 15% Positiveness
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Gravenhurst
The Diver
129 bpm • E min • 05:29 • -17db
30% Popularity • 55% Danceability • 11% Energy • 12% Liveness
2% Instrumentalness • 14% Positiveness
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Shannon Wright
These Present Arms
110 bpm • A# min • 05:54 • -12.15db
11% Popularity • 44% Danceability • 30% Energy • 10% Liveness
20% Instrumentalness • 7% Positiveness
► Preview
Laurie Anderson
My Right Eye
129 bpm • D# Maj • 04:58 • -14.23db
16% Popularity • 34% Danceability • 23% Energy • 10% Liveness
69% Instrumentalness • 5% Positiveness
► Preview
Nick Cave
I Come Alone and to You
128 bpm • F Maj • 02:06 • -23.65db
25% Popularity • 25% Danceability • 6% Energy • 10% Liveness
55% Instrumentalness • 8% Positiveness
► Preview
The Walkabouts
The Light Will Stay On
110 bpm • G# Maj • 05:26 • -10.09db
36% Popularity • 33% Danceability • 36% Energy • 8% Liveness
2% Instrumentalness • 14% Positiveness
► Preview
Melanie De Biasio
We Never Kneel To Pray
129 bpm • B min • 04:58 • -16.49db
29% Popularity • 33% Danceability • 27% Energy • 10% Liveness
50% Instrumentalness • 12% Positiveness
► Preview
David Sylvian
Brilliant Trees
110 bpm • F# min • 08:42 • -13.85db
27% Popularity • 36% Danceability • 28% Energy • 9% Liveness
33% Instrumentalness • 8% Positiveness
► Preview
Stuart A. Staples
That Leaving Feeling
109 bpm • F# min • 04:02 • -9db
35% Popularity • 36% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
► Preview
The Divine Comedy
Laika's Theme
130 bpm • C Maj • 03:07 • -11.84db
17% Popularity • 25% Danceability • 34% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
► Preview
Daniel Lanois
Eau
130 bpm • C Maj • 02:23 • -21.99db
17% Popularity • 29% Danceability • 3% Energy • 12% Liveness
77% Instrumentalness • 4% Positiveness
► Preview
Evamore
One More Yard Letter
130 bpm • C# Maj • 02:34 • -19.6db
9% Popularity • 43% Danceability • 22% Energy • 23% Liveness
85% Instrumentalness • 13% Positiveness
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Carnage