Songs like Carnival (Manha de Carnaval) - from 'Black Orpheus' Soundtrack by Sounds Orchestral
Based on a tempo of (+/- 10%) and a similar genre
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Nini Rosso
Greensleaves/Il Silenzio
96 bpm • C# min • 03:16 • -17.02db
15% Popularity • 18% Danceability • 22% Energy • 24% Liveness
68% Instrumentalness • 26% Positiveness
15% Popularity • 18% Danceability • 22% Energy • 24% Liveness
68% Instrumentalness • 26% Positiveness
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Jack Jones
Wives And Lovers
96 bpm • F min • 02:29 • -13.22db
48% Popularity • 35% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
48% Popularity • 35% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
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Sounds Orchestral
Carnival (Manha de Carnaval)
96 bpm • G min • 02:34 • -17.85db
27% Popularity • 44% Danceability • 15% Energy • 35% Liveness
94% Instrumentalness • 32% Positiveness
27% Popularity • 44% Danceability • 15% Energy • 35% Liveness
94% Instrumentalness • 32% Positiveness
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The Lettermen
Theme From "A Summer Place" - Remastered
96 bpm • G# Maj • 02:05 • -16db
44% Popularity • 43% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
44% Popularity • 43% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Norman Candler
Tea for Two - Remastered
96 bpm • C Maj • 02:32 • -7db
30% Popularity • 39% Danceability • 45% Energy • 13% Liveness
86% Instrumentalness • 32% Positiveness
30% Popularity • 39% Danceability • 45% Energy • 13% Liveness
86% Instrumentalness • 32% Positiveness
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Eddie Calvert
Sucu Sucu
95 bpm • A# Maj • 02:11 • -7.43db
34% Popularity • 64% Danceability • 61% Energy • 46% Liveness
0% Instrumentalness • 89% Positiveness
34% Popularity • 64% Danceability • 61% Energy • 46% Liveness
0% Instrumentalness • 89% Positiveness
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Living Strings
I Have Confidence
96 bpm • G Maj • 02:30 • -12.52db
35% Popularity • 45% Danceability • 34% Energy • 7% Liveness
71% Instrumentalness • 52% Positiveness
35% Popularity • 45% Danceability • 34% Energy • 7% Liveness
71% Instrumentalness • 52% Positiveness
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David Rose Orchestra
The Very Thought of You
95 bpm • B Maj • 02:32 • -14.56db
17% Popularity • 44% Danceability • 30% Energy • 23% Liveness
94% Instrumentalness • 17% Positiveness
17% Popularity • 44% Danceability • 30% Energy • 23% Liveness
94% Instrumentalness • 17% Positiveness
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Sounds Orchestral
Louie Louie
96 bpm • D Maj • 04:02 • -10.08db
2% Popularity • 43% Danceability • 49% Energy • 11% Liveness
72% Instrumentalness • 48% Positiveness
2% Popularity • 43% Danceability • 49% Energy • 11% Liveness
72% Instrumentalness • 48% Positiveness
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Tony Hatch
Forget Him
95 bpm • C# Maj • 03:22 • -11.69db
12% Popularity • 34% Danceability • 34% Energy • 10% Liveness
91% Instrumentalness • 24% Positiveness
12% Popularity • 34% Danceability • 34% Energy • 10% Liveness
91% Instrumentalness • 24% Positiveness
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John Fox
Ferry 'Cross the Mersey
97 bpm • F# min • 02:41 • -16.54db
18% Popularity • 35% Danceability • 32% Energy • 10% Liveness
98% Instrumentalness • 23% Positiveness
18% Popularity • 35% Danceability • 32% Energy • 10% Liveness
98% Instrumentalness • 23% Positiveness
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Apollo 100
Hall Of The Mountain Kings
95 bpm • F# Maj • 02:11 • -8.73db
14% Popularity • 49% Danceability • 57% Energy • 8% Liveness
78% Instrumentalness • 56% Positiveness
14% Popularity • 49% Danceability • 57% Energy • 8% Liveness
78% Instrumentalness • 56% Positiveness
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Russ Conway
Pepe
98 bpm • G Maj • 02:17 • -11.47db
23% Popularity • 64% Danceability • 45% Energy • 9% Liveness
94% Instrumentalness • 91% Positiveness
23% Popularity • 64% Danceability • 45% Energy • 9% Liveness
94% Instrumentalness • 91% Positiveness
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David Rose Orchestra
The Stripper
95 bpm • F Maj • 01:57 • -12.69db
27% Popularity • 45% Danceability • 44% Energy • 20% Liveness
97% Instrumentalness • 56% Positiveness
27% Popularity • 45% Danceability • 44% Energy • 20% Liveness
97% Instrumentalness • 56% Positiveness
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Sounds Orchestral
Wichita Lineman
94 bpm • F Maj • 03:27 • -11.17db
1% Popularity • 38% Danceability • 38% Energy • 9% Liveness
84% Instrumentalness • 29% Positiveness
1% Popularity • 38% Danceability • 38% Energy • 9% Liveness
84% Instrumentalness • 29% Positiveness
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Paul Weston
My Romance
94 bpm • A Maj • 02:35 • -11.91db
31% Popularity • 19% Danceability • 28% Energy • 13% Liveness
82% Instrumentalness • 12% Positiveness
31% Popularity • 19% Danceability • 28% Energy • 13% Liveness
82% Instrumentalness • 12% Positiveness
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Jackie Trent
The Two of Us
94 bpm • C Maj • 03:10 • -7.35db
19% Popularity • 67% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
19% Popularity • 67% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Johnny Pearson
Sleepy Shores
94 bpm • A Maj • 03:06 • -14.35db
17% Popularity • 39% Danceability • 32% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
17% Popularity • 39% Danceability • 32% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
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Russ Conway
The Westminster Waltz
94 bpm • D Maj • 02:34 • -11.3db
24% Popularity • 45% Danceability • 56% Energy • 6% Liveness
83% Instrumentalness • 65% Positiveness
24% Popularity • 45% Danceability • 56% Energy • 6% Liveness
83% Instrumentalness • 65% Positiveness
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Billy May
Mission Impossible - Lalo Schifrin Versi...
94 bpm • C min • 02:27 • -13db
19% Popularity • 50% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
19% Popularity • 50% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
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David Rose Orchestra
The Stripper (Alternate Take)
95 bpm • C Maj • 01:59 • -11.66db
15% Popularity • 62% Danceability • 39% Energy • 5% Liveness
71% Instrumentalness • 82% Positiveness
15% Popularity • 62% Danceability • 39% Energy • 5% Liveness
71% Instrumentalness • 82% Positiveness
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Sounds Orchestral
Mr. Kiss Kiss Bang Bang
94 bpm • C Maj • 02:13 • -8.81db
3% Popularity • 47% Danceability • 36% Energy • 19% Liveness
82% Instrumentalness • 27% Positiveness
3% Popularity • 47% Danceability • 36% Energy • 19% Liveness
82% Instrumentalness • 27% Positiveness
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Waldo De Los Ríos
Sinfonía nº 40 en sol menor k 550 - 1�...
98 bpm • G min • 04:25 • -8.88db
39% Popularity • 41% Danceability • 68% Energy • 14% Liveness
51% Instrumentalness • 63% Positiveness
39% Popularity • 41% Danceability • 68% Energy • 14% Liveness
51% Instrumentalness • 63% Positiveness
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Hagood Hardy
The Homecoming/Jennifer's Song
94 bpm • C Maj • 05:00 • -24.12db
30% Popularity • 24% Danceability • 5% Energy • 16% Liveness
85% Instrumentalness • 14% Positiveness
30% Popularity • 24% Danceability • 5% Energy • 16% Liveness
85% Instrumentalness • 14% Positiveness
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Botticelli
Never Never Never
94 bpm • C# Maj • 02:45 • -14.89db
29% Popularity • 27% Danceability • 27% Energy • 11% Liveness
95% Instrumentalness • 35% Positiveness
29% Popularity • 27% Danceability • 27% Energy • 11% Liveness
95% Instrumentalness • 35% Positiveness
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Ronnie Aldrich
Moonlight In Vermont
99 bpm • G Maj • 02:59 • -15.84db
18% Popularity • 41% Danceability • 21% Energy • 28% Liveness
89% Instrumentalness • 26% Positiveness
18% Popularity • 41% Danceability • 21% Energy • 28% Liveness
89% Instrumentalness • 26% Positiveness
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Paul Weston
There Will Never Be Another You
99 bpm • B min • 02:51 • -16.75db
41% Popularity • 26% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 28% Positiveness
41% Popularity • 26% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 28% Positiveness
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Sounds Orchestral
Mr. Kiss Kiss Bang Bang
94 bpm • C Maj • 02:18 • -11.79db
0% Popularity • 52% Danceability • 39% Energy • 25% Liveness
64% Instrumentalness • 35% Positiveness
0% Popularity • 52% Danceability • 39% Energy • 25% Liveness
64% Instrumentalness • 35% Positiveness
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Tony Mottola y Su Orquesta
The Poor People of Paris
99 bpm • A# min • 02:11 • -10.72db
36% Popularity • 88% Danceability • 36% Energy • 11% Liveness
40% Instrumentalness • 72% Positiveness
36% Popularity • 88% Danceability • 36% Energy • 11% Liveness
40% Instrumentalness • 72% Positiveness
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Ballroom Dance Orchestra
Sail Along Silvery Moon
99 bpm • F Maj • 02:05 • -11.61db
40% Popularity • 48% Danceability • 43% Energy • 10% Liveness
81% Instrumentalness • 84% Positiveness
40% Popularity • 48% Danceability • 43% Energy • 10% Liveness
81% Instrumentalness • 84% Positiveness
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Jack Jones
The Impossible Dream
93 bpm • B Maj • 02:19 • -9.76db
46% Popularity • 44% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
46% Popularity • 44% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Russ Conway
Lucky Five
99 bpm • F min • 01:55 • -10.9db
19% Popularity • 64% Danceability • 61% Energy • 14% Liveness
94% Instrumentalness • 95% Positiveness
19% Popularity • 64% Danceability • 61% Energy • 14% Liveness
94% Instrumentalness • 95% Positiveness
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John Lennon
Can't Buy Me Love / Sgt. Pepper's Lonely...
99 bpm • C Maj • 04:10 • -11.43db
18% Popularity • 44% Danceability • 45% Energy • 18% Liveness
80% Instrumentalness • 56% Positiveness
18% Popularity • 44% Danceability • 45% Energy • 18% Liveness
80% Instrumentalness • 56% Positiveness
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Sounds Orchestral
Superstition
99 bpm • B min • 03:48 • -11.84db
2% Popularity • 63% Danceability • 70% Energy • 17% Liveness
82% Instrumentalness • 79% Positiveness
2% Popularity • 63% Danceability • 70% Energy • 17% Liveness
82% Instrumentalness • 79% Positiveness
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Hugo Montenegro
The Greatest Love
93 bpm • F Maj • 02:17 • -11.84db
28% Popularity • 52% Danceability • 50% Energy • 71% Liveness
1% Instrumentalness • 63% Positiveness
28% Popularity • 52% Danceability • 50% Energy • 71% Liveness
1% Instrumentalness • 63% Positiveness
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The Ventures
Theme From "A Summer Place"
99 bpm • F Maj • 02:18 • -13.28db
31% Popularity • 65% Danceability • 36% Energy • 5% Liveness
8% Instrumentalness • 95% Positiveness
31% Popularity • 65% Danceability • 36% Energy • 5% Liveness
8% Instrumentalness • 95% Positiveness
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Tony Hatch
Memories of Summer
93 bpm • D Maj • 03:10 • -12.62db
38% Popularity • 44% Danceability • 31% Energy • 18% Liveness
86% Instrumentalness • 36% Positiveness
38% Popularity • 44% Danceability • 31% Energy • 18% Liveness
86% Instrumentalness • 36% Positiveness
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Kai Warner
My Prayer
99 bpm • C Maj • 02:41 • -15.86db
19% Popularity • 62% Danceability • 30% Energy • 12% Liveness
84% Instrumentalness • 60% Positiveness
19% Popularity • 62% Danceability • 30% Energy • 12% Liveness
84% Instrumentalness • 60% Positiveness
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Dick Hyman
(In Bobo's Restaurant) Canzone Per Loret...
100 bpm • G Maj • 02:52 • -19db
32% Popularity • 29% Danceability • 13% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
32% Popularity • 29% Danceability • 13% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
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Sounds Orchestral
Goldfinger
99 bpm • F Maj • 02:43 • -5.52db
2% Popularity • 30% Danceability • 55% Energy • 20% Liveness
84% Instrumentalness • 28% Positiveness
2% Popularity • 30% Danceability • 55% Energy • 20% Liveness
84% Instrumentalness • 28% Positiveness
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Ray Anthony
Samba De Orfeu - Remastered
93 bpm • C# Maj • 02:37 • -14db
30% Popularity • 52% Danceability • 36% Energy • 10% Liveness
81% Instrumentalness • 63% Positiveness
30% Popularity • 52% Danceability • 36% Energy • 10% Liveness
81% Instrumentalness • 63% Positiveness
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The Melachrino Strings and Orchestra
Goodnight My Love
93 bpm • C Maj • 02:50 • -12.53db
17% Popularity • 16% Danceability • 30% Energy • 7% Liveness
54% Instrumentalness • 17% Positiveness
17% Popularity • 16% Danceability • 30% Energy • 7% Liveness
54% Instrumentalness • 17% Positiveness
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Victor Silvester
The Song From “Moulin Rouge” (Waltz)
93 bpm • D Maj • 02:26 • -19.44db
40% Popularity • 23% Danceability • 23% Energy • 9% Liveness
67% Instrumentalness • 40% Positiveness
40% Popularity • 23% Danceability • 23% Energy • 9% Liveness
67% Instrumentalness • 40% Positiveness
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Norman Candler
Beautiful Dreamer - Remastered
92 bpm • C Maj • 02:40 • -8db
29% Popularity • 23% Danceability • 47% Energy • 32% Liveness
56% Instrumentalness • 40% Positiveness
29% Popularity • 23% Danceability • 47% Energy • 32% Liveness
56% Instrumentalness • 40% Positiveness
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Kai Warner
What A Wonderful World
100 bpm • G# Maj • 02:19 • -10.77db
23% Popularity • 43% Danceability • 45% Energy • 25% Liveness
50% Instrumentalness • 38% Positiveness
23% Popularity • 43% Danceability • 45% Energy • 25% Liveness
50% Instrumentalness • 38% Positiveness
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Morris Stoloff
Moonglow / Theme From "Picnic"
100 bpm • F Maj • 02:47 • -15.13db
21% Popularity • 50% Danceability • 26% Energy • 13% Liveness
2% Instrumentalness • 47% Positiveness
21% Popularity • 50% Danceability • 26% Energy • 13% Liveness
2% Instrumentalness • 47% Positiveness
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Sounds Orchestral
While We Danced at the Mardi Gras
100 bpm • A# Maj • 02:38 • -16.99db
12% Popularity • 64% Danceability • 32% Energy • 8% Liveness
94% Instrumentalness • 73% Positiveness
12% Popularity • 64% Danceability • 32% Energy • 8% Liveness
94% Instrumentalness • 73% Positiveness
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The Gino Marinello Orchestra
Theme from ''A Summerplace''
100 bpm • A# Maj • 02:44 • -14.59db
44% Popularity • 58% Danceability • 26% Energy • 10% Liveness
17% Instrumentalness • 50% Positiveness
44% Popularity • 58% Danceability • 26% Energy • 10% Liveness
17% Instrumentalness • 50% Positiveness
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Jack Jones
Lady
92 bpm • A Maj • 02:44 • -8.62db
33% Popularity • 31% Danceability • 46% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
33% Popularity • 31% Danceability • 46% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
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Ronnie Aldrich
Deep Purple
100 bpm • D min • 02:53 • -13db
15% Popularity • 31% Danceability • 26% Energy • 13% Liveness
83% Instrumentalness • 8% Positiveness
15% Popularity • 31% Danceability • 26% Energy • 13% Liveness
83% Instrumentalness • 8% Positiveness
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Billy May
The Look Of Love - Remastered
100 bpm • F min • 02:50 • -13.44db
30% Popularity • 78% Danceability • 23% Energy • 22% Liveness
85% Instrumentalness • 46% Positiveness
30% Popularity • 78% Danceability • 23% Energy • 22% Liveness
85% Instrumentalness • 46% Positiveness
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Hollyridge Strings
Girls On The Beach
100 bpm • D# Maj • 02:30 • -9db
25% Popularity • 37% Danceability • 45% Energy • 17% Liveness
78% Instrumentalness • 12% Positiveness
25% Popularity • 37% Danceability • 45% Energy • 17% Liveness
78% Instrumentalness • 12% Positiveness
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Tony Hatch
Look for a Star
92 bpm • C Maj • 02:15 • -11.13db
16% Popularity • 35% Danceability • 32% Energy • 8% Liveness
63% Instrumentalness • 31% Positiveness
16% Popularity • 35% Danceability • 32% Energy • 8% Liveness
63% Instrumentalness • 31% Positiveness
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Russ Conway
China Tea
92 bpm • A# Maj • 02:05 • -12.42db
24% Popularity • 60% Danceability • 53% Energy • 32% Liveness
89% Instrumentalness • 94% Positiveness
24% Popularity • 60% Danceability • 53% Energy • 32% Liveness
89% Instrumentalness • 94% Positiveness
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Anthony Newley
Why?
100 bpm • G min • 02:26 • -9.38db
25% Popularity • 59% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
25% Popularity • 59% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Ron Goodwin
True Love Ways
92 bpm • D Maj • 02:31 • -14.38db
23% Popularity • 21% Danceability • 30% Energy • 36% Liveness
27% Instrumentalness • 20% Positiveness
23% Popularity • 21% Danceability • 30% Energy • 36% Liveness
27% Instrumentalness • 20% Positiveness
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Billy May
Till There Was You
92 bpm • D# Maj • 02:45 • -14.4db
29% Popularity • 39% Danceability • 19% Energy • 22% Liveness
36% Instrumentalness • 33% Positiveness
29% Popularity • 39% Danceability • 19% Energy • 22% Liveness
36% Instrumentalness • 33% Positiveness
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Carpenters
Heather
92 bpm • E min • 02:50 • -18.35db
33% Popularity • 42% Danceability • 19% Energy • 10% Liveness
91% Instrumentalness • 19% Positiveness
33% Popularity • 42% Danceability • 19% Energy • 10% Liveness
91% Instrumentalness • 19% Positiveness
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Victor Silvester
Around The World (Waltz)
92 bpm • C min • 02:22 • -15.57db
35% Popularity • 19% Danceability • 28% Energy • 18% Liveness
84% Instrumentalness • 21% Positiveness
35% Popularity • 19% Danceability • 28% Energy • 18% Liveness
84% Instrumentalness • 21% Positiveness
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Hollyridge Strings
Surfer Girl
101 bpm • C Maj • 02:25 • -8.24db
30% Popularity • 29% Danceability • 45% Energy • 14% Liveness
77% Instrumentalness • 24% Positiveness
30% Popularity • 29% Danceability • 45% Energy • 14% Liveness
77% Instrumentalness • 24% Positiveness
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Joaquin Borges
Charmaine
91 bpm • A min • 03:06 • -12db
42% Popularity • 13% Danceability • 31% Energy • 36% Liveness
77% Instrumentalness • 8% Positiveness
42% Popularity • 13% Danceability • 31% Energy • 36% Liveness
77% Instrumentalness • 8% Positiveness
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Jackie Trent
Where Are You Now My Love
101 bpm • B min • 02:46 • -8.66db
22% Popularity • 48% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 43% Positiveness
22% Popularity • 48% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 43% Positiveness
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Al Martino
Love Is Blue (L'amour Est Bleu)
101 bpm • D Maj • 02:41 • -10.68db
35% Popularity • 35% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
35% Popularity • 35% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
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Ronnie Aldrich
Where Or When
101 bpm • F min • 02:18 • -15.21db
17% Popularity • 40% Danceability • 41% Energy • 31% Liveness
66% Instrumentalness • 57% Positiveness
17% Popularity • 40% Danceability • 41% Energy • 31% Liveness
66% Instrumentalness • 57% Positiveness
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Kai Warner
Summerwind
91 bpm • F Maj • 02:11 • -15.41db
31% Popularity • 55% Danceability • 19% Energy • 11% Liveness
81% Instrumentalness • 38% Positiveness
31% Popularity • 55% Danceability • 19% Energy • 11% Liveness
81% Instrumentalness • 38% Positiveness
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Tony Mottola
La Strada
101 bpm • C Maj • 03:00 • -14.2db
27% Popularity • 47% Danceability • 28% Energy • 14% Liveness
84% Instrumentalness • 49% Positiveness
27% Popularity • 47% Danceability • 28% Energy • 14% Liveness
84% Instrumentalness • 49% Positiveness
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Ballroom Dance Orchestra
That Old Devil Called Love
101 bpm • G# Maj • 03:08 • -12.46db
26% Popularity • 55% Danceability • 28% Energy • 9% Liveness
82% Instrumentalness • 38% Positiveness
26% Popularity • 55% Danceability • 28% Energy • 9% Liveness
82% Instrumentalness • 38% Positiveness
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Russ Conway
Side Saddle
91 bpm • D# Maj • 01:54 • -13db
28% Popularity • 56% Danceability • 53% Energy • 13% Liveness
91% Instrumentalness • 97% Positiveness
28% Popularity • 56% Danceability • 53% Energy • 13% Liveness
91% Instrumentalness • 97% Positiveness
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John Fox
More Than a Woman
101 bpm • G# Maj • 03:25 • -14db
18% Popularity • 50% Danceability • 45% Energy • 31% Liveness
87% Instrumentalness • 62% Positiveness
18% Popularity • 50% Danceability • 45% Energy • 31% Liveness
87% Instrumentalness • 62% Positiveness
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Victor Silvester
Fascination (Waltz)
91 bpm • E min • 02:25 • -16.31db
44% Popularity • 25% Danceability • 22% Energy • 19% Liveness
93% Instrumentalness • 22% Positiveness
44% Popularity • 25% Danceability • 22% Energy • 19% Liveness
93% Instrumentalness • 22% Positiveness
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Bob Docker And His Orchestra
A Summer Place Theme
91 bpm • C# Maj • 02:59 • -10db
28% Popularity • 19% Danceability • 36% Energy • 16% Liveness
90% Instrumentalness • 32% Positiveness
28% Popularity • 19% Danceability • 36% Energy • 16% Liveness
90% Instrumentalness • 32% Positiveness
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Hollyridge Strings
The Warmth Of The Sun
102 bpm • C# Maj • 02:52 • -10db
30% Popularity • 14% Danceability • 35% Energy • 10% Liveness
85% Instrumentalness • 6% Positiveness
30% Popularity • 14% Danceability • 35% Energy • 10% Liveness
85% Instrumentalness • 6% Positiveness
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Paul Weston
Poor Butterfly
102 bpm • C# Maj • 03:04 • -16db
43% Popularity • 26% Danceability • 22% Energy • 9% Liveness
92% Instrumentalness • 23% Positiveness
43% Popularity • 26% Danceability • 22% Energy • 9% Liveness
92% Instrumentalness • 23% Positiveness
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Caravelli
Love Is Blue
102 bpm • G Maj • 02:33 • -10.05db
29% Popularity • 25% Danceability • 50% Energy • 11% Liveness
24% Instrumentalness • 48% Positiveness
29% Popularity • 25% Danceability • 50% Energy • 11% Liveness
24% Instrumentalness • 48% Positiveness
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Hugo Winterhalter And His Orchestra
California Dreaming
102 bpm • F Maj • 02:47 • -10db
33% Popularity • 35% Danceability • 44% Energy • 21% Liveness
68% Instrumentalness • 30% Positiveness
33% Popularity • 35% Danceability • 44% Energy • 21% Liveness
68% Instrumentalness • 30% Positiveness
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Sounds Orchestral
007 Theme
102 bpm • G Maj • 02:37 • -9.89db
1% Popularity • 42% Danceability • 72% Energy • 28% Liveness
92% Instrumentalness • 66% Positiveness
1% Popularity • 42% Danceability • 72% Energy • 28% Liveness
92% Instrumentalness • 66% Positiveness
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Russ Conway
Party Pops (Part 2)
90 bpm • A# Maj • 02:16 • -11.27db
26% Popularity • 55% Danceability • 53% Energy • 22% Liveness
92% Instrumentalness • 88% Positiveness
26% Popularity • 55% Danceability • 53% Energy • 22% Liveness
92% Instrumentalness • 88% Positiveness
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Eddie Calvert
Stranger in Paradise - 2005 Remaster
90 bpm • G# Maj • 02:39 • -11.4db
22% Popularity • 18% Danceability • 22% Energy • 25% Liveness
95% Instrumentalness • 29% Positiveness
22% Popularity • 18% Danceability • 22% Energy • 25% Liveness
95% Instrumentalness • 29% Positiveness
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Paul Weston
Orchids In The Moonlight
90 bpm • F min • 02:33 • -10.94db
32% Popularity • 30% Danceability • 29% Energy • 11% Liveness
85% Instrumentalness • 19% Positiveness
32% Popularity • 30% Danceability • 29% Energy • 11% Liveness
85% Instrumentalness • 19% Positiveness
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Norman Candler
Samson and Delilah - Remastered
103 bpm • A Maj • 03:21 • -7db
26% Popularity • 42% Danceability • 60% Energy • 13% Liveness
79% Instrumentalness • 55% Positiveness
26% Popularity • 42% Danceability • 60% Energy • 13% Liveness
79% Instrumentalness • 55% Positiveness
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Ronnie Aldrich
One on One
89 bpm • C Maj • 03:58 • -14db
7% Popularity • 66% Danceability • 33% Energy • 12% Liveness
86% Instrumentalness • 58% Positiveness
7% Popularity • 66% Danceability • 33% Energy • 12% Liveness
86% Instrumentalness • 58% Positiveness
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Sounds Orchestral
Classical Gas
90 bpm • A min • 02:16 • -10.24db
2% Popularity • 50% Danceability • 65% Energy • 16% Liveness
90% Instrumentalness • 86% Positiveness
2% Popularity • 50% Danceability • 65% Energy • 16% Liveness
90% Instrumentalness • 86% Positiveness
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Russ Conway
Roulette
90 bpm • D Maj • 02:09 • -9.31db
25% Popularity • 49% Danceability • 75% Energy • 33% Liveness
94% Instrumentalness • 96% Positiveness
25% Popularity • 49% Danceability • 75% Energy • 33% Liveness
94% Instrumentalness • 96% Positiveness
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Kai Warner
The Last Waltz
89 bpm • D Maj • 02:35 • -12.98db
34% Popularity • 45% Danceability • 34% Energy • 20% Liveness
1% Instrumentalness • 37% Positiveness
34% Popularity • 45% Danceability • 34% Energy • 20% Liveness
1% Instrumentalness • 37% Positiveness
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Billy May & His Orchestra
Lovewise
89 bpm • A Maj • 02:34 • -14.31db
31% Popularity • 24% Danceability • 36% Energy • 28% Liveness
90% Instrumentalness • 32% Positiveness
31% Popularity • 24% Danceability • 36% Energy • 28% Liveness
90% Instrumentalness • 32% Positiveness
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The Melachrino Strings and Orchestra
You and the Night and the Music
89 bpm • D min • 02:48 • -9.71db
21% Popularity • 12% Danceability • 38% Energy • 24% Liveness
56% Instrumentalness • 6% Positiveness
21% Popularity • 12% Danceability • 38% Energy • 24% Liveness
56% Instrumentalness • 6% Positiveness
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Francis Lai
Skating In Central Park
89 bpm • B Maj • 03:02 • -16.9db
30% Popularity • 24% Danceability • 25% Energy • 35% Liveness
93% Instrumentalness • 23% Positiveness
30% Popularity • 24% Danceability • 25% Energy • 35% Liveness
93% Instrumentalness • 23% Positiveness
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Sounds Orchestral
Moonshot
89 bpm • C Maj • 03:21 • -7.21db
1% Popularity • 30% Danceability • 50% Energy • 11% Liveness
89% Instrumentalness • 32% Positiveness
1% Popularity • 30% Danceability • 50% Energy • 11% Liveness
89% Instrumentalness • 32% Positiveness
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Edmundo Ros & His Orchestra
Spanish Flea
89 bpm • G Maj • 02:01 • -12.84db
24% Popularity • 72% Danceability • 47% Energy • 11% Liveness
89% Instrumentalness • 85% Positiveness
24% Popularity • 72% Danceability • 47% Energy • 11% Liveness
89% Instrumentalness • 85% Positiveness
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Russ Conway
Theme from Picnic - Remastered
103 bpm • F Maj • 03:23 • -13db
37% Popularity • 58% Danceability • 19% Energy • 13% Liveness
20% Instrumentalness • 36% Positiveness
37% Popularity • 58% Danceability • 19% Energy • 13% Liveness
20% Instrumentalness • 36% Positiveness
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Al Martino
I Love You Because
89 bpm • G# Maj • 02:43 • -12.75db
42% Popularity • 29% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
42% Popularity • 29% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
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The Melachrino Strings
Smile
89 bpm • C Maj • 04:15 • -18.96db
29% Popularity • 16% Danceability • 19% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
29% Popularity • 16% Danceability • 19% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Tony Mottola y Su Orquesta
Arrivederci, Roma
104 bpm • G Maj • 03:32 • -13.02db
28% Popularity • 64% Danceability • 32% Energy • 39% Liveness
89% Instrumentalness • 60% Positiveness
28% Popularity • 64% Danceability • 32% Energy • 39% Liveness
89% Instrumentalness • 60% Positiveness
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Sounds Orchestral
Coloured Rain
104 bpm • F Maj • 02:32 • -11.38db
1% Popularity • 40% Danceability • 43% Energy • 11% Liveness
97% Instrumentalness • 42% Positiveness
1% Popularity • 40% Danceability • 43% Energy • 11% Liveness
97% Instrumentalness • 42% Positiveness
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Giacomo Puccini
Oh Mio Bambino Caro
88 bpm • G# Maj • 02:41 • -10db
28% Popularity • 19% Danceability • 31% Energy • 12% Liveness
87% Instrumentalness • 18% Positiveness
28% Popularity • 19% Danceability • 31% Energy • 12% Liveness
87% Instrumentalness • 18% Positiveness
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Ron Goodwin
On & On
105 bpm • C Maj • 03:09 • -17db
13% Popularity • 46% Danceability • 15% Energy • 8% Liveness
62% Instrumentalness • 39% Positiveness
13% Popularity • 46% Danceability • 15% Energy • 8% Liveness
62% Instrumentalness • 39% Positiveness
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Lester Lanin
Fascination - Slow Waltz
105 bpm • C Maj • 01:58 • -12db
34% Popularity • 31% Danceability • 22% Energy • 18% Liveness
49% Instrumentalness • 34% Positiveness
34% Popularity • 31% Danceability • 22% Energy • 18% Liveness
49% Instrumentalness • 34% Positiveness
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The Brothers Four
The Green Leaves of Summer - from the Ba...
105 bpm • D# min • 02:49 • -15.73db
40% Popularity • 46% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
40% Popularity • 46% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
