Songs like Carnegie Hall Overture: The Trolley Song / Somewhere over the Rainbow / The Man That Got Away - Bonus Track by Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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Broadway Cast Recording
Another Op'nin', Another Show
149 bpm • G# Maj • 06:16 • -9.82db
21% Popularity • 43% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 43% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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![Reunion [Captain Corelli's Mandolin - Original Motion Picture Soundtrack] cover art](https://i.scdn.co/image/ab67616d00001e0229674525a9e0c972d7bde8eb)
Stephen Warbeck
Reunion [Captain Corelli's Mandolin - Or...
151 bpm • G Maj • 03:46 • -20.14db
19% Popularity • 18% Danceability • 8% Energy • 11% Liveness
59% Instrumentalness • 12% Positiveness
19% Popularity • 18% Danceability • 8% Energy • 11% Liveness
59% Instrumentalness • 12% Positiveness
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Michael Flanders
The Hippopotamus Song
151 bpm • G Maj • 03:39 • -16.82db
12% Popularity • 41% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
12% Popularity • 41% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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George Bruns
Thanks Ed/Up the Staircase
152 bpm • C Maj • 01:30 • -24.57db
23% Popularity • 31% Danceability • 2% Energy • 33% Liveness
7% Instrumentalness • 23% Positiveness
23% Popularity • 31% Danceability • 2% Energy • 33% Liveness
7% Instrumentalness • 23% Positiveness
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Peter Gallagher
The Crapshooters' Dance
153 bpm • D min • 03:21 • -16.39db
23% Popularity • 54% Danceability • 28% Energy • 38% Liveness
18% Instrumentalness • 70% Positiveness
23% Popularity • 54% Danceability • 28% Energy • 38% Liveness
18% Instrumentalness • 70% Positiveness
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Richard Robbins
Phaeton And Persephone
147 bpm • D min • 00:54 • -24.65db
16% Popularity • 39% Danceability • 8% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
16% Popularity • 39% Danceability • 8% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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An American in Paris Orchestra
Second Prelude
147 bpm • F# Maj • 02:21 • -22.69db
13% Popularity • 29% Danceability • 2% Energy • 10% Liveness
69% Instrumentalness • 13% Positiveness
13% Popularity • 29% Danceability • 2% Energy • 10% Liveness
69% Instrumentalness • 13% Positiveness
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Orchestra
Overture
147 bpm • G# Maj • 03:59 • -13.8db
22% Popularity • 26% Danceability • 34% Energy • 15% Liveness
52% Instrumentalness • 34% Positiveness
22% Popularity • 26% Danceability • 34% Energy • 15% Liveness
52% Instrumentalness • 34% Positiveness
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Joseph Bova
Shuffle Off to Buffalo
146 bpm • C Maj • 03:50 • -15.97db
20% Popularity • 41% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 41% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Charles Strouse
Bye Bye Birdie - Original Broadway Cast:...
146 bpm • C Maj • 02:40 • -12.64db
18% Popularity • 25% Danceability • 34% Energy • 44% Liveness
70% Instrumentalness • 39% Positiveness
18% Popularity • 25% Danceability • 34% Energy • 44% Liveness
70% Instrumentalness • 39% Positiveness
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Original Soundtrack
Poirot On Boat
155 bpm • G Maj • 01:16 • -11.96db
16% Popularity • 35% Danceability • 28% Energy • 37% Liveness
67% Instrumentalness • 28% Positiveness
16% Popularity • 35% Danceability • 28% Energy • 37% Liveness
67% Instrumentalness • 28% Positiveness
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Hello, Dolly! Orchestra (2017)
The Waiters' Gallop
155 bpm • D Maj • 02:50 • -10.66db
20% Popularity • 52% Danceability • 56% Energy • 24% Liveness
2% Instrumentalness • 85% Positiveness
20% Popularity • 52% Danceability • 56% Energy • 24% Liveness
2% Instrumentalness • 85% Positiveness
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Robert Fairchild
I've Got Beginner's Luck
145 bpm • E min • 03:42 • -9.65db
16% Popularity • 50% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
16% Popularity • 50% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Ned Washington
Circus Parade
144 bpm • A# Maj • 01:30 • -3.7db
28% Popularity • 60% Danceability • 92% Energy • 14% Liveness
82% Instrumentalness • 89% Positiveness
28% Popularity • 60% Danceability • 92% Energy • 14% Liveness
82% Instrumentalness • 89% Positiveness
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The Orchestra Of 'Mack & Mabel'
Mack and Mabel Overture
144 bpm • C Maj • 04:58 • -13db
8% Popularity • 38% Danceability • 30% Energy • 12% Liveness
96% Instrumentalness • 42% Positiveness
8% Popularity • 38% Danceability • 30% Energy • 12% Liveness
96% Instrumentalness • 42% Positiveness
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Orchestra
פתיחה
157 bpm • A# Maj • 05:08 • -7.71db
7% Popularity • 25% Danceability • 55% Energy • 12% Liveness
31% Instrumentalness • 12% Positiveness
7% Popularity • 25% Danceability • 55% Energy • 12% Liveness
31% Instrumentalness • 12% Positiveness
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South Pacific Orchestra (2008)
Overture
143 bpm • G# Maj • 05:40 • -19.96db
19% Popularity • 26% Danceability • 10% Energy • 34% Liveness
93% Instrumentalness • 13% Positiveness
19% Popularity • 26% Danceability • 10% Energy • 34% Liveness
93% Instrumentalness • 13% Positiveness
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Bournemouth Symphony Orchestra
I Dreamed a Dream / Lovely Ladies / Who ...
143 bpm • A# Maj • 04:05 • -19.46db
17% Popularity • 20% Danceability • 8% Energy • 60% Liveness
64% Instrumentalness • 9% Positiveness
17% Popularity • 20% Danceability • 8% Energy • 60% Liveness
64% Instrumentalness • 9% Positiveness
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An American in Paris Orchestra
Second Rhapsody / Cuban Overture
144 bpm • F Maj • 07:55 • -10.73db
12% Popularity • 39% Danceability • 30% Energy • 10% Liveness
84% Instrumentalness • 22% Positiveness
12% Popularity • 39% Danceability • 30% Energy • 10% Liveness
84% Instrumentalness • 22% Positiveness
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Frederick Loewe
My Fair Lady: A Hymn to Him
142 bpm • G Maj • 03:15 • -14.09db
10% Popularity • 58% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 58% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
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Richard Adler
The Pajama Game: Overture
142 bpm • F Maj • 04:53 • -10db
13% Popularity • 32% Danceability • 48% Energy • 9% Liveness
70% Instrumentalness • 38% Positiveness
13% Popularity • 32% Danceability • 48% Energy • 9% Liveness
70% Instrumentalness • 38% Positiveness
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Orchestra
Overture - Original Broadway Cast Record...
157 bpm • F Maj • 00:53 • -8.43db
28% Popularity • 36% Danceability • 75% Energy • 50% Liveness
86% Instrumentalness • 89% Positiveness
28% Popularity • 36% Danceability • 75% Energy • 50% Liveness
86% Instrumentalness • 89% Positiveness
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The Light in the Piazza Orchestra
Overture
142 bpm • A min • 04:47 • -17.73db
25% Popularity • 16% Danceability • 19% Energy • 16% Liveness
64% Instrumentalness • 6% Positiveness
25% Popularity • 16% Danceability • 19% Energy • 16% Liveness
64% Instrumentalness • 6% Positiveness
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Oklahoma! 1998 National Theatre Cast Recording Orchestra
Overture
142 bpm • G Maj • 04:12 • -13.58db
19% Popularity • 25% Danceability • 26% Energy • 15% Liveness
88% Instrumentalness • 29% Positiveness
19% Popularity • 25% Danceability • 26% Energy • 15% Liveness
88% Instrumentalness • 29% Positiveness
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André Previn
Exit Music* - Instrumental
142 bpm • D# Maj • 01:14 • -13db
23% Popularity • 23% Danceability • 20% Energy • 10% Liveness
95% Instrumentalness • 65% Positiveness
23% Popularity • 23% Danceability • 20% Energy • 10% Liveness
95% Instrumentalness • 65% Positiveness
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Paul Kandel
The Bells Of Notre Dame (Reprise)
141 bpm • D Maj • 01:10 • -12db
30% Popularity • 28% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 27% Positiveness
30% Popularity • 28% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 27% Positiveness
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Lt. Cable
Carefully Taught
141 bpm • E Maj • 01:13 • -13.95db
27% Popularity • 54% Danceability • 22% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
27% Popularity • 54% Danceability • 22% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
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Jim Wise
Dames at Sea: Overture
160 bpm • G# Maj • 02:51 • -11db
8% Popularity • 35% Danceability • 34% Energy • 9% Liveness
28% Instrumentalness • 34% Positiveness
8% Popularity • 35% Danceability • 34% Energy • 9% Liveness
28% Instrumentalness • 34% Positiveness
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Richard Rogers
Rogers: Oklahoma!: Oklahoma
140 bpm • D Maj • 03:12 • -16.09db
15% Popularity • 54% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 54% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
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The Band's Visit Original Broadway Band
Overture
160 bpm • G Maj • 01:17 • -6.91db
21% Popularity • 61% Danceability • 42% Energy • 6% Liveness
77% Instrumentalness • 63% Positiveness
21% Popularity • 61% Danceability • 42% Energy • 6% Liveness
77% Instrumentalness • 63% Positiveness
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![The way it's meant to be [Gosford Park - Original Motion Picture Soundtrack] cover art](https://i.scdn.co/image/ab67616d00001e027df1806967638828b0e25243)
Patrick Doyle
The way it's meant to be [Gosford Park -...
140 bpm • C min • 02:07 • -11.92db
7% Popularity • 41% Danceability • 36% Energy • 41% Liveness
0% Instrumentalness • 57% Positiveness
7% Popularity • 41% Danceability • 36% Energy • 41% Liveness
0% Instrumentalness • 57% Positiveness
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The Original Broadway Cast Of 'Curtains'
Overture
140 bpm • C# Maj • 02:23 • -13.44db
18% Popularity • 40% Danceability • 30% Energy • 13% Liveness
55% Instrumentalness • 50% Positiveness
18% Popularity • 40% Danceability • 30% Energy • 13% Liveness
55% Instrumentalness • 50% Positiveness
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Gilbert & Sullivan Society of Houston
H.M.S. Pinafore, Act I: Overture
140 bpm • D# Maj • 04:16 • -13.47db
15% Popularity • 48% Danceability • 37% Energy • 70% Liveness
91% Instrumentalness • 36% Positiveness
15% Popularity • 48% Danceability • 37% Energy • 70% Liveness
91% Instrumentalness • 36% Positiveness
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A Chorus Line Ensemble (2006)
One (Reprise) / Finale
140 bpm • G min • 04:56 • -7.91db
35% Popularity • 61% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
35% Popularity • 61% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Angela Lansbury
Reprise: Eglantine / Portebello Road
140 bpm • A# Maj • 01:14 • -18.78db
29% Popularity • 29% Danceability • 20% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 29% Danceability • 20% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
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Ewan McGregor
Ascension/Nature Boy
139 bpm • F min • 04:07 • -14db
30% Popularity • 16% Danceability • 24% Energy • 11% Liveness
73% Instrumentalness • 4% Positiveness
30% Popularity • 16% Danceability • 24% Energy • 11% Liveness
73% Instrumentalness • 4% Positiveness
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Cy Coleman
Sweet Charity: Overture
139 bpm • F Maj • 03:29 • -11.05db
18% Popularity • 34% Danceability • 48% Energy • 27% Liveness
91% Instrumentalness • 53% Positiveness
18% Popularity • 34% Danceability • 48% Energy • 27% Liveness
91% Instrumentalness • 53% Positiveness
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The Orchestra
Overture
139 bpm • C Maj • 01:59 • -16.94db
1% Popularity • 47% Danceability • 31% Energy • 16% Liveness
86% Instrumentalness • 80% Positiveness
1% Popularity • 47% Danceability • 31% Energy • 16% Liveness
86% Instrumentalness • 80% Positiveness
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Singin' in the Rain 2012 London Cast Orchestra
Overture
139 bpm • C Maj • 03:36 • -8.57db
19% Popularity • 25% Danceability • 47% Energy • 9% Liveness
58% Instrumentalness • 38% Positiveness
19% Popularity • 25% Danceability • 47% Energy • 9% Liveness
58% Instrumentalness • 38% Positiveness
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Emile De Becque
This Nearly Was Mine
138 bpm • C Maj • 02:09 • -13.76db
27% Popularity • 23% Danceability • 26% Energy • 16% Liveness
95% Instrumentalness • 4% Positiveness
27% Popularity • 23% Danceability • 26% Energy • 16% Liveness
95% Instrumentalness • 4% Positiveness
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Vanessa Redgrave
Take Me to the Fair - Guenevere and the ...
139 bpm • F# Maj • 04:58 • -16.78db
14% Popularity • 50% Danceability • 30% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
14% Popularity • 50% Danceability • 30% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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George Gershwin
Oh Kay!: Overture
138 bpm • D# Maj • 03:55 • -14.15db
8% Popularity • 37% Danceability • 31% Energy • 9% Liveness
90% Instrumentalness • 48% Positiveness
8% Popularity • 37% Danceability • 31% Energy • 9% Liveness
90% Instrumentalness • 48% Positiveness
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Patrick Doyle
Scherzo in G [Gosford Park - Original Mo...
138 bpm • G Maj • 01:26 • -12.44db
9% Popularity • 79% Danceability • 29% Energy • 15% Liveness
53% Instrumentalness • 97% Positiveness
9% Popularity • 79% Danceability • 29% Energy • 15% Liveness
53% Instrumentalness • 97% Positiveness
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George Bruns
Battle with the Forces of Evil
137 bpm • F min • 05:11 • -11db
21% Popularity • 40% Danceability • 51% Energy • 18% Liveness
69% Instrumentalness • 17% Positiveness
21% Popularity • 40% Danceability • 51% Energy • 18% Liveness
69% Instrumentalness • 17% Positiveness
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Renée Fleming
June Is Bustin' Out All Over
137 bpm • F# min • 06:45 • -10.3db
24% Popularity • 51% Danceability • 38% Energy • 58% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 51% Danceability • 38% Energy • 58% Liveness
0% Instrumentalness • 41% Positiveness
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Barbara Ruick
When I Marry Mr. Snow
137 bpm • D# Maj • 03:51 • -13.79db
16% Popularity • 40% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
16% Popularity • 40% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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'She Loves Me' 2016 Broadway Orchestra
Overture
137 bpm • D Maj • 01:55 • -11.97db
19% Popularity • 43% Danceability • 34% Energy • 36% Liveness
1% Instrumentalness • 16% Positiveness
19% Popularity • 43% Danceability • 34% Energy • 36% Liveness
1% Instrumentalness • 16% Positiveness
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Orchestra
Entr' Acte
137 bpm • F Maj • 02:08 • -8.98db
6% Popularity • 44% Danceability • 53% Energy • 17% Liveness
63% Instrumentalness • 48% Positiveness
6% Popularity • 44% Danceability • 53% Energy • 17% Liveness
63% Instrumentalness • 48% Positiveness
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Joel Grey
Give My Regards to Broadway
137 bpm • C Maj • 03:37 • -8db
20% Popularity • 45% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 45% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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'Brigadoon' 2017 New York City Center Orchestra
Prologue
136 bpm • C# min • 01:00 • -7.94db
9% Popularity • 69% Danceability • 54% Energy • 16% Liveness
96% Instrumentalness • 66% Positiveness
9% Popularity • 69% Danceability • 54% Energy • 16% Liveness
96% Instrumentalness • 66% Positiveness
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DLG Orchestra
Gone With The Wind
136 bpm • C Maj • 03:55 • -9.73db
21% Popularity • 19% Danceability • 29% Energy • 18% Liveness
82% Instrumentalness • 8% Positiveness
21% Popularity • 19% Danceability • 29% Energy • 18% Liveness
82% Instrumentalness • 8% Positiveness
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Stephen Flaherty
Overture "Seussical" - Original Broadway...
166 bpm • D Maj • 00:58 • -10db
32% Popularity • 30% Danceability • 61% Energy • 19% Liveness
72% Instrumentalness • 47% Positiveness
32% Popularity • 30% Danceability • 61% Energy • 19% Liveness
72% Instrumentalness • 47% Positiveness
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Stephen Warbeck
The Mandolin [Captain Corelli's Mandolin...
166 bpm • C Maj • 01:48 • -25.36db
24% Popularity • 30% Danceability • 17% Energy • 11% Liveness
14% Instrumentalness • 31% Positiveness
24% Popularity • 30% Danceability • 17% Energy • 11% Liveness
14% Instrumentalness • 31% Positiveness
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RSC Orchestra
Entr'acte
135 bpm • C# Maj • 02:11 • -13.83db
12% Popularity • 23% Danceability • 34% Energy • 50% Liveness
28% Instrumentalness • 28% Positiveness
12% Popularity • 23% Danceability • 34% Energy • 50% Liveness
28% Instrumentalness • 28% Positiveness
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Ansel Elgort
One Hand, One Heart
135 bpm • F# Maj • 03:45 • -22.83db
39% Popularity • 20% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
39% Popularity • 20% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
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Urinetown Musicians
Overture
166 bpm • A Maj • 01:14 • -14.02db
26% Popularity • 52% Danceability • 14% Energy • 22% Liveness
67% Instrumentalness • 64% Positiveness
26% Popularity • 52% Danceability • 14% Energy • 22% Liveness
67% Instrumentalness • 64% Positiveness
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Orchestra
Overture
135 bpm • A# Maj • 02:31 • -9.19db
7% Popularity • 45% Danceability • 39% Energy • 22% Liveness
75% Instrumentalness • 57% Positiveness
7% Popularity • 45% Danceability • 39% Energy • 22% Liveness
75% Instrumentalness • 57% Positiveness
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Imelda Staunton
Everything's Coming Up Roses
134 bpm • A Maj • 03:02 • -7.21db
20% Popularity • 46% Danceability • 51% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 46% Danceability • 51% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
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Richard Harris
I Wonder What the King Is Doing Tonight ...
134 bpm • D# Maj • 02:08 • -15db
18% Popularity • 51% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 51% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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George Bruns
Paris Night
134 bpm • G# Maj • 02:55 • -28db
23% Popularity • 24% Danceability • 2% Energy • 12% Liveness
40% Instrumentalness • 5% Positiveness
23% Popularity • 24% Danceability • 2% Energy • 12% Liveness
40% Instrumentalness • 5% Positiveness
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The Fantasticks New Off-Broadway Cast Orchestra
Overture
134 bpm • C Maj • 02:07 • -16.15db
10% Popularity • 56% Danceability • 28% Energy • 11% Liveness
88% Instrumentalness • 89% Positiveness
10% Popularity • 56% Danceability • 28% Energy • 11% Liveness
88% Instrumentalness • 89% Positiveness
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Jule Styne
Gypsy: Overture
168 bpm • A# Maj • 04:50 • -10.72db
13% Popularity • 23% Danceability • 48% Energy • 7% Liveness
84% Instrumentalness • 43% Positiveness
13% Popularity • 23% Danceability • 48% Energy • 7% Liveness
84% Instrumentalness • 43% Positiveness
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Lionel Bart
Where Is Love?
134 bpm • C Maj • 02:51 • -22.12db
9% Popularity • 25% Danceability • 3% Energy • 17% Liveness
0% Instrumentalness • 11% Positiveness
9% Popularity • 25% Danceability • 3% Energy • 17% Liveness
0% Instrumentalness • 11% Positiveness
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Singin' in the Rain 2012 London Cast Orchestra
Entr'acte
134 bpm • D Maj • 01:18 • -7.05db
13% Popularity • 46% Danceability • 69% Energy • 42% Liveness
95% Instrumentalness • 68% Positiveness
13% Popularity • 46% Danceability • 69% Energy • 42% Liveness
95% Instrumentalness • 68% Positiveness
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Gordon Macrae
People Will Say We're in Love (Excerpts ...
134 bpm • G# Maj • 04:22 • -12db
22% Popularity • 29% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 29% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Richard Adler
Overture
133 bpm • D# Maj • 04:29 • -14.64db
9% Popularity • 38% Danceability • 31% Energy • 36% Liveness
79% Instrumentalness • 33% Positiveness
9% Popularity • 38% Danceability • 31% Energy • 36% Liveness
79% Instrumentalness • 33% Positiveness
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Frederick Loewe
My Fair Lady: Why Can't the English?
133 bpm • F Maj • 02:46 • -14db
12% Popularity • 60% Danceability • 38% Energy • 62% Liveness
0% Instrumentalness • 70% Positiveness
12% Popularity • 60% Danceability • 38% Energy • 62% Liveness
0% Instrumentalness • 70% Positiveness
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Flower Drum Song Orchestra
Overture - Original Cast Recording
133 bpm • D# Maj • 04:11 • -10.55db
11% Popularity • 36% Danceability • 40% Energy • 16% Liveness
90% Instrumentalness • 55% Positiveness
11% Popularity • 36% Danceability • 40% Energy • 16% Liveness
90% Instrumentalness • 55% Positiveness
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Benjamin Godard
Angels Guard Thee
170 bpm • D# Maj • 04:59 • -11.41db
5% Popularity • 20% Danceability • 26% Energy • 8% Liveness
4% Instrumentalness • 15% Positiveness
5% Popularity • 20% Danceability • 26% Energy • 8% Liveness
4% Instrumentalness • 15% Positiveness
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Cy Coleman
Sweet Charity: Charity's Theme
133 bpm • C# Maj • 01:29 • -20.23db
14% Popularity • 63% Danceability • 11% Energy • 7% Liveness
40% Instrumentalness • 28% Positiveness
14% Popularity • 63% Danceability • 11% Energy • 7% Liveness
40% Instrumentalness • 28% Positiveness
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Orchestra
Overture / I'm Wishing / One Song
170 bpm • A# Maj • 02:08 • -12.25db
6% Popularity • 13% Danceability • 27% Energy • 34% Liveness
96% Instrumentalness • 11% Positiveness
6% Popularity • 13% Danceability • 27% Energy • 34% Liveness
96% Instrumentalness • 11% Positiveness
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New York City Opera Orchestra
The Music Man - Overture
132 bpm • C Maj • 03:12 • -16.63db
13% Popularity • 45% Danceability • 32% Energy • 5% Liveness
82% Instrumentalness • 41% Positiveness
13% Popularity • 45% Danceability • 32% Energy • 5% Liveness
82% Instrumentalness • 41% Positiveness
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Frederick Loewe
Camelot: I Wonder What the King Is Doing...
133 bpm • D# Maj • 02:01 • -15db
26% Popularity • 64% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
26% Popularity • 64% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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The "Crazy For You" 1993 London Orchestra
Overture
132 bpm • F min • 03:39 • -18.91db
21% Popularity • 33% Danceability • 25% Energy • 27% Liveness
54% Instrumentalness • 36% Positiveness
21% Popularity • 33% Danceability • 25% Energy • 27% Liveness
54% Instrumentalness • 36% Positiveness
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Charles Strouse
Overture/Main Titles - Instrumental
170 bpm • C# Maj • 01:29 • -13.34db
21% Popularity • 37% Danceability • 15% Energy • 31% Liveness
75% Instrumentalness • 34% Positiveness
21% Popularity • 37% Danceability • 15% Energy • 31% Liveness
75% Instrumentalness • 34% Positiveness
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Brian Stokes Mitchell
Finale Sequence: The Death of Alonso Qui...
131 bpm • F min • 08:22 • -14.18db
20% Popularity • 43% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
20% Popularity • 43% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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BBC Concert Orchestra
You Can Fly
132 bpm • D# Maj • 03:59 • -16.93db
19% Popularity • 34% Danceability • 18% Energy • 25% Liveness
47% Instrumentalness • 32% Positiveness
19% Popularity • 34% Danceability • 18% Energy • 25% Liveness
47% Instrumentalness • 32% Positiveness
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Jennie McGustie
Thank God I'm Old
172 bpm • D# Maj • 02:33 • -11db
27% Popularity • 56% Danceability • 48% Energy • 13% Liveness
4% Instrumentalness • 76% Positiveness
27% Popularity • 56% Danceability • 48% Energy • 13% Liveness
4% Instrumentalness • 76% Positiveness
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Irving Berlin
Alexander's Ragtime Band
171 bpm • F Maj • 02:30 • -24db
20% Popularity • 31% Danceability • 7% Energy • 6% Liveness
13% Instrumentalness • 63% Positiveness
20% Popularity • 31% Danceability • 7% Energy • 6% Liveness
13% Instrumentalness • 63% Positiveness
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Company
Always Look On The Bright Side of Life -...
131 bpm • A Maj • 01:19 • -5.06db
30% Popularity • 68% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
30% Popularity • 68% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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Andy Blankenbuehler
Mr. Bojangles
131 bpm • F Maj • 06:11 • -24.2db
5% Popularity • 34% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
5% Popularity • 34% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
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Brian Stokes Mitchell
Dulcinea
131 bpm • C Maj • 03:11 • -11.4db
29% Popularity • 40% Danceability • 32% Energy • 46% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 40% Danceability • 32% Energy • 46% Liveness
0% Instrumentalness • 40% Positiveness
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Ken Darby Male Chorus
There Is Nothin' Like A Dame
131 bpm • G Maj • 03:48 • -15.77db
28% Popularity • 62% Danceability • 29% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
28% Popularity • 62% Danceability • 29% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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I Salonisti
Wedding Dance
172 bpm • D# Maj • 02:30 • -15.76db
31% Popularity • 32% Danceability • 17% Energy • 92% Liveness
0% Instrumentalness • 70% Positiveness
31% Popularity • 32% Danceability • 17% Energy • 92% Liveness
0% Instrumentalness • 70% Positiveness
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Frederick Loewe
Camelot: Follow Me
172 bpm • B Maj • 02:11 • -16.88db
20% Popularity • 20% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 20% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Nicole Scimeca
Prologue: Once Upon a December
173 bpm • A min • 01:45 • -12.41db
42% Popularity • 20% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
42% Popularity • 20% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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The Cast of Peter Pan
Main Title (The Second Star to the Right...
130 bpm • F# Maj • 02:18 • -14.99db
28% Popularity • 27% Danceability • 24% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
28% Popularity • 27% Danceability • 24% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
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James Saxon
Boy For Sale
173 bpm • A min • 02:04 • -20.83db
27% Popularity • 18% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
27% Popularity • 18% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Lionel Bart
I Shall Scream
129 bpm • C# Maj • 02:49 • -18.15db
6% Popularity • 61% Danceability • 17% Energy • 48% Liveness
0% Instrumentalness • 76% Positiveness
6% Popularity • 61% Danceability • 17% Energy • 48% Liveness
0% Instrumentalness • 76% Positiveness
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Patti LuPone
Don't Cry For Me Argentina
174 bpm • C# Maj • 05:20 • -13.93db
22% Popularity • 21% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
22% Popularity • 21% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Camelot on Broadway Orchestra
Overture
130 bpm • C Maj • 03:16 • -9.5db
17% Popularity • 27% Danceability • 30% Energy • 31% Liveness
90% Instrumentalness • 27% Positiveness
17% Popularity • 27% Danceability • 30% Energy • 31% Liveness
90% Instrumentalness • 27% Positiveness
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Frederick Loewe
Camelot: March
129 bpm • A# Maj • 01:27 • -17db
21% Popularity • 63% Danceability • 26% Energy • 8% Liveness
85% Instrumentalness • 68% Positiveness
21% Popularity • 63% Danceability • 26% Energy • 8% Liveness
85% Instrumentalness • 68% Positiveness
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Harve Presnell
I'll Never Say No
174 bpm • G# Maj • 04:33 • -14db
11% Popularity • 18% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 5% Positiveness
11% Popularity • 18% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 5% Positiveness
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Oliver Wallace
It Has A Ribbon / Lady To Bed / A Few Mo...
129 bpm • F Maj • 03:54 • -18db
24% Popularity • 36% Danceability • 6% Energy • 7% Liveness
84% Instrumentalness • 17% Positiveness
24% Popularity • 36% Danceability • 6% Energy • 7% Liveness
84% Instrumentalness • 17% Positiveness
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Jerry Herman
Hello, Dolly!
129 bpm • F Maj • 07:50 • -12.18db
36% Popularity • 46% Danceability • 21% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
36% Popularity • 46% Danceability • 21% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
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Hello, Dolly! Orchestra (2017)
Overture
129 bpm • C min • 03:07 • -12.96db
21% Popularity • 36% Danceability • 29% Energy • 17% Liveness
73% Instrumentalness • 44% Positiveness
21% Popularity • 36% Danceability • 29% Energy • 17% Liveness
73% Instrumentalness • 44% Positiveness
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Alfred Newman
South Pacific Overture
175 bpm • C# Maj • 03:01 • -13db
27% Popularity • 9% Danceability • 25% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
27% Popularity • 9% Danceability • 25% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
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Orchestra
Jewel & Johnny
175 bpm • A Maj • 03:58 • -4.36db
5% Popularity • 41% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
5% Popularity • 41% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
