Songs like Carnival of Animals, Op. 72: 5. Jumbo by Malcolm Arnold
Based on a tempo of (+/- 10%) and a similar genre
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Ferde Grofé
Grand Canyon Suite: 1. Sunrise
137 bpm • A Maj • 06:41 • -18.37db
21% Popularity • 15% Danceability • 15% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
21% Popularity • 15% Danceability • 15% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
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Paul Hindemith
Kammermusik No. 1, Op.24 No.1: I. Sehr s...
137 bpm • B Maj • 01:06 • -19db
33% Popularity • 53% Danceability • 45% Energy • 34% Liveness
88% Instrumentalness • 83% Positiveness
33% Popularity • 53% Danceability • 45% Energy • 34% Liveness
88% Instrumentalness • 83% Positiveness
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Malcolm Arnold
4 Irish Dances, Op. 126: No. 1. Allegro ...
137 bpm • G Maj • 01:19 • -19.9db
17% Popularity • 38% Danceability • 26% Energy • 10% Liveness
96% Instrumentalness • 71% Positiveness
17% Popularity • 38% Danceability • 26% Energy • 10% Liveness
96% Instrumentalness • 71% Positiveness
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Felix Mendelssohn
Overture to "A Midsummer Night's Dream",...
137 bpm • E Maj • 06:22 • -23.46db
27% Popularity • 28% Danceability • 8% Energy • 9% Liveness
73% Instrumentalness • 13% Positiveness
27% Popularity • 28% Danceability • 8% Energy • 9% Liveness
73% Instrumentalness • 13% Positiveness
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Alberto Ginastera
Estancia: Danza final - Malambo
137 bpm • C Maj • 03:49 • -17.48db
14% Popularity • 28% Danceability • 51% Energy • 14% Liveness
78% Instrumentalness • 14% Positiveness
14% Popularity • 28% Danceability • 51% Energy • 14% Liveness
78% Instrumentalness • 14% Positiveness
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Leonard Bernstein
Bernstein: Symphonic Dances from West Si...
137 bpm • B Maj • 04:34 • -27.36db
16% Popularity • 15% Danceability • 2% Energy • 29% Liveness
83% Instrumentalness • 4% Positiveness
16% Popularity • 15% Danceability • 2% Energy • 29% Liveness
83% Instrumentalness • 4% Positiveness
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JoaquÃn Turina
Danzas fantasticas, Op. 22: Orgia
136 bpm • D Maj • 04:49 • -14.76db
21% Popularity • 30% Danceability • 20% Energy • 14% Liveness
80% Instrumentalness • 24% Positiveness
21% Popularity • 30% Danceability • 20% Energy • 14% Liveness
80% Instrumentalness • 24% Positiveness
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Aaron Copland
The Tender Land Suite: III. Finale: The ...
138 bpm • F Maj • 05:35 • -22.05db
8% Popularity • 15% Danceability • 4% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
8% Popularity • 15% Danceability • 4% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Malcolm Arnold
Tam O´Shanter - Live
137 bpm • D Maj • 08:10 • -16.92db
1% Popularity • 31% Danceability • 27% Energy • 73% Liveness
81% Instrumentalness • 22% Positiveness
1% Popularity • 31% Danceability • 27% Energy • 73% Liveness
81% Instrumentalness • 22% Positiveness
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Howard Hanson
Symphony No. 2, Op. 30, "Romantic": III....
136 bpm • C# Maj • 07:16 • -19db
9% Popularity • 22% Danceability • 18% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
9% Popularity • 22% Danceability • 18% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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Nikolai Rimsky-Korsakov
Shéhérazade, Op. 35: I. The Sea and Si...
136 bpm • E Maj • 09:55 • -23db
35% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: The Old Castl...
136 bpm • G# Maj • 04:30 • -34.52db
28% Popularity • 15% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
28% Popularity • 15% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Tahiti Trot, Op. 16 (orchestral transcri...
138 bpm • G# Maj • 04:09 • -23.16db
48% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
48% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
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Igor Stravinsky
The Rite of Spring: Part Two: The Sacrif...
136 bpm • D min • 04:35 • -14.46db
34% Popularity • 48% Danceability • 46% Energy • 15% Liveness
86% Instrumentalness • 35% Positiveness
34% Popularity • 48% Danceability • 46% Energy • 15% Liveness
86% Instrumentalness • 35% Positiveness
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Malcolm Arnold
4 Scottish Dances, Op. 59: No. 4, Con br...
136 bpm • D Maj • 01:44 • -17db
17% Popularity • 24% Danceability • 30% Energy • 9% Liveness
86% Instrumentalness • 47% Positiveness
17% Popularity • 24% Danceability • 30% Energy • 9% Liveness
86% Instrumentalness • 47% Positiveness
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Joseph Haydn
Trumpet Concerto in E Flat, H.VIIe/1: 3....
139 bpm • D# Maj • 04:25 • -19db
25% Popularity • 54% Danceability • 20% Energy • 5% Liveness
87% Instrumentalness • 49% Positiveness
25% Popularity • 54% Danceability • 20% Energy • 5% Liveness
87% Instrumentalness • 49% Positiveness
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Pyotr Ilyich Tchaikovsky
Symphony No. 5 in E Minor, Op. 64: III. ...
139 bpm • A Maj • 05:57 • -29.47db
36% Popularity • 23% Danceability • 5% Energy • 15% Liveness
85% Instrumentalness • 22% Positiveness
36% Popularity • 23% Danceability • 5% Energy • 15% Liveness
85% Instrumentalness • 22% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: I. Präludium (Al...
135 bpm • G Maj • 03:00 • -22.57db
44% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
44% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
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Modest Mussorgsky
Sorochinskaya yarmarka (Sorochintsi Fair...
135 bpm • G Maj • 01:42 • -22db
47% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
47% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
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John P. Paynter
4 Scottish Dances, Op. 59: No. 4. Con br...
139 bpm • D Maj • 01:45 • -7.35db
0% Popularity • 33% Danceability • 58% Energy • 8% Liveness
84% Instrumentalness • 34% Positiveness
0% Popularity • 33% Danceability • 58% Energy • 8% Liveness
84% Instrumentalness • 34% Positiveness
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Nikolai Rimsky-Korsakov
Trombone Concerto in B-Flat Major: I. Al...
139 bpm • A# Maj • 02:37 • -20.54db
25% Popularity • 27% Danceability • 10% Energy • 24% Liveness
95% Instrumentalness • 20% Positiveness
25% Popularity • 27% Danceability • 10% Energy • 24% Liveness
95% Instrumentalness • 20% Positiveness
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US Marine Band
"Esprit de Corps"
139 bpm • G# Maj • 05:13 • -17.84db
18% Popularity • 30% Danceability • 27% Energy • 5% Liveness
74% Instrumentalness • 26% Positiveness
18% Popularity • 30% Danceability • 27% Energy • 5% Liveness
74% Instrumentalness • 26% Positiveness
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Malcolm Arnold
English Dances, Set 1, Op. 27: No. 2. Vi...
134 bpm • F Maj • 01:44 • -17.55db
5% Popularity • 40% Danceability • 46% Energy • 6% Liveness
94% Instrumentalness • 41% Positiveness
5% Popularity • 40% Danceability • 46% Energy • 6% Liveness
94% Instrumentalness • 41% Positiveness
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Manuel de Falla
Ritual Fire Dance
134 bpm • G Maj • 04:15 • -19db
15% Popularity • 26% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 16% Positiveness
15% Popularity • 26% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 16% Positiveness
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Edvard Grieg
March of the dwarfs
134 bpm • C min • 03:30 • -20db
11% Popularity • 39% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 8% Positiveness
11% Popularity • 39% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 8% Positiveness
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Joseph Haydn
Haydn: Trumpet Concerto In E Flat - I Al...
134 bpm • D# Maj • 07:12 • -18.05db
32% Popularity • 35% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 32% Positiveness
32% Popularity • 35% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 32% Positiveness
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Peter Lieuwen
River of Crystal Light
140 bpm • C# Maj • 09:13 • -17.2db
11% Popularity • 37% Danceability • 21% Energy • 10% Liveness
81% Instrumentalness • 10% Positiveness
11% Popularity • 37% Danceability • 21% Energy • 10% Liveness
81% Instrumentalness • 10% Positiveness
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David Diamond
Symphony No. 4: I. Allegretto
140 bpm • D min • 05:07 • -24.25db
9% Popularity • 15% Danceability • 5% Energy • 13% Liveness
93% Instrumentalness • 15% Positiveness
9% Popularity • 15% Danceability • 5% Energy • 13% Liveness
93% Instrumentalness • 15% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 1: II. Polka
134 bpm • C Maj • 01:35 • -24db
31% Popularity • 59% Danceability • 20% Energy • 33% Liveness
73% Instrumentalness • 51% Positiveness
31% Popularity • 59% Danceability • 20% Energy • 33% Liveness
73% Instrumentalness • 51% Positiveness
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Felix Mendelssohn
Overture to "A Midsummer Night's Dream",...
140 bpm • E Maj • 05:54 • -23db
35% Popularity • 24% Danceability • 4% Energy • 7% Liveness
69% Instrumentalness • 5% Positiveness
35% Popularity • 24% Danceability • 4% Energy • 7% Liveness
69% Instrumentalness • 5% Positiveness
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Camille Saint-Saëns
Romance for horn & piano, Op. 36
134 bpm • F Maj • 03:48 • -22.62db
18% Popularity • 28% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 10% Positiveness
18% Popularity • 28% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 10% Positiveness
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Malcolm Arnold
Three Shanties for Wind Quintet, Op. 4: ...
133 bpm • C min • 02:02 • -33.54db
4% Popularity • 20% Danceability • 0% Energy • 10% Liveness
43% Instrumentalness • 10% Positiveness
4% Popularity • 20% Danceability • 0% Energy • 10% Liveness
43% Instrumentalness • 10% Positiveness
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Gustav Holst
First Suite in E-Flat Major, Op. 28 No. ...
141 bpm • C min • 02:53 • -25db
34% Popularity • 35% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 46% Positiveness
34% Popularity • 35% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 46% Positiveness
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Peter Warlock
Capriol Suite: 1. Basse-danse
133 bpm • D min • 01:36 • -19db
36% Popularity • 60% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 60% Positiveness
36% Popularity • 60% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 60% Positiveness
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Frederick Delius
Florida Suite: By the River
133 bpm • D# Maj • 07:09 • -27.38db
26% Popularity • 16% Danceability • 5% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
26% Popularity • 16% Danceability • 5% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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William Grant Still
Symphony No. 1, "Afro-American": IV. Asp...
141 bpm • F# Maj • 08:36 • -21.71db
15% Popularity • 20% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
15% Popularity • 20% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Leonard Bernstein
Candide: V. Make Our Garden Grow
133 bpm • C min • 03:36 • -20db
23% Popularity • 16% Danceability • 5% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 5% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Malcolm Arnold
4 Scottish Dances, Op. 59: No. 3. Allegr...
141 bpm • F Maj • 03:10 • -31db
6% Popularity • 14% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
6% Popularity • 14% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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Ottorino Respighi
The Birds, P. 154: 1. Prelude
142 bpm • A Maj • 02:45 • -20.34db
18% Popularity • 40% Danceability • 11% Energy • 35% Liveness
84% Instrumentalness • 14% Positiveness
18% Popularity • 40% Danceability • 11% Energy • 35% Liveness
84% Instrumentalness • 14% Positiveness
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Gustav Holst
First Suite in E-Flat Major, Op. 28 No. ...
133 bpm • G# Maj • 02:58 • -16.8db
34% Popularity • 46% Danceability • 23% Energy • 20% Liveness
94% Instrumentalness • 40% Positiveness
34% Popularity • 46% Danceability • 23% Energy • 20% Liveness
94% Instrumentalness • 40% Positiveness
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Maurice Ravel
Pavane pour une infante défunte, M. 19 ...
142 bpm • G Maj • 06:28 • -30.75db
34% Popularity • 14% Danceability • 3% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
34% Popularity • 14% Danceability • 3% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
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Peter Warlock
Capriol Suite: V. Pieds-en-l'air
142 bpm • G Maj • 02:31 • -21.37db
12% Popularity • 14% Danceability • 15% Energy • 14% Liveness
90% Instrumentalness • 6% Positiveness
12% Popularity • 14% Danceability • 15% Energy • 14% Liveness
90% Instrumentalness • 6% Positiveness
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Ernest Tomlinson
Little Serenade
142 bpm • A Maj • 03:23 • -29db
22% Popularity • 17% Danceability • 4% Energy • 9% Liveness
97% Instrumentalness • 17% Positiveness
22% Popularity • 17% Danceability • 4% Energy • 9% Liveness
97% Instrumentalness • 17% Positiveness
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Malcolm Arnold
Three Shanties for Wind Quintet, Op. 4: ...
141 bpm • G Maj • 02:39 • -23.47db
5% Popularity • 51% Danceability • 8% Energy • 24% Liveness
92% Instrumentalness • 42% Positiveness
5% Popularity • 51% Danceability • 8% Energy • 24% Liveness
92% Instrumentalness • 42% Positiveness
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Dmitry Kabalevsky
Colas Breugnon Overture, Op. 24
132 bpm • F Maj • 04:43 • -19db
14% Popularity • 29% Danceability • 31% Energy • 5% Liveness
84% Instrumentalness • 18% Positiveness
14% Popularity • 29% Danceability • 31% Energy • 5% Liveness
84% Instrumentalness • 18% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
131 bpm • A Maj • 01:21 • -15db
60% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
60% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
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Aaron Copland
Appalachian Spring: VI. Meno mosso
143 bpm • G# Maj • 01:14 • -34.13db
37% Popularity • 14% Danceability • 2% Energy • 11% Liveness
69% Instrumentalness • 3% Positiveness
37% Popularity • 14% Danceability • 2% Energy • 11% Liveness
69% Instrumentalness • 3% Positiveness
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John Rutter
Suite: A-Roving
144 bpm • D Maj • 03:11 • -24.86db
15% Popularity • 27% Danceability • 9% Energy • 19% Liveness
66% Instrumentalness • 38% Positiveness
15% Popularity • 27% Danceability • 9% Energy • 19% Liveness
66% Instrumentalness • 38% Positiveness
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Ottorino Respighi
Belkis, regina di Saba, P 171: III. Danz...
144 bpm • G# min • 02:53 • -16.65db
17% Popularity • 36% Danceability • 40% Energy • 9% Liveness
89% Instrumentalness • 33% Positiveness
17% Popularity • 36% Danceability • 40% Energy • 9% Liveness
89% Instrumentalness • 33% Positiveness
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Malcolm Arnold
English Dances, Set 2, Op. 33: No. 2. Co...
142 bpm • C Maj • 01:29 • -19.42db
31% Popularity • 37% Danceability • 37% Energy • 4% Liveness
93% Instrumentalness • 55% Positiveness
31% Popularity • 37% Danceability • 37% Energy • 4% Liveness
93% Instrumentalness • 55% Positiveness
► Preview
Johann Nepomuk Hummel
Hummel: Trumpet Concerto In E Flat - Iii...
144 bpm • D# Maj • 03:44 • -18.13db
45% Popularity • 50% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 72% Positiveness
45% Popularity • 50% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 72% Positiveness
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Amilcare Ponchielli
Dance of the Hours from Act III of "La G...
130 bpm • E Maj • 10:20 • -17.77db
25% Popularity • 34% Danceability • 12% Energy • 6% Liveness
21% Instrumentalness • 16% Positiveness
25% Popularity • 34% Danceability • 12% Energy • 6% Liveness
21% Instrumentalness • 16% Positiveness
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Aaron Copland
Rodeo: No. 1, Buckaroo Holiday
131 bpm • F Maj • 07:11 • -18.87db
15% Popularity • 44% Danceability • 18% Energy • 7% Liveness
89% Instrumentalness • 22% Positiveness
15% Popularity • 44% Danceability • 18% Energy • 7% Liveness
89% Instrumentalness • 22% Positiveness
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Igor Stravinsky
Scherzo a la russe (original Jazz band v...
130 bpm • G Maj • 03:37 • -16.76db
23% Popularity • 58% Danceability • 29% Energy • 5% Liveness
88% Instrumentalness • 19% Positiveness
23% Popularity • 58% Danceability • 29% Energy • 5% Liveness
88% Instrumentalness • 19% Positiveness
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AntonÃn Dvořák
Symphony No. 8 in G Minor, Op. 88, B. 16...
130 bpm • G Maj • 06:59 • -25db
33% Popularity • 22% Danceability • 6% Energy • 34% Liveness
75% Instrumentalness • 29% Positiveness
33% Popularity • 22% Danceability • 6% Energy • 34% Liveness
75% Instrumentalness • 29% Positiveness
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Malcolm Arnold
English Dances, Set 1, Op. 27: No. 3. Me...
132 bpm • A min • 02:25 • -31.79db
4% Popularity • 16% Danceability • 4% Energy • 6% Liveness
73% Instrumentalness • 3% Positiveness
4% Popularity • 16% Danceability • 4% Energy • 6% Liveness
73% Instrumentalness • 3% Positiveness
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Camille Saint-Saëns
Bacchanale
145 bpm • D min • 06:27 • -19.76db
33% Popularity • 20% Danceability • 22% Energy • 8% Liveness
23% Instrumentalness • 14% Positiveness
33% Popularity • 20% Danceability • 22% Energy • 8% Liveness
23% Instrumentalness • 14% Positiveness
► Preview
Aram Khachaturian
Spartacus: Adagio of Spartacus and Phryg...
129 bpm • G# Maj • 09:09 • -22.37db
30% Popularity • 17% Danceability • 8% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
30% Popularity • 17% Danceability • 8% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
Joseph Haydn
Haydn: Trumpet Concerto In E Flat - Iii ...
145 bpm • D# Maj • 04:25 • -17.45db
39% Popularity • 40% Danceability • 16% Energy • 7% Liveness
88% Instrumentalness • 42% Positiveness
39% Popularity • 40% Danceability • 16% Energy • 7% Liveness
88% Instrumentalness • 42% Positiveness
► Preview
Sergei Rachmaninoff
Symphony No. 2: II. Allegro molto
146 bpm • F Maj • 09:49 • -26db
32% Popularity • 27% Danceability • 10% Energy • 22% Liveness
87% Instrumentalness • 13% Positiveness
32% Popularity • 27% Danceability • 10% Energy • 22% Liveness
87% Instrumentalness • 13% Positiveness
► Preview
AntonÃn Dvořák
Carnival Overture, Op. 92
145 bpm • D Maj • 08:49 • -15db
23% Popularity • 24% Danceability • 34% Energy • 35% Liveness
72% Instrumentalness • 19% Positiveness
23% Popularity • 24% Danceability • 34% Energy • 35% Liveness
72% Instrumentalness • 19% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Capriccio espagnol, Op. 34: III. Alborad...
128 bpm • A# Maj • 01:11 • -15db
38% Popularity • 46% Danceability • 31% Energy • 21% Liveness
31% Instrumentalness • 67% Positiveness
38% Popularity • 46% Danceability • 31% Energy • 21% Liveness
31% Instrumentalness • 67% Positiveness
► Preview
Malcolm Arnold
4 Irish Dances, Op. 126: No. 4. Vivace
132 bpm • A min • 02:06 • -24.85db
2% Popularity • 34% Danceability • 1% Energy • 17% Liveness
89% Instrumentalness • 20% Positiveness
2% Popularity • 34% Danceability • 1% Energy • 17% Liveness
89% Instrumentalness • 20% Positiveness
► Preview
Gustav Holst
Second Suite in F Major, Op. 28 No. 2, H...
146 bpm • F Maj • 03:11 • -19db
32% Popularity • 25% Danceability • 12% Energy • 12% Liveness
94% Instrumentalness • 22% Positiveness
32% Popularity • 25% Danceability • 12% Energy • 12% Liveness
94% Instrumentalness • 22% Positiveness
► Preview
Joseph Haydn
Trumpet Concerto in E-Flat Major, Hob. V...
146 bpm • D# Maj • 04:28 • -20db
22% Popularity • 42% Danceability • 16% Energy • 5% Liveness
80% Instrumentalness • 38% Positiveness
22% Popularity • 42% Danceability • 16% Energy • 5% Liveness
80% Instrumentalness • 38% Positiveness
► Preview
Leonard Bernstein
Slava!
146 bpm • C min • 03:28 • -16.5db
25% Popularity • 55% Danceability • 29% Energy • 26% Liveness
4% Instrumentalness • 22% Positiveness
25% Popularity • 55% Danceability • 29% Energy • 26% Liveness
4% Instrumentalness • 22% Positiveness
► Preview
Manuel de Falla
Falla: 7 Canciones populares españolas:...
128 bpm • E Maj • 02:41 • -20.62db
12% Popularity • 38% Danceability • 9% Energy • 9% Liveness
89% Instrumentalness • 28% Positiveness
12% Popularity • 38% Danceability • 9% Energy • 9% Liveness
89% Instrumentalness • 28% Positiveness
► Preview
Alfred Reed
Armenian Dances: Part II: I. Hov Arek
128 bpm • A min • 04:19 • -22db
20% Popularity • 17% Danceability • 12% Energy • 16% Liveness
91% Instrumentalness • 11% Positiveness
20% Popularity • 17% Danceability • 12% Energy • 16% Liveness
91% Instrumentalness • 11% Positiveness
► Preview
Malcolm Arnold
4 Scottish Dances, Op. 59: No. 2. Vivace
143 bpm • G min • 02:08 • -27.97db
6% Popularity • 41% Danceability • 7% Energy • 14% Liveness
88% Instrumentalness • 23% Positiveness
6% Popularity • 41% Danceability • 7% Energy • 14% Liveness
88% Instrumentalness • 23% Positiveness
► Preview
United States Marine Band
Overture To Candide
147 bpm • A# Maj • 04:22 • -21db
22% Popularity • 36% Danceability • 18% Energy • 18% Liveness
40% Instrumentalness • 40% Positiveness
22% Popularity • 36% Danceability • 18% Energy • 18% Liveness
40% Instrumentalness • 40% Positiveness
► Preview
Ottorino Respighi
Suite No. 1, P. 109: I. Balletto Detto '...
127 bpm • D Maj • 02:59 • -22.83db
27% Popularity • 37% Danceability • 3% Energy • 5% Liveness
91% Instrumentalness • 26% Positiveness
27% Popularity • 37% Danceability • 3% Energy • 5% Liveness
91% Instrumentalness • 26% Positiveness
► Preview
Gustav Holst
Brook Green Suite: II. Air
127 bpm • F Maj • 02:05 • -22.64db
53% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
53% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
► Preview
Modest Mussorgsky
Sorochintsi Fair, Act I: Gopak (Hopak)
127 bpm • G Maj • 01:49 • -16.84db
47% Popularity • 49% Danceability • 22% Energy • 30% Liveness
67% Instrumentalness • 45% Positiveness
47% Popularity • 49% Danceability • 22% Energy • 30% Liveness
67% Instrumentalness • 45% Positiveness
► Preview
Ronald Binge
Scottish Rhapsody
127 bpm • G Maj • 06:26 • -22.64db
10% Popularity • 31% Danceability • 11% Energy • 5% Liveness
95% Instrumentalness • 20% Positiveness
10% Popularity • 31% Danceability • 11% Energy • 5% Liveness
95% Instrumentalness • 20% Positiveness
► Preview
Malcolm Arnold
English Dances, Set 2, Op. 33: No. 4. Gi...
131 bpm • F Maj • 02:12 • -16.28db
4% Popularity • 31% Danceability • 37% Energy • 32% Liveness
82% Instrumentalness • 38% Positiveness
4% Popularity • 31% Danceability • 37% Energy • 32% Liveness
82% Instrumentalness • 38% Positiveness
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Anonymous
Lisbon "Dublin Bay"
127 bpm • D# Maj • 01:19 • -19.08db
19% Popularity • 38% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
19% Popularity • 38% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
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Léo Delibes
Sylvia: Act III: Divertissement: Pizzica...
127 bpm • D# Maj • 02:13 • -41.14db
44% Popularity • 38% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 24% Positiveness
44% Popularity • 38% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 24% Positiveness
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John P. Paynter
4 Scottish Dances, Op. 59: No. 2. Vivace
148 bpm • G min • 02:22 • -20db
2% Popularity • 49% Danceability • 15% Energy • 20% Liveness
90% Instrumentalness • 24% Positiveness
2% Popularity • 49% Danceability • 15% Energy • 20% Liveness
90% Instrumentalness • 24% Positiveness
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Leonard Bernstein
Candide, Act I: Overture
148 bpm • A# Maj • 04:29 • -10.62db
22% Popularity • 32% Danceability • 45% Energy • 14% Liveness
38% Instrumentalness • 36% Positiveness
22% Popularity • 32% Danceability • 45% Energy • 14% Liveness
38% Instrumentalness • 36% Positiveness
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Maurice Ravel
String Quartet in F Major: II. Assez vif...
148 bpm • C Maj • 06:32 • -27db
27% Popularity • 29% Danceability • 5% Energy • 9% Liveness
54% Instrumentalness • 11% Positiveness
27% Popularity • 29% Danceability • 5% Energy • 9% Liveness
54% Instrumentalness • 11% Positiveness
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Malcolm Arnold
4 Welsh Dances, Op. 138: No. 3. Vivace
145 bpm • E min • 02:08 • -26.29db
1% Popularity • 34% Danceability • 5% Energy • 38% Liveness
75% Instrumentalness • 7% Positiveness
1% Popularity • 34% Danceability • 5% Energy • 38% Liveness
75% Instrumentalness • 7% Positiveness
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William Grant Still
Symphony No. 1, "Afro-American": III. Hu...
127 bpm • G# Maj • 03:16 • -17.72db
21% Popularity • 48% Danceability • 22% Energy • 7% Liveness
95% Instrumentalness • 55% Positiveness
21% Popularity • 48% Danceability • 22% Energy • 7% Liveness
95% Instrumentalness • 55% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14: Marche au...
148 bpm • A# Maj • 07:11 • -17.76db
43% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
43% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
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John P. Paynter
Little Suite No. 1, Op. 53 (arr. J. Payn...
126 bpm • D# Maj • 03:32 • -25.02db
0% Popularity • 17% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
0% Popularity • 17% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Spanish Capriccio in A Major, Op. 34: II...
126 bpm • A# Maj • 01:13 • -21.83db
51% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
51% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
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Reinhold Glière
Russian Sailors Dance
149 bpm • C min • 03:57 • -9.87db
11% Popularity • 42% Danceability • 38% Energy • 9% Liveness
39% Instrumentalness • 44% Positiveness
11% Popularity • 42% Danceability • 38% Energy • 9% Liveness
39% Instrumentalness • 44% Positiveness
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Malcolm Arnold
Three Shanties for Wind Quintet, Op. 4: ...
148 bpm • D min • 02:20 • -20.82db
6% Popularity • 41% Danceability • 11% Energy • 7% Liveness
94% Instrumentalness • 10% Positiveness
6% Popularity • 41% Danceability • 11% Energy • 7% Liveness
94% Instrumentalness • 10% Positiveness
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William Walton
Henry V (adapted by Christopher Palmer):...
150 bpm • C Maj • 01:28 • -46db
19% Popularity • 12% Danceability • 0% Energy • 6% Liveness
84% Instrumentalness • 8% Positiveness
19% Popularity • 12% Danceability • 0% Energy • 6% Liveness
84% Instrumentalness • 8% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
125 bpm • E min • 09:41 • -19.15db
44% Popularity • 25% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
44% Popularity • 25% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: IV. March "Folk...
125 bpm • A# Maj • 03:44 • -17.83db
19% Popularity • 62% Danceability • 23% Energy • 12% Liveness
96% Instrumentalness • 67% Positiveness
19% Popularity • 62% Danceability • 23% Energy • 12% Liveness
96% Instrumentalness • 67% Positiveness
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John P. Paynter
Little Suite No. 1, Op. 53 (arr. J. Payn...
125 bpm • A# Maj • 01:49 • -19.15db
0% Popularity • 42% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
0% Popularity • 42% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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Ferdinand David
Trombone Concertino in E-Flat Major, Op....
124 bpm • D# Maj • 07:47 • -21.69db
20% Popularity • 31% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
20% Popularity • 31% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
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Malcolm Arnold
Three Shanties for Wind Quintet, Op. 4 (...
126 bpm • D min • 02:26 • -21.99db
2% Popularity • 43% Danceability • 8% Energy • 10% Liveness
83% Instrumentalness • 10% Positiveness
2% Popularity • 43% Danceability • 8% Energy • 10% Liveness
83% Instrumentalness • 10% Positiveness
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Paul Reade
Suite from The Victorian Kitchen Garden:...
124 bpm • F min • 01:05 • -34db
18% Popularity • 48% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 57% Positiveness
18% Popularity • 48% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 57% Positiveness
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Benjamin Britten
Soirees musicales, Op. 9: I. March
124 bpm • A# Maj • 01:27 • -24db
44% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
44% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
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Camille Saint-Saëns
Carnival of the Animals: XIII. The Swan
124 bpm • A min • 02:58 • -37.47db
34% Popularity • 17% Danceability • 1% Energy • 7% Liveness
41% Instrumentalness • 4% Positiveness
34% Popularity • 17% Danceability • 1% Energy • 7% Liveness
41% Instrumentalness • 4% Positiveness
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Gustav Holst
Brook Green Suite: I. Prelude
123 bpm • F Maj • 01:35 • -20db
50% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
50% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
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Gustav Mahler
Symphony No. 2 In C Minor - "Resurrectio...
152 bpm • B Maj • 01:03 • -18.33db
52% Popularity • 12% Danceability • 13% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
52% Popularity • 12% Danceability • 13% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
