Songs like Carnival of the Animals in G Major: Xiii. the Swan ( Le Cygne) by Bradley Joseph
Based on a tempo of (+/- 10%) and a similar genre
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Ballet L'école
New World Symphony for Ballet
85 bpm • C Maj • 01:23 • -22db
49% Popularity • 67% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 44% Positiveness
49% Popularity • 67% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 44% Positiveness
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Bradley Joseph
Carnival of the Animals in G Major: Xiii...
85 bpm • G Maj • 02:58 • -20.39db
41% Popularity • 40% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
41% Popularity • 40% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
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Piano Joe
The Wedding March: Short
84 bpm • C Maj • 01:29 • -19db
26% Popularity • 41% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 32% Positiveness
26% Popularity • 41% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 32% Positiveness
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Pascua Duet
Saving Hope
84 bpm • E Maj • 02:29 • -23db
23% Popularity • 23% Danceability • 4% Energy • 9% Liveness
77% Instrumentalness • 4% Positiveness
23% Popularity • 23% Danceability • 4% Energy • 9% Liveness
77% Instrumentalness • 4% Positiveness
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Moldan Sevoni
Amapola
84 bpm • D# Maj • 01:53 • -16.89db
36% Popularity • 62% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 31% Positiveness
36% Popularity • 62% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 31% Positiveness
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Steven Anderson
Now I Lay Me Down to Sleep
84 bpm • C Maj • 03:23 • -20.23db
20% Popularity • 47% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 18% Positiveness
20% Popularity • 47% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 18% Positiveness
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Jason Farnham
When (Lisa's Untitled)
84 bpm • F# Maj • 04:54 • -15db
27% Popularity • 33% Danceability • 28% Energy • 9% Liveness
93% Instrumentalness • 11% Positiveness
27% Popularity • 33% Danceability • 28% Energy • 9% Liveness
93% Instrumentalness • 11% Positiveness
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Stan Whitmire
Think Of Me
84 bpm • D# Maj • 04:03 • -17.86db
34% Popularity • 36% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
34% Popularity • 36% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
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Richard D. James
Avril 14th
83 bpm • G# Maj • 01:50 • -19.07db
21% Popularity • 40% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 20% Positiveness
21% Popularity • 40% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 20% Positiveness
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Arthur Byron
Piano Background
83 bpm • C# Maj • 01:27 • -25.74db
25% Popularity • 39% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 28% Positiveness
25% Popularity • 39% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 28% Positiveness
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Rusty Hudelson
Killing Me Softly
83 bpm • D min • 02:47 • -16db
17% Popularity • 45% Danceability • 16% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
17% Popularity • 45% Danceability • 16% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
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Tami Briggs
Shenandoah
82 bpm • F Maj • 04:26 • -28.03db
6% Popularity • 26% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 5% Positiveness
6% Popularity • 26% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 5% Positiveness
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William Rhapsody
Letting the World Go By - For Restful Th...
82 bpm • A Maj • 03:00 • -19.23db
13% Popularity • 41% Danceability • 19% Energy • 10% Liveness
88% Instrumentalness • 17% Positiveness
13% Popularity • 41% Danceability • 19% Energy • 10% Liveness
88% Instrumentalness • 17% Positiveness
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Air and Simple Gifts
Brahms' Lullaby
88 bpm • D# Maj • 01:10 • -14.7db
24% Popularity • 61% Danceability • 14% Energy • 10% Liveness
96% Instrumentalness • 64% Positiveness
24% Popularity • 61% Danceability • 14% Energy • 10% Liveness
96% Instrumentalness • 64% Positiveness
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Frédéric Chopin
Nocturne in E-Flat Major, Op. 9, No. 2
82 bpm • A# Maj • 05:21 • -23.77db
18% Popularity • 40% Danceability • 3% Energy • 14% Liveness
94% Instrumentalness • 9% Positiveness
18% Popularity • 40% Danceability • 3% Energy • 14% Liveness
94% Instrumentalness • 9% Positiveness
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Bradley Joseph
The Road Ahead
82 bpm • G Maj • 05:06 • -23.04db
32% Popularity • 47% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
32% Popularity • 47% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
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Royal Wedding Orchestra
Candlelight Waltz Wedding Love Songs
82 bpm • F Maj • 01:52 • -23db
27% Popularity • 45% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
27% Popularity • 45% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
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James Todd
Quiet Beauty
89 bpm • G Maj • 06:25 • -15.96db
29% Popularity • 14% Danceability • 16% Energy • 13% Liveness
86% Instrumentalness • 17% Positiveness
29% Popularity • 14% Danceability • 16% Energy • 13% Liveness
86% Instrumentalness • 17% Positiveness
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Albert Sonstag
Bach Aria
81 bpm • D min • 02:26 • -22.78db
35% Popularity • 35% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 24% Positiveness
35% Popularity • 35% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 24% Positiveness
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Fiona Joy Hawkins
Thinking of You (Remastered)
89 bpm • C Maj • 03:39 • -15.46db
35% Popularity • 29% Danceability • 19% Energy • 13% Liveness
90% Instrumentalness • 14% Positiveness
35% Popularity • 29% Danceability • 19% Energy • 13% Liveness
90% Instrumentalness • 14% Positiveness
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Steve Hall & Mary Beth Carlson
Ashokan Farewell
81 bpm • D Maj • 03:17 • -22.83db
13% Popularity • 42% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 15% Positiveness
13% Popularity • 42% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 15% Positiveness
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Bradley Joseph
We've Only Just Begun
82 bpm • A Maj • 05:00 • -13.61db
11% Popularity • 55% Danceability • 28% Energy • 14% Liveness
83% Instrumentalness • 22% Positiveness
11% Popularity • 55% Danceability • 28% Energy • 14% Liveness
83% Instrumentalness • 22% Positiveness
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Anna Bennigh
All The Pretty Horses
81 bpm • E min • 02:34 • -25db
33% Popularity • 46% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 53% Positiveness
33% Popularity • 46% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 53% Positiveness
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Kevin Kern
We Should Waltz
81 bpm • E Maj • 06:07 • -23db
37% Popularity • 44% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 19% Positiveness
37% Popularity • 44% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 19% Positiveness
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Laura Sullivan
Waltzing with Beethoven: Sonata Pathetiq...
81 bpm • D Maj • 04:23 • -17.1db
9% Popularity • 34% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 16% Positiveness
9% Popularity • 34% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 16% Positiveness
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Simplicity
Healing Music
81 bpm • C Maj • 02:59 • -18.49db
26% Popularity • 39% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 30% Positiveness
26% Popularity • 39% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 30% Positiveness
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The Aardvark
ANGELS ON THE SHORE
81 bpm • A min • 01:21 • -17.47db
37% Popularity • 63% Danceability • 17% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
37% Popularity • 63% Danceability • 17% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
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Bradley Joseph
Through Their Eyes
81 bpm • G Maj • 03:54 • -23.53db
21% Popularity • 64% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
21% Popularity • 64% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
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クラシックバレエ クラブ
Battements Fondu (バレエ 6/8)
81 bpm • A min • 01:27 • -17.13db
24% Popularity • 45% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 31% Positiveness
24% Popularity • 45% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 31% Positiveness
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Ann Sweeten
Where Butterflies Dance
90 bpm • C Maj • 05:26 • -19db
25% Popularity • 30% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 13% Positiveness
25% Popularity • 30% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 13% Positiveness
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Baby Lulu
Swan Lake
90 bpm • G min • 01:29 • -18db
56% Popularity • 80% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
56% Popularity • 80% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
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William Rhapsody
Understanding Life - Relaxing Piano Musi...
90 bpm • G Maj • 02:56 • -22db
23% Popularity • 69% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 23% Positiveness
23% Popularity • 69% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 23% Positiveness
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Vitor Mendo
Theme From Schindler's List
90 bpm • B min • 02:17 • -25db
39% Popularity • 67% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 12% Positiveness
39% Popularity • 67% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 12% Positiveness
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Bradley Joseph
My Funny Valentine
81 bpm • D# Maj • 04:38 • -19.95db
9% Popularity • 44% Danceability • 11% Energy • 14% Liveness
88% Instrumentalness • 10% Positiveness
9% Popularity • 44% Danceability • 11% Energy • 14% Liveness
88% Instrumentalness • 10% Positiveness
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Giovanni Tornambene
Immobili movimenti
80 bpm • E min • 02:20 • -16.33db
13% Popularity • 48% Danceability • 7% Energy • 25% Liveness
94% Instrumentalness • 27% Positiveness
13% Popularity • 48% Danceability • 7% Energy • 25% Liveness
94% Instrumentalness • 27% Positiveness
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Moods
Divine Spa
80 bpm • C Maj • 01:38 • -22.04db
41% Popularity • 37% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 52% Positiveness
41% Popularity • 37% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 52% Positiveness
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The Piano Guys
Just the Way You Are
91 bpm • E Maj • 04:22 • -18.62db
53% Popularity • 38% Danceability • 7% Energy • 8% Liveness
92% Instrumentalness • 19% Positiveness
53% Popularity • 38% Danceability • 7% Energy • 8% Liveness
92% Instrumentalness • 19% Positiveness
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Frédéric Chopin
Nocturne in D-Flat Major, Op. 27
91 bpm • C# Maj • 05:51 • -22.73db
15% Popularity • 35% Danceability • 6% Energy • 15% Liveness
92% Instrumentalness • 6% Positiveness
15% Popularity • 35% Danceability • 6% Energy • 15% Liveness
92% Instrumentalness • 6% Positiveness
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Fiona Joy Hawkins
Love Forever (Remastered)
91 bpm • D Maj • 04:26 • -15.85db
28% Popularity • 26% Danceability • 11% Energy • 15% Liveness
91% Instrumentalness • 16% Positiveness
28% Popularity • 26% Danceability • 11% Energy • 15% Liveness
91% Instrumentalness • 16% Positiveness
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Bae Bee
Edelweiss
79 bpm • A# Maj • 02:34 • -28.95db
56% Popularity • 47% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 60% Positiveness
56% Popularity • 47% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 60% Positiveness
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Stephan Beneking
Nocturne No. 1 in C Major
91 bpm • C Maj • 00:56 • -25.25db
39% Popularity • 52% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
39% Popularity • 52% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
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Jason Farnham
Dream Of A Distant Sea
79 bpm • C min • 04:51 • -11db
17% Popularity • 46% Danceability • 74% Energy • 36% Liveness
69% Instrumentalness • 42% Positiveness
17% Popularity • 46% Danceability • 74% Energy • 36% Liveness
69% Instrumentalness • 42% Positiveness
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Jane Leslie
Golden Memories
79 bpm • C Maj • 02:36 • -24.73db
33% Popularity • 30% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
33% Popularity • 30% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
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Stuart Buck
Sleep, Baby, Sleep
79 bpm • D Maj • 02:16 • -28.82db
34% Popularity • 53% Danceability • 2% Energy • 12% Liveness
76% Instrumentalness • 12% Positiveness
34% Popularity • 53% Danceability • 2% Energy • 12% Liveness
76% Instrumentalness • 12% Positiveness
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Mounia Abraham
When You Wish Upon a Star
79 bpm • E Maj • 02:41 • -18.9db
50% Popularity • 66% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 26% Positiveness
50% Popularity • 66% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 26% Positiveness
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Bradley Joseph
Moon River
92 bpm • C Maj • 05:10 • -20.36db
32% Popularity • 48% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
32% Popularity • 48% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
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Joe Bongiorno
Walk With Me
78 bpm • D Maj • 05:29 • -23.09db
29% Popularity • 30% Danceability • 9% Energy • 7% Liveness
90% Instrumentalness • 19% Positiveness
29% Popularity • 30% Danceability • 9% Energy • 7% Liveness
90% Instrumentalness • 19% Positiveness
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Jason Farnham
Soundtrack for Ballet
92 bpm • D Maj • 03:18 • -15db
31% Popularity • 33% Danceability • 24% Energy • 9% Liveness
86% Instrumentalness • 15% Positiveness
31% Popularity • 33% Danceability • 24% Energy • 9% Liveness
86% Instrumentalness • 15% Positiveness
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Attila Fias
True Colors - Piano Instrumental
78 bpm • C Maj • 03:37 • -18.43db
39% Popularity • 48% Danceability • 19% Energy • 12% Liveness
85% Instrumentalness • 27% Positiveness
39% Popularity • 48% Danceability • 19% Energy • 12% Liveness
85% Instrumentalness • 27% Positiveness
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Yiruma
Love Me
78 bpm • F Maj • 03:52 • -19.63db
26% Popularity • 54% Danceability • 14% Energy • 9% Liveness
87% Instrumentalness • 28% Positiveness
26% Popularity • 54% Danceability • 14% Energy • 9% Liveness
87% Instrumentalness • 28% Positiveness
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David Lanz
Return To The Heart
92 bpm • A Maj • 03:20 • -21db
40% Popularity • 47% Danceability • 9% Energy • 6% Liveness
92% Instrumentalness • 14% Positiveness
40% Popularity • 47% Danceability • 9% Energy • 6% Liveness
92% Instrumentalness • 14% Positiveness
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Konrad Kono
Pachabel Canon
78 bpm • D Maj • 04:30 • -19.48db
32% Popularity • 25% Danceability • 24% Energy • 9% Liveness
85% Instrumentalness • 12% Positiveness
32% Popularity • 25% Danceability • 24% Energy • 9% Liveness
85% Instrumentalness • 12% Positiveness
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Joshua Chadney
Mercury
93 bpm • F# min • 02:07 • -21db
13% Popularity • 39% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 31% Positiveness
13% Popularity • 39% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 31% Positiveness
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Moods
Spa
93 bpm • C Maj • 02:12 • -18db
42% Popularity • 42% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 12% Positiveness
42% Popularity • 42% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 12% Positiveness
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Bradley Joseph
Suite for Solo Cello (On Piano) in G Maj...
93 bpm • G Maj • 04:30 • -30db
31% Popularity • 19% Danceability • 18% Energy • 11% Liveness
82% Instrumentalness • 12% Positiveness
31% Popularity • 19% Danceability • 18% Energy • 11% Liveness
82% Instrumentalness • 12% Positiveness
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Mini
Dream reality imagination
78 bpm • F# Maj • 01:34 • -20.87db
20% Popularity • 61% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 71% Positiveness
20% Popularity • 61% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 71% Positiveness
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Jason Farnham
Silver Purity
93 bpm • A# min • 03:21 • -18db
27% Popularity • 37% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
27% Popularity • 37% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Mira Sorrenti
Unforgettable
78 bpm • B Maj • 03:41 • -20db
33% Popularity • 48% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
33% Popularity • 48% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
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Marston Smith
Over the Rainbow
78 bpm • D# Maj • 02:25 • -19.43db
18% Popularity • 27% Danceability • 7% Energy • 16% Liveness
86% Instrumentalness • 23% Positiveness
18% Popularity • 27% Danceability • 7% Energy • 16% Liveness
86% Instrumentalness • 23% Positiveness
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Yiruma
Dream A Little Dream Of Me
78 bpm • C Maj • 02:12 • -23.05db
41% Popularity • 32% Danceability • 9% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
41% Popularity • 32% Danceability • 9% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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Ballet L'école
Slow Tendu - Pachelbel's Canon In D Ball...
78 bpm • D Maj • 02:44 • -22db
44% Popularity • 44% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 20% Positiveness
44% Popularity • 44% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 20% Positiveness
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The Aardvark
Auld Lang Syne
93 bpm • F Maj • 01:34 • -16.55db
43% Popularity • 42% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 26% Positiveness
43% Popularity • 42% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 26% Positiveness
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Kevin Kern
In My Life
78 bpm • F Maj • 03:26 • -13.5db
28% Popularity • 46% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
28% Popularity • 46% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
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RW 落ち着いたピアノ
リラックス モード
77 bpm • A min • 03:57 • -23.82db
13% Popularity • 37% Danceability • 4% Energy • 8% Liveness
91% Instrumentalness • 15% Positiveness
13% Popularity • 37% Danceability • 4% Energy • 8% Liveness
91% Instrumentalness • 15% Positiveness
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Bevlyn Khoo
August
77 bpm • D# Maj • 03:46 • -10.24db
18% Popularity • 54% Danceability • 31% Energy • 8% Liveness
86% Instrumentalness • 12% Positiveness
18% Popularity • 54% Danceability • 31% Energy • 8% Liveness
86% Instrumentalness • 12% Positiveness
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Bradley Joseph
Piano Sonata in C Major, No. 16, K. 545:...
94 bpm • G Maj • 07:30 • -20.82db
31% Popularity • 34% Danceability • 25% Energy • 10% Liveness
91% Instrumentalness • 30% Positiveness
31% Popularity • 34% Danceability • 25% Energy • 10% Liveness
91% Instrumentalness • 30% Positiveness
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William Rhapsody
Tentative Approach - For Calm and Peacef...
94 bpm • D min • 01:31 • -20db
37% Popularity • 51% Danceability • 23% Energy • 9% Liveness
86% Instrumentalness • 91% Positiveness
37% Popularity • 51% Danceability • 23% Energy • 9% Liveness
86% Instrumentalness • 91% Positiveness
► Preview
Piotr Chelique
Wiegenlied, OP. 49, No. 4, "Brahm's Lull...
77 bpm • D# Maj • 01:30 • -20.21db
43% Popularity • 65% Danceability • 5% Energy • 12% Liveness
96% Instrumentalness • 22% Positiveness
43% Popularity • 65% Danceability • 5% Energy • 12% Liveness
96% Instrumentalness • 22% Positiveness
► Preview
Moldan Sevoni
Cavatina
77 bpm • D# Maj • 02:41 • -16.76db
35% Popularity • 55% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 34% Positiveness
35% Popularity • 55% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 34% Positiveness
► Preview
Yiruma
Love Me
77 bpm • F Maj • 04:05 • -21.67db
49% Popularity • 41% Danceability • 25% Energy • 9% Liveness
93% Instrumentalness • 26% Positiveness
49% Popularity • 41% Danceability • 25% Energy • 9% Liveness
93% Instrumentalness • 26% Positiveness
► Preview
Pianopassion
Sonata no. 11 - andante grazioso
94 bpm • A Maj • 02:37 • -29db
22% Popularity • 52% Danceability • 1% Energy • 13% Liveness
96% Instrumentalness • 59% Positiveness
22% Popularity • 52% Danceability • 1% Energy • 13% Liveness
96% Instrumentalness • 59% Positiveness
► Preview
The Harpeurs
Concerto for Clarinet in Bb - Harp Versi...
94 bpm • E Maj • 02:53 • -19.21db
32% Popularity • 85% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 34% Positiveness
32% Popularity • 85% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 34% Positiveness
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Imagine
Forever and Ever
94 bpm • E Maj • 04:56 • -16.28db
24% Popularity • 62% Danceability • 27% Energy • 11% Liveness
94% Instrumentalness • 23% Positiveness
24% Popularity • 62% Danceability • 27% Energy • 11% Liveness
94% Instrumentalness • 23% Positiveness
► Preview
Slobodan Pilic
Pavane Pour Une Infante Défunte
94 bpm • G min • 02:23 • -21.06db
30% Popularity • 67% Danceability • 7% Energy • 12% Liveness
94% Instrumentalness • 31% Positiveness
30% Popularity • 67% Danceability • 7% Energy • 12% Liveness
94% Instrumentalness • 31% Positiveness
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William Rhapsody
Positive Hearts
76 bpm • D# Maj • 04:42 • -16.7db
12% Popularity • 46% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
12% Popularity • 46% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
► Preview
Steven Anderson
Softly and Tenderly
95 bpm • G# Maj • 02:26 • -21.13db
25% Popularity • 38% Danceability • 5% Energy • 15% Liveness
88% Instrumentalness • 21% Positiveness
25% Popularity • 38% Danceability • 5% Energy • 15% Liveness
88% Instrumentalness • 21% Positiveness
► Preview
Pianoramix
Dawn
76 bpm • C Maj • 02:32 • -20.14db
24% Popularity • 28% Danceability • 10% Energy • 8% Liveness
91% Instrumentalness • 20% Positiveness
24% Popularity • 28% Danceability • 10% Energy • 8% Liveness
91% Instrumentalness • 20% Positiveness
► Preview
Jeremy Ng
Beauty And The Beast from Disney's Beaut...
76 bpm • G Maj • 04:28 • -21db
39% Popularity • 36% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
39% Popularity • 36% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
► Preview
Joe Bongiorno
Melancholy Morning
95 bpm • D min • 06:23 • -22.81db
29% Popularity • 31% Danceability • 6% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
29% Popularity • 31% Danceability • 6% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Yiruma
Piano - Replayed Version
76 bpm • C# min • 02:30 • -24.73db
43% Popularity • 57% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 16% Positiveness
43% Popularity • 57% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 16% Positiveness
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William Rhapsody
Understanding My Life
76 bpm • D min • 02:33 • -22db
17% Popularity • 29% Danceability • 11% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
17% Popularity • 29% Danceability • 11% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Isaac Shepard
Completely Yours
76 bpm • E Maj • 02:29 • -27.8db
49% Popularity • 31% Danceability • 2% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
49% Popularity • 31% Danceability • 2% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
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Jane Leslie
Peaceful Dawn
95 bpm • G Maj • 03:18 • -24.4db
32% Popularity • 55% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 29% Positiveness
32% Popularity • 55% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 29% Positiveness
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Bradley Joseph
The Poetry Room
76 bpm • B Maj • 03:27 • -18.75db
22% Popularity • 37% Danceability • 6% Energy • 13% Liveness
90% Instrumentalness • 15% Positiveness
22% Popularity • 37% Danceability • 6% Energy • 13% Liveness
90% Instrumentalness • 15% Positiveness
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Laura Sullivan
The Princess Dance
76 bpm • D Maj • 03:11 • -16.57db
14% Popularity • 35% Danceability • 17% Energy • 10% Liveness
87% Instrumentalness • 34% Positiveness
14% Popularity • 35% Danceability • 17% Energy • 10% Liveness
87% Instrumentalness • 34% Positiveness
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Michael Allen Harrison
New Friend
95 bpm • A# Maj • 05:02 • -25.96db
30% Popularity • 39% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
30% Popularity • 39% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Christine Brown
Bridge of Grace
76 bpm • A# Maj • 05:35 • -20.6db
22% Popularity • 40% Danceability • 11% Energy • 11% Liveness
83% Instrumentalness • 12% Positiveness
22% Popularity • 40% Danceability • 11% Energy • 11% Liveness
83% Instrumentalness • 12% Positiveness
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Stan Whitmire
Don't Cry For Me, Argentina
75 bpm • C Maj • 03:22 • -17.53db
11% Popularity • 34% Danceability • 13% Energy • 12% Liveness
88% Instrumentalness • 7% Positiveness
11% Popularity • 34% Danceability • 13% Energy • 12% Liveness
88% Instrumentalness • 7% Positiveness
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Simplicity
Meditation Music
96 bpm • F Maj • 02:52 • -20db
39% Popularity • 50% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 28% Positiveness
39% Popularity • 50% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 28% Positiveness
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Bradley Joseph
Song Without Words in G Major, Op. 62: N...
76 bpm • G Maj • 04:42 • -23db
31% Popularity • 33% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 28% Positiveness
31% Popularity • 33% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 28% Positiveness
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Tami Briggs
Calm as the Night
75 bpm • D# Maj • 10:13 • -27.62db
13% Popularity • 43% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 20% Positiveness
13% Popularity • 43% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 20% Positiveness
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The Violin Sisters
Air on a G String
96 bpm • D Maj • 02:17 • -11.16db
36% Popularity • 19% Danceability • 22% Energy • 16% Liveness
7% Instrumentalness • 15% Positiveness
36% Popularity • 19% Danceability • 22% Energy • 16% Liveness
7% Instrumentalness • 15% Positiveness
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Jane Leslie
Cherished Times
96 bpm • F# min • 03:08 • -24.68db
42% Popularity • 36% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 19% Positiveness
42% Popularity • 36% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 19% Positiveness
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Ann Sweeten
Ashes
96 bpm • C Maj • 03:18 • -18.42db
19% Popularity • 36% Danceability • 16% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
19% Popularity • 36% Danceability • 16% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
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Slobodan Pilic
Flute Quartet No. 1 - Harp Version
96 bpm • F# min • 02:57 • -18.26db
32% Popularity • 81% Danceability • 22% Energy • 10% Liveness
95% Instrumentalness • 40% Positiveness
32% Popularity • 81% Danceability • 22% Energy • 10% Liveness
95% Instrumentalness • 40% Positiveness
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Bradley Joseph
Love Remains
96 bpm • A# Maj • 01:59 • -19.7db
32% Popularity • 42% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
32% Popularity • 42% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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Laura Silberberg
Claire de Lune
96 bpm • C# Maj • 04:00 • -22.61db
32% Popularity • 45% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 13% Positiveness
32% Popularity • 45% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 13% Positiveness
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Ballet L'école
Opéra Ballet
75 bpm • G Maj • 02:30 • -15.18db
28% Popularity • 49% Danceability • 8% Energy • 17% Liveness
90% Instrumentalness • 32% Positiveness
28% Popularity • 49% Danceability • 8% Energy • 17% Liveness
90% Instrumentalness • 32% Positiveness
